The Disappointment of “STAR TREK: PICARD” Season One Finale

THE DISAPPOINTMENT OF “STAR TREK: PICARD” SEASON ONE FINALE

The Season One finale for “STAR TREK: PICARD”, (1.10) “Et in Arcadia Ego, Part 2”, was such a disappointment to me. To be honest, I did not foresee my negative reaction. Yes, I will admit that the entire season was not perfect. But I still managed to enjoy it . . . until I saw the season finale. Let me be frank. I had several issues with it.

My first disappointment from “Et in Arcadia Ego, Part 2” proved to be the death of the synthetic individual known as Sutra. Despite being built up as a dangerous antagonist for retired Starfleet Admiral Jean-Luc Picard and his crew, her death proved to be so ridiculously anti-climatic that I found myself rolling my eyes. The moment Data’s creator, Dr. Noonian Soong, had discovered that she was responsible for the death of another synthetic and framed the Romulan spy Narek for it, he automatically shut her down. That was it. No conflict . . . nothing.

My second disappointment manifested in the appearances of both the Romulan and Starfleet fleets above the synthetics’ planet, Coppelius. Overdone much? I have not seen this many combatants appear for a single battle since Peter Jackson’s Tolkien films. Why did Starfleet Admiral (and Romulan mole) Oh sent such a large fleet of Romulan war birds against the planet? It was so unnecessary. And it made the ridiculously large fleet of Starfleet ships equally unnecessary to me. Which led me to another head scratcher . . . why was Will Riker in command of the Starfleet armada? Why? Aside from being a reservist officer, he had retired from full duty with Starfleet. Why would Starfleet send an reservist to a hot spot like Coppelius, when there were probably plenty of other competent on-duty commanders who could have led the armada to Coppelius?

My third disappointment was the fate of Dr. Agnes Jurati, a Daystrom Institute cyberneticist who had been recruited by Admiral Oh to spy on Picard. Why was she never turned over to Federation authority for the murder of her lover and fellow cyberneticist Dr. Bruce Maddox in (1.05) “Stardust City Rag”? She had confessed her crime to Picard and other members of the La Sierena crew, later in the season. Speaking of murder – did Picard and the others ever learn about the murder of black-marketeer Bjayzl at the hands of Seven-of-Nine, an ex-Borg and former member of the U.S.S. Voyager’s crew in the same episode? Seven had murdered her former lover for the torture and death of Seven’s protegee, ex-Borg and former Delta Quadrant resident, Icheb. If not, I can understand how she got away with murder. If Picard and the others had found out about Seven’s crime, why was she still free – like Agnes?

My fourth disappointment? Data’s death. Why was it necessary to relive his death in another STAR TREK production and in another setting? Was this scene all about Picard finally learning to accept his death? What made this ridiculous to me is that . . . Picard’s final acceptance of Data’s death had occurred within Picard’s consciousness following his own physical death. I mean . . . seriously? Besides, this entire scene was such a waste for me. I had learned to accept Data’s death after watching the 2002 movie, “STAR TREK: NEMESIS” for the first time.

My fifth disappointment? The Federation/Starfleet. The season had earlier hinted that the Federation was moving toward a less than ideal or less tolerant place. But this topic was never fully explored or exploited for that matter. And the showrunners reseted the organization’s status quo – much to my major disappointment – by sending Starfleet to come to the rescue of synthetics on Coppelia in the finale. Why? The Federation had spent most of Season One being hostile toward synthetics. How did the show runners suddenly do an 180-degree spin on this situation? They did this by having Picard expose Admiral Oh as a Romulan mole and the Romulans’ role in the destruction of the Utopia Planitia Fleet Yards – an incident that led to the Federations’ hostility toward synthetics. Why did the show runners do this? I have no idea, but it is typical of the Star Trek franchise. When it comes to exploring the ugliness of humanity, the franchise always cops out in the end. Always.

My sixth disappointment with the episode? “Et in Arcadia Ego, Part 2” featured a moment in its last scene in which Picard’s friend and former colleague Rafaella “Raffi” Musiker exchanged glances and held hands with Seven-of-Nine. Huh? When did that happen? This whole relationship had popped out from no where. Trek fans had spent years complaining about Seven’s last relationship with Voyager’s executive officer, Commander Chakotay, during the last few episodes of “STAR TREK VOYAGER”. I have come across very few complaints about the excessive speed of her romance with Raffi. Talk about queer baiting. What makes this so annoying is that this was the second time “PICARD” had pulled this stunt. Apparently, the series attempted to develop some kind of relationship between Agnes Jurati and the La Sirena’s captain and former Starfleet officer, Chris Rios. I hate to say this but Santiago Cabrera and Alison Pill have no screen chemistry whatsoever. And I have also noticed the lack of romantic interaction between the pair since their only on-screen kiss, earlier in the season.

And my final complaint about “STAR TREK: PICARD”? The death of Jean-Luc Picard. Was it really necessary? Surely the series’ show runners could have saved this scenario for the series finale? As for moving Picard’s consciousness into a golem construct of his body . . . I was disgusted. I was disgusted that Dr. Soong and Agnes had committed this act without Picard’s consent. I would equate this action to Willow Rosenberg bringing Buffy Summers back from dead in Season Six of “BUFFY THE VAMPIRE SLAYER”. What I found even more disgusting is that Picard had never condemned either Soong and Agnes for fiddling with his consciousness – his self – without his consent. Many fans may have been thrilled by this action. I was not. Someone had pointed out that earlier in the season, Picard had expressed a desire to survive ailment that would eventually kill him. But I do not recall Picard giving anyone permission – verbal or written – to have his consciousness transferred from his dying body to an android or any other entity. To commit such a major act without any thought to or discussion about the moral consequences is just abhorrent to me. And lazy writing.For me, it was an act of violation of a person’s individuality. I hope that the series would address this issue in Season Two. But I suspect they will not.

Overall, I did enjoy Season One of “STAR TREK: PICARD”. But I can honestly say that I did not find it particularly mind-blowing. I also felt that it had a few episodes that seemed more of a miss than a hit. But for me, the biggest miss or disappointment was its finale, “Et in Arcadia Ego, Part 2”. I hope that the series does a better job in its second season.