“STAR WARS: EPISODE IX – THE RISE OF SKYWALKER” (2019) Review

“STAR WARS: EPISODE IX – THE RISE OF SKYWALKER” (2019) Review

Despite its success at the box office, the second film in the Disney STAR WARS Sequel Trilogy, “STAR WARS: EPISODE VIII – THE LAST JEDI”, proved to be something of a publicity disaster. Many film critics loved it. An even greater number of moviegoers disliked it. Many have attributed this schism within the STAR WARS fandom as a contributing factor to the box office failure of “SOLO: A STAR WARS STORY”. To regain the universal love of the fandom, Disney Studios and Kathleen Kennedy of Lucasfilm brought back J.J. Abrams, who had directed “STAR WARS: EPISODE VII – THE FORCE AWAKENS”, to handled the trilogy’s third entry, “STAR WARS: EPISODE IX – THE RISE OF SKYWALKER”.

Disney Studios and Lucasfilm heralded “THE RISE OF SKYWALKER” as not only the end of the franchise’s Sequel Trilogy, but also the end of the Skywalker family saga, which began under George Lucas. The 2019 movie began a year after “THE LAST JEDI”. The Resistance under Leia Organa has been hiding from the ever growing threat of the First Order, which has been ruled by her son, Kylo Ren aka Ben Solo. Leia has also been training Force acolyte Rey, while orchestrating the Resistance’s attempts to rebuild the organization and form contacts with other worlds and factions throughout the Galaxy. However, the film’s opening crawl reveals that Emperor Sheev Palpatine is still alive, despite being tossed down the second Death Star’s reactor shaft by Anakin Skywalker aka Darth Vader, while being electrocuted in “STAR WARS: EPISODE VI – RETURN OF THE JEDI”. Palpatine vows revenge against the Galaxy for its rejection of him and his power. Leia charges Poe Dameron, Finn and Rey to search for Palpatine and destroy him. Kylo Ren also seeks Palpatine with the intent to kill the latter and maintain his own supremacy of the First Order. Kylo Ren eventually manages to find Palpatine on the remote planet of Exegol. He learns that his former master, Snoke, had merely been a puppet of Palpatine. And the former Emperor wants him to find Rey and kill her in order to remove any possible threat to the resurgence of the Sith Order.

When I learned that J.J. Abrams would return to the “STAR WARS” franchise to conclude the Sequel Trilogy, my reactions were mixed. On one hand, I disliked his handling of “THE FORCE AWAKENS”. On the other hand, I completely loathed what Rian Johnson had done with “THE LAST JEDI”. And when Abrams had promised to do right by the Finn character, which had been so badly mishandled by Johnson . . . well, some part of me did not know whether to welcome Abrams’ return or be leery of it.

There were aspects of “THE RISE OF SKYWALKER” that I liked. I was impressed by Dan Mindel’s cinematography for the movie, especially in scenes that featured the planet of Pasaana. I thought Mindel did an excellent job of utilizing the country of Jordan for those scenes, as shown below:

I was also impressed how Mindel shot the visual effects for the last duel between Rey and Kylo Ren among the second Death Star ruins on the Endor moon. Some of the film’s action sequences struck me as pretty memorable, thanks to Abrams’ direction, Mindel’s cinematography and stunt coordinator Eunice Huthart. I am referring to those scenes that feature the heroes’ occasional encounters with the First Order on Psaana and aboard the First Order star ship. I was also relieved to see the trilogy’s three protagonists – Rey, Finn and Poe Dameron – and Chewbacca spend a great deal of the movie together. The four characters managed to create a pretty solid dynamic, thanks to the performances of Daisy Ridley, John Boyega, Oscar Isaac and Joonas Suotamo and it is a shame that audiences never got a chance to experience this dynamic in the trilogy’s other two films.

There was an aspect of the film’s narrative that delivered a great deal of satisfaction to me. It is a small matter, but involved Rey’s Jedi training. I am very relieved that Abrams finally allowed Rey to receive substantial training from a mentor, who happened to be Leia. A year had passed between “THE LAST JEDI” and “THE RISE OF SKYWALKER”. Rey’s first scene established that Leia had been training her during that year. The movie also established in a flashback that Leia had received her training from her brother Luke Skywalker. Why did I find this satisfying? Most of Luke’s own Jedi training had also occurred during the period of a year – between the events of “STAR WARS: EPISODE V – THE EMPIRE STRIKES BACK” and “RETURN OF THE JEDI”. And during this period, he had received his training from . . . you know, I have no idea on how Luke managed to complete his training. Even after so many years. To this day, it is a mystery. And this is why I am grateful that Abrams and co-writer Chris Terrio had made it clear that Leia had continued Rey’s training between “THE LAST JEDI” and “THE RISE OF SKYWALKER”.

The performances featured in the movie struck me as pretty solid, especially from the leads – Ridley, Boyega, Isaac and Adam Driver. The movie also featured solid, yet brief performances from returning cast members such as Kelly Marie Tran, Domhnall Gleeson, Mark Hamill, Harrison Ford, Billie Lourd, Lupita Nyong’o, and the late Carrie Fisher. Dominic Monaghan, Naomie Ackie, Keri Russell and Richard E. Grant all made nice additions to the trilogy. It was great to see Billy Dee Williams reprise his role as Lando Calrissian. He was one of the bright spots of this film. Hell, it was even nice to see Denis Lawson as Wedge Antilles again, despite his brief appearance. But if I must be honest, I was not particularly blown away by any of them – including the usually outstanding Boyega. Actually, I take that back. There was one cast member who provided a moment of superb acting. I refer to Joonas Suotamo, who did an excellent job in conveying a true moment of grief and despair for Chewbacca’s character in the film’s second half.

But I do have a complaint about one particular performance. And it came, from all people, Ian McDiarmid who portrayed the surprisingly alive Emperor Palpatine. How can I put this? This Palpatine seemed like a ghost of his former self. No. Wait. That was phrased wrong. What I meant to say is that McDiarmid’s portrayal of Palpatine in this film seemed like an exaggeration in compare to his performances in the Original and Prequel Trilogy films. Exaggerated . . . ham-fisted. I found McDiarmid’s scenes so wince-inducing that I could barely watch them. However, aware of McDiarmid’s true skills as an actor, I finally realized that his bad performance may have been a result of J.J. Abrams’ direction. The latter’s failure as a director in Palpatine’s scenes and failure to visualize the character as a subtle and manipulative villain really impeded McDiarmid’s performance.

Unfortunately, McDiarmid’s performance was not my only problem with “THE RISE OF SKYWALKER”. I had a host of others. Many film critics have bashed J.J. Abrams for trying to reject what Rian Johnson had set up in “THE LAST JEDI”. I find this criticism ironic, considering that Johnson had rejected a great deal of what Abrams had set up in “THE FORCE AWAKENS”. Not that it really matters to me. I disliked “THE FORCE AWAKENS”. I disliked “THE LAST JEDI”. And if I must be brutally honest, I disliked “THE RISE OF SKYWALKER”. Like the other two films, I thought the 2019 movie was pretty bad.

My first problem with “THE RISE OF SKYWALKER” was its main narrative. Basically, the entire story revolved around the heroes and the First Order’s search for the now alive Palpatine. The film’s opening crawl pretty much announced to movie audiences that Palpatine was alive without bothering presenting this revelation as a surprise. It is simply the old case of “tell and not show” that has hampered a great number of fictional works throughout time. I believe this narrative device especially does not suit a plot for a motion picture or a television series, because it comes off as a cheat. It is lazy writing. Worse, most of the main characters spend a great deal of the movie searching for Palpatine. And when they finally discover him, no one bothered to ask how he had escaped death after being allegedly killed by Anakin Skywalker aka Darth Vader in “RETURN OF THE JEDI”. How did Palpatine survive being tossed to his death, while being electrocuted by Force lightning? Well, STAR WARS fans finally learned the truth in the film’s novelization written by Rae Carson. The only major character who immediately managed to find Palpatine was Kylo Ren, who used a Sith wayfinder . . . or compass. Meanwhile, Rey, Finn, Poe and Chewbacca had to resort to following clues to lead to first a Sith dagger, and later, a Sith wayfinder – traveling from one planet to another at a dizzying speed. This whole search for a wayfinder and Palpatine struck me as unnecessarily rushed. I do not think it is a good thing when a person complains about the fast pacing of a movie with a 142 minutes running time. For me, this exposed the hollow nature of the movie’s narrative.

As I had earlier stated, the majority of the film’s narrative is centered around the protagonists’ determination to find Palpatine. A part of me wonders how did the Resistance and the First Order had planned to kill him, once he was discovered. And yes, the First Order’s leader, Kylo Ren, also wanted Palpatine’s dead. But how did any of them plan to kill him? The movie never conveyed any of the other characters’ plans. Worse, this search for Palpatine had transformed the movie into some space opera version of both the INDIANA JONES and NATIONAL TREASURE movie franchises. Was that why Abrams had decided to expose Palpatine’s return or resurrection in the film’s opening crawl? So he could have his major characters embark on this “Indiana Jones” style hunt for Palpatine from the get go? Or relive the whole “map to Luke Skywalker” search from “THE FORCE AWAKENS” that proved to be so irrelevant? Well guess what? The “Search for Palpatine” proved to be equally irrelevant. Watching Rey, Finn, Poe and Chewbacca hunt down artifacts that would lead them to Palpatine was one of the more ridiculous aspects of this film. I felt as if I had watched a hybrid STAR WARS/INDIANA JONES/NATIONAL TREASURE movie. It was fucking exhausting.

Returning to Palpatine, I was unpleasantly shocked to learn that during the thirty years he was missing, he had created a new fleet of Star Destroyers, each ship equipped with a planet-killing laser. Thirty years. Is that how long it took Palpatine (or his clone) to create a fleet of planet killing Star Destroyers? Is that why he had taken so long construct these ships? If one Star Destroyer can destroy a planet, why did he bother to wait so long to use any of them to re-take the Galaxy? Three decades? I wish I could say more, but I do not see the point. Is a Star Destroyer strong enough to be used as a “base” for a laser powerful enough to destroy a planet?

