“CONDUCT UNBECOMING” (1975) Review

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“CONDUCT UNBECOMING” (1975) Review

Over four decades ago, 1969 to be precise, a play written by novelist Barry England was first staged at the Theater Royal in Bristol, England. Set during the height of the British Empire, England’s play focused upon an Army regiment stationed in India. The play became a hit and was eventually adapted into a movie released to the public in 1975.

“CONDUCT UNBECOMING” begins with two young British officers arriving in Indian to join a prestigious regiment. Lieutenant Drake comes from a middle-class background and is eager to make the right impression. Lieutenant Millington is the son of a General and does not seem enthusiastic over the idea of a military career. He plans to leave the Army at the first opportunity. While Drake manages to make a positive impression with his fellow officers, Millington antagonizes them with his cynical behavior, causing the other officers to dislike him. A military ceremony takes place, honoring the deceased members of the regiment and their widows, including Mrs. Marjorie Scarlett, whose husband won a posthumous Victoria Cross after being killed during a battle on the North-West Frontier.

Later that evening, the regiment holds a ball. The younger officers take part in a ceremonial tradition that involves the pursuit and sticking of a pig in the mess. Lieutenant Millington tries to charm Mrs. Scarlett, but is lightly dismissed. Later, the disheveled widow bursts into the mess, claiming to have been attack. She identifies Milington as her attacker. During an evening in the mess, involving the younger officers taking part in a ceremonial tradition that involves the pursuit and sticking of a pig, Mrs Scarlett runs in claiming to have been attacked, and identifies Lieutenant Millington as her attacker. Although he is innocent, Millington sees the potential disgrace as an easy way to leave the Army and return to England. He does not bother to cooperate with Drake, who has been selected to defend him at his secret trial. But when both men realize that Millington might suffer a more serious punishment other than a dishonorable discharge and Drake discovers that another widow had been similarily attacked six months earlier, the latter officer goes out of his way to clear Millington.

I have not seen “CONDUCT UNBECOMING” for a good number of years – over a decade and a half, to be exact. I recall being very impressed when I last saw it a long time ago. I still am – to a certain extent. But there were two aspects of the movie that left me feeling a little unsettled. One of them focused upon the movie’s setting. With the exception of the first ten to fifteen minutes, most of “CONDUCT UNBECOMING” was either set in the regiment’s mess, other exterior shots or on the cantoment grounds, which could have easily been shot on a sounstage. By the time the movie ended, I felt as if I had watched a filmed play. And I never could understand Lieutenant Millington’s original attitude toward the charges against him. I mean . . . this is the Victorian Age we are talking about in which women – especially white upper and middle-class women – were put on pedestals by men. I could understand Millington’s attitude if he had been accused of assaulting the other acknowledged victim in the story – an Indian soldier’s widow named Mrs. Bandanai. But surely he should have realized that he could have suffered serious repercussion for assaulting someone as cherished as Mrs. Scarlett, right off the bat.

Despite these shortcomings, I must admit that “CONDUCT UNBECOMING” is a first-rate movie. Playwright Barry England wrote a tantalizing peek into the world of British India that featured not only a psychological drama, but also a very interesting mystery and the damages causes by misogyny and racism (in the case of Mrs. Bandanai) that was rampant during the Victorian Age (as well as now). I feel that England created a murder mystery that would have done Agatha Christie proud. I also feel that Robert Enders did an excellent job in adapting England’s play.

The movie began with a great set-up of the mystery – the ceremony honoring the dead Captain Scarlett and the other men who died with him, intertwining with with the arrivals of Lieutenants Drake and Millington at the regiment’s cantonment. The movie also had a rather creepy scene that featured the younger officers engaged in the “stick-the-pig-in-the-anal” game, which foreshadowed the attack on Mrs. Scarlett later in the evening. But what I really admired about the film is that it did not make it easy for the audience to guess the identity of Mrs. Scarlett’s attacker. For that I am truly grateful. If there is one kind of mystery I cannot abide is one that gives away the culprit’s identity prematurely.

