Top Five Favorite “MAD MEN” Season Four (2010) Episodes

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Below is a list of my top five (5) favorite episodes from Season Four (2010) of “MAD MEN”. Created by Matthew Weiner, the series stars Jon Hamm:

TOP FIVE FAVORITE “MAD MEN” SEASON FOUR (2010) EPISODES

1 - 4.07 The Suitcase

1. (4.07) “The Suitcase” – In this acclaimed episode, an impending deadline regarding the Samsonite ad leads Don Draper to force Peggy Olson to stay late to work and miss a birthday dinner with her boyfriend. He receives a call from Anna’ Draper’s niece, which confirms his fears about her health.

 

2 - 4.09 The Beautiful Girls

2. (4.09) “Beautiful Girls” – Peggy is forced to face some unpleasant facts about a client’s discriminatory business practices. Don and girlfriend Faye Miller’s burgeoning relationship is tested when his daughter Sally runs away from home and turns up at the office. Roger Sterling tries to rekindle his affair with former mistress Joan Harris.

 

3 - 4.12 Blowing Smoke

3. (4.12) “Blowing Smoke” – Don encounters his former mistress Midge Daniels and discovers she is married and has become a heroin addict. This leads him to run an ad declaring that SCDP will no longer represent tobacco firms. Sally is upset to learn that her mother and stepfather – Betty and Henry Francis – plan to move.

 

4 - 4.06 Waldorf Stories

4. (4.06) “Waldorf Stories” – A drunken Don receives a Clio Award for an ad; Peggy is forced to work with new art director Stan Rizzo at a hotel room; Accounts man Pete Campbell is upset over the arrival of former rival Ken Cosgrove; and Roger recalls his first meeting with Don and the early days of his affair with Joan.

 

5 - 4.05 The Chrysatheum and the Sword

5. (4.05) “The Chrysanthemum and the Sword” – Sally’s erratic behavior leads Betty and Henry to seek counseling for her, over Don’s objections. Pete enters SCDP into a competition to win the Honda account, to the displeasure of Roger, who tries to undermine the firm’s efforts, due to his anti-Japanese sentiments from World War II.

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Five Favorite “MAD MEN” Season Three (2009) Episodes

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Below is a list of my top five (5) favorite episodes from Season Three (2009) of “MAD MEN”. Created by Matthew Weiner, the series stars Jon Hamm:

FIVE FAVORITE “MAD MEN” SEASON THREE (2009) Episodes

1 - 3.11 The Gypsy and the Hobo

1. (3.11) “The Gypsy and the Hobo” – Don’s past finally catches up with him when Betty confronts him about his identity theft. Roger Sterling meets a former client/lover who wishes to rekindle their affair. And Joan discovers that her husband, Greg Harris, has joined the Army after failing to start a medical career in New York.

2 - 3.12 The Grown Ups

2. (3.12) “The Grown Ups” – The assassination of President John Kennedy serves as the backdrop of the wedding for Roger’s daughter and the final breakup of the Draper marriage.

3 - 3.07 Seven Twenty-Three

3. (3.07) “Seven Twenty-Three” – Don’s attempts to land the Conrad Hilton account leads to him being blackmailed by Bert Cooper to sign a three-year contract with Sterling Cooper. Peggy begins an affair with former Sterling-Cooper Accounts Head, Duck Phillips. And Betty expresses interest in the Governor’s aide, Henry Francis, when she becomes involved in civic politics.

4 - 3.06 Guy Walks into an Advertising Agency

4. (3.06) “Guy Walks into an Advertising Agency” – A visit by the British owners of the Sterling Cooper agency and an account involving a motorized lawn motor results in mishap and bloodshed.

5 - 3.09 Wee Small Hours

5. (3.09) “Wee Small Hours” – An executive from Sterling Cooper’s client, Lucky Strikes, demands that the agency fire art director Sal Romano after the latter rejects the executive’s sexual advances. Betty grows closer to Henry Francis and Don begins an affair with Sally’s teacher, Suzanne Farrell.