I have also noticed that the lightsaber duels featured in “THE RISE OF SKYWALKER” . . . well, they were bad. Quite a travesty, if I must be honest. I have never been that impressed by the lightsaber duels in the Sequel Trilogy, but even I must admit that Kylo Ren’s duels with both Finn and Rey in “THE FORCE AWAKENS” were somewhat better than the Obi-Wan Kenobi/Darth Vader duel in “STAR WARS: EPISODE IV – A NEW HOPE”. But after the 2015 movie . . . dear God. Rey and Kylo Ren’s fight against Snoke’s guards in “THE LAST JEDI” struck me as something of a joke. But Rey and Kylo Ren’s duels in “THE RISE OF SKYWALKER” were simply abysmal. Dan Mindel’s cinematography and the movie’s visual effects team could do nothing to hide the laughable nature of the duels. Both Daisy Ridley and Adam Driver seemed to spend a great deal of their time slashing at each with no semblance of swordsmanship whatsoever. Where is Nick Gillard when you need him?

Not surprisingly, “THE RISE OF SKYWALKER” revealed a number of Force abilities that appeared for the first (or second time) in the STAR WARS franchise. The Force bond between Rey and Kylo Ren, which was created by Snoke in the previous film; allowed the First Order leader to snatch a necklace from the Resistance fighter’s neck in a violent manner – despite the fact that the pair was thousands of miles from each other. And in another scene, while Rey faced Palpatine and Kylo Ren faced the Knights of the Ren, she was able to hand over a lightsaber to him – despite being miles apart. How did they do this? I have not the foggiest idea. I do not even understand how Abrams and Terrio managed to create this ability in the first place. And frankly, I find it rather stupid and implausible. Force healing. For the first time in the history of the franchise, a Force user has the ability to heal. How did this come about? I have not the foggiest idea. If this had been the case during the events of the Prequel Trilogy, chances are Anakin Skywalker would have never become a Sith Lord. The Force healing ability made its debut in the Disney Plus series, “THE MANDALORIAN” . . . I think. However, Kylo Ren had the ability to use Force healing. So did Rey. I do not know who taught them or how . . . fuck it! I will just treat this as another plot device that came out of Lucasfilm’s ass. “THE RISE OF SKYWALKER” also revealed that the “resurrected” Palpatine had the ability to transfer one person’s essence into the body of another. How? More contrived writing.

Speaking of contrivance, there is the matter of one Leia Organa. Although a part of me still believes Lucasfilm should have killed off Leia Organa in “THE LAST JEDI”, in the wake of Carrie Fisher’s death a year before the film’s release; I must admit that Abrams did an admirable job in utilizing old footage of the actress from “THE FORCE AWAKENS”, digital special effects and Billie Lourd as a body double for some of Leia’s scenes. But I hated the way Leia was finally killed off. It was similar to Luke’s ludicrous death in “THE LAST JEDI”. I HATE how Disney Studios and Lucasfilm portray the Force as some kind of energy that can kill an individual if it was used too long or too hard. As if the Force user was some kind of goddamn battery. I really hate that. And this is why I dislike Leia’s death just as much as I disliked Luke’s.

In fact, this movie seemed to be filled with contrived writing. As for the Rebel Alli . . . I mean the Resistance, I noticed that their numbers had grown since the end of “THE LAST JEDI”. Had Leia managed to recruit new members for the Resistance’s cause during the year between the two films? If so, “THE RISE OF SKYWALKER” did not hint one way or the other. I mean there were barely enough Resistance members to crowd the Millennium Falcon in the last film’s finale. And the narrative for “THE RISE OF SKYWALKER” seemed to hint that aside from Maz Kanata, hardly anyone new had bothered to join the Resistance during that year between the two films. So . . . if this is true, why did the number of Resistance members seemed to have tripled during that year between the two movies? Among the new members is one Beaumont Kin, portrayed by “LOST” alumni Dominic Monaghan.

Speaking of characters – the arcs for the major characters have proven to be as disastrous as those featured in “THE FORCE AWAKENS” and especially “THE LAST JEDI”. I was surprised to see Maz Kanata as a member of the Resistance. Her recruitment into the organization was never seen on screen. Even worse, the former smuggler and tavern owner was basically reduced to a background character with one or two lines. Actress Lupita Nyong’o’s time was certainly wasted for this film. Although I thought Rose Tico was a promising character, I never liked how Rian Johnson had used her as a very unnecessary mentor for Finn in “THE LAST JEDI”. However, my hopes that J.J. Abrams would do her character justice in “THE RISE OF SKYWALKER” proved to be fruitless. In this film, Rose had been reduced from supporting character to minor character, who spent most of her appearances interacting with Monaghan’s Beaumont Kin in three or four scenes. What a damn waste! Speaking of waste . . . poor Domhnall Gleeson. His character, General Armitage Hux, was another character whose presence was wasted in “THE RISE OF SKYWALKER”. Audiences learned in the film’s second half that he had become a mole for the Resistance, supplying the group information on the First Order’s movements. The problem with this scenario is that film had Hux explained that he was simply betraying his leader, Kylo Ren. But his reason for this betrayal was never fully explained, let alone developed. Harrison Ford returned in a brief cameo appearance as the ghost of Han Solo. Wait a minute. Let me re-phrase that. Ford returned as a figment of Kylo Ren’s imagination . . . as Han Solo. How was his performance? Unmemorable.

“THE RISE OF SKYWALKER” also featured a good number of new characters. Probably too many. I have already mentioned Resistance fighter Beaumont Kim. Abrams and co-writer Chris Terrio also introduced Jannah, a former stormtrooper who had deserted from the First Order like Finn. When she was introduced, I had assumed that Finn’s background would finally be explored. Never happened. Worse, Abrams only allowed Jannah – a new character – to speculate on her background in one line spoken to Lando Calrissian. And nothing else. Next, there was Zorri Bliss, a smuggler and former paramour of Poe Dameron’s, who provided the Resistance with information on how to interpret the Sith dagger in their possession. Aside from this task, Bliss managed to miraculously survive the destruction of Kijimi, her homeworld to participate in the final battle against Palpatine and the First Order. Through her, audiences learned that Poe was a former spice smuggler . . . a drug smuggler. More on this, later. And finally, we have Allegiant General Enric Pryde, who came out of no where to become Kylo Ren’s top commander. It occurred to me that Pryde turned out to be the Sequel Trilogy’s General Grievous. I love the Prequel Trilogy, but I never liked Grievous. He should have been introduced a lot earlier than the Prequel Trilogy’s last film. And Enric Pryde should have been introduced earlier than “THE RISE OF SKYWALKER”. It would have made his brief conflict with Hux a lot more believable.

I read somewhere that the character of Kylo Ren aka Ben Solo is the most popular in the Sequel Trilogy. I am a firm admirer of actor Adam Driver and I thought he gave a solid performance as Kylo Ren. But . . . the character has never been a favorite of mine. I could complain that Kylo Ren is bad written, but I can honestly say the same about the other major (and minor) characters. Yet for some reason, Lucasfilm, a good number of the STAR WARS and media seemed to think the stars shined on Kylo Ren’s ass. I hate it when the glorification of a story or character is unearned and then shoved down the throats of the public. In “THE RISE OF SKYWALKER”, Kylo Ren’s character arc proved to be just as rushed and full of writing contrivances as his relationship arc in “THE LAST JEDI”. Honestly. Unlike Anakin Skywalker in the Original Trilogy, Kylo Ren’s redemption was never properly set up in “THE RISE OF SKYWALKER”. It merely sprung up in the film’s last third act so that Abrams (the unoriginal storyteller that he is) could allow him to mimic his grandfather’s arc. Looking back on Kylo Ren’s character, he should have continued his arc from the end of “THE LAST JEDI” – as the main villain. Instead, Abrams and Lucasfilm brought back Palpatine so they could have Kylo Ren repeat Anakin’s arc and avoid dying as the film’s Big Bad. This decision only brought about bad writing. And then we have Poe Dameron. In some ways, Poe proved to be the worst written character in this trilogy. It almost seemed as if Lucasfilm, Abrams and Rian Johnson did not know what to do with him. His death was initially set up in “THE FORCE AWAKENS” and he spent most of that film off-screen, only to make a miraculous re-appearance near the end, with no real explanation how he had survived the crash on Jakku. In “THE LAST JEDI”, Johnson had transformed Poe into some hot-headed Latino stereotype, who questioned the decisions of the Resistance’s two female leaders – Leia and Admiral Holdo. And “THE RISE OF SKYWALKER” made another revision to Poe’s character. The movie revealed that Poe had a past romance with the smuggler Zorri Bliss and was a spice runner (drug smuggler). How quaint. Abrams and Terrio took the only leading character in the Sequel Trilogy portrayed by a Latino actor and transformed him into a drug lord. Where the two writers watching “NARCO” or old reruns of “MIAMI VICE” when they made this decision to Poe’s character? God only knows. I do know that in my eyes, this was another mark of racism on Lucasfilm’s belt.

Speaking of racism . . . what on earth happened to Finn? Following Rian Johnson’s shoddy treatment of his character in “THE LAST JEDI”, J.J. Abrams had assured the franchise’s fans that he would do justice to Finn. And he failed. Spectacularly. Did Finn even have a character arc in “THE RISE OF SKYWALKER”? The former stormtrooper spent most of the film either participating in the search for Palpatine, while keeping one eye on the constantly distracted Rey, like some lovesick puppy. He seemed to lack his own story in this film. “THE RISE OF SKYWALKER” could have provided the perfect opportunity for Lucasfilm to further explore his background as a former stormtrooper. With the creation of Jannah, I thought it would finally happen. Instead, the movie focused more on Jannah’s questions about her origins. And Lucasfilm and Abrams wasted the chance to even consider at subplot regarding Finn and the First Order’s stormtroopers. Boyega also spent most of the film hinting that he had something important to tell Rey. Many believe he was trying to confess that he loved her. That is because the movie DID NOT allow him to finally make his confession. Even worse, audiences learned that he wanted to confess his suspicions that he might be Force sensitive. And Lucasfilm confirmed this. Why on earth could they NOT confirm Finn’s Force sensitivity on film? Why? What was the point in keeping this a secret until AFTER the film’s release?

