“GUARDIANS OF THE GALAXY VOL. 2” (2017) Review

 

“GUARDIANS OF THE GALAXY VOL. 2” (2017) Review

Before I started on this review, I found myself wondering which “phase” in the Marvel Cinematic Universe (MCU) that “GUARDIANS OF THE GALAXY VOL. 2” found itself. Phase Two? Phase Three? In fact, I continued to ponder more about the franchise’s current phase than about the plot for this movie. Until I finally shook myself out of this stupor.

Back in 2014, Marvel Films/Disney Studios released “GUARDIANS OF THE GALAXY” during the month of August, more or less a graveyard for summer films. I suspect that Kevin Fiege had low expectations of the film’s performance at the box office, due to its unfamiliarity with the general public. The movie proved them wrong and went on to become a major box office hit for that year. Due to its success back in 2014, Marvel Films/Disney Studios released a sequel, “GUARDIANS OF THE GALAXY VOL. 2” in the more exulted release date in early May, three years later. James Gunn, who had directed the 2014 film, returned to direct this film. And although he had also served as co-writer of the first film with Nicole Perlman, he served as this film’s sole screenwriter.

Following the events of the 2014 film, Peter Quill aka Starlord and his friends have become renowned throughout the galaxy as the “Guardians of the Galaxy”. The movie begins with the Guardians delivering stolen and valuable batteries to a race called the Sovereign, after they had protected the items from an inter-dimensional monster. In exchange, the Sovereign deliver Gamora’s adopted sister Nebula, who had been caught earlier trying to steal the batteries. However, this peaceful transaction is disrupted when one of the Guardians, Rocket the Raccoon, steal some of the batteries for himself. The Guardians find themselves hunted by a fleet of ships controlled by the Sovereign and their leader, Ayesha. They eventually crash land on a planet inhabited by a mysterious figure, who destroys the Sovereign fleet for them. That figure turns out to be Ego, Peter Quill’s powerful father first mentioned in the 2014 film. Ego turns out to be a god-like Celestial that manipulated the matter around its consciousness to form his “home” planet. He explains to Peter that he had projected a humanoid guise to travel the universe and discover a purpose. He eventually fell in love with Peter’s mother Meredith Quill. Following her death, Ego hired Yondu to collect the young Quill, but the boy was never delivered and Ego has been searching for his son ever since. The latter invites Quill, Gamora, and Drax to his home planet. Meanwhile, Rocket and Groot remain behind to repair the ship and guard Nebula. Unbeknownst to all, Ayesha has hired Peter’s former mentor, Ravagers leader Yondu Udonta to hunt them down. But the Guardians eventually discover that Ego might prove to be a bigger problem than either Ayesha or Yondu’s crew.

I was surprised by the characterization featured in “GUARDIANS OF THE GALAXY VOL. 2”. It had been one of the strong points of the 2014 movie. But director-writer James Gunn took it to another level in this film, as Gunn’s screenplay further explored the main characters’ backgrounds and emotional concerns. More important, the characterizations featured in this film led to better performances by the cast.

One good example was the exploration of Peter Quill’s relationships with the two father figures in his life – his biological father Ego and his mentor, Yondu Udonta. Peter’s search for a permanent father figure proved to have an ironic twist, considering his longing to meet his real father, Ego’s charismatic personality and his occasionally hostile relationship with Yondu. Chris Pratt had to step up his game to develop Peter’s character even further. He did … and proved that he could be a excellent dramatic actor … for the second (or third) time in his career. Kurt Russell gave a first-rate and charismatic performance in his portrayal of Ego. And thanks to Zoe Saldana and Karen Gillan’s excellent performances, the movie also explored Gamora’s relationships with her adoptive sister, Nebula and their adoptive father, the villainous Thanos. Although the latter did not appear in the movie, his presence was strongly felt – especially in the confrontation between the two women as they confronted the circumstances that led to their estrangement. “GUARDIANS OF THE GALAXY VOL. 2” also featured the further development of Peter and Gamora’s relationship. The potential romance in this relationship not only manifested in a charming dance between the pair on Ego’s planet, but also a heated quarrel in which Peter expressed his frustration at being kept at a distance by Gamora. This scene featured great acting from both Pratt and Saldana.