Top Five Favorite “MAD MEN” Season Two (2008) Episodes

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Below is a list of my top five favorite Season Two episodes of AMC’s “MAD MEN”:

 

TOP FIVE FAVORITE “MAD MEN” SEASON TWO (2008) Episodes

1 - 2.08 A Night to Remember

1. (2.08) “A Night to Remember” – During this game-changing episode, copywriter Peggy Olson agrees to help a friendly priest named Father Gill create a promotion for a Church-sponsored dance. Office manager Joan Holloway helps Television Advertiser Harry Crane read new television scripts and discovers that she likes the job. Still reeling from comedian Jimmy Barrett’s revelation of Don Draper’s infidelity, Betty Draper helps her husband with an important business dinner, before she later confronts him about his affair with Bobbie Barrett.

 

2 - 2.05 The New Girl

2. (2.05) “The New Girl” – Don and Bobbie heads out of the city for a night together, before getting into a traffic accident. Don recruits Peggy to help him cover up the incident. Meanwhile, a new Sterling-Cooper secretary named Jane Siegel begins working for Don.

 

3 - 2.04 Three Sundays

3. (2.04) “Three Sundays” – Over the Easter holidays, Don and Betty clash over the discipline of their son Bobby. Peggy meets the new family priest, Father Gill. And Head of Advertising Duck Phillips recruits the agency in an effort to win over American Airlines as a new client.

 

4 - 2.07 The Gold Violin

4. (2.07) “The Gold Violin” – Art director Sal Romano develops a case of unrequited attraction for Accounts man Ken Cosgrove. Joan and Jane clash over an incident regarding a new painting in owner Bert Cooper’s office. And Betty learns about Don’s affair with Bobbie Barrett at a media party, thanks to her husband Jimmy.

 

5 - 2.09 Six Month Leave

5. (2.09) “Six Month Leave” – Owner Roger Sterling leaves his wife for Jane Siegel. Senior copy Freddie Rumsen’s alcoholism spirals out of control. And the death of Marilyn Monroe has an impact upon the firm’s female employees.

“MAD MEN”: “It’s Hard Being a Woman”



“MAD MEN”:  “IT’S HARD BEING A WOMAN”

The reactions to the recent “MAD MEN” episode, (7.03) “Field Trip” has left me feeling a little exhausted . . . and somewhat annoyed.  After reading comments on various blogs, I am beginning to wonder if fans of the show really harbor an enlightened attitude when it comes to the major female characters.  I an a little perturbed by the attitude toward Joan Harris, Peggy Olson and Betty Francis; I have encountered in other articles.

The fan reaction to Don Draper’s return.to Sterling, Cooper & Partners, after he was asked to go on “leave” in the Season Six finale, (6.13) “In Care Of”, has left me shaking my head.  In another Season Six episode called (6.06) “For Immediate Release”, Don had really pissed off Joan, when he got rid of the Jaguar account that had a great impact upon her career. I understood why Joan was upset.  Don had rendered her actions in (5.11) “The Other Woman” – namely sleeping with a Jaguar salesman in order to gain the acount for the firm – a waste of her time.  Don, who had failed to prevent her from sleeping with Jaguar salesman, tried to become her knight in shining armor again, when he got rid of the Jaguar account.  Not only did he rendered Joan’s actions useless, his decision ruined Joan, Pete Campbell and Bert Campbell’s attempt to make the company public.  And some of his other actions back in Season Six caused a good deal of upheaval for the firm, which included his emotional outburst about his lurid childhood during a meeting with Hershey’s executives.  His Season Six actions, along with her anger over the Jaguar account loss, made Joan wary about his return.  But I noticed that some fans – especially many male fans and critics – seemed hostile toward her reaction to Don.  Many had expressed this belief that she should be grateful to Don for getting rid of the Jaguar account and the presence of salesman Herb Rennet. They did not understand Joan’s anger or did not want to understand.  And now, they have expressed either hostility or confusion over her reluctance to be thrilled over Don’s return.