I also noticed one other disturbing aspect about Finn . . . or John Boyega. I just discovered that John Boyega had been demoted by Disney Studios and Lucasfilm from leading actor to supporting actor. Only this had happened a lot sooner that I thought. In the studio’s Academy Awards campaign for “THE FORCE AWAKENS”, it pushed Boyega for a Best Actor nomination. But in both “THE LAST JEDI” and “THE RISE OF SKYWALKER”, the studio pushed him for a Best Supporting Actor nomination. Yet, for all three movies, Lucasfilm and Disney also pushed a white actor for Best Actor. They pushed Harrison Ford (along with Boyega) “THE FORCE AWAKENS”. They pushed Mark Hamill for Best Actor in “THE LAST JEDI”. Yet, both Ford and Hamill were clearly part of the supporting cast. And they pushed Adam Driver for Best Actor for “THE RISE OF SKYWALKER”. Hmmmm . . . Driver went from supporting actor to lead actor, while Boyega was demoted from lead actor to supporting actor. A few more notches in Lucasfilm/Disney’s racist belt. God, I am sick to my stomach. And poor John Boyega. He was poorly misused by Lucasfilm, Disney Studios, Rian Johnson and J.J. Abrams.

As for Rey . . . I am completely over her as a character. Although I found her Mary Sue qualities annoying, I found her arc in “THE RISE OF SKYWALKER” a complete mess. The only good that came from her arc was the fact that Leia had trained her in the ways of the Force for a year. Otherwise, I had to grit my teeth and watch her behave in this chaotic manner throughout the entire film. Every time she and her friends were in the middle of some situation, she would get distracted by Kylo Ren’s presence and break away. Why? So she could kill him . . . I guess. Apparently, killing Kylo Ren was more important to her than completing a mission for the Resistance. Why? I have no idea. The movie’s narrative never explained this behavior of hers. And it gets worse. Rey eventually learns that she is Palpatine’s granddaughter. Granddaughter. Palpatine managed to knock up some woman years ago and conceive a son after he had become Emperor. That son conceived Rey with her mother before dying. Palpatine, who had been alive all of these years, never bothered to get his hands on Rey . . . until this movie. Why? I have no idea.

During Rey and Kylo Ren’s final duel, she managed to shove her lightsaber blade into his gut. And then she used the Force to heal him. Why? Perhaps she felt guilty for nearly killing him. Who knows? Later, she is killed by Palpatine (who could not make up his mind on whether he wanted her alive or dead) before Kylo Ren Force healed her. And then she planted a big wet kiss on his pucker. Lucasfilm and Disney claimed that the kiss was an act of gratitude on her part. I did not realize that gratitude could be so sexual. Nevertheless, Lucasfilm and Disney ensured that the only leading male that Rey would exchange bodily fluids with was one who shared her white skin. Despite the fact that this . . . man had more or less abused her – mentally and physically – since “THE FORCE AWAKENS”. There was no real development that led to this sexual kiss of gratitude. But I guess Disney and Lucasfilm were determined that Rey would not exchange a kiss with the two non-white men. Another notch on Lucasfilm/Disney’s racist belt. Oh . . . and by the way, the film or Lucasfilm had established that Rey and Kylo Ren were part of some Force dyad. What is a Force dyad? Two Force-sensitive people who had created a Force bond, making them one in the Force. And this happened because Rey and Kylo Ren were grandchildren of Sith Lords. I have never heard of anything so ludicrous in my life, especially since it was established in “THE LAST JEDI” that Snoke – a creation of Palpatine, by the way – had created their mental bond. How he did that I have no idea.

You know what? I could go on and on about “STAR WARS: EPISODE IX – THE RISE OF SKYWALKER”. But I now realize it would take a goddamn essay to explain why I dislike this movie so much. I should have realized that J.J. Abrams’ promises that he would fix the problems of “STAR WARS: EPISODE VIII – THE LAST JEDI” was worth shit in the wind. He, Chris Terrio, Disney Studios and Lucasfilm only made the Sequel Trilogy worse . . . as if that was possible. Not only was “THE RISE OF SKYWALKER” a waste of my time, so was the entire Sequel Trilogy. And it wasted the acting skills of its talented cast led by Daisy Ridley, John Boyega, Oscar Isaac and Adam Driver for so many years.

“STAR WARS: Memories of a Mother”

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“STAR WARS: MEMORIES OF A MOTHER”

Ever since the release of the 2005 movie, “STAR WARS: EPISODE III – REVENGE OF THE SITH”, many STAR WARS have accused George Lucas of including a major blooper in the movie. In the eyes of these fans, Lucas’ major blooper was the death of Senator Padmé Amidala, wife of Anakin Skywalker aka Darth Vader and mother of Luke Skywalker and Princess Leia Organa.

How did Padmé die? Well in the 2005 movie, Jedi Master Obi-Wan Kenobi had paid her a visit in order to learn the whereabouts of Anakin, his former apprentice, following the fall of the Jedi Order. Padmé learned from Obi-Wan that Anakin had become the new apprentice of Sheev Palpatine, who is a Sith Lord. She also learned from the Jedi Master that Anakin had participated in the Jedi Purge at the Order’s Temple – a purge that included the deaths of all the Order’s younglings inside the Temple. Obi-Wan had questioned Padmé about Anakin’s whereabouts, but she refused to tell him. Instead, she departed for Mustafar to question Anakin about his actions, unaware that Obi-Wan had followed her. To make a long story short, Padmé tried to talk Anakin into dropping his Sith affiliation, she failed due to Obi-Wan’s sudden appeared (he had placed a tracker on her starship), Anakin attacked Padmé with a Force choke before he ended up in a lightsaber duel against his former master. The duel ended in defeat for Anakin, who ended up slowly burning to death on a lava bank, minus his limbs. Obi-Wan transported Padmé and the couple’s droids to a medical facility on a large asteroid above Polis Massa, where she gave birth to Luke and Leia. Then she died.

Many STAR WARS fans have been in an uproar over Padmé’s death in “REVENGE OF THE SITH” for nearly sixteen years. They complained that the manner of her death – allowing her despair over Anakin and the Republic to affect her health following the twins’ deaths. I have already written one or two articles on that subject. But they also complained that her death on Polis Massa is a major blooper. A plot hole. And they claim that the discussion between Luke and Leia about Padmé in the 1983 movie, “STAR TREK: EPISODE VI – RETURN OF THE JEDI”, is the reason why Padmé’s death is a blooper. They claim that Leia’s memories of Padmé is proof that their mother should not have died immediately after their births in “REVENGE OF THE SITH”.

What exactly did Leia say to Luke when he had first questioned her about their mother? The following is their exchange:

Luke: Leia, do you remember your mother? Your real mother?
Leia: Just a little bit. She died when I was very young.
Luke: What do you remember?
Leia: Just images, really. Feelings.
Luke: Tell me.
Leia: She was very beautiful. Kind, but sad. Why are you asking me all this?

Why do these fans still believe Padmé Amidala’s death in “REVENGE OF THE SITH” is a plot hole, based on her daughter Leia Organa’s memories? I never understood this. In “RETURN OF THE JEDI”, Leia had never stated that she had memories of Padme alive and with her. Not once. This is something that so many STAR WARS fans had assumed what happened without bothering to think. Leia had made it clear in her conversation with Luke that her memories of Padme were vague and mainly based on emotions and images. Which means that she may have unintentionally used the Force after she was born or had dreams of Padme via the Force. When these fans were confronted with this explanation, they immediately dismissed it. And I never understood why. Why was that explanation so hard to consider? When Luke had first arrived on Dagobah in “STAR WARS: EPISODE V – THE EMPIRE STRIKES BACK”, Luke had stated that it looked familiar to him . . . despite having never been there. Both Luke and Leia have inherited their Force sensitivity, due to their father, Anakin Skywalker, who was regarded by many as being unusually strong in the Force. The saga’s movies have more than verified this.

And yet . . . many fans have continued to criticize “REVENGE OF THE SITH” for Padmé’s death. They also claimed that she should have survived the twins’ births in order to raise Leia for a few years on Alderaan, the homeworld of her fellow senator, Bail Organa. What in the hell? No parent in his or her right mind would give up one child and hand over another; unless he, she or both were were irresponsible parents. Nor do I recall the last half hour of “REVENGE OF THE SITH” being some remake of the 1961 Disney movie, “THE PARENT TRAP”. I do not recall Padmé and Anakin getting a divorce and deciding to split up their twins.

I cannot believe that so many fans believed (and still do) it was natural for Padmé to give up Luke and hand him over to the Lars family on Tattooine; and at the same time, keep Leia and take the latter with her to Alderaan. Are there any STAR WARS fans who understand what it means to be a parent? If Padme had survived childbirth, chances are she would have given up both Luke and Leia for their safety and disappeared to some remote location. Or . . . she would have kept the twins and disappeared to some remote location. Or . . . events would have played out like it did in “REVENGE OF THE SITH” – with Padmé’s death after the twins’ birth, followed with the twins being separated and handed over to different families.

But the idea of Padmé giving up one twin and handing over the other without Anakin being involved is just ludicrous to me. For her to do something like this would make her a callous mother who had selfishly preferred one child over the other. Yet . . . these fans seemed to believe that Leia’s memories of Padme via the Force is ludicrous. And I do not understand this. Leia Organa is Force sensitive . . . like her brother Luke Skywalker, her son Ben Solo and her father, Anakin Skywalker. Have so many STAR WARS actually forgotten this? Apparently so. Perhaps they simply wanted another excuse to criticize the Prequel Trilogy. Who knows?

“The Demand For An Ideal Woman”

“THE DEMAND FOR AN IDEAL WOMAN”

Recently, the STAR WARS movie, “STAR WARS: EPISODE I – THE PHANTOM MENACE” achieved a milestone. Twenty years has passed since it initial release in theaters in May 1999. However, there have been other recent or upcoming events within the STAR WARS franchise. One of them is the upcoming release of the third Sequel Trilogy movie in December. Another was the recent release of a Young Adults (YA) novel called “Queen’s Shadow”, the first stand alone story about the Prequel Trilogy’s leading lady, Padmé Amidala.

