TIME MACHINE: The Arrest and Trial of Sara Lucy Bagby

TIME MACHINE: THE ARREST AND TRIAL OF SARA LUCY BAGBY

One hundred and sixty-one years ago, an African American woman named Sara Lucy Bagby became the last fugitive slave the last person in the United States forced to return to slavery in the South under the Fugitive Slave Act before the outbreak of the U.S. Civil War. Her arrest proved to be one of the last incidents before the Fort Sumter bombardment in South Carolina.

Sometime in 1843, Sara Lucy or “Lucy” was born in Virginia – probably in Richmond. A slave trader named Robert Alois sold “Lucy” to a citizen of Wheeling, Virginia (now West Virginia) named John Goshorn on January 16, 1852. Goshorn transferred ownership of Lucy to his son, William Scott Goshorn, on November 8, 1857. Lucy finally discovered her chance to escape from Virginia on October 3, 1860; after William Goshorn had departed for a business trip to Minnesota.

Although pregnant at the time, Lucy made her escape by crossing the Ohio River into Pennsylvania. With the help of the Underground Railroad, Lucy arrived in Beaver, Pennsylvania before moving to Pittsburgh. She created a story that Goshorn’s daughter, Isabella, had brought her up north and into Pennsylvania where she freed Lucy because they were in a free state. Lucy finally settled in Cleveland where she became a domestic servant at Congressman-Elect Albert G. Riddle‘s household. However, by early January, Lucy found herself working in the home of professional jeweler Lucius A. Benton. William Goshorn managed to track down Lucy’s whereabouts and arrived in Cleveland on January 16, 1861. Three days later on January 19, Goshorn, his son and the U.S. marshals appeared at Benton’s home and arrested Lucy, evoking the Fugitive Slave Act of 1850.

While Lucy spent five days waiting for her trial inside a jail at Cleveland’s Federal building, some people tried to ensure her escape or release. Many from the city’s African-American community plotted to help her escape from jail. Some kept vigil outside her cell. Sixty black men tried to break into the building and free Lucy, but were beaten back by the police armed with clubs. William E. Ambush, Chairman of the Fugitive Aid Society, tried to raise $1,200 to purchase Lucy from Goshorn, but the latter refused to sell her.

Cleveland was considered a pro-abolitionist community by the end of the 1850s. In fact, during the last two or three decades, Northern Ohio was regarded as a stronghold of abolitionist sentiment in that part of the country. However, Lucy had been arrested during a period known as the Secession Winter – the time between Abraham Lincoln’s election in November 1860 and inauguration, when some of the Deep South states had broken away from the Union to form the Confederacy States of America. By the time of Lucy’s arrest in Cleveland, four states had seceded – South Carolina, Mississippi, Florida and Georgia. The latter seceded on the day of Lucy’s arrest. Instead of pushing for Lucy’s release or escape, the majority of Cleveland’s white community were more interested in upholding the Fugitive Slave Act. Many helped the local law enforcement prevent the city’s black community from trying to free Lucy. The majority of the city’s white citizens had hoped cooperation with Goshorn and the Federal government would restore the Union and convince the seceded states and the rest of the South that the North was not interested in abolishing slavery. In fact, Goshorn had expressed gratitude toward the city for its citizen’s kind treatment in the following comment published in The Cleveland Herald:

“Before leaving Cleveland for home, we feel it a duty to the citizens of Cleveland, as well as to ourselves, to express our unfeigned gratitude for the uniform kindness with which we have been treated. Nothing but courtesy has been shown us by all of your citizens, who have even shielded us from the insults of your colored population — as an instance of which we will refer to an incident which occured this morning at the breakfast table of the Weddell House. A negro waiter refused to serve us, and upon the fact being known to Col Ross, the proprietor of the House, the waiter was promptly discharged, and ordered to leave the house.”