I also suspect that many believe that Peggy Olson should be eternally grateful to Don for taking her out of the secretarial pool and making her a copywriter in the Season One episode, (1.13) “The Wheel”.  They also want Peggy to be grateful for giving her emotional support after she had given birth to hers and Pete Campbell’s love child.  But once Peggy became a part of Don’s creative team, he not only started to take her for granted, but subject her to some harsh belittling – especially when she asked for a raise.  These same fans wanted Peggy to forget the crap that Don had subjected her from Seasons Three to Five. They want to forget that Peggy had a good reason to finally put Don behind her, when she resigned from the firm in “The Other Woman”.  They also want Peggy to forget Don’s actions in Season Six, regarding her relationship with another partner of the firm, Ted  Chaough.  I am not saying there was nothing wrong with Peggy’s affair with Ted.  There was.  But Don’s manner in delivering a blow to their relationship in (6.12) “The Quality of Mercy” came off as ham-fisted . . . and angered Peggy in the process.  Yes, she is still angry at Don.  And she is also angry at Ted for finally ending their affair.  But due to their own reasons, fans want . . . or demand that Peggy forget about all of the crap that Don had put her through in the last four seasons and welcome him back with open arms. Why?  Was it really that important Don to resume his role as Peggy’s Alpha Male?  These same fans also demand that Peggy return to the woman she used to be during Seasons One to Four or Five . . . especially after expressed anger at her secretary, 

Following his return to Sterling, Cooper & Partners, many fans are chomping at the bit over the idea of Don eventually resuming his role as the Alpha Male in the advertising workplace.  This desire is so strong that they were willing to pay lip service to Don’s offhand dismissal of his former secretary and the firm’s new Office Manager, Dawn Chambers, after all she had done for him during his leave.  Regardless of Don’s mistakes, it seems more important to  many that he resumes his place back on top in the form of a “new and improved” Don.  Fans are so convinced that Don will stick to his new and improved path that all of the females that he had  interacted with in “Field Trip” – Joan, Peggy, Dawn and second wife Megan Draper – are being bashed by the fans, because they did not swoon at his feet.  In the case of Dawn, no one seemed to care about Don’s dismissal treatment of her, because .they believe they have a cause to celebrate – namely the potential return of Alpha Male Don Draper.

But the character I really feel sorry for is Betty Francis, Don’s first wife.  I feel sorry for her because as a character, she seemed to be in a conundrum.  Betty had been taught and has been expected to be a perfect mother and wife. This is her biggest demon. Fans of the show have criticized her for trying to be perfect. Yet, at the same, they continue to demand that she be perfect . . . especially as a mother.  This certainly happened when Betty coldly reacted to her discovery that son Bobby had exchanged the lunch she made for him, for a bag of candy in “Field Trip”.  This was the latest incident in which fans The only time Don has seriously been criticized as  a parent, was when daughter Sally caught him with Sylvia Rosen and he made an attempt to brush aside what she saw with a lie in Season Six’s(6.11) “Favors”.   by the fans to make one mistake in regard to her kids.  Not one.  She forever has to be a Mildred Pierce – a mother willing to coddle her children, despite their transgression – in order to be consistently loved by the fans.  I have been on the receiving end of a cold reaction like Bobby from my parents when I made a mistake.  It has not damaged by psyche.  And I have reacted to others, like Betty did.  I am a human being and I am capable of mistakes. But, due to her mistakes, Betty is the only character – other than Pete – who is consistently labeled as a “child”, when she makes a mistake.  Yet, other characters in the series, have also been consistently childish since the first season.  But I sometimes wonder if fans cannot make up their minds on what Betty should be. They criticize both her lack of maternal perfection (which does not exist in real life, by the way) . . . and at the same time, criticize her attempts at perfection. I feel sorry for her, because due to rules of our still patriarchal society – both in the series and in real life – she will never win.  Even when she expresses doubt about her skills as a mother, which she did by the end of“Field Trip”.

Poor Betty will never be accepted as the complex person that she is, because of this demand that she be the perfect mother. Many seem incapable of understanding Joan’s wariness at Don’s return. And many want Peggy to disregard her past anger at Don and his past behavior, so that she will be eternally grateful to him, again. Meanwhile, many cannot wait for Don to be his old self again – the creative Alpha Male that he was, seasons ago. We truly live in a paternalistic society.

Top Five Favorite “MAD MEN” Season One (2007) Episodes

Below is a list of my top five favorite Season One episodes of AMC’s “MAD MEN”

 

TOP FIVE FAVORITE “MAD MEN” SEASON ONE (2007) Episodes

1 - 1.12 Nixon vs. Kennedy

1. (1.12) “Nixon vs. Kennedy” – In this superb episode, Sterling-Cooper’s employees have an all-night party to watch the results of the 1960 Presidential Election. Also, Pete Campbell discovers that Don Draper’s real name is Dick Whitman, who had been officially declared dead during the Korean War.

