“Unnecessary Time Periods”

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“UNNECESSARY TIME PERIODS”

I am a big fan of the DCEU or at least the franchise’s first phase. I am also a fan of the 2017 hit film, “WONDER WOMAN”. I was also pleased to discover that the film has managed to convince Hollywood studios – especially Warner Brothers and Disney – to create more comic book movies with a female protagonist. 

But my pleasure in both has somewhat been muted by what seemed to be a growing trend in Hollywood – to have these upcoming movies set in the past. Why? Because the successful “WONDER WOMAN” film was set in the past – during the last week or two of World War I? I had no problems with this, considering that “BATMAN V. SUPERMAN: DAWN OF JUSTICE” had established Diana Prince aka Wonder Woman’s presence during that conflict with a single photograph. Hell, the television series from the 1970s had established Wonder Woman’s origin story during World War II during its Season One and brought her character into the present (late 1970s to early 1980s) in the seasons that followed.

However, I learned that the second Wonder Woman movie starring Gal Gadot will be set in 1984. To drive home that point, it is called “WONDER WOMAN 1984”. Personally, I do not understand this decision. Was this Warner Brothers and Patty Jenkins’ attempt to cash in on the first movie’s success? Was it to undermine the back story for Wonder Woman that was established by Zack Snyder in both “BATMAN V. SUPERMAN” and “JUSTICE LEAGUE” in order to make her seem like a more ideal character? Who knows. But this movie will definitely establish a plot hole in the franchise’s overall narrative.

Warner Brothers also plans to create and release “SUPERGIRL”, who happened to be Kara Zor-El, the first cousin of Clark Kent aka Superman. And they plan to set this movie in the 1970s. Why? Apparently, Supergirl is the older cousin and to the movie’s screenwriters, it made sense that she would reach Earth before him. But . . . “MAN OF STEEL” and “BATMAN V. SUPERMAN”had already established that Superman was the first powerful alien to become known to Humans. In fact, there have been others before the arrival of General Zod and his followers who were aware of Clark’s powers. You know . . . like Jonathan and Martha Kent, some of Smallville’s citizens and Lois Lane. By setting “SUPERGIRL” in the 1970s, Warner Brothers would again . . . undermining a narrative point established in previous films. Why not follow the example of the television shows like “SUPERGIRL” and “SMALLVILLE” on the CW by having Kara aka Supergirl’s spacecraft knocked off course and forced into the Phantom Zone for a decade or two? So, by the time Kara finally reached Earth, her cousin Kal-El would have grown up and become Superman. Why not use this scenario?

“WONDER WOMAN”, Marvel’s Kevin Feige had finally decided that the Marvel Cinematic Universe (MCU) will feature a comic book movie with a woman in the starring role . . . namely “CAPTAIN MARVEL”. Mind you, I still find it cowardly that Feige had decided to wait until the success of another studio to produce a movie featuring a comic book heroine in the lead. Especially since the character Natasha Romanoff aka Black Widow has been part of the franchise since the 2010 movie, “IRON MAN 2”. However . . . I discovered that “CAPTAIN MARVEL” will be set in the 1990s. And I ask myself . . . why?

The official word is that the movie’s time period is being used to set up Nick Fury’s trajectory toward forming The Avengers years later. After all, both Samuel L. Jackson and Clark Gregg as future S.H.I.E.L.D. Directors Nick Fury and Phil Coulson will be in the film. But this is so unnecessary. I realize that Tony Stark aka Iron Man was not the first enhanced being or metahuman (so to speak) to attract the attention of S.H.I.E.L.D. Fury must have known about Steve Rogers aka Captain America’s war service in “CAPTAIN AMERICA: FIRST AVENGER”. He must have known about Hank Pym and Janet Van Dyne’s S.H.I.E.L.D. activities in the 1980s as Ant-Man and the Wasp. And her certainly knew about Dr. Bruce Banner’s experiments in gamma radiation and eventual transformation into the Hulk before the events of “THE INCREDIBLE HULK”. After all, 2008’s “THE INCREDIBLE HULK”was not an actual origin movie. So, I find myself wondering why Feige found it necessary to set up Fury’s trajectory with enhanced beings with Carol Danvers aka Captain Marvel . . . in the 1990s. Unless “CAPTAIN MARVEL” is simply another attempt by a studio or producer – in this case, Kevin Feige and the MCU – to cash in on the success of “WONDER WOMAN”. Why not just admit it? Especially since it seems so obvious.

And by the way, why are all of these films led by a comic book heroine? Just because “WONDER WOMAN” was set in the past, there is no reason why every single comic book movie with a woman in the lead have to be set in the past? What is the point in all of this? Yes, “CAPTAIN AMERICA: THE FIRST AVENGER” was set in the past. However, the following two movies featuring Captain America were set in the present. So, why did Marvel feel it was necessary to set “CAPTAIN MARVEL” in the past? Why is it that none of the other MCU movies led by men set in the past? Why did Warner Brothers believe it was necessary to set its second Wonder Woman and Supergirl films in the past? Has this been the case for any of their movies with a male lead or ensemble-oriented movies like “SUICIDE SQUAD”?