Many fans, especially women, celebrated the release of “Queen’s Shadow”. Written by EK Johnston, the novel focused on a period in Padmé’s life, when her career underwent a transformation from the elected monarch of Naboo to a senator of Naboo. This meant that the novel was set sometime during those ten years between “THE PHANTOM MENACE” and “STAR WARS: EPISODE II – ATTACK OF THE CLONES”. More importantly, this novel featured the first time that Padmé was the main protagonist in any STAR WARS movie, television production or novel. “Queen’s Shadow” also led many fans to contemplate the idea of Padmé surviving the birth of her twin children, Luke and Leia, and becoming a leader for the early manifestation of the Rebel Alliance. More importantly, the novel and the 20th anniversary of “THE PHANTOM MENACE” has revived the fans’ never ending complaint that filmmaker George Lucas should have portrayed Padmé as an ideal character . . . a feminist icon.

As a woman, the idea of a leading woman character as a feminist icon sounds very appealing. But as a lover of films and novels, I tend to harbor a strong wariness toward such characters – regardless of their gender. Recently, some fans have suggested that Padmé should have been the main character of the Prequel Trilogy (1999-2005) and not her husband, Anakin Skywalker. Considering that Anakin eventually became Darth Vader from the Original Trilogy (1977-1983), I found this suggestion a little hard to swallow. Even worse, I find the constant complaints that Lucas had “ruined” Padmé’s character, due to the manner of her death in “STAR WARS: EPISODE III – REVENGE OF THE SITH”, rather tiresome and pedantic. As I have pointed out in a previous article about Padmé, I found nothing wrong with a person succumbing to death due to a “broken heart” or allowing one’s emotions to affect his/her health. Such deaths have actually occurred in real life. And considering that Padmé was in the third trimester of her pregnancy, had endured a series of traumatic events in her professional and personal life, including a recent attack by a jealous Anakin, the circumstances of her death did not surprise me, let alone anger me.

In regard to the idea that Padmé should have been the main protagonist of the Prequel Trilogy Amidala . . . this did not make any sense to me. Like Han Solo and Leia Organa in the Original Trilogy, Padmé was a major supporting character in the Prequel Trilogy. The real focus of the Prequel Trilogy was Anakin Skywalker, which made sense considering he proved to be the catalyst of the Jedi Order’s downfall and rise of the Galactic Empire. And in his own way, Padmé and Anakin’s son, Luke Skywalker, was the Original Trilogy’s main character. Although Ewan McGregor was the leading actor in the second and third films of the Prequel Trilogy, Obi-Wan Kenobi was not the central character. It was still Anakin. And I do not recall any film in STAR WARS franchise being made solely about Obi-Wan. Oh yes, there had been plans for one, but due to the failure of “SOLO: A STAR WARS STORY”, Disney Studios had decided to curtail any Obi-Wan solo film. Yet, many did not complain.

Many had bitched and moaned about how Lucas treated Padmé’s character, because he had conveyed her weaknesses, as well as her strengths. He did the same with many male characters. Apparently, certain people cannot deal with a major female character’s weaknesses being on display, unless she is either the main character or in a drama. What am I saying? Many people still cannot make up their mines on whether they want the Rey character from Disney’s Sequel Trilogy to be ideal or flawed. On the other hand, I once came across an article – it might have come from “The Mary Sue Blog” but I am not sure – claimed that the problem with Padmé was not that she was not allowed to have flaws. This person claimed that the that moviegoers saw her as a problem solver who never gave up in the first two movies. The article also added that Padmé was not someone who would give up the will to live. A few years ago, I had written an ARTICLE that discussed Padmé’s mistakes in all three Prequel Trilogy movies and argued that she was not the “flawless” or “ideal” character that many still regard her as.

I had also pointed out that in “STAR WARS: EPISODE III – REVENGE OF THE SITH”, Padmé had experienced the loss of the Galactic Republic, the rise of the Galactic Empire, the loss of her husband to Palpatine and the Sith, and his physical attack on her in a brief space of time – within two days or less. As someone who had recently experienced personal loss, I understood why she had given in to emotional despair. I had only experienced one loss. Padmé did not. Just because she was able to not give up and overcome a situation in the past, did not mean that she would always be able to do this.

I still recall the “BUFFY THE VAMPIRE SLAYER” Season Five episode called (5.21) “The Weight of the World” in which the main protagonist, Buffy Summers, had went into a catatonic state after she failing to prevent her younger sister Dawn from being abducted by the season’s Big Bad, a hell demon called Glory. Buffy had failed to overcome her state of catatonic depression on her own. She needed help and she eventually got it in the form of one of her closest friends, Willow Rosenberg. There was no Willow to help Padmé deal with her emotional state during the downfall of the Republic and the Jedi Order. Padmé had no Willow to deal with the emotional trauma of Anakin’s transformation into a Sith Lord or his attack upon her. Instead, she had to deal with going into premature labor and giving birth to twins. I hate to say this, but neither Obi-Wan Kenobi, Yoda or Bail Organa were as emotionally close to Padmé as Willow Rosenberg was close to Buffy Summers. And instead of providing emotional support to her, the two Jedi Masters and the senator were more focused on her going into labor and giving birth.

There is something about today’s feminism that truly irritates me. Women (both in real life and in fiction) are not allowed to be flawed. Actually, I think today’s feminists and sexist men have that trait in common. Both groups demand that women be ideal in a way THEY believe the latter should be ideal. For feminists, women should be some all knowing saint, who can kick ass and have a successful career outside of the home. For sexist men (or men in general), women should be attractive or beautiful bed warmers, home carers and emotional crutches. Women are expected to revolve their lives around the men in their lives. Women in real life are not allowed to be flawed – especially if they are famous. And fictional women – especially those who are major characters in an action story – are definitely NOT ALLOWED to be flawed. Especially someone like Padmé Amidala.

I do not believe that Lucas had subjected Padmé’s character with weak writing. I think too many fans were too prejudiced to allow her to be a complex woman with both strengths and weaknesses. They had wanted . . . no, they had demanded she be some feminist icon. While complaining about Padmé’s character, they would always compare her with her daughter, Princess Leia Organa aka Skywalker. The ironic thing is that Leia was no more of a feminist icon than her mother. Leia had her own set of flaws. Yes, she was an intelligent and capable political leader, who was also knowledgeable about military tactics and defending herself. Leia also possessed a tough demeanor and a sharp wit. On the other hand, Leia harbored a hot temper, impatience and a penchant for being both judgmental and an emotional coward. Nor was she the type to be forgiving (except with certain people). Two of Leia’s flaws – her temper and being judgmental – were on full display in the 1980 movie, “STAR WARS: EPISODE V – THE EMPIRE STRIKES BACK”. In that film, she had supported Chewbacca’s angry and murderous attack upon Lando Calrissian, after the latter was forced to betray them to Darth Vader and the Empire. During that scene, both Leia and Chewbacca’s anger got the best of them at a time when it should not have. Neither had pondered over how the Empire had arrived on Bespin before them. Nor did they ever considered that Vader had coerced Lando into choosing between betraying Han and them or watching the Empire destroy Bespin and its citizens.

Many fans have also complained that George Lucas had failed to explore Padmé’s backstory . . . especially in “THE PHANTOM MENACE” and “ATTACK OF THE CLONES”. I found this complaint rather hypocritical. Lucas had never bothered to explore Leia or her future husband Han Solo’s backstory in the Original Trilogy films. Yet, no one or very few people have complained about this. When Disney Studios finally green-lighted a movie about Han’s backstory, many film goers and media outlets like “The Mary Sue Blog” bitched and moaned about how it was not necessary. I suspect they had made this complaint, because it was easier than criticizing how Disney Studios/Lucasfilm had handled the movie’s production and theatrical release. Is it any wonder that I found this complaint that a movie about Han’s backstory was not necessary, but Padmé’s was? And to this day, no one has complained about a lack of Leia’s backstory in the 1977-1983 films.

Look, I am happy that a novel about Padmé Amidala has been written. And I find it interesting that STAR WARS fans will get a chance to peek into those years between “THE PHANTOM MENACE” and “ATTACK OF THE CLONES”. But I must admit that I found myself getting irritated that so many have used the novel’s upcoming release to criticize George Lucas’ portrayal of her character. It seems obvious to me that a great deal of their criticism is wrapped around a lot of hypocrisy, an inability to understand human nature and a definite lack of attention toward what actually happened to Padmé in the Prequel Trilogy. I cannot help but feel that some people need to realize that in contemplating feminism, they also need to factor in the concept of human nature . . . and good writing. Good writing or a strong character is not one who can do no wrong or be strong, 24/7. A strong character, for me, is someone who possesses both strengths and weaknesses . . . or virtues and flaws. As far as I am concerned, George Lucas had included all in his creation of Padmé Amidala.

 

“The Moral Landscape of the STAR WARS Saga” – Jar-Jar Binks

Here is the seventh article on moral ambiguity found in the STAR WARS saga: 

 

 

“The Moral Landscape of the STAR WARS Saga”

Jar-Jar Binks

I have encountered many articles on the Internet about why many fans consider the “STAR WARS” Prequel movies a failure. A number of these articles tend to be dominated by opinions on what was wrong with the Gungan character known as Jar-Jar Binks and why he is so hated.

First of all, what was really wrong with Jar-Jar Binks? Well . . . I have several opinions. And they are not pretty. One, Jar-Jar clumsy and naive. Jar-Jar’s clumsiness had irked Boss Nass and the other Gungans for years. And when the young Gungan wrecked the Boss’ personal heyblibber submarine, the latter had him banished from Otoh Gunga, the city underneath Naboo’s waters. In “STAR WARS: EPISODE I – THE PHANTOM MENACE”, Jar-Jar’s meeting with Jedi Master Qui-Gon Jinn and Jedi padawan Obi-Wan Kenobi, the adventures he shared with them and his participation in the Battle of Naboo, allowed Jar-Jar to resume his position within Gungan society.

Many fans still solely blame Jar-Jar for Chancellor Sheev Palpatine’s growing political power, when he, as the Junior Representative for Naboo in the Galactic Senate, had proposed that the Sith Lord receive emergency executive powers during the political crisis leading up to the Clone Wars in “STAR WARS: EPISODE II – ATTACK OF THE CLONES”. But other Star Wars characters had committed their own share of mistakes – including those Original Trilogy characters worshiped by the franchise’s fans. Naboo’s Queen Padmé Amidala (later Senator) had declared a no-confidence vote against Chancellor Finis Valorum in “STAR WARS: EPISODE I – THE PHANTOM MENACE”, unintentionally paving the way for Palpatine’s election as the Galactic Republic’s chancellor. The Original Trilogy leads had committed their own mistakes – especially in “STAR WARS: EPISODE V – THE EMPIRE STRIKES BACK”. Padmé was never crucified by the fans for her mistake in “THE PHANTOM MENACE”. As far as many are concerned, her only mistake was marrying then Jedi padawan Anakin Skywalker (the future Darth Vader) in “ATTACK OF THE CLONES”. Many fans have been willing to criticize Padmé, Anakin and many other Prequel Trilogy characters. But I do not ever recall any of them being crucified for their flaws and mistakes like Jar-Jar. I could almost say the same about the Original Trilogy leads. However, very few STAR WARS have been willing to even acknowledge their mistakes.

