“TIMELESS”: Secrets and Mistrust

“TIMELESS”: SECRETS AND MISTRUST

Ever since Season Two of NBC’s “TIMELESS” completed its run, I have found myself re-watching the series from the beginning. It has been something of a slow burn, but I did not wish rush through it. Recently, I watched Season One episode called (1.06) “The Watergate Tape” and discovered something unpleasant about the series’ trio of protagonists. Well . . . at least two of them. 

Ever since the series’ premiere, (1.01) “Pilot”, the initial protagonist, the former NSA agent and rogue time traveler Garcia Flynn, has been trying to convince main protagonist Dr. Lucy Preston that they would become future colleagues and that he had possession of her future diary. Flynn also tried to warn Lucy about Rittenhouse, a mysterious political organization that has been at the forefront of the United States’ development since the American Revolution. Horrified by the idea of being a colleague with a man she regarded as nothing more than a murderer, she kept silent about the encounters.

In the same episode, the creator of the two time machines and head of Mason Industries, Connor Mason, had instructed his programming engineer/time machine pilot Rufus Carlin to provide an audio recording of his missions with Lucy and U.S. Army Delta Force operative Master Sergeant Wyatt Logan. Although Rufus agreed, he changed his mind in the next episode, (2.02) “The Assassination of Abraham Lincoln”. To convince Rufus to cooperate, Mason reminded the engineer that he had bankrolled the latter’s education. When Rufus had refused to continue recording their missions in (1.04) “Party at Castle Varlar”, a Rittenhouse operative threatened to harm Rufus’s family if he did not cooperate. Rittenhouse’s threat was issued again in “The Watergate Tape”when an older operative (or official) appeared outside of Rufus’ home with Mason inside a limousine. The Rittenhouse official made it clear that the organization was monitoring Rufus’ family. He also made it clear that if Rufus continues to refuse recording the time travel missions, the Carlin family might cease to exist.

Both Lucy’s previous encounters with Flynn and Rufus’ secret recordings finally came to light in this episode. After Flynn managed to capture the trio not long after their arrival in 1972 Washington D.C., he revealed his previous encounters with Lucy to both Rufus and Wyatt. Needless to say, both men were surprised and upset. While Flynn kept Wyatt as a hostage, he tasked both Lucy and Rufus to find the missing “doc” that was mentioned in the infamous 18 1/2 missing minutes from one of President Richard Nixon’s Watergate tapes. Both Lucy and Rufus discovered that the “doc” is actually a young African-American woman, whose family has been associated with Rittenhouse for generations. The “Doc” wanted to make her escape from the organization. Lucy overheard Rufus contact Rittenhouse and discovers that he had been providing the organization with audio recordings of their missions and reacts with anger. Meanwhile, Flynn informed Wyatt of his discovery that Rittenhouse had bankrolled Mason Industries and the organization’s murders of his wife and child. Because of this, Flynn became determined to bring down Rittenhouse, using the stolen time machine created by Mason. By the end of the episode, a very angry Wyatt learned about Rufus’ recordings on Rittenhouse’s behalf and instructed the latter to continue recording their missions.

I must not have understood the emotions that emitted from the protagonists in this episode, when I first saw it. As far as I knew, Lucy was angry at Rufus for recording their missions for Rittenhouse. Rufus was angry (at first) over Lucy’s previous discussions with Flynn. And Wyatt was angry at both of them for keeping secrets from him. I did not pay much attention to all of this, because in the following episode, (1.07) “Stranded”, the trio made their peace with each other. But after this latest re-watch of the episode, I found myself speculating on the two secrets kept by Rufus and Lucy and the reactions to them.

I understood why Rufus and Wyatt were upset over Flynn’s revelations that he had been in contact with Lucy. As far as both men were aware, Garcia Flynn was an enemy determined to bring down the United States government and the man who had murdered his family. The U.S. government have been trying to capture or kill him since the first episode. And considering that Lucy had failed to inform them of her interactions with Flynn since the first mission, I would not have been surprised if Wyatt and Rufus had began to wonder about her role on their team or whether she had been associated with Flynn all along.