I found myself wondering if there is another reason why these three upcoming comic book heroine movies are being set in the past. But I could not find any. The time periods for these films are so unnecessary and an obvious attempts to copy the success of “WONDER WOMAN”. The thing is . . . Wonder Woman’s past during World War I and the photograph discovered by both Bruce Wayne aka Batman and Lex Luthor allowed them to recognize her as a possible metahuman or enhanced being. For me, there is no good reason for “WONDER WOMAN 1984”“SUPERGIRL” or “CAPTAIN MARVEL” to be set in the past.

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“THOR” (2011) Review

“THOR” (2011) Review

My knowledge of European-based mythology is very sketchy. I am familiar with some figures of both the Greek and Roman mythologies. But my knowledge of Norse mythology is even less. As for the many characters from Marvel Comics, I barely knew about any of them – aside from “SPIDER-MAN”, until the past decade. One can only imagine my surprise when I learned that one of Marvel’s more successful super heroes was the Norse god, Thor. 

Based upon the Norse mythology and the Marvel Comics character, “THOR” is an origin tale about the God of Thunder (and several other things), and how he ends up on Earth and becomes affiliated with S.H.I.E.L.D. The story begins in New Mexico, when scientist Jane Foster, her assistant Darcy Lewis and mentor Dr. Erik Selvig stumble across a figure that has tumbled from a wormhole in the sky. That figure turns out to be Thor, the Norse god that was exiled by his father, Odin, king of Asgard.

Earlier, Thor had been preparing to ascend to the throne of Asgard, but his ceremony was interrupted when Frost Giants attempted to retrieve the source of their power, the Casket of Ancient Winters, which had been taken by Odin in an earlier war. Against Odin’s order, Thor traveled to Jotunheim, the Frost Giants’ realm, to confront their leader Laufey; accompanied by his brother Loki, childhood friend Sif and the Warriors Three – Volstagg, Fandral and Hogun. A battle ensued until Odin intervened to save the Asgardians, which destroyed the fragile truce between the two races. For Thor’s arrogance, Odin stripped his son of godly power and exiled the latter to Earth, accompanied by Thor’s hammer Mjolnir — the source of his power, now protected by a spell to allow only the worthy to wield it.

No one was more surprised than me upon learning that actor/director Kenneth Branaugh had manned the helm for “THOR”. Pop culture movie franchises were nothing new to him. After all, he had appeared in 2002’s HARRY POTTER AND THE CHAMBER OF SECRETS”. But directing an adaptation of a comic book series? Mind you, “Thor” is a different kettle of fish incompare to . . . say “Spider-Man”“The Fantastic Four” or “Iron Man”. After all, Thor originated as a figure in Norse mythology. However, I must admit that I found it difficult to wrap my mind around the idea of a known Shakespearean actor directing a comic book hero movie.

In the end, I believe that Branaugh did a pretty good job. “THOR” turned out to be a solid tale filled with mythology, some first-rate acting, family drama, comedy and action. The best aspect of “THOR” was to me – hands down – the family drama surrounding the main hero and his relationships with his father Odin and his younger brother, Loki. This family drama originated in Thor’s arrogant nature and brother Loki’s discovery that he was an orphan that Odin had discovered in the Frost Giants realm. Despite his discovery that he was a Frost Giant instead of an Asgardian, Loki viewed Thor as an unsuitable heir to the Asgard throne and used Thor’s exile to muscle his way to the throne . . . and, uh Odin’s heart.

Another aspect of “THOR” I found interesting was the story line about S.H.I.E.L.D.’s investigation into the wormhole that delivered Thor to Earth and his hammer Mjolnir, which is stuck in the middle of the New Mexican desert like Excalibur. The first encounter between the forces of S.H.I.E.L.D. and Thor during a rainy evening also provided some interesting action. This sequence not only featured a brutal fight to the now mortal Thor and a S.H.I.E.L.D. agent and a cameo appearance by future Avenger member, Clint Barton aka Hawkeye.

The New Mexico sequences provided most of the comedy featured in “THOR”. The former Norse god’s interactions with Jane Foster, Erik Selvig, Darcy Lewis and the locals of the New Mexico town where they resided. Ashley Edward Miller, Zack Stentz and Don Payne’s screenplay not only provided a good deal of slapstick humor and witty one-liners for the Darcy Lewis character, but also a variation on the “fish out of water” theme.

And If there is one thing that the movie did shine was its production designs and cinematography. Bo Welch did a excellent job in recapturing the rugged setting of the small New Mexican town and the Frost Giants’ realm of Jotunheim, featured in the film. But he did a superb job in his design of Asgard, the realm of the Norse gods. Asgard possessed a sleek, colorful and over-the-top quality that reminded me of what the Art Deco style would look in the hands of Hollywood craftsmen in the 1930s and 40s. And Haris Zambarloukos’ photography did great justice to both settings, especially Welch’s designs for Asgard. Even though I found the movie’s theme somewhat conflicting, I must admit that I found Paul Rubell’s editing rather smooth and well done in both the action sequences and the jumps between Asgard and New Mexico.