So, why had so many fans had dumped so much hatred upon Jar-Jar’s head? Why do they still crucify him in such an excessive manner? Many claimed that due to Jar-Jar’s naivety and clumsiness and especially his dialect that seemed to resemble a Caribbean patois, Jar-Jar was a racist fictional trope. The ironic thing is that actor Ahmed Best, who is African-American, was responsible for the creation of the Gungan dialect, not George Lucas. Best, who had initially been hired to provide Jar-Jar’s motion capture performance, was the one who had created Jar-Jar’s speech pattern. He was also the one who had convinced Lucas to allow him to also provide the character’s voice. Because of this, I have a great difficulty in agreeing with those criticisms that Jar-Jar was a racist trope. Unless this accusation stemmed from the fact that an African-American actor had provided the character’s voice. For me, that says a lot about many moviegoers and film critics and not the character or Lucas.

Had Jar-Jar’s lack of social graces created so much hatred from certain fans?After all, he was clumsy and naive. Considering that the franchise’s biggest fans tend to be “geeks”, did many of these fans (who tend to be the loudest on the Internet) view Jar-Jar of their own personal flaws? Or lack of social graces? Was that another reason why they hated him so much? He reminded them too much of themselves? I can understand why many of these fans would rather associate themselves with characters that are regarded as “cool” or “ideal”, instead of a character who may have possibly been a reflection of themselves.

There is also the consideration that Jar-Jar was a part of the Prequel Trilogy. And in the eyes of the Darth Media and rabid fanboys, anything or any character that originated with the Prequel Trilogy was bad. It is still bad, as far as they are concerned. Why? Even more so than the Original Trilogy or the Sequel Trilogy, the Prequel Trilogy seemed to come closer to being a TRUE reflection of mankind and its societies’ ambiguous nature. For me, watching a Prequel Trilogy movie seemed to be the equivalent of a human being looking into a mirror and seeing his or her true self. And for some reason, this seemed to bother many fans. Most of their complaints about the Prequel Trilogy seemed to stem from this ambiguity. The only STAR WARS movies that seemed to have come close to the Prequel movies’s ambiguity are “THE EMPIRE STRIKES BACK” and “ROGUE ONE: A STAR WARS STORY”. These films did not allow moviegoers allowed their characters to make some ambiguous decisions without being painted as “heroic” or “cool”. Nor did these movies have their characters triumph in the end.

In a way, both Jar-Jar Binks and the STAR WARS Prequel Trilogy seemed like a true reflection of humanity. Jar-Jar’s clumsiness and naivety could easily be a reflection of the same level of social graces as many of the franchise’s fans. And the Prequel Trilogy definitely struck me as a reflection of our societies throughout history. As I finish this article, I find myself wondering if this is more of a exploration of the STAR WARS fandom’s ambiguity than of Jar-Jar’s character. Because I find these fans’ hatred of Jar-Jar rather disturbing . . . and odd.

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Ten Most Memorable Deaths in the STAR WARS Saga

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Below is a list of what I regard as the ten most memorable deaths in the “STAR WARS” saga:

 

 

TEN MOST MEMORABLE DEATHS IN “STAR WARS”

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1.  Shmi Skywalker (”Attack of the Clones”; 2002) – The matriarch of the Skywalker family line died in the arms of her son Jedi padawan Anakin Skywalker after she had been kidnapped and tortured to death for a month by Tusken Raiders on Tatooine.

 

 

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2.  Jyn Erso and Captain Cassian Andor (”Rogue One”; 2016) – The remaining members of the doomed Rogue One team that stole the plans of the Death Star, met their deaths together when the super weapon destroyed the base on Scarif.

 

 

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3.  Jedi Master Mace Windu (”Revenge of the Sith”; 2005) – One of the senior members of the Jedi Council was electrocuted by the Emperor Palpatine aka Darth Sidious, after his sword hand was chopped off by Jedi Knight Anakin Skywalker.

 

 

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4.  Emperor Palpatine aka Darth Sidious (”Return of the Jedi”; 1983) – The corrupt and evil leader of the Galactic Empire and Sith Lord was betrayed and shoved down a shaft aboard the Empire’s second Death Star by his apprentice Darth Vader aka Anakin Skywalker, while trying to kill the latter’s son, Jedi Knight Luke Skywalker.

 

 

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5.  Anakin Skywalker aka Darth Vader (”Return of the Jedi”; 1983) – The former Jedi Knight-turned-Sith apprentice died more or less in the arms of his son, Luke Skywalker, from the wounds he had sustained from lifting his Sith Master, the Emperor Palpatine, and tossing the latter down a shaft aboard the second Death Star.

 

 

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6.  Baze Malbus (”Rogue One”; 2016) – This member of the doomed Rogue One team was killed, while fighting against Imperial troops on the Scarif base.  He had just witnessed the death of his close friend, Chirrut Imwe.

 

 

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7.  Han Solo (”The Force Awakens”; 2015) – The former smuggler-turned-Rebel Alliance rebel was stabbed to death with a lightsaber on the Starkller base by his son, First Order warrior Kylo Ren aka Ben Solo, while trying to convince the latter to walk away from the evil military faction.

 

 

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8.  Padmé Amidala Naberrie (”Revenge of the Sith”; 2005) – This former queen and later, senator of Naboo endured a series of setbacks – the fall of the Galactic Republic, the rise of the Empire, her husband’s embrace of evil, and his physical attack upon her in a jealous fit – before giving birth to twins Luke Skywalker and Leia Organa and succumbing to death at a medical facility on Polis Massa.

 

 

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9.  Count Dooku aka Darth Tyranus (”Revenge of the Sith”; 2005) – Following a duel with Jedi Knight Anakin Skywalker aboard the ship of General Grievious, leader of the Separatists; the former Jedi Master-turned-Sith apprentice is taken by surprise before beheaded by Jedi Knight Anakin Skywalker, on the order of his master Chancellor Palpatine aka Darth Sidious.

 

 

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10. Jedi Master Obi-Wan Kenobi (”A New Hope”; 1977) – The former Jedi Master was killed by his former apprentice, Darth Vader aka Anakin Skywalker, during their second lightsaber duel aboard the first Death Star; and his body disappeared into the Force.

“The Lightsaber Connection”

 

“THE LIGHTSABER CONNECTION”

A great deal has been made of the light saber given to potential Jedi acolyte Rey by former smuggler Maz Kanata in “STAR WARS: EPISODE VII – THE FORCE AWAKENS”. It was during this moment when young Rey experienced visions of her past as a child and her future encounter with villain Kylo Ren. It was this moment when movie audiences became aware of her connection to the Force. 

I really do not recall how I felt when I first saw this scene. After all, it has been at least two years since the movie’s release. Yet, the more I think about it, the more I have come to realize that it may have been a big mistake to put so much emphasis on that particular light saber in “THE FORCE AWAKENS”. One, both J.J. Abrams and Lawrence Kasdan used a weapon to ignite Rey’s connection to the Force. Worse, they used an object with a questionable and rather bloody past to serve as some kind of special Jedi relic.

Sometime between “STAR WARS: EPISODE II – ATTACK OF THE CLONES” and “STAR WARS: EPISODE III – REVENGE OF THE SITH”, then Jedi padawan Anakin Skywalker had constructed a new light saber following the loss of his previous one before the Battle of Geonosis in the 2002 film. He used this new light saber during his services as a military leader during the Clone Wars – before and after he had become a Jedi Knight. And he used the light saber during his final duel against former Jedi Master-turned-Sith Lord Count Dooku in “REVENGE OF THE SITH” before decapitating the latter’s head. Anakin also used this very light saber to chop off Jedi Master Mace Windu’s hand during the latter’s duel against Sheev Palpatine aka Darth Sidious. He used it to participate in the Jedi Purge (which included killing younglings at the Jedi Temple) and to help the new ascended Emperor Palpatine by killing the remaining leaders of the Separatist Movement. This is also the very light saber that Anakin had used during his duel against his former mentor, Jedi Master Obi-Wan Kenobi on Mustafar. Near the end of this duel, Anakin lost the light saber when Obi-Wan chopped off his legs and his arms. Obi-Wan took possession of the light saber and left the limbless Anakin aka Darth Vader on a lava bank to slowly burn to death. Unfortunately for Obi-Wan, the seriously wounded Anakin was found by Emperor Palpatine and a squad of clone troopers and survived for another twenty-three years.

Obi-Wan kept the light saber during the nineteen years he lived as an exile on Tattooine. When he and Anakin’s son, Luke Skywalker finally met in “STAR WARS: EPISODE IV – A NEW HOPE”, the former Jedi master gave the young man his father’s lightsaber. Luke kept that lightsaber for three years before he faced Anakin for the first time at Cloud City, on the mining colony of Bespin in “STAR WARS: EPISODE V – THE EMPIRE STRIKES BACK”. Unaware that Anakin was his father, Luke engaged in a duel with the Sith apprentice until the latter chopped off his hand. Not only did Luke lose his hand, he also lost the lightsaber, which fell down a mining shift to God knows where. Sometime during the year between “THE EMPIRE STRIKES BACK” and “STAR WARS: EPISODE VI – RETURN OF THE JEDI”, Luke constructed a new lightsaber.