Bradley Cooper had been highly praised for his voice performance as Rocket the Racoon in the 2014 film. The character’s past was not really explored in this film. Considering his origin as a lab experiment, I found this a pity. But Rocket’s problems with being part of a group and his emotional issues were touched upon – especially in a strong and emotional scene that featured a conversation between him and Yondu, while they were being held prisoner. Both Cooper and actor Michael Rooker nearly stole the movie with this scene between Rocket and Yondu. Also, Rocket found himself serving as the toddler Groot’s protector – a strange twist, considering that the latter had been his protector in the previous film. I understand that actor Vin Diesel continued to provide the voice for Groot – and yes, I do mean Baby Groot. I thought Marvel would hire someone other than the deep-voiced Diesel for the role. But they brought him back. And I am amazed that he was able to forgo his usual deep voice to portray the toddler Groot. And speaking of the Yondu, his past reared its ugly head following the revelation that the other Ravager leaders had exiled his group due to child trafficking on Ego’s behalf – including the kidnapping the young Peter Grill from Earth. This revelation also led to another in which audiences learn the true strength of Peter and Yondu’s relationship.

The very literal Drax the Destroyer forms a strange friendship with a young empath named Mantis, who has been forced to serve as Ego’s “pet” for a number of years. Although Drax’s needling personality and strange sense of humor made his regard for the naive and sheltered seem abusive, I was surprised at how the pair managed to grow close – to the point that Drax nearly sacrificed himself for her safety. In these scenes involving Drax, Dave Bautista proved once again that he was a better actor than many had assumed, due to his past as a professional wrestler. And he had a first-rate co-star in Pom Klementieff’s subtle and charming portrayal of the empathic Manits.

“GUARDIANS OF THE GALAXY VOL. 2” also saw the return of Yondu’s right-hand man, Kraglin, who was forced to overcome his sense of self-preservation in order to come to his captain’s aid when the crew turned on Yondu. Ayesha, the Golden High Priestess and leader of the Sovereign, proved to be another interesting role for actress Elizabeth Debicki’s filmography. Ayesha proved to be not only interesting, but also one of the most arrogant characters in the Marvel Cinematic Universe (MCU) … the type of character that eventually rubbed Rocket the wrong way. Audiences also got an expanded look into the world of the Ravagers. Thanks to Gunn’s script, I realized that most of them – including Yondu – was not as despicable as I had originally assumed. And I was shocked and pleasantly to see the likes of Sylvester Stallone, Michelle Yeoh, Ving Rhames and Michael Rosenbaum as among the older leaders of the Ravangers.

But despite the movie’s strong characterizations, I was not as impressed by “GUARDIANS OF THE GALAXY VOL. 2” as I thought I would be. It lacked something that the 2014 movie possessed – a strong narrative. At first, I thought Ayesha would prove to be the heroes’ main protagonists, considering that she had hired the Ravagers to hunt down the Guardians in the first place. However, about midway into the movie, I realized that she was nothing more than a plot device (and a tiresome one at that) used by Gunn to drive the Guardians into the path of Ego, Peter’s father. And in the end, it was really about him … and his plan to remake the universe into his image, using the seedlings he had implanted on different planets, impregnating various females like Meredith Quill and using his offsprings like Peter.

I know … this sounds confusing. Let me put it this way. For years, Ego traveled to different parts of the universe, planting seedlings on different planets. Then he seduced and impregnated women like Meredith so that he can utilize the powers of his offsprings to activate the seedlings … and he can terraform those planets into his image. As it turned out, Peter was the only offspring who had the power to help him activate the seedlings. Personally, I found this story rather lame. It was more or less just another “meglomaniac” trying to conquer the universe. In a way, it reminded me of Thanos’ narrative within the MCU involving the Infinity Stones … only it involved “seedlings” and Ego’s offsprings. I found this narrative less original and with more shortcuts. The film’s minor plot lines involving the characters’ emotional arcs struck me as more interesting.