However, my feelings regarding Rufus’ situation proved to be different. I understood Lucy and Wyatt’s initial anger over their discovery that the former had been recording their missions. But Rufus had made it clear that after their first mission he had refused to continue his recording until Rittenhouse had threatened to kill his family. He had even made an effort to point out that the organization had been observing him, his mother and his brother. Although Wyatt had instructed Rufus to continue recording the missions until they can learn more about Rittenhouse . . . he remained angry at and distrustful of the engineer. So did Lucy. And for some reason, I found myself feeling angry at both of them.

The more I thought about it, the more I realized that Wyatt and Lucy had allowed their anger to get the best of them . . . to the point that they seemed unwilling to comprehend the threat that Rittenhouse had personally posed to Rufus. It was bad enough that Connor had used his past sponsorship of Rufus’s career to blackmail the latter into cooperating.

Following Wyatt’s discovery of Flynn’s past history of Rittenhouse and the threats that Rufus had received, I found myself wondering why he still remained angry at the engineer. Surely he understood why Rufus had agreed to cooperate with Rittenhouse? The latter’s family had been threatened. And considering Flynn’s revelation that Rittenhouse had murdered his family, surely Wyatt understood that Rufus had a good reason to cooperate and keep those recordings a secret in the first place. On one level, he seemed to understand. After all, he did instruct Rufus to continue the recordings. But why remain angry at the other man? Why declare in an angry voice that he could never trust Rufus again? Was Wyatt really that self absorbed and hypocritical? Did he really believe that Rufus should have thought of the team over the Carlin family? Was he privately pissed that he might have to consider that Garcia Flynn’s conflict with Rittenhouse had some merit?

One might accuse Rufus of hypocrisy, considering his reaction to the revelation that Lucy had been in contact with Flynn since the first mission. However, I realized that Rufus had a better excuse for keeping his secret than Lucy had for keeping hers. His family had been threatened. Their safety, along with his, was at stake. Had Flynn threatened Lucy to keep their past conversations a secret? Had he threatened to kill her mother, Carol Preston, if she reveal their encounters to Rufus, Wyatt and Agent Christopher? The answer to both questions were “no”. Not only did Flynn not threatened Lucy to keep their private encounters a secret, he was the one who revealed those encounters to Rufus and Wyatt. And he had seemed a bit surprised that Lucy’s teammates never knew.

And yet . . . like Wyatt, Lucy had remained angry at Rufus by the end of the episode. I found myself wondering why she had remained angry. She seemed well aware that Rittenhouse was a threat. Not only had Rufus informed her that the organization had threatened him and his family, but that it also wanted “the Doc” killed. More importantly, the latter had explained to Lucy on just how dangerous Rittenhouse could be. Yet, she was still pissed at Rufus by the time they had returned to 2016. What the fuck? Was she pissed . . . jealous that Rufus had a better excuse to keep his activities a secret than she had for keeping her conversations with Flynn a secret? Frankly, I found Lucy’s hypocrisy even worse than Wyatt’s. After all, what was her excuse? She was appalled at the idea of her future self becoming a friend and/or ally of Garcia Flynn?

I am certain that many fans of the show would find my above ramblings inconsequential. As I had pointed out earlier, the tensions between Rufus, Lucy and Wyatt were eventually settled by the next episode. Why make a fuss over what happened between them in “The Watergate Episode”. Well . . . I had read several articles about the episode. Although some reviewers had discussed how tensions had arose between the three colleagues, no one had really bothered to discuss the hypocrisy that seemed seemed rampant in this episode. Or how this episode had pretty much exposed the uglier side of their natures – especially that of Lucy and Wyatt. At this point in the series, no one seemed willing to discuss this. And perhaps . . . the episode had annoyed me so much that I had to express myself in some form.