“CONDUCT UNBECOMING” also benefited from a first-rate cast. The movie featured solid performances from the likes of James Faulkner (who portrayed Millington), Michael Culver, Rafiq Anwar, Persis Khambatta and James Donald. Christopher Plummer gave an interesting performance as the intimidating Major Alastair Wimbourne. Although there were moments when I found his performance a little theatrical. I certainly cannot accuse Trevor Howard’s performance as theatrical. He gave an appropriately poignant performance as the regiment’s aging commander, who finds it difficult to accept a possible scandal within his command. Richard Attenborough proved to be equally complex as Major Lionel E. Roach, who seemed to live and breathe the regiment. I was surprised to see Stacy Keach in this cast as Captain Harper, the officer charged with prosecuting Millington. He did an excellent job in developing his character from the hard-nosed, blindingly loyal officer, to one who finds himself appalled by the possibility of a serial attacker. Susannah York gave a superb role as the enticing Mrs. Scarlett, who seemed first amused by Millington’s attempt at seduction and later, angry over what happened to her. But the film actually belonged to Michael York, who more than carried his weight as the main character. I was impressed by how he managed to dominate this film, while retaining his character’s quiet and reserved nature.

Would I consider “CONDUCT UNBECOMING” a classic? I do not know. I certainly would not consider it a candidate for a Best Picture nomination. And it certainly had its flaws. But due to its first-rate story, solid direction from Michael Anderson and an excellent cast led by Michael York, I still would consider it a very good story that is worth viewing time and again.

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Top Ten Favorite Movies Set in the 1910s

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Below is my current list of favorite movies set in the 1910s: 


TOP TEN FAVORITE MOVIES SET IN THE 1910s

1-Mary Poppins

1. “Mary Poppins” (1964) – Walt Disney personally produced this Oscar winning musical adaptation of P.L. Travers’ book series about a magical nanny who helps change the lives of a Edwardian family. Directed by Robert Stevenson, the movie starred Oscar winner Julie Andrews and Dick Van Dyke.



2-Those Magnificent Men in Their Flying Machines

2. “Those Magnificent Men in Their Flying Machines” (1965) – Ken Annakin directed this all-star comedy about a 1910 air race from London to Paris, sponsored by a newspaper magnate. Stuart Whitman, Sarah Miles, James Fox and Terry-Thomas starred.



3-Titanic

3. “Titanic” (1953) – Barbara Stanwyck and Clifton Webb starred in this melodrama about an estranged couple and their children sailing on the maiden voyage of the R.M.S. Titanic. Jean Negulesco directed.



4-Eight Men Out

4. “Eight Men Out” (1988) – John Sayles wrote and directed this account of Black Sox scandal, in which eight members of the Chicago White Sox conspired with gamblers to intentionally lose the 1919 World Series. John Cusack, David Strathairn and D.B. Sweeney starred.



5-A Night to Remember 

5. “A Night to Remember” (1958) – Roy Ward Baker directed this adaptation of Walter Lord’s book about the sinking of the R.M.S. Titanic. Kenneth More starred.



6-The Shooting Party

6. “The Shooting Party” (1985) – Alan Bridges directed this adaptation of Isabel Colegate’s 1981 novel about a group of British aristocrats who have gathered for a shooting party on the eve of World War I. James Mason, Edward Fox, Dorothy Tutin and John Gielgud starred.



7-The Music Man 

7. “The Music Man” (1962) – Robert Preston and Shirley Jones starred in this film adaptation of Meredith Wilson’s 1957 Broadway musical about a con man scamming a small Midwestern town into providing money for a marching band. Morton DaCosta directed.



8-My Fair Lady

8. “My Fair Lady” (1964) – Oscar winner George Cukor directed this Best Picture winner and adaptation of Alan Jay Lerner and Frederick Lowe’s 1956 Broadway musical about an Edwardian phonetics professor who sets out to transform a Cockney flower girl into a respected young lady to win a bet. Audrey Hepburn and Oscar winner Rex Harrison starred.



9-Paths of Glory

9. “Paths of Glory” (1957) – Stanley Kubrick directed this adaptation of Humphrey Cobb’s anti-war novel about a French Army officer who defends three soldiers who refused to participate in a suicidal attack during World War I. Kirk Douglas, Ralph Meeker, Adolphe Menjou and George Macready starred.



10-Somewhere in Time

10. “Somewhere in Time” (1980) – Jeannot Szwarc directed this adaptation of Richard Matheson’s 1975 time travel novel called“Bid Time Return”. Christopher Reeve, Jane Seymour and Christopher Plummer starred.