The movie also featured the usual first-rate visual effects. I was surprised that so many visual effects companies were involved in the film’s production. I think I managed to count at least nine of them. Wow. Nine companies involved in the visual effects? Hmmm … perhaps I should not have been surprised. “GUARDIANS OF THE GALAXY VOL. 2” seemed to lack a cohesive visual style, despite having a single production designer, Scott Chambliss. Some people were not impressed by the visuals for Ego’s planet, as shown below:

Personally, I was. Mind you, there was nothing mind-blowing about the visual effects for Ego’s planet. But I had enjoyed them, nonetheless. However, I was impressed by the special effects used to visually convey Rocket, Groot, Kraglin and Yondu’s journey across the galaxy – involving several jumps. I found it very effective and rather funny.

Peter Quill’s audio cassette tape played a major role in the score for “GUARDIANS OF THE GALAXY”. Near the end of that particular movie, he came across the package that his mother Meredith had given him just before her death. The package contained another cassette with more of her favorite songs of her youth. I hate to say this, but I was not that impressed by the collection of songs used for “GUARDIANS OF THE GALAXY VOL. 2”, aside from one or two. Even more surprising is that I found the songs featured in the movie’s end credits to be a lot more entertaining … and right for the movie. Pity.

Overall, I enjoyed “GUARDIANS OF THE GALAXY VOL. 2”. It was not exactly a disappointment thanks to the strong characterizations featured in the film and the first-rate performances by a cast led by Chris Pratt and Zoe Saldana. But I must be honest, it was almost a ghost of the 2014 film. And this is due to what I believe was a weak narrative that included a villain with goals that struck me as unoriginal. It is a pity that Nicole Perlman did return to serve as director James Gunn’s co-writer in this second film. I had the odd feeling that needed a collaborator for a stronger narrative.

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“THE MAGNIFICENT SEVEN” (2016) Review

“THE MAGNIFICENT SEVEN” (2016) Review

When I first learned that there was to be another remake of the 1954 movie, “SEVEN SAMAURAI”, I nearly groaned with displeasure. Worse, the movie would not only be a remake of the Japanese film, but an even closer remake of the 1960 film that had re-staged the story as a Western. I have always been leery of remakes, even if some proved to be pretty damn good. But I was more than leery of this particular film.

The reason behind my leeriness is that I am not a fan of the 1960 film. I tried to be. Honest I did. But there was something about it – the performances of the lead, if I must be honest – that I found somewhat off putting. I also feared that I would face the same in this latest adaptation, but with even less success.

“THE MAGNIFICENT SEVEN” – or this version – begins in 1879 when a corrupt industrialist named Bartholomew Bogue and his men besiege the mining town of Rose Creek, California and slaughters a group of locals led by Matthew Cullen, when they attempt to stand up to him and his attempt to coerce them into selling their land to him. Matthew’s wife, Emma Cullen, and her friend Teddy Q ride to the nearest town in search of someone who can help them. They come upon Union Army veteran and warrant officer Sam Chisholm, who initially declines their proposal, until he learns of Bogue’s involvement. Chisholm sets out to recruit a group of gunslingers who can help him battle the powerful businessman:

*Joshua Faraday – a gambler and explosives man who takes on the job to rid himself of debt

*Goodnight Robicheaux – a Confederate veteran and sharpshooter who is haunted by his past

*Billy Rocks – an East Asian immigrant assassin with a talent for knives and Goodnight’s close companion

*Vasquez – a Mexican outlaw who is also a wanted fugitive

*Jack Horne, a religious mountain man/tracker

*Red Harvest – an exiled Comanche warrior and youngest of the group

Chisholm and his colleagues manage to rid Rose Creek of Bogue’s men. But knowing that the businessman would be determine to strike back with a bigger force, the seven riders set out to prepare the town’s citizens for what might prove to be an ugly, minor war.

I never really had any intention of seeing this new “THE MAGNIFICENT SEVEN” in the movie theaters, considering my views of the 1960 film. But a relative of mine convinced me to give it a chance. And I did. There were some aspects of the movie that I found questionable. Well . . . two, if I must be honest. I wonder why screenwriters Nic Pizzolatto and Richard Wenk had portrayed the Red Harvest character as a Comanche. The latter lived along the Southern Plains that stretched between Nebraska and Northern Texas. Why not portray Red Harvest from a region a bit closer to the movie’s setting – like the Paitue, the Ute or the Pomo? I also had a problem with some of Merissa Lombardo’s costume designs. Some . . . not all of them. I found her costumes for the main male characters to be spot on. Lombardo’s costumes for each male character not only clicked with the time period – late 1870s – but also with each character. But her costumes for the Emma Cullen character, proved to be a problem for me. They struck me as unnecessarily revealing for the wife-later-widow of a respected man from the late 19th century. Emma Cullen is not a 19th century prostitute. Why on earth did Lombardo come close to dressing her as one, as shown in the images below?

