“THE THREE MUSKETEERS” (1993) Review
Alexandre Dumas’ classic 1844 novel, “The Three Musketeers” must have been one of the most adapted stories in film and television history. I do not know exactly how many adaptations have been filmed. But I have seen at least four of them – including Disney Studios’ version, released in 1993.
Directed by Stephen Herek, “THE THREE MUSKETEERS” is not a faithful adaptation of Dumas’ novel. David Loughery’s script utilized some elements of the novel, including most of the characters and d’Artagnan’s first meeting with his three friends and fellow musketeers. But in the end, he created his own story. In “THE THREE MUSKETEERS”, a young Gascon named d’Artagnan hopes to follow in the footsteps of his late father and join the King of France’s Musketeers in 1625 France. Unfortunately for d’Artagnan, several factors stand in his way. One, he makes an enemy out of a local aristocrat named Gerard and his brothers, who believe he has defiled the honor of their sister, and is pursued by them all the way to Paris. Two, upon his arrival in Paris, he discovers that the Musketeers have been disbanded by King Louis XIII’s chief minister, the power-hungry Cardinal Richelieu. And three, his encounters with Musketeers Athos, Aramis and Porthos results in him accepting a duel from each man.
Fortunately, d’Artagnan’s hostility toward the trio is short-lived and he ends up helping them battle Richelieu’s guards, who arrive to arrest Athos, Aramis and Porthos. But after they leave him, d’Artagnan is arrested by more guards and Richelieu’s lackey, Captain Rochefort. While in prison, he meets the Cardinal and overhears a conversation between the latter and spy Milady de Winter. She is ordered to deliver a signed treaty to France’s primary enemy, the Duke of Buckingham of England. Cardinal Richelieu plans to undermine the King’s authority, before assassinating him, taking the throne and Queen Anne as consort. When Athos, Aramis and Porthos rescue d’Artagnan from execution, the four men set out to expose Richelieu as a traitor of France and save King Louis XIII from death.
Fans of Dumas’ novel will probably be unhappy with this adaptation, considering that it failed to be a faithful one. I must admit that when I first saw “THE THREE MUSKETEERS”, I was surprised and a little disappointed myself. And there were a few aspects of the movie that I disliked. The addition of Gerard and his brothers into the story really annoyed me in the end. Mind you, I found the aristocrat’s determination to confront d’Artagnan at the beginning of the movie tolerable. But once d’Artagnan reached Paris, with Gerard still in hot pursuit, the subplot became an annoying running joke that refused to die. And it did not. I like Paul McGann as an actor . . . but not that much.
Even worse, McGann’s Gerard seemed to have more screen time than any of the major female characters. Although I never viewed Queen Anne as a “major character”, I felt otherwise about Milady de Winter and d’Artagnan’s lady love, Constance Bonacieux. I did not mind when Loughery’s script transformed Julie Delpy’s Constance from the Queen’s dressmaker to maid/companion. But I did mind that her role was reduced to a few cameo appearances. The same almost happened to Rebecca De Mornay’s portrayal of Milady de Winter. I personally found the reduction of the latter role rathercriminal. Milady has always been one of the best villains in literary history. And nearly every actress who has portrayed her, did justice to the role. I can say the same about De Mornay, who was excellent as Milady. Unfortunately, Loughery’s script gave her very few opportunities to strut her stuff.
Despite the change in Dumas’ story and the reduction in the females’ roles, I cannot deny that “THE THREE MUSKETEERS” proved to be a first-rate and entertaining movie. It had romance – well, a little of it. The best romance in the film proved to be the long simmering one between Athos and Milady, whose marriage had earlier ended in failure. And I found the one between d’Artagnan and Constance rather charming, if brief. The movie featured some great action, including a marvelous chase scene in which the Musketeers are being pursued by Rochefort and the Cardinal’s men; d’Artagnan’s first sword fight, in which he allied himself with the Musketeers; Milady de Winter’s capture at Calais; and especially the final fight sequence in which the Musketeers prevent Richelieu’s plans for the King’s assassination.
Tim Curry made an entertaining, yet splashy Cardinal Richelieu. He came close to being all over the map, yet he still managed to keep his performance controlled. And Michael Wincott’s sinister portrayal of Captain Rochefort was superb. Rebecca De Mornay was superb as Milady de Winter, despite the role being reduced. And her Milady has always struck me as the most complex in all of the adaptations. Julie Delpy and Gabrielle Anwar were charming as Constance and Queen Anne. I wish I could say the same about Hugh O’Connor as King Louis XIII, but I must admit that I was not that impressed. He was eighteen years old at the time and probably a little too young and stiff to be portraying the 24 year-old monarch.
But the highlight of “THE THREE MUSKETEERS” proved to be the four actors who portrayed d’Artagnan and his three friends – Athos, Aramis, and Porthos. They were perfect. Chris O’Donnell captured every aspect of d’Artagnan’s youthful personality – the earnestness, cockiness, and immaturity. Watching the movie made me realize that he has come a long way in the past nineteen years. And he had great chemistry with the three actors who portrayed the Musketeers. Kiefer Sutherland was perfect as the commanding, yet cynical and disillusioned Athos, who regretted ending his marriage to Milady. The producers of this film certainly picked the right man to portray the smooth-talking ladies’ man, Aramis. And whatever one might say about Charlie Sheen, he did a superb job in the role. Oliver Platt was a delight as the brash and extroverted Porthos. Quite frankly, he made a better figure for comic relief than McGann’s Gerard. However, the best thing about the four actors’ performances was that they all perfectly clicked as a screen team. All for one and one for all.
Yes, “THE THREE MUSKETEERS” was not perfect. What movie is? And it is certainly not the best adaptation of Alexandre Dumas’ novel. But I cannot deny that it was entertaining. And I have no regrets in purchasing a DVD copy of this film. If one can keep an open mind over the fact that it was not a close adaptation of the 1844 novel, I think it is possible to find it very enjoyable.
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