During the thirty years or so between “THE EMPIRE STRIKES BACK” and “THE FORCE AWAKENS”, Anakin’s lost lightsaber ended up in the possession of the pirate queen known as Maz Kanata. She kept the weapon in a wooden curio box inside her castle/tavern on Takodana for years. Then one day, her old friends Han Solo and Chewbacca appeared on Takodana with a BB droid and two young people – Finn and Rey. While roaming around Maz’s castle, the “lightsaber awaken” and called out to Rey. She ventured into the castle’s basement and found the lightsaber inside Maz’s curio box. Upon touching it, she received a series of visions and recoiled in horror, rejecting Kanata’s attempt to give her the lightsaber. Finn later took it for safekeeping. Later in the film, both Finn and later Rey used the lightsaber in their duels against Kylo Ren aka Ben Solo, an apprentice of Supreme Leader Snoke of the First Order, on an ice planet where the Starkiller Base was located. Although Ren managed to seriously wound Finn, Rey took up the lightsaber and eventually defeated Ren by wounding him.

While re-reading the last paragraph, I found myself contemplating the words – “lightsaber awaken and called out to Rey”. Anakin’s second lightsaber called out to Rey via the Force? What . . . in . . . the . . . fuck? What on earth were J.J. Abrams and Lawrence Kasdan thinking? Why on earth did they tried to portray the very weapon that Anakin Skywalker had used to help Emperor Palpatine purge the Jedi as some mystical connection to the Force for one of the franchise’s newest protagonists, Rey?

I feel the two filmmakers made a serious mistake. Or else they really had no idea what George Lucas was trying to do in his creation of the Force. Why did Abrams and Kasdan use this very weapon as a means for Rey to become aware of her connection to the Force? Why did they use a weapon in the first place? Did Abrams and Kasdan believe it would be . . . what . . . cool? Were they simply too lazy to find another way for Rey to become aware of her connection to the Force? Or did they need an excuse for both Finn and Rey to become in possession of a lightsaber so that they can duel against Kylo Ren?

By the way, who in their right mind would use a weapon with such an ugly and bloody history to be some kind of Force relic? Why use a weapon in the first place? Because that is basically what a lightsaber is . . . a weapon. A tool that all Force sensitive individuals used – regardless of their moral compass. Like the old Jedi Temple’s library. Or a Jedi fighter. A lightsaber should not be regarded as the ultimate symbol for any Force user . . . or of the Force. I especially take umbrage that Abrams and Kasdan used it as means for Rey’s connection to the Force. I mean honestly . . . a weapon? I am certain that some “STAR WARS” fan would remind me that the average Force user had constructed his or her own lightsaber. My response to this is . . . so what? I do not recall a Force sensitive individual using a lightsaber to form a connection to the Force. At least not before “STAR WARS: EPISODE VII – THE FORCE AWAKENS”. And if it had been used as a connection to the Force before the 2015 movie, it should not have been.

The Force is an energy and spiritual entity that connects all living things throughout the galaxy. An individual using a weapon to achieve a connection to all of this strikes me as a corruption of what Lucas was trying to say about the Force. After all, Luke Skywalker did not become a Jedi in “RETURN OF THE JEDI” because of his skill with a lightsaber. He truly became a Jedi at the moment when he dropped his weapon and refused to slay his father in anger or revenge. When he rejected the use of aggression and force. Apparently, this was something that J.J. Abrams and Lawrence Kasdan failed to consider. Why on earth did they not allow that damn lightsaber to remain lost for good?

Moral Compass and the STAR WARS Fandom

 

MORAL COMPASS AND STAR WARS FANDOM

The more posts and articles that I read about the STAR WARS saga, the more I begin to wonder if a great deal of the franchise’s fandom would have preferred if Lucas had allowed the saga to maintain the black-and-white morality of “STAR WARS: EPISODE IV – A NEW HOPE”.

All of the STAR WARS films have their flaws. And although “A NEW HOPE” had its moments of moral ambiguity in the character of smuggler Han Solo, the moral compass presented in the 1977 film seemed more black-and-white than ambiguous. I can even recall one guy complaining on his blog that “A NEW HOPE” was the only film in the franchise that he liked, because the other films that followed had too much ambiguity. I also noticed that when discussing “STAR WARS: EPISODE V – THE EMPIRE STRIKES BACK”, many fans tend to ignore or make excuses for the questionable actions of the major characters in that film.

Fans made excuses for Chewbacca’s assault upon Lando Calrissian in the 1980 film, because the latter had sold them out to Darth Vader and the Empire in order to prevent the deaths of the Bespin colony’s citizens. They also made excuses for Princess Leia Organa’s support of Chewbacca’s assault. Yet, very few fans and critics have seemed willing to criticize Chewbacca and Leia’s actions . . . or the fact that neither of them ever considered the possibility that their arrival at Bespin had endangered Lando and the citizens. And when I had once questioned why Han never noticed bounty hunter Boba Fett shadowing the Millennium Falcon during its long journey from the Hoth system to Bespin (without an operating hyperdrive), many either dismissed my question or refused to even ponder on that situation. I had also discussed Luke Skywalker’s willingness stop his rage-fueled assault upon his father, Anakin Skywalker/Darth Vader in “STAR WARS: EPISODE VI – RETURN OF THE JEDI”, many saw this as an example of Luke’s moral superiority. No one ever pondered on the possibility that Emperor Palpatine’s verbal interruption may have stopped Luke from killing his father.

When it comes to the moral ambiguity of the characters in the Prequel Trilogy movies, a lot of fans tend to scream “bad writing”, instead of exploring the possibility that even the good guys are capable of bad or criminal actions. They reacted at least three ways in regard to the actions of the Jedi characters. One, they tend to accuse Lucas of bad writing when major Jedi characters like Yoda, Mace Windu or Obi-Wan Kenobi made bad decisions. Or they would make excuses for their questionable actions – especially Yoda and Obi-Wan. Or . . . the only Jedi characters they are willing to criticize are Mace Windu for his attempt to kill Palpatine in “STAR WARS: EPISODE III – REVENGE OF THE JEDI” and Qui-Gon Jinn for insisting that Anakin Skywalker be trained as Jedi in “STAR WARS: EPISODE I – THE PHANTOM MENACE”. Yet, hardly anyone seems willing to question Yoda for his own attempt to deliberately kill Palpatine or Obi-Wan’s willingness to leave a seriously wounded Anakin to slowly burn to death on one of Mustafar’s lava banks in the 2005 movie. Why? Is it because both Yoda and Obi-Wan are considered heroic favorites from the Original Trilogy? Who knows?

Speaking of Anakin, many fans seemed to be upset that Lucas had not portrayed him as some adolescent or twenty-something “bad boy”. Many fans have also expressed displeasure that the Prequel Trilogy had began with Anakin at the age of nine. Why, I do not know. Either this has something to do with the “cool factor”, or they cannot deal with the idea that a mega villain like Darth Vader began his life as an innocent and rather nice boy. Most of all, many fans and critics seem incapable of dealing with Anakin giving in to evil for the sake of his love for Naboo senator Padme Amidala . . . despite the fact that Original Trilogy characters like Luke Skywalker, Leia Organa and Chewbacca have either done or nearly done the same.

Once the Disney Studios had acquired LucasFilm from George Lucas, they seemed bent upon returning to the black-and-white moral compass of “A NEW HOPE” with their 2015 film, “STAR WARS: EPISODE VII – THE FORCE AWAKENS”. The Finn character seems to be another version of Han Solo – starting out as an ambiguous character and emerging as a heroic figure. Aside from one moment near the end of the film, Kylo Ren seemed more like a one-dimensional villain. Perhaps director-writer Rian Johnson will allow the character to break out of this shell in the upcoming “STAR WARS: EPISODE VIII – THE LAST JEDI”. As for the 2016 stand-alone film, “ROGUE ONE: A STAR WARS STORY”, many critics and fans had complimented the film for its exploration of the main characters’ ambiguity. Yet, the Jyn Erso character is already being unfavorably compared by the media to the more ideal Rey character from “THE FORCE AWAKENS”. And by the last half hour of “ROGUE ONE”, the main. characters had ditched their ambiguity and embraced being heroes. Not even the current LucasFilm production company, Disney and director Gareth Edwards would allow the main characters to remain ambiguous.

Lucas had started the STAR WARS saga with an entertaining and well done tale with very little ambiguity in 1977 and developed it into a complex and ambiguous saga that I believe did a great job in reflecting the true ambiguous nature of humanity. And yet, it seems that a lot of people remain angry at him for daring to explore our ambiguity in the first place. Some have claimed that STAR WARS is the wrong movie franchise to explore moral ambiguity. Personally, I do not see why not.

The “STAR WARS” Prequel Movies . . . and Mace Windu

THE “STAR WARS” PREQUEL MOVIES . . . AND MACE WINDU

I came across this article on the RETRO ZAP website about the “STAR WARS” Prequel movies called “Beyond Good & Evil in the Prequels”, written by Michael O’Connor. And while I had no problems with most of the article, I had a problem when he centered his focus on Mace Windu.

In a passage from the article, Mr. O’Connor wrote:

“Mace Windu, in particular, is a scowling character who seems fond of putting fools in their place, whether it’s a fellow Jedi like Qui-Gon Jinn or Anakin Skywalker or an adversary like Count Dooku or Chancellor Palpatine.

But the most telling moment for the character may come in Revenge of the Sith, when he insists to Anakin that Palpatine is ‘too powerful to be left alive!’ It can’t be a coincidence that Lucas has him parroting a line Palpatine said to Anakin earlier in the film after Skywalker insists that killing an unarmed Dooku is not the Jedi Way. ‘He was too dangerous to be kept alive’, Palpatine casually notes in that moment.”

Mace seemed “fond of putting fools in their place” . . . including Anakin Skywalker and Qui-Gon Jinn? What exactly was Mr. O’Connor trying to say? That Master Windu, one of the senior members of the Jedi Council, had no right to put others in their place when they stepped out of line? Why? Was it because the character was not featured in the Original Trlogy? Or was it because Master Windu was portrayed by an African-American actor? Had Mr. O’Connor really forgotten that other Jedi characters like Qui-Gon, Yoda, Obi-Wan Kenobi and Ki Adi Mundi had done the same?

And why did Mr. O’Connor point out Mace’s attempt to kill Palpatine in “STAR WARS: EPISODE III – REVENGE OF THE SITH”, yet failed to point out Yoda’s murder attempt on the same character? In the same movie? Was Mr. O’Connor trying to say that as a character portrayed by a black actor, Mace did not have the right to step out of line in such a manner? Only Yoda was allowed? He pointed out that Yoda had not only accepted the Clone Army on behalf of the Republic, he also led them into battle on Geonosis in “ATTACK OF THE CLONES”. He also pointed out Yoda’s lies to Luke Skywalker or withholding of the truth about Anakin/Vader’s true identity. But he failed to point out Yoda’s attempt to murder Palpatine. Why?