3664B90D00000578-3696356-Seeking_justice_After_her_husband_is_shot_dead_by_Sarsgaard_Hale-a-80_1468877390826 The-Magnificent-Seven-2016-Film-Haley-Bennett

Despite these quibbles, I enjoyed “THE MAGNIFICENT SEVEN”. Very much. The movie was not an exact replica of “SEVEN SAMURAI” or the 1960 film, “THE MAGNIFICENT SEVEN”. And that is a good thing. I would have preferred to watch director Antoine Fuqua’s personal version, instead of a carbon copy of either the original 1954 film or the 1960 Western. More importantly, I simply preferred his version over the other two films. Yes, I have seen both the 1954 and 1960 films. I am certain that many film goers and critics loved them. Unfortunately, my memories of the 1954 film is vague and I am simply not a fan of the 1960 remake. Fuqua and screenwriters Pizzolatto and Wenk managed to maintain my interest in the story, thanks to the former’s energetic direction and a screenplay that struck me as well paced. I noticed that this version did not include the seven gunmen being chased out of town by the villain before returning for a final showdown. Instead, Pizzolatto and Wenk further explored the seven protagonists’ efforts to help Rose Creek’s citizens prepare for Bogue’s retaliation.

The movie also featured some outstanding action sequences, thanks to Fuqua’s tight direction. Considering his past work in movies like “TRAINING DAY”, “SHOOTER” and “OLYMPUS HAS FALLEN”, I should not be surprised. There were a few actions sequences that I had enjoyed, including Rose Creek citizens’ tragic encounter with Bartholomew Bogue’s men, which set off the plot; Sam Chisholm’s brief, yet violent encounter with a handful of fugitives early in the movie; and the seven mercenaries’ first conflict with some of Bogue’s men. But for me, the movie’s pièce de résistance proved to be the final battle in Rose Creek. It was well shot action sequence as far as I am concerned. What am I saying? Well shot? Hell, I found it exciting, tense, tragic, euphoric and . . . yes, well shot. I found it very impressive and dramatically satisfying.

When I learned that the movie was shot in both Arizona and New Mexico, I was not surprised. It seemed apparent to me that a good deal of “THE MAGNIFICENT SEVEN” was shot in both the northern and central regions of both states. What took me by surprise was the fact that the movie was also shot in Baton Rouge, Louisiana. When? Which scenes were shot in Baton Rouge? For the likes of me, I just do not know. Which only tells me that production designer Derek R. Hill really did his job of converting the Baton Rouge location to 19th century California. I also felt that Mauro Fiore’s cinematography gave support to Hill’s work and made the film look sharp and very colorful.

Now some are probably wondering how can I like this movie so much, yet harbor such lukewarm feelings toward the 1960 version. For me, the huge difference between the two movies proved to be the cast. Yes, I am aware that the 1960 version featured the likes of Yul Brenner, Steve McQueen and others who were just becoming famous. But the main reason why I always had a problem with this version is that most of the leads – with the exception of one or two – spent most of the film standing around or posing, trying to look “cool” or “iconic”. I found myself wondering if most of them were preparing for an audition for the role of James Bond. I found this most annoying. Thankfully, the cast of this version came off as a lot more earthy. Natural. Instead of “icons of cool”, the leads seemed more human.