However, I have yet to encounter a movie that I would consider perfect. And “THOR” was far from perfect. The film’s main problem was that it seemed to have a conflicting quality about it. Because the movie’s setting constantly moved from Asgard to New Mexico and back, it ended up striking me as a mixture of “CLASH OF THE TITANS” and “STARMAN”. And this conflicting style did not seem to balance very well. I could have settled for “THOR” beginning its story in Asgard and remaining in New Mexico until the last scene. Unfortunately, most of the movie’s more important action occurred in Asgard, leaving the New Mexico sequences to bear the brunt of most of the comedy. By the time the movie’s last scene ended, I could not tell whether this was a movie about mythological gods or a comic book hero. “THOR” was a pretty good movie, but it did not exactly rock my boat. I found the story a bit mediocre and conventional. And the problem, if I must be honest, rested with Marvel Comics’ decision to create a comic series about a well-established mythological figure, instead of a new and original character.

Also, there were a few performances that failed to impress me. I realize that the three actors and one actress that portrayed Thor’s Asgardian friends – Sif and the Warriors Three – were very popular with moviegoers. Unfortunately, not only did they fail to impress me, I found them rather uninteresting. Poor Rene Russo. Within a decade she went from leading lady to a minor character actress, stuck in the thankless and nothing role of Thor’s stepmother, Frigga. Jeremy Renner as Hawkeye was really wasted in this film. In fact, he did nothing at all, except pose with a bow and arrow. I realize that he will appear as one of the Avengers in the upcoming 2012 film, but he was never allowed to strut his stuff like Scarlett Johanssen in “IRON MAN 2”.

Aside from the performances I had earlier mentioned, “THOR” seemed blessed with a first-rate cast. I was surprised to learn that Chris Hemsworth had portrayed James T. Kirk’s doomed father in the 2009 movie, “STAR TREK”. His George Kirk had been so dull. Fortunately, portraying Thor gave him the opportunity to shine in a complex role that developed from an arrogant and over-privileged prince with an aggressive sense of self to a more compassionate and wiser man who had fallen in love. For an actor with only eight or nine years of acting experience – most of them on television – Hemsworth more than held his own against the likes of Oscar winner Anthony Hopkins. And those scenes that featured Thor’s encounters with Jane’s van conveyed Hemsworth’s talent for physical slapstick humor. As an on-screen fighter, he struck me as a bit crude, but I am certain that he will improve with time. Natalie Portman gave a charming and humorous portrayal of Dr. Jane Foster, the astrophysicist who is not only obsessed with her work, but eventually finds love with Thor. Mind you, I did not find her character particularly exceptional. But I am glad to say that Portman tried all she could to make Jane an interesting personality. But one of the two best performances came from Tom Hiddleston’s portrayal of Loki, Thor’s resentful and conniving younger brother. Loki was definitely the movie’s main villain. The joke he had played (luring three Frost Giants to the chamber that held the Casket of Ancient Winters) on Thor’s ascension ceremony not only led him to the discovery that he was an abandoned Frost Giant infant taken by Odin, but also gave him the opportunity to discredit Thor and take the latter’s position as Odin’s more cherished son. Mind you, I cannot say that Hiddleston conveyed Loki’s mischievous sense of humor effectively. But he did handle Loki’s conniving nature, jealousy toward Thor and outrage over the story behind his true nature with great skill and subtlety.

Other outstanding performances came from Idris Elba, who portrayed Asgard’s gatekeeper, Hemidall; Kat Dennings as Jane’s sardonic assistant Darcy Lewis; Clark Gregg as S.H.I.E.L.D. agent Phil Coulson; and Colm Feore as Laufey, King of the Frost Giants (and Loki’s real father). I was amazed at how Elba managed to convey all of Hemidall’s emotions and intelligence with very limited movement. No wonder he became very popular with many of the film’s characters. And Colm Feore managed to do something quite similar. He conveyed all of Laufey’s malice and secrecy behind a ton of body makeup. Aside from Hemsworth’s foray into slapstick, the New Mexico sequences featured a deliciously sly and humorous performance by Kat Dennings, who portrayed Darcy. And it was great to see Clark Gregg reprise the role of Phil Coulson for the third time (he made two earlier performances in the two IRON MAN movies). Thankfully, the movie’s script allowed him to be more complex and increasingly sardonic, allowing Gregg to really show his acting chops. Finally, the movie benefited from solid performances by Anthony Hopkins’ majestic portrayal of Odin, Thor’s father, Stellan Skarsgård as Jane’s dependable and practical mentor, Dr. Eric Selvig and Samuel L. Jackson as S.H.I.E.L.D. director Nick Fury in the movie’s post-credits sequence.

In conclusion, “THOR” proved to be an entertaining movie and another step toward “THE AVENGERS”, the big Marvel Comics saga for 2012. The movie provided solid direction from Kenneth Branaugh and excellent performances from most of the cast. But the movie’s conflicting genre(s) and somewhat mediocre story led me to realize that I would never consider it to be one of the outstanding releases from Marvel Studios.