Mr. O’Connor also pointed out Obi-Wan Kenobi’s condescending attitude toward beings he considered as lesser being – like Jar-Jar Binks and nine year-old Anakin Skywalker. Yet, he failed to point out Obi-Wan’s capitulation to rage after Darth Maul had struck down his Jedi master, Qui-Gon Jinn in “STAR WARS: EPISODE I – THE PHANTOM MENACE”. Mr. O’Connor failed to point out Obi-Wan’s attempt to convince the older Anakin to spy on Chancellor Palpatine (whom the Jedi believed had a Sith Lord within his circle), even when the younger man felt uncomfortable about the suggestion. And he failed to point out that Obi-Wan had left a disabled Anakin to slowly burn to death on a lava bank, following their duel on Mustafar. Many claim that Obi-Wan could not bring himself to quickly kill his former apprentice . . . as if his lack of action was something merciful. As far as I am concerned, it was not. Leaving someone to slowly die in agony does not strike me as merciful.

I admire Mr. O’Connor’s attempt to point out that the “STAR WARS” saga was not one painted in a black-and-white morality. Well, most of it. And I admire his willingness to appreciate the moral ambiguity in George Lucas’ tale – especially in the Prequel Trilogy. What I did not appreciate was his willingness to use Mace Windu as the main scapegoat for the mistakes of the Jedi Order. Or paint the character as the worst offender within that organization. If he was so willing to point out the worst that Master Windu had done, he could have done the same for not only the other Jedi characters, but other characters within the Prequel Trilogy as well.

Top Ten Favorite Movies Set in the 1930s

Below is my current list of favorite movies set in the 1930s:

TOP TEN FAVORITE MOVIES SET IN THE 1930s

1. “Indiana Jones and the Temple of Doom” (1984) – In this exciting second installment of the Indiana Jones franchise, the intrepid archaeologist is asked by desperate villagers in Northern India to find a mystical stolen stone and rescue their children from a Thuggee cult practicing child slavery. Directed by Steven Spielberg, the movie starred Harrison Ford as Dr. Henry “Indiana” Jones.

2. “The Sting” (1973) – Paul Newman and Robert Redford starred in this excellent Oscar winning movie about a young drifter who teams up with a master of the big con to get revenge against the gangster who had his partner murdered. George Roy Hill directed.

3. “Death on the Nile” (1978) – Peter Ustinov made his first appearance as Hercule Poirot in this superb adaptation of Agatha Christie’s 1937 novel about the murder of an Anglo-American heiress during a cruise on the Nile. John Guillermin directed.

4. “Chinatown” (1974) – Roman Polanski directed this outstanding Oscar nominated film about a Los Angeles private detective hired to expose an adulterer, who finds himself caught up in a web of deceit, corruption and murder. Jack Nicholson and Faye Dunaway starred.

5. “Gosford Park” (2001) – Robert Altman directed this Oscar nominated film about a murder that occurs at shooting party in 1932 England. The all-star cast includes Helen Mirren, Kelly MacDonald, Clive Owen and Maggie Smith.

6. “Evil Under the Sun” (1982) – Once again, Peter Ustinov portrayed Hercule Poirot in this entertaining adaptation of Agatha Christie’s 1941 novel about the murder of a stage actress at an exclusive island resort. Guy Hamilton directed.

7. “O Brother, Where Art Thou?” (2000) – Ethan and Joel Coen directed this very entertaining tale about three escaped convicts who search for a hidden treasure, while evading the law in Depression era Mississippi. George Clooney, John Tuturro and Tim Blake Nelson starred.

8. “Murder on the Orient Express” (1974) – Albert Finney starred as Hercule Poirot in this stylish adaptation of Agatha Christie’s 1934 novel about the Belgian detective’s investigation into the death of a mysterious American aboard the famed Orient Express. Sidney Lumet directed.

9. “Indiana Jones and Raiders of the Lost Ark” (1981) – Harrison Ford made his first appearance as Dr. “Indiana” Jones in this classic movie, as he races against time to find the iconic Ark of the Covenant that contains the Ten Commandments before the Nazis do in 1936 Egypt. Steven Spielberg directed.

“Seabiscuit” (2003) – Gary Ross directed this excellent adaptation of Laura Hillenbrand’s 2001 book about the famed race horse from the late 1930s. Tobey Maguire, Jeff Bridges, Chris Cooper and Elizabeth Banks starred.

Honorable Mention: “Road to Perdition” (2002) – Tom Hanks, Tyler Hoechlin and Paul Newman starred in this first-rate adaptation of Max Collins’ 1998 graphic comic about a Depression era hitman who is forced to hit the road with his older son after the latter witnesses a murder. Sam Mendes directed.

“STAR WARS: EPISODE VII – THE FORCE AWAKENS” (2015) Review

“STAR WARS: EPISODE VII – THE FORCE AWAKENS” (2015) Review

During the fall of 2012, the media and many film fans were stunned by news of filmmaker George Lucas’ sale of his production company, Lucasfilm, to the Walt Disney Company. I was flabbergasted. However, this sale led to Disney’s plans to continue Lucas’ “STAR WARS” movie saga with future releases, television shows, novels and comic stories.

One result of this sale proved to be Disney’s new film, “STAR WARS: EPISODE VII – THE FORCE AWAKENS”. The first of three movies for the franchise’ “Sequel Trilogy”, “THE FORCE AWAKENS” is set some thirty years after the 1983 film, “STAR WARS: EPISODE VI – RETURN OF THE JEDI”. Some time after the Galactic Empire’s major defeat at the Battle of Endor, remnants of this political force formed a new galactic power known as the First Order under the mysterious leadership of Snoke, a Force user. Within less than thirty years, the First Order has managed to take possession of new worlds and become a powerful force within the galaxy. Although appalled by the First Order’s development, the New Republic government decided to do nothing.

Former Rebel Alliance leader, Leia Organa, managed to form a military organization from the rank and file of the New Republic’s armed forces called the Resistance. Believing that the Resistance need more help, Leia recruited a pilot named Commander Poe Dameron to acquire find a segment of a star map that was in the possession of the legendary explorer Lor San Tekka on Jakku. This map would lead to the whereabouts of her brother, Jedi Master Luke Skywalker, who had disappeared into exile following the destruction of a new generation of Jedi under his tutelage. Unfortunately, the village where Tekka lived was captured by a force of First Order stormtroopers under the command of one of Supreme Leader Snoke’s enforcers, a Force user named Kylo Ren. Ren ordered his troops to kill Tekka and the other villagers, while he took Dameron captive. Fortunately, the Resistance pilot had hidden the map inside his astromech droid, BB-8, which managed to escape. Even more fortunately, Dameron was rescued by a stormtrooper designated FN-2187, who wanted to use Dameron to help him defect from the First Order.

Finn and Dameron stole a TIE fighter plane and returned to Jakku to find BB-8. However, the plane crashed. FN-2187 – renamed “Finn” – by the pilot, encountered a desert scavenger named Rey, who had already found BB-8. Realizing that the First Order was after the droid, the pair made their escape from Jakku aboard the old freighter, the Millenium Falcon, and set out to find the Resistance forces. Along the way, Finn and Rey attempted to evade the pursuing Kylo Ren and met the Falcon’s former owner, Han Solo and the latter’s companion Chewbacca; who ended up helping them with their goal.

Many critics and moviegoers hailed “THE FORCE AWAKENS” as a return to what the franchise used to be back in the late 1970s and early 1980s. And not surprisingly, it became the top earning movie released in 2015. Lucasfilm, now headed by producer Kathleen Kennedy (who had worked with Lucas and Steven Spielberg for years), turned to producer-director J.J. Abrams to helm this first film. Screenwriter Michael Arndt was originally hired to write the movie’s script, following Lucas’ treatment. But Lucasfilm and Abrams decided to scrap both him and the treatment. Then Abrams and filmmaker Lawrence Kasdan created their own screenplay . . . one that obviously pleased a lot of people. How do I feel about the movie? Well, like many films, “THE FORCE AWAKENS” has both good and bad qualities. I am going to start what I liked about it.

For me, the stars of “STAR WARS: EPISODE VII – THE FORCE AWAKENS” are actors John Boyega, who portrayed Finn; and Harrison Ford, who reprised his role as Han Solo. Their performances gave this movie an energy that could not be matched by the rest of cast. In the case of Ford, this movie featured his best performance in the four “STAR WARS” he has appeared in. And of the new cast members for the Sequel Trilogy, I feel that Boyega has quickly emerged as the best of the bunch, thanks to his energetic and humorous portrayal of a very complex character. Actually, Finn reminded me of a younger Han Solo. Perhaps that is why he clicked so well with the veteran actor. Come to think of it, he also managed to click well with the other two new leads – Daisy Ridley and Oscar Isaac. My only problem with Finn is that his character sometimes came off as some doofus who seemed to stumble his way through life. Two other performances in “THE FORCE AWAKENS” that really impressed me came from Oscar winner Lupita Nyong’o, who served as the voice and movements behind a new character called Maz Kanata. And Peter Mayhew, like Ford, was marvelous as always as the aging Wookie, Chewbacca. In a way, I found this miraculous for both Ford and Mayhew, considering that both suffered health issues during the movie’s production. What else did I like about “THE FORCE AWAKENS”? Well to my utter surprise, I enjoyed the new astromech droid, BB-8. When I had first saw it in some of the movie’s trailers, I had dismissed it as a second-rate version of R2-D2 and C3-P0. I was very surprised at how quickly I grew fond of the character.

There were other aspects of “THE FORCE AWAKENS” that I enjoyed, as well. If I have to brutally frank, I did not find most of Dan Mindel’s photography that impressive. But there were a few scenes that did impress me. I found Britain’s Lake District, which served as Takodana, very beautiful, thanks to Mindel’s photography. I was also impressed by his photography of United Arab Emirates and New Mexico, which served as the planet of Jakku. Mandel even managed to include an iconic shot, as shown below:

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One last aspect of the movie that impressed me was Maryann Brandon and Mary Jo Markey’s editing. I thought they did a pretty damn good job in the sequence that featured Finn and Rey’s escape from Jakku aboard the stolen Millennium Falcon. But I found their work in the sequence in which the pair, Han Solo and Chewbacca get into conflict with pirates gangs who want to settle a score with Han, while three Rathtar creatures run rampant throughout the Falcon and Han’s other ship . . . to be very impressive. And it lacked the taint of confusion which has hampered many action scenes in the past.