The one actor whose performance seemed to closely resemble those from the 1960 cast was Denzel Washington, who portrayed the lead, Sam Chisholm. I suppose it would be natural, considering that he was not only the lead, but the oldest in the bunch. But even Washington’s performance had a paternal air that I never saw in Yul Brenner’s performance. More importantly, his character’s arc had a major twist that I should have seen coming after he was first introduced. Chris Pratt portrayed the group’s trickster – a gambler/womanizer named Josh Farady. I must admit that when I first learned that Pratt would be in this film, I just could not imagine it. Not by a long shot. But it did not take long for me to not only accept Pratt’s presence in the film, but end up being very impressed by the way he mixed both comedy and drama in his performance. Ethan Hawke also combined both comedy and drama in his portrayal of former Confederate sharpshooter, Goodnight Robicheaux. But his character had a bit more pathos, due to being haunted by his experiences during the Civil War. And this gave Hawke the opportunity to give one of the movie’s best performances.

Vincent D’Onofrio gave a very colorful and entertaining performance as the former religious trapper Jack Horne, who interestingly enough, was the only one of the seven men who came close to having a love interest. I was very impressed Lee Byung-hun’s sardonic portrayal of Robicheaux’s companion, the knife-throwing Billy Rocks. After seeing Haley Bennett’s intense portrayal of the revenge seeking widow, Emma Cullen, I could see why the actress has been recently making a name for herself with critics. Manuel Garcia-Rulfo proved to be just as colorful and entertaining as D’Onofrio as the wanted outlaw, Vasquez. Martin Sensmeier gave an intense, yet cool performance as the group’s youngest member, a Comanche warrior named Red Harvest. Matt Bomer gave a solid performance in the film’s first fifteen minutes or so as Rose Creek citizen, Matthew Cullen, whose death helped set the plot in motion. And the role of Bartholomew Bogue (my God, that name!) became another of Peter Sarsgaard’s gallery of interesting characters. Mind you, his intense portrayal of the villainous businessman was not as humorous as Eli Wallach’s more witty villain from the 1960 film, but it was a lot more off-kilter and just as interesting.

Despite one or two quibbles, I enjoyed “THE MAGNIFICENT SEVEN” very much. As I have stated earlier, I found this surprising considering my lukewarm opinion of the 1960 predecessor. Director Antoine Fuqua did a great job of creating his own adaptation of the 1954 movie, “SEVEN SAMAURAI”. And he had ample support from an entertaining screenplay written by Nic Pizzolatto and Richard Wenk, along with an excellent cast led by Denzel Washington, Chris Pratt and Ethan Hawke.

“GUARDIANS OF THE GALAXY” (2014) Review

 

“GUARDIANS OF THE GALAXY” (2014) Review

Most of the films featured in the Marvel Cinematic Universe have been set on Earth – mainly in the United States – and featured human characters. There have been exceptions – namely the two “THOR” movies that were partly set in the realm of Asgard and 2012’s “THE AVENGERS”, which featured an alien invasion. For the first time, the MCU released a movie mainly set in worlds other than Earth. And it is called “GUARDIANS OF THE GALAXY”.

Directed by James Gunn, who wrote the film with Nicole Perlman, “GUARDIANS OF THE GALAXY” told the story about an uneasy alliance between a group of extraterrestrial misfits, who find themselves on the run after one of them steals a coveted orb. The movie, ironically, begins on Earth in 1988, when a kid named Peter Quill is abducted by a group of space pirates called the Ravagers led by a mercenary named Yondu Udonta, following his mother’s death. Twenty-six years later, Quill steals a valuable orb from the abandoned planet of Morag. Before he can get away, Quill is intercepted by Korath, a subordinate to the fanatical Kree, Ronan. Although Quill escapes with the orb, Yondu discovers his theft and issues a bounty for his capture. Meanwhile Ronan, who originally agreed to acquire the orb on behalf of the villainous titan Thanos, sends an assassin named Gamora after the orb. In return for getting the orb for Thanos, Ronan wants the latter to destroy the Nova Empire.

Quill attempts to sell the orb on the Nova Empire’s capital world, Xandar, when Gamora ambushes him and steals it. A fight ensues, which attracts a pair of bounty hunters – the genetically engineered raccoon Rocket and his tree-like companion, the humanoid Groot. All four are arrested by the Nova Corps and they are sentenced to a prison called Kyln. The four form an alliance to profit from a sale of the orb to a buyer that Gamora knows on an outpost called Nowhere, once Rocket informs them that he knows how to break out of prison. They acquire a new ally named Drax the Destroyer, who wants revenge against Ronan for killing his family. Drax tried to kill Gamora, due to her past association with the Kree, but Quill talks him out of it after Gamora reveals that she never intended to hand over the orb to Ronan. Gamora is willing to betray Ronan, because she is unwilling to allow him to use the orb’s power to destroy the Nova Empire and other worlds. The five misfits eventually discover from Gamora’s buyer, Taneleer Tivan aka the Collector that the orb contains a powerful stone known as one of the Infinity Stones, a collection of gems of immeasurable power that destroys all but the most powerful beings who wield them. Fearful that Ronan might destroy the Universe if he gains possession of the orb, the five friends become determined to stop him from gaining possession of it.