 

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Top Five Favorite Episodes of “AGENT CARTER” (2015-2016)

Below is a list of my five favorite episodes from ABC’s “AGENT CARTER”. Created by Christopher Markus and Stephen McFeely, the series stars Hayley Atwell as Agent Margaret “Peggy” Carter: 

TOP FIVE FAVORITE EPISODES OF “AGENT CARTER” (2015-2016)

1 - 2.02 A View in the Dark

1. (2.02) “A View in the Dark” – SSR Agent Peggy Carter’s investigation into the death of an Isodyne Energy employee in Los Angeles ends up with huge ramifications; when the wife of Isodyne’s owner, Hollywood actress Whitney Frost and another employee from the company, Dr. Jason Wilkes (who has volunteered to help Peggy), are exposed to the Zero Matter from the company’s particle accelerator.

1 - 1.06 A Sin to Err

2. (1.06) “A Sin to Err” – While Peggy and Howard Stark’s valet, Edwin Jarvis, investigate a mysterious woman whom Stark may have dated, Chief Roger Dooley and the rest of the Strategic Scientific Reserve (S.S.R.) staff begin to suspect that Peggy might be a traitor in their midst.

2 - 1.05 The Iron Ceiling

3. (1.05) “The Iron Ceiling” – After a message from the Leviathan intelligence agency is decoded; Peggy, Agent Jack Thompson and the Howling Commandos investigate a Soviet military complex to stop a possible sale of Stark’s missing weapons.

2 - 2.07 Monsters

4. (2.07) “Monsters” – While Peggy plans a rescue mission for former Leviathan agent Dottie Underwood, who had been captured in the previous episode, Whitney Frost covers up her murder of husband Calvin Chadwick and some members of the Council of Nine, a secret organization of U.S. industrialists. Whitney tortures Dottie into revealing why Peggy is interested in the Zero Matter and sets a trap that involves Jason Wilkes, along with Edwin and Anna Jarvis.

3 - 1.08 Valediction

5. (1.08) “Valediction” – In this season finale, Peggy and her fellow S.S.R. agents race to stop a pair of Leviathan agents from kidnapping Stark and dumping lethal gas on the population of New York City.

“FRONTIER” Season One (2016) Episode Ranking

Below is my ranking of the Season One episodes of the Discovery (Canada)/Netflix series called “FRONTIER”. Created by Brad Peyton, Rob Blackie, and Peter Blackie; the series stars Jason Momoa: 

 

“FRONTIER” SEASON ONE (2016) EPISODE RANKING

1. (1.06) “The Gallows” – Irish-born immigrant Michael Smyth and Cree warrior/trader Sokanon conspire to free the imprisoned half-Cree trader/outlaw Declan Harp from the clutches of Hudson Bay Company official Lord Benton and send the Fort James settlement into a state of chaos.

 

2. (1.03) “Mushkegowuk Esquewu” – Following an unexpected attack on their camp, one of the leaders of the Lake Walker trappers, Machk, lead his men to retaliate against a group of Scottish trappers known as the Brown Brothers. Meanwhile, Harp sets out to find the truth, while tensions increase.

 

3. (1.04) “Wolves” – An unexpected arrival to Fort James puts Lord Benton and his military aide, Captain Chesterfield on edge. Ale house owner Grace Emberly conspires to rid herself of a problem. And Michael is shocked when he sees his past love, Clenna Dolan, in Canada; when he last saw her being arrested as a stowaway in Britain.

 

4. (1.02) “Little Brother War” – When a Cree boy is taken hostage by Lord Benton, the tribe allows Harp the chance to find him. Meanwhile, Grace drums herself up a deal with Captain Chesterfield behind closed doors.

 

5. (1.05) “The Discipline” – A shrewd new entrepreneur contrives to topple American fur merchant Samuel Grant and the Brown brothers alike. Lord Benton’s obsession with Harp disintegrates into a ruthless interrogation and torture.

 

6. (1.01) “A Kingdom Unto Itself” – In this series opener about the North American fur trade in the late 1700s, Lord Benton voyages to Canada to restore the Hudson Bay Company’s fur trade and stamp out the trapper activities of Declan Harp. Also on the journey is stowaway Michael Smyth.