2 - 1.10 The Long Weekend

2. (1.10) “The Long Weekend” – During the Labor Day weekend, Roger Sterling decides to cheer up Don over the loss of a client by arranging a double date with twins. During the date, he suffers a heart attack. Meanwhile, Joan Holloway has a double date with her roommate and two out-of-town businessmen.

3 - 1.05 5G

3. (1.05) “5G” – In this poignant episode, Don receives an unwelcome visitor in the form of his half-brother, Adam Whitman, whom he had not seen since the Korean War. And when Ken Cosgrove gets his short story published in a magazine, a jealous Pete asks wife Trudy to convince an old boyfriend to publish his story.

4 - 1.01 Smoke Gets in Your Eyes

4. (1.01) “Smoke Gets in Your Eyes” – The series’ pilot episode introduces Manhattan advertisement executive Don Draper and his co-workers at the Sterling-Cooper agency, as he struggles to maintain Lucky Strike as a client for the agency.

5 - 1.09 Shoot

5. (1.09) “Shoot” – A larger ad agency tries to lure Don from Sterling-Cooper by hiring wife Betty Draper for a modeling job. Meanwhile, Pete devises a strategy to help the Nixon campaign.

Top Ten (10) Favorite “MAD MEN” Episodes – Seasons One to Three (2007-2009)

Below is a list of my ten favorite episodes that have aired during Seasons One to Three on “MAD MEN”

 

Top Ten (10) Favorite “MAD MEN” Episodes – Seasons One to Three (2007-2009)

1. (2.08) “A Night to Remember” – The Draper marriage show signs of serious trouble when Betty confronts Don about his recent affair with Bobbie Barrett. Father McGill confronts Peggy Olson about her past, while working on a church project with her. And Harry Crane turns to the unlikely help of office manager Joan Holloway, when his department is overloaded with work.

 

2. (3.11) “The Gypsy and the Hobo” – Don’s past finally catches up with him when Betty confronts him about his identity theft. Roger Sterling meets a former client/lover who wishes to rekindle their affair. And Joan discovers that her husband, Greg Harris, has joined the Army after failing to start a medical career in New York.

 

3. (1.12) “Nixon vs. Kennedy” – On Election Night 1960, the Sterling-Cooper staff hold an all night party to view the election results. Pete Campbell uses his knowledge of Don’s past to blackmail him for a higher position. And Don recalls his moment of identity theft during the Korean War.

 

4. (2.05) “The New Girl” – Joan finds a new secretary for Don, while he is stuck in the middle of personal issues between TV comedian Jimmy Barrett and the latter’s wife, Bobbie.

 

5. (3.12) “The Grown Ups” – The assassination of President John Kennedy serves as the backdrop of the wedding for Roger’s daughter and the breakup of the Draper marriage.

 

6. (1.06) “Babylon” – Peggy proves to be more than a secretary when opportunities as a copywriter are opened to her. Roger and Joan’s affair is revealed. And client Rachel Mencken deals with her conflicting feelings for Don.

 

7. (3.07) “Seven Twenty-Three” – Don’s attempts to land the Conrad Hilton account leads to him being blackmailed by Bert Cooper to sign a three-year contract with Sterling Cooper. Peggy begins an affair with former Sterling-Cooper Accounts Head, Duck Phillips. And Betty expresses interest in the Governor’s aide, Henry Francis when she becomes involved in civic politics.

 

8. (2.04) “Three Sundays” – The Sterling-Cooper staff rally to save an attempt to win the American Airlines account. Don and Betty clash over the disciplining of their children. Peggy becomes acquainted with a young and attractive priest named Father McGill.

 

9. (1.03) “The Marriage of Figaro” – After his business relationship with Rachel Mencken takes an unforeseen turn; Don attends his daughter Sally’s birthday party, which further illuminates his increasing dissatisfaction with his present life.

 

10. (2.07) “The Gold Violin” – Art director Sal Romano develops an attraction toward Accounts man Ken Cosgrove and invites the latter over to Sunday dinner. Joan clashes with Don’s new secretary, Jane Siegel. And the Drapers are invited to attend a party for TV comedian Jimmy Barrett, who has some news for Betty.