On January 23, 1861; Lucy was brought before Probate Judge Daniel R. Tilden. A.G. Riddle, C.W. Palmer and Rufus P. Spalding, a former member of the Ohio Supreme Court, served as her counsel. Since the Goshorns had all the documents proving ownership of Lucy, Tilden had no choice but to enforce the Fugitive Slave Act, much to the dismay of Cleveland’s black community and those white citizens who had supported her. Following the trial, U.S. marshals escorted Lucy and the Goshorns on the train journey back to Wheeling, Virginia. A plot to rescue her by a large group of black supporters was discovered. The train’s conductor thwarted the attempt by skipping the scheduled stop where the rescue was to occur.

Lucy faced punishment by the Goshorns upon their return to Virginia. Later, her child shared her fate of being born into slavery. The efforts of the majority of Cleveland’s white citizens proved to be in vain. Their support of William and John Goshorn did not save the Union from breaking apart. Two more states – Louisiana and Texas – had seceded by February 1, 1861. One week later, the Confederate States of America formed in Montgomery, Alabama. Civil war broke out following the Confederacy’s bombardment of the U.S. fortification, Fort Sumter between April 12 and 13, 1861. And four more states – Virginia, Arkansas, North Carolina and Tennessee – left the Union between April and June 1861.

While traveling south with her owner in 1863, an encounter with a Union Army officer and his troops resulted in Lucy’s permanent freedom. She and her child traveled north to Pittsburgh and lived there for several years. She married a Union Army veteran named George Johnson after the war. Later, Lucy and her family settled in Cleveland for good. In 1906, Lucy finally passed away at the age of seventy-three (73).

Chicken and Waffles

Below is an article about the dish known as Chicken and Waffles:

CHICKEN AND WAFFLES

Considered an American dish, Chicken and Waffles is a fusion of two food times – chicken and waffles. The dish is part of a variety of culinary traditions that include soul food and Pennsylvania Dutch cuisine. It is served in certain specialty restaurants in the United States. The combination that is regarded as part of African-American or Southern tradition is usually served with condiments such as butter and syrup and has become a local custom in Baltimore, Maryland. However, the Pennsylvania Dutch version of the dish is usually served with pulled or stewed chicken and gravy on top. This version has become a custom in Northeastern United States.

Several theories about the origin of Chicken and Waffles do exist. But they are theories and is not exactly regarded as fact. Waffles entered American cuisine in the 1600s with the arrival of European colonists. A chef to the prince-bishop of Liège originated the waffles used in this particular dish in the 18th century. The popularity of waffles saw a boost following Thomas Jefferson’s purchase of four waffle irons in Amsterdam after 1789.

Hotels and resorts outside Philadelphia, Pennsylvania began serving waffles with fried catfish in the early 1800s. Such establishments also served other dishes like fried chicken, which gradually became the meat of choice due to catfish’s limited availability. By the 1840s, broiled chicken and waffles became the specialty at Warriner’s Tavern in Springfield, Massachusetts. The establishment was owned by Jeremy and Phoebe Warriner, two well-known African-American abolitionists. The Warriners hired African-American women as cooks for the tavern. They were usually freed or runaway slaves who had learned their trade in Southern plantation kitchens. Chicken and Waffles had been extravagant breakfast staples in plantation houses through much of the South. Earlier, I had pointed out that the chicken served with waffles by the Pennsylvania Dutch was usually stewed and topped with gravy. This version had became an established common Sunday dish among the Pennsylvania Dutch by the 1860s.

The combination of chicken and waffles did not appear in early Southern cookbooks such as “Mrs. Porter’s Southern Cookery Book”, published in 1871; or in the first African-American cookbook, “What Mrs. Fisher Knows About Old Southern Cooking”, published in 1881 by former slave Abby Fisher. The lack of a recipe for the combination of chicken and waffles in Southern cookbooks during the post-Civil War era may suggest a later origin for the dish. Popular culture had associated Chicken and Waffles with the South by 1917 with the publication of Edna Ferber’s novel, “Fanny Herself”.