 

 

Ranking of “GARROW’S LAW” Series One (2009) Episodes

Below is my ranking of the Series One episodes of the period legal drama, “GARROW’S LAW”. Created by Tony Marchant and based upon the life of 18th century English barrister William Garrow, the series starred Andrew Buchan: 

RANKING OF “GARROW’S LAW” SERIES ONE (2009) Episodes

1. “Episode 03” – Following an argument with rival John Silvester, London barrister William Garrow is spurred on to defend the rapist of a servant. Later, he has a second encounter with thief-taker Edward Forrester, while defending a couple accused of theft and murder.

2. “Episode 01” – In the series opener, Garrow’s first encounter with Forrester leads to his unsuccessful defense of a man accused of highway robbery. Later, he defends a maid accused of the infanticide of her own baby at childbirth.

3. “Episode 04” – This season finale features Garrow defending a political activist against false evidence and a government determined to see him hanged.

4. “Episode 02” – Now a celebrated Old Bailey barrister, Garrow defends a young man accused of being the alleged attacker of women, the London Monster.

“BLEAK HOUSE” (2005) Review

 

“BLEAK HOUSE” (2005) Review

Previously, I have confessed to not being much of a fan of Victorian novelist Charles Dickens. And if I must be brutally honest, that confession still stands. I have only seen at least five adaptations of his novels – two movies and three television miniseries. Out of the five productions, I tend to be more tolerable of the three television productions. And one of them is the 2005 miniseries, “BLEAK HOUSE”, the third adaptation of Dickens’ 1852-53 novel. 

“BLEAK HOUSE” has several subplots . . . typical Dickens. But all of them are somehow connected to one plot that centers around a long-running legal case called Jarndyce v Jarndyce, which came about due to conflicting wills. One of the potential beneficiaries under the case is landowner named John Jarndyce, who is designated the legal guardian of two wards, Ada Clare and Richard Carstone, who are also potential beneficiaries. He also becomes the guardian of a third ward, an orphan named Esther Summerson, whom he hires as housekeeper for his estate and Ada’s companion. Unbeknownst to everyone, Esther is the illegal daughter of a former Army officer and drug addict named Captain James Hawdon aka “Nemo”, who makes his living as a copyist for law firms; and Lady Honoria Dedlock, the wife of baronet Sir Leicester Deadlock.

As it turns out, Lady Deadlock is also a potential beneficiary of the Jarndyce and Jarndyce case. When she and Sir Leicester are informed of the court’s decision regarding the three wards by the latter’s solicitor, Mr. Tulkinghorn, Lady Deadlock visibly reacts to the handwriting on an affidavit. Mr. Tulkinghorn notices and sets out to investigate the identity of the affidavit’s copyist, in the hopes of financially benefiting from Lady Deadlock’s past. He also recruits the help of Lady Deadlock’s maid Mademoiselle Hortense, his associate Mr. Clamb, a greedy moneylender named Mr. Smallweed and the unintentional assistance of a young man named Mr. Guppy, who works as a legal associate for John Jarndyce’s solicitor, Mr. Kenge.

I also enjoyed two other Dickens productions to a certain degree – the 1998 miniseries, “OUR MUTUAL FRIEND”, and the 2008 miniseries, “LITTLE DORRIT”. But if I must be honest, I found the narratives for both productions a bit hard to follow, due to the slightly chaotic nature of the source materials. “BLEAK HOUSE” turned out to be a different kettle of fish. Like the other two productions, it possessed a good number of subplots. In a way, it reminded me of “LITTLE DORRIT”, as it focused on the mindless and useless confusion of the chancery. But what I really admiIt was probably due to all of the subplots’ connections to the Jarndyce and Jarndyce case. Or it could be that Dickens had simply created a main narrative that I found easier to follow. Just about every subplot either connected directly or indirectly to the Jarndyce and Jarndyce case. A good example of a subplot that connected directly to the story’s main theme would be Richard Carstone’s blatant attempt to pursue a ruling on the case that would favor him and his fiancée/wife, Ada Clare, who also happened to be a potential beneficiary. And excellent example of the narrative’s indirect connection to the Jarndyce case proved to be the subplot involving Lady Deadlock (another beneficiary), her illegitimate daughter Esther Summerson and her husband’s solicitor, Mr. Tulkinghorn. In fact, this particular subplot proved to have the biggest impact upon Dickens’ narrative. I thought it was certainly the most interesting.