Matthew Weiner, “MAD MEN” and Issues

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MATTHEW WEINER, “MAD MEN” AND ISSUES

Ever since the characters Roger Sterling and Joan Harris were mugged by an African-American man in the Season Four episode of “MAD MEN”(4.09) “The Beautiful Girls”, the topic of race in the series reared its head again. The ironic thing is that many of the series’ fans and the media still refuse to criticize the series’ creator, Matthew Weiner, for the series’ minimal exploration of race. Instead, they believe that Weiner will gradually get into the issue by the time the series focuses upon the late 1960s. 

Matthew Weiner reminds me a lot of the creator of “BUFFY THE VAMPIRE SLAYER”, Joss Whedon. Whedon had engaged in a good deal of in-depth exploration of feminine issues, yet barely touched upon race issues. And I see the same in Matthew Weiner’s handling of “MAD MEN”.

He tried to deal with the race issue with the character of Shelia White back in Season 2. Sheila was the girlfriend of Sterling Cooper copywriter Paul Kinsey. But eight episodes following her first appearance, Sheila’s character ended up being dropped in a very unsatisfying manner. Instead of showing the audience the circumstances that led to her and Paul’s breakup, Weiner merely had Paul reveal the news to his fellow co-workers, upon his return from a trip to Mississippi.

Weiner portrayed Carla, the Drapers’ maid, as the wise and dignified “Negro” – someone who turned out to be not very interesting. Poor Carla became one of those cliches that have permeated Hollywood for so many decades. In her case, she became the “dignified Negro”.  The firing of Carla at the end of Season Four has never sat well with me. I found it manipulative and a cheat. Weiner gave viewers (especially those from the white middle and upper classes) a chance to express sympathy toward a character, whose actions rightly led her to be fired. Betty had right to fire Carla.  The latter had no business allowing young Glen into the house, especially on the heel of his vandalism of the Francis household.  But since Betty was an unpopular character, and Carla was popular due to being a bland and non-threatening minority character, Weiner gave audiences a chance to congratulate themselves on being so tolerant and sympathetic toward a minority character.

I really do not see why Weiner could have approached the issue of race from a perspective not shown before – an African-American character that also happened to be an advertising executive. Most people do not realize this, but African-Americans began being employed by advertising agencies as far back as the mid or late 1950s . . . and not as service employees. Weiner had plenty of opportunity to approach this topic in the past two to three seasons. There is no need for him to wait until the series is set in the late 1960s.

Just recently, Weiner included a new addition to the cast – a thirty-something African-American woman named Dawn Chambers.  The character had been hired in the Season Five episode, (5.03) “Tea Leaves”.  Since then, Dawn has been featured in one major scene in which she sought refuge at Peggy Olson’s apartment in the wake of racial violence in Harlem.  But instead of audiences getting to know more about Dawn, the sequence centered around Peggy.  I found this very disappointing.  Since then, Dawn has been treated as background or a minor character with a few lines.

I can recall one particular critic, who has expressed contempt at Weiner’s handling of racial issues.  This critic pointed out that the FOX series, “24” had an African-American character as President of the United States . . . six years before Barack Obama became the first person of African descent to be elected to that office. If the producers of “24” (who were known for harboring conservative political beliefs) could do this, what had prevented Weiner from including a major African-American character as an employee of Sterling-Cooper after four seasons? Especially since there had been a small number of Black Americans who worked in advertising.

I also thought Weiner would deal with gay issues with the character of Sal Romano over the series. In the end, Weiner backed away from that subject, as well. Some claim that Sal’s story had simply ran its course. I disagree. Weiner had plenty of opportunity to continue Sal’s story. He had barely touched upon the issue of Sal’s marriage to Kitty, before he had Sal’s character removed from the series in the Season 3 episode, (3.09) “Wee Small Hours”. I found this decision to get rid of Sal very disappointing.  I later learn that actor Bryan Batt had left the series, due to personal reasons.  But Weiner never bothered to broach the subject of gay issues since Sal’s departure.

I suspect that like Whedon, Weiner will eventually approach the topic of race . . . but at the last minute. Hopefully, there will be a television series or movie that will be brave enough to give equal time to the topic of gender, race and gay issues.