Did I have any problems with “THE FORCE AWAKENS”? Unfortunately, yes. A lot of problems. I read somewhere that Lucasfilm/Disney had originally hired Michael Arndt to write the movie’s screenplay, but in the end, Kathleen Kennedy and J.J. Abrams rejected it. Abrams recruited Lawrence Kasdan, an old Lucasfilm veteran to rewrite the script and the result is what ended on the movie screens. And honestly . . . I was not impressed. Not by a long shot. The main problem I had with “THE FORCE AWAKENS” is that it shared too many plot points and characterizations with the first film in the franchise, 1977’s “STAR WARS: EPISODE IV – A NEW HOPE”. Hell, Abrams and Kasdan managed to borrow a bit from 1980’s “STAR WARS: EPISODE V – THE EMPIRE STRIKES BACK” and the Prequel movies. It is one thing to lift certain aspects of from other works of art and even history – especially in the science-fiction/fantasy genre. It is another to literally borrow from another movie . . . within the same movie franchise. Just to verify my complaint, I had come across an Entertainment Weekly article that listed eighteen similarties between “THE FORCE AWAKENS”and “A NEW HOPE” that included:

*A droid carrying valuable information who finds himself on a desolate desert planet
*A Force-sensitive, masked, and darkly clothed antagonist who arrives on the scene shortly after the information is handed off, looking for the droid
*A lonely, Force-strong desert dweller who dreams of more
*A cruel military officer who holds a comparable level of authority to his Force-sensitive, masked, and darkly clothed colleague
*A massive spherical weapon that’s used to destroy a planet
*A coordinated aerial attack on the massive spherical weapon that’s monitored from a control room by Leia

Six similarities between the two movies strike me as disturbing. Eighteen similarities seem utterly ridiculous to me. Even worse, I managed to come up with four similarities between this movie and “THE EMPIRE STRIKES BACK”. The masked enforcer is revealed to be a member of the Skywalker family, the heroes end up on an ice planet, the roguish protagonist is left in dire straits by the end of the movie and the potential Force user meets an aging Jedi master for new lessons. J.J. Abrams, Kathleen Kennedy and the Disney Studios might as well stop protesting and admit that their new blockbuster reeks of unoriginality and plagiarism.

Another problem I had with “THE FORCE AWAKENS” proved to be characterization. I had no problem with the idea of characters from the saga’s previous trilogies making an appearance. I had a problem with the new characters being a rehash of other characters – like our desert future acolyte Rey being a remake of the young Luke Skywalker; the First One enforcer Kylo Ren aka Ben Solo being another Anakin Skywalker; Resistance pilot Poe Dameron being another Leia Organa (but without the caustic wit); former stormtrooper Finn being another Han Solo; Supreme Leader Snoke is another Chancellor/Emperor Palpatine; and General Hux is another Grand Moff Wilhuff Tarkin (without the presence). Actually, this video clip from You Tube/Dorkly.com pretty much said it all. The similarities between the saga’s characters strikes me as another example of the lack of originality in this movie.

But some of the characters proved to be very problematic for the movie’s plot. One of the biggest problems proved to be the character of Rey. As a woman, I found it satisfying that a leading STAR WARS character is not only a Force user, but a young woman. Unfortunately, Abrams and Kasdan took this too far by nearly portraying Rey as a borderline Mary Sue. Well, Lucas nearly transformed Luke Skywalker into a Gary Stu (same thing, male version) – especially in the last half hour of “A NEW HOPE” and the first hour of “RETURN OF THE JEDI”. But with Rey, Abrams and Kasdan took it too far. Using her strong connection to the Force as an excuse, they allowed Rey to become a talented pilot who could rival Han Solo and Anakin Skywalker, easily learn how to utilize the Jedi Mind Trick and defeat an experienced Force user with a lightsaber without any training. Without real any experience or training whatsoever. By the way, that last achievement really rubbed me the wrong way. I mean . . . what the hell? What is she going to do in the franchise’s next movie? Walk on water? Now . . . Daisy Ridley gave a nice performance as Rey. But she failed to knock my socks off. Her performance was not enough for me to overlook the ridiculous level of skills that her character had accomplished.

Equally problematic for me proved to be the Kylo Ren character, who turned out to be Han and Leia’s only son, Ben Solo. According to the movie, he was one of Luke’s padawan learners, before he made the decision to embrace evil, kill of Luke’s other padawans and become an enforcer for the First Order. Why? I have not the foggiest idea. “THE FORCE AWAKENS” made it clear that he seemed to worship his grandfather’s role as a Sith Lord. I can only assume that either the next movie or “EPISODE IX” will reveal the reason behind young Ben’s embrace of evil. I hope so. Because the reasoning presented in this film really sucks. It sucks just as much as Ren’s man child behavior. You know, I could have stomach this behavior if he had been around the same age as his grandfather in the Prequel Trilogy’s second and third movies. But Kylo Ren is pushing thirty in this film. He strikes me as too old to be engaging in childish temper tantrums. I can only assume that contrary to Han’s “He has a bit of Vader in him” comment, Kylo Ren is more a chip off the old block – namely his dad, who had behaved like a man child in the 1977-83 films. And why did Han and Leia name their son after Obi-Wan Kenobi, who used the name “Ben” during his years of exile on Tatooine? Leia never knew him . . . not personally. And Han never really clicked with Obi-Wan on an emotional level. So, why did they name him after the long deceased Jedi Master? As for Adam Driver, he gave a decent performance, but honestly . . . it was not enough for me to be fascinated by his character. It was just . . . decent.

Leia Organa seemed to be a ghost of her former self, thanks to Carrie Fisher. God bless Fisher, she tried. She really did. Abrams and Kasdan even gave her a few witty lines. But . . . Fisher’s performance reminded me of the one she gave in“RETURN OF THE JEDI” . . . lacking in any real fire. And I was disturbed by one scene in which Leia rushed forward to hug Rey, following the latter’s return from the First One’s Starkiller Base. Why did Leia ignore Chewbacca, who must have been torn up over Han’s death? Why did Chewie ignore her? Poe Dameron proved to be a real problem. One, he was not an interesting character to me. Frankly, I found him rather bland. And considering that Oscar Isaac portrayed the character, I found myself feeling very disappointed. A talented actor like him deserved a better role than this. Also, why did Poe leave Jakku and returned to the Resistance’s base? His mission was to acquire information leading to Luke Skywalker’s whereabouts . . . information that he had stored in his BB-8 droid before the First Force appeared at that Jakku village. After Finn had rescued him from Kylo Ren and the First Force warship, Poe insisted that they return to Jakku, so he could find BB-8. What did he do after his and Finn’s TIE fighter crashed on the planet? Poe walked away from the crash, found transport off the planet and returned to his Resistance base. Not once did he bother to finish his mission by searching for BB-8. What the fuck? He went through all that bother to drag Finn back to Jakku and failed to hang around long enough to find BB-8? SLOPPY!! As for Mark Hamill . . . why was he even in this movie? He appeared in the movie’s last scene without speaking one word of dialogue. What a waste of time!

There were other scenes that rubbed me the wrong way. Critics made a big deal over the Nazi-like speech that General Hux gave the First Order troops on the Starkiller Base, swooning over the idea of Nazi metaphors in a “STAR WARS” movie. Big deal. There have been Nazi metaphors in the franchise’s movies since the first movie in 1977. Only Lucas did not resort to a ham fisted speech, similar to the one given by actor Domhnall Gleeson. I also found Leia’s little military conference rather laughable. She did not confer with a handful of military leaders. Instead, she seemed to be conferring with anyone – commanders, pilots, etc. – who seemed to have made their way to her table. It was like watching a STAR WARS version of a town meeting. What the hell? And what was the big deal over the First Order’s search for Luke Skywalker? So what if he was the last Jedi? According to the Lor San Tekka character portrayed by Max von Sydow, there can be no balance in the Force without the Jedi. Really? Since when is the balance of the Force depended on the presence of a religious order that had not been in its prime for over half a century? With Tekka’s comment, Abrams and Kasdan regressed the saga back to the Sunday School morality of “A NEW HOPE”. And could someone please tell me how the lightsaber that Anakin had first constructed following the loss of his first on Geonosis and which Luke had lost during his duel against the former on Bespin, end up in the possession of Maz Kanata on Takodona? How? And why on earth did Abrams and Kasdan thought it necessary to re-introduce it into the saga? Why? It was nothing more than a lightsaber . . . a weapon. There was no need to transform it into some kind of mythologized artifact.

Aside from the colorful photography and editing, I was not that impressed by the movie’s other technical aspects. One, Lucasfilm and Disney allowed both the Resistance and the First Order to use military technology that was last scene in the 1977-83 trilogy. Why? Why did the Resistance and First Order characters wear the uniforms that members of the Rebel Alliance and the Imperial Fleet wore? How cheap is that? And why have the Resistance and the First Order use technology from the same groups? The only new technology I had spotted was the two-seater TIE fighter for the First Order and the lumbering desert vehicle that Rey used on Jakka. Were Kathleen Kennedy and the Disney Studios too cheap to hire someone to create new designs for the military in this film? Or was this another over-the-top attempt to re-create the past of the first trilogy? As for John Williams’ score . . . uh . . . not really impressed. Mind you, I had nothing against it. The score served the movie’s plot rather well. But there was nothing memorable or iconic about it.

I can see why many critics and moviegoers praised “STAR WARS: EPISODE VII – THE FORCE AWAKENS” as a return to the “magic” of the Original Trilogy. The movie not only utilized many technical aspects of that first trilogy, but also characterization and plot. To be brutally honest, I believe that this new movie had more or less plagiarized the first trilogy – especially “STAR WARS: EPISODE IV – A NEW HOPE”. Many might regard this as something to celebrate. I do not. I regard this “celebration” of the first trilogy as an artistic travesty and a sign of the lack of originality that now seemed to plague Hollywood. From an artistic point of view, I do not believe the Force was with this movie.

 

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R.I.P. Kenny Baker (1934-2016)