It also helped that the story’s leading woman character, Esther Summerson, did not prove to be another one of Dickens’ “angels in the house” types. Yes, Esther was a warm and decent woman whom most of the characters liked. But she was also a woman who remained traumatized by her status as an illegitimate child and the emotional abuse she had endured from a self-righteous and highly religious woman she believed to be her godmother, but who turned out to be her aunt. Because of her abusive past, Esther suffered from a lack of esteem. I must admit that I am only familiar with at least four Dickens novels. Because of this, Esther proved to be the first Dickens leading lady who was portrayed with such complexity.

In regard to characterization, my only disappointment with “BLEAK HOUSE” proved to be the story’s antagonists. As I had earlier pointed out, I am only familiar with four of Dickens’ novels. For a man who had no problems with pointing out the evils of modern 19th century society, he seemed very reluctant in creating villains who are from the social elite. His villains are either lower or middle-class . . . or they are foreigners. The closet Dickens came to a well-born antagonist in “BLEAK HOUSE” was the selfish and amoral sponger Harold Skimpole. However, in compare to Sir Leicester Deadlock’s middle-class solicitor, Mr. Tulkinghorn, and Lady Deadlock’s French-born maid, Madame Hortense; Skimpole is, at best, a minor comic villain.

I have few other complaints about “BLEAK HOUSE”. One complaint I have about the production was Kieran McGuigan’s cinematography. I had no problem with the production’s exterior shots. Since the miniseries was shot in High Definition Television format, McGuigan’s photography in the exterior shots captured all of the details of the set designs, props, the performers’ costumes and make-up. However, I could barely see anything in those shots set at night time and especially many of the interior shots. There were times when I felt I was merely looking at a dark screen. And I must admit that I found some of McGuigan’s camera angles rather disconcerting and there were times when I found it difficult to ascertain what was going on in a particular scene. Jason Krasucki and Paul Knight’s editing did not help. Both men had utilized an editing method that I found irritating. Whenever the miniseries moved from one scene to another, the two film editors utilized a fast shift that I found unnecessary and tonally off-putting. Perhaps producer Stafford-Clark had hoped that the fast shifts between scenes and the odd camera angles would make “BLEAK HOUSE” look modern. Honestly, I found these aspects of the production tonally off and unnecessary.

I have one last complaint. I never understood why Stafford-Clark and the BBC felt it was necessary to present the miniseries, with the exception of the first one, in half-hour episodes. Others had complained, as well. The response to this criticism was that Dickens’ long and complex novel required the fifteen installments in which it was presented. But honestly . . . the BBC could have presented the miniseries in eight hour-long episodes. Why was that so hard to consider? Every time an episode ended after 27-to-30 minutes, I felt a sense of frustration. And there were times when I found myself trying to remember which episode out of the fifteen installments I had to choose to continue. Unfortunately, the BBC went on to utilize the same format for its 2008 miniseries, “LITTLE DORRIT”.

Aside from those complaints, I really did enjoy “BLEAK HOUSE”. For me, the heart and soul of the production proved to the array of characters and the fabulous actors and actresses who portrayed them. “BLEAK HOUSE” featured first-rate performances from the likes of Timothy West, Alun Armstrong, Richard Harrington, John Lynch, Sheila Hancock, Tom Georgeson, Anne Reid, Richard Griffiths, Joanna David, Catherine Tate, Louise Brealey, Harry Eden and especially Ian Richardson, whom I found particularly entertaining as the kindly, yet witty Chancellor. I also enjoyed those performances from Warren Clarke, who gave a broadly entertaining performance as Mr. Boythorn, an old friend of John Jarndyce; Hugo Speer, the proud and struggling former Army sergeant and former friend/subordinate of Captain Hawdon; Pauline Collins, who struck me as particularly poignant in her role as the warm-hearted, yet long-suffering Miss Flite; Lilo Baur as the ambitious and vindictive foreign-born lady’s maid, Madame Hortense; and especially Phil Davis, whose colorful portrayal of the mean-tempered and greedy moneylender, Mr. Smallweed, made evil look so entertaining with his caustic remarks and now famous catchphrase:

“Shake me up, Judy! Shake me up!”

