“BREATHLESS” (2013) Episode Ranking

Below is a ranking of the episodes from the 2013 ITV limited series, “BREATHLESS”. Created by Paul Unwin and Peter Grimsdale, the series starred Jack Davenport and Catherine Steadman:

“BREATHLESS” (2013) EPISODE RANKING

1. (1.03) “Episode Three” – In 1961 London, chief gynecologist Dr. Otto Powell, along with anesthetist Charlie Enderbury and former nurse Jean Truscott perform an illegal abortion on young woman in Soho but complications arise, requiring an admission to a hospital. Jean’s husband, junior doctor Richard Truscott, has a reunion with former lover Margaret Dalton and resumes their affair.

2. (1.06) “Episode Six” – Otto and his wife, Elizabeth, have a confrontation with police Inspector Ronald Mulligan, who has been blackmailing her into having a sexual affair. Years earlier in Cyprus, Otto had bribed Mulligan into keeping silent about an accidental death involving Elizabeth’s fiancé, an American officer.

3. (1.02) “Episode Two” – Charlie loses out on his promotion to chief anesthetist to the newly arrived Dr. Omprakash Mehta. Following their return from their honeymoon, an angry Richard discovers that Jean, with Otto’s collusion, had kept her miscarriage a secret before their wedding. Jean holds a dinner party that ends in disaster.

4. (1.05) “Episode Five” – Margaret is admitted into the hospital for cervical cancer and receives a visit from Jean. Angela Wilson, Jean’s sister and a nurse, spots Otto and Elizabeth on a theater trip and realizes that an affair with him would be pointless, despite her attraction to him. And Charlie’s wife, Lily Enderbury, spots Mulligan at the Powell home.

5. (1.01) “Episode One” – Right before Jean and Richard’s wedding, the former has a miscarriage and asks Otto to help keep the incident a secret. Angela is hired as a nurse for the hospital’s gynecology unit. She later helps Inspector Mulligan’s unmarried daughter avoid being forced into a loveless marriage.

6. (1.04) “Episode Four” – Otto and Angela travel to Dorset with a medical student named Sam Roth in order to treat an unmarried girl who had been raped by her father and is giving up her triplets for adoption. Elizabeth sends her son Thomas away during Otto’s trip in order to accommodate Mulligan, but is surprised by a visit from Charlie.

Ranking of “AGATHA CHRISTIE’S POIROT” Movies

David_Suchet____I_m_very_firmly_Agatha_Christie_s_Poirot_

With one more season of “AGATHA CHRISTIE’S POIROT” left with David Suchet as the famous literary Belgian detective, I thought it would be nice to rank some of the series’ feature-length movies that aired between 1989 and 2010. I have divided this ranking into two lists – my top five favorite movies and my five least favorite movies: 

 

RANKING OF “AGATHA CHRISTIE’S POIROT” MOVIES

Top Five Favorite Movies

1-Five Little Pigs

1. “Five Little Pigs” (2003) – In this beautifully poignant tale, Hercule Poirot investigates a fourteen year-old murder in which his client’s mother was erroneously convicted and hanged for.

2-After the Funeral

2. “After the Funeral” (2006) – When a relative of a deceased man questions the nature of his death at a family funeral, she is violently murdered the following day and the family’s solicitor requests Poirot’s help. Better than the novel, the movie has a surprising twist.

3-The ABC Murders

3. “The A.B.C. Murders” (1992) – In this first-rate adaptation of one of Christie’s most original tales, Poirot receives clues and taunting letters from a serial killer who appears to choose his random victims and crime scenes alphabetically.

murderonthelinks

4. “Murder on the Links” (1996) – While vacationing in Deauville with his friend, Arthur Hastings, Poirot is approached by a businessman, who claims that someone from the past has been sending him threatening letters. One of my favorites.

5-Sad Cypress

5. “Sad Cypress” (2003) – Poirot is asked to investigate two murders for which a young woman has been convicted in the emotional and satisfying tale.

Top Five Least Favorite Movies

1-Taken at the Flood

1. “Taken at the Flood” (2006) – In this rather unpleasant tale, Poirot is recruited by an upper-class family to investigate the young widow of their late and very rich relative, who has left his money solely to her.

2-The Hollow

2. “The Hollow” (2004) – A favorite with many Christie fans, but not with me, this tale features Poirot’s investigation into the murder of a successful doctor at a country house weekend party.

3-Appointment With Death

3. “Appointment With Death” (2008) – In this sloppy adaptation of one of Christie’s novel, Poirot investigates the death of a wealthy American widow, during his vacation in the Middle East.

4-Hickory Dickory Dock

4. “Hickory Dickory Dock” (1995) – In a tale featuring an annoying nursery rhyme, Poirot’s secretary Miss Lemon persuades Poirot to investigate a series of apparently minor thefts in a university hostel where her sister works, but simple kleptomania soon turns to homicide.

5-One Two Buckle My Shoe

5. “One, Two, Buckle My Shoe” (1992) – Poirot and Chief Inspector Japp investigates the alleged suicide of the Belgian detective’s dentist. Despite the heavy political overtones, this movie is nearly sunk by a premature revelation of the killer.

“MURDER ON THE LINKS” (1996) Review

murderonthelinks

 

“MURDER ON THE LINKS” (1996) Review

I have never read Agatha Christie’s 1923 novel called “Murder on the Links”. But I have seen the 1996 television adaptation that starred David Suchet as Hercule Poirot. On several occasions. 