Fried Chicken and Waffles had arrived in Los Angeles, California by 1931. The dish was served at The Maryland, a local restaurant that marketed the dish as a Southern specialty. The protagonist in James M. Cain’s 1941 novel “Mildred Pierce” was a woman who finds success serving “chicken-and-waffle dinner” at her Glendale restaurant. Chicken and Waffles had become a staple in New York City’s African-American community in Harlem as early as the 1930s in such locations as Tillie’s Chicken Shack, Dickie Wells’ jazz nightclub, and particularly the Wells Supper Club. The dish eventually regained popularity in Los Angeles in the 1970s, due to the fame of former Harlem resident Herb Hudson’s restaurant Roscoe’s House of Chicken and Waffles. The latter has become known as a favorite of some Hollywood celebrities and been referenced in several movies.

Below is a recipe for Chicken and Waffles from the Delish website:

Chicken and Waffles

Ingredients

Fried Chicken
1 quart buttermilk
2 tbsp. kosher salt
Mix of bone-in chicken thighs, breasts, and drumsticks (about 2 lbs.)
Vegetable oil, for frying
2 cups All Purpose Flour
1 tbsp. paprika

Waffles
2 cups all-purpose flour
2 tbsp. granulated sugar
1 tsp. baking powder
1/2 tsp. baking soda
1 cup sour cream
1 cup milk
6 tbsp. butter, melted, plus more for waffle iron
3 Large eggs, separated
1 tsp. cayenne
Kosher salt
Freshly ground black pepper
2 Large eggs

Preparation

1. Brine chicken – In a large bowl, mix together buttermilk and 2 tablespoons salt. Add chicken and cover bowl with plastic wrap. Refrigerate at least 2 hours and up to overnight.

2. Meanwhile, make waffles – Preheat oven to 200°. In a large bowl, whisk together flour, sugar, baking powder, baking soda, and a pinch of kosher salt.

3. In a separate bowl, whisk together sour cream, milk, butter and egg yolks. Gently fold wet mixture into dry mixture.

4. In a large bowl, using a hand mixer (or in the bowl of a stand mixer), beat egg whites until stiff peaks form. Fold whipped egg whites into batter, being careful not to over mix. (A few fluffy streaks of whites are fine!)

5. Heat waffle iron according to manufacturer’s instruction. When the iron is hot, brush grates with melted butter. Spoon about ⅓ cup of batter into waffle maker and cook until golden, about 5 minutes. Repeat with remaining batter. Place cooked waffles in a clean kitchen towel on a baking sheet. Place in oven to keep warm while preparing chicken.

6. When ready to fry – Fill a Dutch oven fitted with a candy thermometer with vegetable oil until 2″ to 3″ deep, then preheat until oil reaches 350º. Prepare one sheet pan lined with paper towels and a wire rack.

7. Transfer chicken from brine to another sheet pan and dry thoroughly with paper towels. Season generously with salt and pepper.

8. In a large, deep bowl, whisk together flour, paprika, cayenne, salt, and pepper. In a large bowl, beat eggs with 2 tablespoons water. Using tongs, place chicken in egg mixture, roll in flour mixture, and shake off excess. Fry chicken in 2 batches until golden brown and cooked through, 6 to 8 minutes (internal temperature should read 165º). Bring oil back to 350º before adding last batch.

9. Place chicken on wire rack and season with salt immediately. Plate waffles with a pat of butter and top with 2 to 3 pieces of fried chicken. Serve with maple syrup on the side for drizzling.

Favorite Television Productions Set in the 1830s

Below is a list of my favorite television productions set in the 1830s:

FAVORITE TELEVISION PRODUCTIONS SET IN THE 1830s

1. “Jane Eyre” (1983) – Alexander Baron wrote this excellent adaptation of Charlotte Brontë’s 1847 novel about a destitute, but strong-willed governess who falls in love with her mysterious employer. Zelah Clarke and Timothy Dalton made a superb screen team in my favorite adaptation of the novel.

2. “Wives and Daughters” (1999) – Andrew Davies wrote this excellent adaptation of Elizabeth Gaskell’s 1865 unfinished novel about the coming-of-age of a country doctor’s daughter. Justine Waddell and Keeley Hawes starred in this four-part miniseries.