Nathaniel Parker gave a particularly memorable performance as the manipulative, yet self-absorbed sponger, Harold Skimpole. A part of me remains amazed that John Jarndyce had regarded him as a friend for so long. Carey Mulligan gave a warm, yet interesting performance as one of Mr. Jarndyce’s wards, Ada Clare. What made the actress’s performance interesting to me was her ability to convey not only Ada’s positive traits, but the character’s unrelenting blindness to her love’s flaws. Speaking of Ada’s love, Patrick Kennedy was excellent as Mr. Jarndyce’s other ward – the charming, yet undependable Richard Carstone. I must admit that Richard proved to be one a rather pathetic personality, who was always chasing a path toward quick riches, whether it was by jumping from one profession to another or putting all of his hopes on the Jarndyce v Jarndyce case. Burn Gorman was a hoot as the friendly, yet ambitious and clever law clerk, William Guppy, who became enamored of Esther Summerson and who figured out the connection between her and Lady Deadlock. As much as I liked him and Gorman’s performance, I could not help but suspect that Guppy’s idea of love was somewhat shallow

In my personal opinion, there were four performances in “BLEAK HOUSE” that reigned supreme. Those four performances came from Anna Maxwell-Martin, Gillian Anderson, Denis Lawson and Charles Dance. Now, I would not regard the character of Josiah Tulkinghorn as subtle or even two-dimensional. But thanks to Charles Dance’s subtle and malevolent portrayal, which earned him an Emmy nominatino, audiences were privy to Mr. Tulkinghorn’s talent for manipulation and coercion. Denis Lawson earned an Emmy nomination for his portrayal of John Jarndyce, the kind-hearted landowner who took in Esther, Richard and Ada. Lawson did an excellent job in balancing Mr. Jarndyce’s wise counseling of the three young people, willful blindness to Mr. Skimpole’s machinations and subtle selfish desire for Esther’s hand in marriage. Gillian Anderson earned both an Emmy and a British Academy Television Awards nominations for her portrayal of the story’s femme fatale, so to speak – Lady Honoria Dedlock. The American-born Anderson did a superb job in conveying her character’s complex and mysterious personality. Superficially, the Esther Summerson character seemed like another one of Dickens’ “angels in the house”. Thanks to the author’s pen and Anna Maxwell-Martin’s superb performance, Esther proved to be a warm, yet troubled young woman struggling to find a place for herself in the world and overcome her past trauma at the hands of an emotionally abusive guardian. Not only was Maxwell-Martin received a well-deserved nomination from the British Academy Television Awards, she also won.

No movie or television production is perfect. I had some problem with the miniseries’ editing, camera angles, and television format for “BLEAK HOUSE”. But aside from these quibbles, I can honestly say that I truly enjoy this adaptation of Charles Dickens’ 1852-53 novel. It is one of the few Dickens’ stories that do not seemed marred by too many subplots that are unrelated. And I believe that screenwriter Andrew Davies, directors Justin Chadwick and Susanna White, along with a superb cast led by Anna Maxwell-Martin truly did justice to the novel.

Favorite Television Productions Set in the 1600s

Below is a list of my favorite television productions (so far) that are set in the 1600s: 

FAVORITE TELEVISION PRODUCTIONS SET IN THE 1600s

1. “The Man in the Iron Mask” (1977) – Richard Chamberlain starred in this entertaining, yet loose television adaptation of Alexandre Dumas père’s 1847-1850 serialized novel, “The Vicomte of Bragelonne: Ten Years Later”. William Bast directed.