While on holiday in Deauville, France with his close friend, Captain Arthur Hastings, Hercule Poirot is approached by a wealthy businessman for help. Paul Renauld, whose assets include several South American business interests and the hotel where Poirot and Hastings are staying, claimed that someone – probably from South America – has made threats against his life. He asks Poirot to visit his home for consultation on the following morning. When Poirot meets the appointment, he discovers that Renauld has been kidnapped and Madame Renauld, left tied and gagged in their bedroom. The kidnapping case transforms into murder, when Hastings and his fellow golfers stumble across Renauld’s body on a golf course. Poirot also makes the acquaintance of Monsieur Girand of the Surete, an arrogant police official that views himself as the better detective. This clash of egos leads to a bet between the pair over who would solve the Renauld case first.

The case involves a bevy of suspects that include:

*Madame Eloise Renauld, the victim’s wife
*Jack Renauld, the victim’s stepson, who disliked him
*Marthe Daubreuil, Jack’s fiancée, who was frustrated by the victim’s opposition to the engagement
*Madame Bernadette Daubreuil, Marthe’s mother and the former lover/possible partner-in-crime of the victim
*Bella Duveen, Jack’s former lover, who may have mistaken the victim for him
*Mr. Stonor, the victim’s private secretary, who is in love with Madame Renauld

I would never consider “MURDER ON THE LINKS” as one of the best Christie adaptations I have seen. The movie’s prologue – set ten years earlier – almost made it easy to figure out the murderer’s identity. Second, the plot seemed hampered by one too many red herrings that involved mistaken identities and mistaken assumptions. And these red herrings nearly made the plot rather convoluted. I suspect that screenwriter Anthony Horowitz feared that the movie’s prologue nearly gave away the murderer’s identity and inserted these red herrings to confuse the viewers. Then again . . . I never read the 1923 novel and it is possible that Horowitz was simply following Christie’s original plot. Yet, the red herrings were nothing in compare to the line of reasoning that led Poirot to solve the case. The clues that he followed struck me as vague and slightly contrived.

But despite these flaws, I still manage to enjoy “MURDER ON THE LINKS” whenever I watch it, thanks to Andrew Grieves’ direction. One, I actually enjoyed the movie’s atmosphere and setting in Deauville. It gave the movie a touch of elegance without the series’ hallmark Art Deco style that had become a bit heavy-handed after this movie first aired. Production designer Rob Harris and cinematographer Chris O’Dell managed to capture the elegant mood of mid-1930s France without being too obvious about it. Andrea Galer’s costumes also struck me as near perfect. I especially enjoyed those costumes worn by the female cast members. The production’s pièce de résistance for me was the bicycle race featured two-thirds into the story. It struck me as a perfect blending of Grieves’ direction, editing, photography, production design, costumes and performances – especially by the extras.

Aside from one or two complaints, I thought the cast’s performances were first-rate. David Suchet gave his usual competent performance as the Belgian detective, Hercule Poirot. But I was especially impressed by Hugh Fraser’s portrayal of Arthur Hastings, Poirot’s close friend. “MURDER ON THE LINKS” provided a strong opportunity for him to shine as a man who falls in love with one of the suspects. Damien Thomas was excellent as the desperate and very complex Paul Renauld. In fact, his character seemed to be the lynch pin of the entire movie – even after his character was killed off twenty minutes into the film. Diane Fletcher seemed remarkably subtle and charming as Renauld’s beloved wife, Eloise. Portraying someone as ambiguous as Jack Renauld must have been a bit tricky, but Ben Pullen did a good job in capturing the character’s amiable, but callow and self-involved personality. Sophie Linfield was solid as Jack’s current love and fiancée, Marthe Daubreuil. However, she did not exactly rock my boat. Neither did Terence Beesley and Bernard Latham, who portrayed Renauld’s private secretary Stonor and Lucien Bex of the police, respectively. I also have to comment on Jacinta Mulcahy’s portrayal of Hasting’s love interest – the beautiful songstress, Bella Duveen. Mulcahy portrayed Bella as an effective minor femme fatale as Jack Renauld’s rejected lover. And she and Fraser made a surprisingly effective romantic pair.

The two performances that left me scratching my head came from Katherine Fahey and Bill Moody. I wish I could say that Fahey’s portrayal of Bernadette Daubreuil – Renauld’s former lover and Marthe’s mother – made an effective femme fatale. But I cannot. I cannot accuse her of hammy acting, but I thought she tried a bit too hard to project the image of a mysterious femme fatale who was blackmailing her former lover and possible partner-in-crime. But the one performance that really disappointed me came from Bill Moody’s portrayal of Monsieur Giraud of the Paris Sûreté and Poirot’s professional rival. I understood that he was supposed to be a boorish and arrogant man. However, I still had a problem with Moody’s performance. His portrayal of a French police detective seemed to border on parody. It was like watching a caricature of the John Bull persona tried to pass off as a Frenchman. It simply rang false to me.

“MURDER ON THE LINKS” was not perfect. Although I found the murder mystery intriguing, Poirot’s solution to the crime and the clues that led him to that solution struck me as slightly vague and improbable. I also had a problem with the performances of two cast members. But Arthur Hasting’s romance with one of the suspects, the elegant setting of Deauville and the performances of David Suchet, Hugh Fraser and Damien Thomas made “MURDER ON THE LINKS”worth watching.