At first glance, “GUARDIANS OF THE GALAXY” seemed to come out of nowhere and with no connection to the other films set in the Marvel Cinematic Universe. In the end, there were quite a few connections to the other films. One, other Infinity Stones – mentioned by Tivan – were featured in other films. “IRON MAN 2”, “THOR”, “CAPTAIN AMERICA: THE FIRST AVENGER” and “THE AVENGERS” all featured the Tesseract. And “THOR: THE DARK WORLD” featured the Aether, which found itself in Tivan’s possession by the end of that film. The character Thanos was revealed to be the one behind the Chitauri invasion in “THE AVENGERS” The character Tivan aka the Collector was featured in a mid-credit scene in “THOR: THE DARK WORLD”. Also, the Ronan character is not the only Kree character to appear in a MCU production. The corpse of a dead Kree was featured in an episode of “AGENTS OF S.H.I.E.L.D.”. So, the connections between “GUARDIANS OF THE GALAXY” and the other MCU films are pretty strong. Many had doubted the success of“GUARDIANS OF THE GALAXY”, due to its unknown factor of the major characters. Although the first “Guardians of the Galaxy” comic book was first published by Marvel in 1969, the following publications of the title have been far and few. In fact, Marvel had to revamp the title in 2008.

Marvel and Disney’s fears proved to be groundless in the end. “GUARDIANS OF THE GALAXY” became a major hit during the late summer of 2014. It even managed to surpass (slightly) the major success of the previous MCU movie,“CAPTAIN AMERICA: THE WINTER SOLDIER”. I understand why “GUARDIANS OF THE GALAXY” became such a success. It is a first-rate film that proved to be the gem of the summer. Thanks to Nicole Perlman and James Gunn’s screenplay, the movie expertly set up the movie’s narrative – first with Peter Quill’s kidnapping and later, his theft of the orb. Mind you, there is nothing particularly original about the narrative for “GUARDIANS OF THE GALAXY”. I cannot recall the numerous films or television productions about a group of outsiders who struggle to form an alliance or friendship in order to overcome an enemy or problem. Hell, this even sounds like the narrative backbone for “THE AVENGERS”. But I have never come across a movie or television that allowed this narrative to play out with such caustic wit and humor. Perlman and Gunn also did an excellent job in allowing the five protagonists to form both an alliance and later, a strong friendship, in a timely manner. In fact, friendship seemed to be the main theme of“GUARDIANS OF THE GALAXY”. And the focus of that friendship centered around the Peter Quill character, who abandoned one set of friends – the Ravengers under Yondu Udonta – that proved to be rather questionable, and formed a more solid friendship with his four new companions.

“GUARDIANS OF THE GALAXY” benefited from some very strong characterizations. Peter Quill – at first glance – seemed like some minor variation of the Tony Stark character. Although adept at defending himself in a fight, Quill never struck me as the aggressive type. I enjoyed how actor Chris Pratt portrayed him as someone who would prefer stealth and charm over action. Some of his facial reactions alone were a joy to watch. Gamora, the assassin who had been trained by Thanos . . . after he wiped out her family, proved to be a surprisingly moral character. In fact, I would say that she possessed the strongest moral center out of the five major characters. And that is an ironic thing to say about an assassin. Thankfully, Zoe Saldana did an excellent job of conveying Gamora’s moral center . . . and dangerous nature at the same time. I never thought I would become attached to a CGI animal described as a genetically-altered raccoon. But I must say that the character Rocket provided a great deal of sharp wit and verbosity that infused a lot of energy into the story. And a lot of that energy came from Bradley Cooper’s voice performance. Another dangerous, yet fascinating character proved to be the vengeful Drax the Destroyer. In fact, I can honestly say that Drax was probably the most chaotic character in Marvel’s Cinematic Universe. But what else can you say about a character who is not only seeking revenge, but does not understand the meaning of metaphors. And I have to say that professional wrestler-turned-actor Dave Batista did a marvelous job in portraying a ferocious, yet humorless character with such sharp comic timing. And finally we have – “I am Groot.”. Ah yes, the talking and walking tree. Rocket’s companion. What can I say? I adored that warm, compassionate and loyal walking piece of timber. And I have to give kudos to Vin Diesel, who only had one line to speak over again, throughout the movie, do so with different inflections.