2. “The Musketeers” (2014-2016) – Adrian Hodges created this television series that was based upon the characters from Alexandre Dumas père’s 1844 novel, “The Three Musketeers”. The series starred Tom Burke, Santiago Cabrera, Howard Charles and Luke Pasqualino.

3. “Shōgun” (1980) – Richard Chamberlain starred in this award winning adaptation of James Clavell’s 1975 novel about an English sea captain stranded in early 17th century Japan. Co-starring Toshiro Mifune and Yoko Shimada, the miniseries was directed by Jerry London.

4. “The Fortunes and Misfortunes of Moll Flanders” (1996) – Alex Kingston starred in this adaptation of Daniel Dafoe’s 1722 novel about the fortunes of an English criminal named Moll Flanders. Adapted by Andrew Davies, the miniseries was directed by David Attwood.

5. “By the Sword Divided” (1983-1985) – John Hawkesworth created this historical drama about he impact of the English Civil War on the fictional Lacey family during the mid-17th century. The series included Julian Glover and Rosalie Crutchley.

6 - The First Churchills.jpg

6. “The First Churchills” (1969) – John Neville and Susan Hampshire stared in this acclaimed miniseries about the life of John Churchill, 1st Duke of Marlborough and his wife, Sarah Churchill, Duchess of Marlborough. David Giles directed.

7. “Lorna Doone” (1990) – Polly Walker, Sean Bean and Clive Owen starred in this 1990 adaptation of R.D. Blackmore’s 1869 novel. Andrew Grieve directed.

8. “The Return of the Musketeers” (1989) – Richard Lester directed this adaptation of Alexandre Dumas pere‘s 1845 novel, “Twenty Years After”. Michael York, Oliver Reed and Kim Cattrall starred.

9. “Lorna Doone” (2000-01) – Amelia Warner, Richard Coyle and Aiden Gillen starred in this 2000-01 adaptation of R.D. Blackmore’s 1869 novel. Mike Barker directed.

10. “Jamestown” (2017-present) – Bill Gallagher created this television series about the creation of the Jamestown colony in the early 17th century. Naomi Battrick, Sophie Rundle and Niamh Walsh starred.

Five Favorite Episodes of “STAR TREK: DISCOVERY” Season One (2017-2018)

Below is a list of my favorite episodes from Season One of the All Access CBS series, “STAR TREK: DISCOVERY”. Created by Bryan Fuller and Alex Kurtzman, the series stars Sonequa Martin-Green as Commander Michael Burnham:

“FIVE FAVORITE EPISODES OF “STAR TREK: DISCOVERY” SEASON ONE (2017-2018)

1. (1.09) “Into the Forest I Go” – While ignoring Starfleet’s orders, U.S.S. Discovery’s commander, Captain Gabriel Lorca decides to use the ship’s new core drive in an effort to help end the Federation’s war against the Klingons.

2. (1.07) “Magic to Make the Sanest Man Go Mad” – While the Discovery crew enjoy a party, an unwelcome visitor boards the ship to seek vengeance and bring about a series of bringing about a twisted sequence of events that involves a time loop. This episode has been recently nominated for a Hugh Award for writing.

3. (1.02) “Battle at the Binary Stars” – Incarcerated in one of the U.S.S. Shenzhou’s brig for disobeying an order, First Officer Burham struggles to escape, while the ship is under attack by the Klingon Empire. Later, she joins her commanding officer, Captain Georgiou, in an audacious plan to prevent war.

4. (1.13) “What’s Past Is Prologue” – With the U.S.S. Discovery still stuck in the mirror universe, Captain Lorca plots a coup against the Terran Empire’s ruthless leader, the Emperor Philippa Georgiou. Meanwhile former Starfleet officer Michael Burnham struggles to find a way for the Discovery’s return to their universe.

5. (1.11) “The Wolf Inside” – As the crew continue its deception as being a part of the Terran Empire, Burnham undergoes a merciless mission in hopes of helping the ship return home.