But there were other interesting characters featured in “GUARDIANS OF THE GALAXY”. Audiences saw the return of Taneleer Tivan aka The Collector, who was last seen in “THOR: THE DARK WORLD”. And once again, Benicio del Toro gave an eccentric, yet very interesting performance of the interstellar collector. Nebula, who was raised as Gamora’s sibling by Thanos, certainly proved to be a character I will never forget. Although not the main villain, Nebula proved to be a scary and intimidating character in her own right, whose own ambiguity is dictated by feelings of jealousy toward Gamora. And actress Karen Gillian did an excellent job in conveying these aspects of Nebula’s character. Despite the presence of Thanos, the movie’s main villain proved to be a Kree fanatic named Ronan the Accuser. The fanatical Ronan refuses to accept a peace treaty between the Kree and the Nova Empire and seeks Thanos’ help in destroying Xandar. In the end, he proved to be something of a one-dimensional character lacking any eccentricities or ambiguities whatsoever. And honestly, one has to thank Lee Pace’s intense performance that managed to maintain my interest in Ronan. Another character that proved to be a minor disappointment was Korath, one of Ronan’s subordinates. And like Ronan, he also struck me as a bit one-dimensional, yet rather intense. However . . . the character had one scene that proved to be rather funny – his first meeting with Quill on Morag, in which he failed to recognized the latter’s nickname. And one has to thank Djimon Hounsou’s performance for making that scene work. It seemed a pity that Hounsou did not have a larger role in the film.

The characters from Xandar struck me as solid, but not particularly memorable. There were two exceptions – Corpsman Rhomann Dey, a professional member of Xandar’s military/police force and whose dry sense of humor strongly reminded me of S.H.I.E.L.D. Agent Phil Coulson; and Nova Prime Irani Rael, the slightly intimidating and righteous leader of the Nova Corps. And both John C. Reilly and Glenn Close gave outstanding performances in their roles. The most fascinating supporting character for me proved to be Yondu Udonta, the temperamental, yet occasionally decent leader of the Ravagers, who had served as Quill’s guardian after snatching him. There were times when I could not tell whether he was a bad guy, a good guy or simply another self-absorbed rogue after his own interest. And I must say that Michael Rooker gave a very entertaining and flamboyant portrayal of the character. I look forward to seeing him in future films.

I have to be honest. Most of the visual effects for “GUARDIANS OF THE GALAXY” did not blow my mind. But there were a few scenes that I found noteworthy. I liked the idea of the Nowhere outpost being set inside the floating head of a Celestial corpse. Very original. And the wide exterior shot of the colony upon the protagonists’ arrival is very impressive, as shown the following image:

gotg-03

The scene was enhanced by Ben Davis’ photography. I also enjoyed his work in the movie’s final action sequence that featured Ronan’s attempt to destroy Xandar. Gunn’s direction, along with the visual effects made the scene breathtaking. To a certain degree. Some of the aerial action involving Rocket and the Nova Corps struck me as somewhat confusing. I also enjoyed Alexandra Byrne’s costumes, but like the visual effects, they did not take my breath away. I was not expecting anything out of the ordinary, but . . . I found them at best, solid.

The summer of 2014 proved to be very dismal for me, aside from a few films. One of those films that provided some realentertainment was “GUARDIANS OF THE GALAXY”. If it were not for the work of director James Gunn, the exciting and witty screenplay he co-wrote with Nicole Perlman and the first-rate performances from a cast led by Chris Pratt and Zoe Saldana, the 2014 summer could have ended on a bad note for me.