3. “Middlemarch” (1994) – Andrew Davies adapted this superb adaptation of George Eliot’s 1871 novel about the lives of the inhabitants of an English town during the cusp of the Industrial Revolution. The superb cast includes Juliet Aubrey, Douglas Hodge, Robert Hardy and Rufus Sewell.

4. “Gentleman Jack” (2019-present) – Sally Wainwright created this excellent series about the relationship between early 19th century industrialist/landowner Anne Lister and wealthy heiress Ann Walker. Suranne Jones and Sophie Rundle starred.

5. “Cousin Bette” (1971) – Margaret Tyzack and Helen Mirren starred in this memorable television adaptation of Honoré de Balzac’s 1846 novel about a middle-aged spinster who wreaks vengeance upon her high-born extended family. Gareth Davies directed.

6. “The Count of Monte Cristo” (1975) – Richard Chamberlain starred in this entertaining television adaptation of Alexandre Dumas, père ‘s 1844 novel about a man’s campaign of revenge against those who had him imprisoned for over a decade. David Greene directed.

7. “Jane Eyre” (1973) – Sorcha Cusack and Michael Jayston starred in this colorful adaptation of Charlotte Brontë’s 1847 novel about a destitute, but strong-willed governess who falls in love with her mysterious employer. Joan Craft directed.

8. “Wide Sargasso Sea” (2006) Rebecca Hall and Rafe Spall starred in this adaptation of Jean Rhys’ 1966 novel, which is a prequel to “Jane Eyre”. Brendan Maher directed.

“THE CHISHOLMS” (1979): Chapter IV Commentary

“THE CHISHOLMS” (1979): CHAPTER IV Commentary

We finally come to the fourth chapter of the 1979 miniseries, “THE CHISHOLMS”. And like the first chapter, it had a running time of at least 90 minutes. This fourth chapter marked the last episode of the actual miniseries and the end of Evan Hunter’s 1976 novel . . . despite the Chisholms’ story continuing in a short-running television series.

Chapter IV began some thirty seconds before Chapter III ended. What happened in the previous episode? Hadley and Minerva Chisholm made the decision to leave Independence (in western Missouri) and continued their family’s western journey along the Overland Trail without their two older sons, Will and Gideon. Why? The latter two had left the family to search for one Lester Hackett, who had stolen Will’s horse near St. Louis. During this time, the Chisholm couple and their other three children had accompanied a former Army scout named Timothy Oates, the latter’s Pawnee wife and a family from Baltimore named Comyn. Upon hearing a rumor about fever on a wagon train that was ahead of them, the Comyns returned east. Oates and his wife Youngest Daughter eventually bid the Chisholms good-bye and headed for her family’s village. Meanwhile, Will and Gideon spent a month on a prison work gang in Iowa as punishment for “trespassing” on the farm of Lester Hackett’s mother. Following their release, they encountered a wounded Ojibwa woman named Keewedinok, who had been staying at a Missouri farm that was attacked by drunken trappers. Will and Gideon allowed Keewedinok to accompany them as far as Fort Laramie. Being alone on the trail, the Chisholms attracted the attention of a small band of Pawnee warriors who wanted their horses and the women. Chapter III ended with the Pawnees’ initial attack.

In the end, the attack proved to be brief, brutal and tragic. The Chisholm family managed to kill at least three of the Pawnee warriors. Only one – Teetonkah (the one with the Wolf’s Skin) – managed to survive after Minerva attacked him in defense. Unfortunately, Hadley sustained a blow to the head . . . and young Annabel sustained a mortal blow to her chest. She managed to survive for a day or two before she finally died from her wound not far from one of the Oregon Trail landmarks (Scott’s Bluff, I believe). Eventually, the traumatized family reached the Fort Laramie trading post. Meanwhile, Will and Gideon Chisholm continued their trek west in the company of the widowed Keewedinok. In a surprising twist, the trio encountered a tragic scenario on the plains. The two Kansa couples who had encountered their family in Chapter III were found dead and their teepees burned. Actually, only one survived – the Kansa man who had admired the Chisholms’ mules. During this moment, the Chisholm brothers discovered that the Kansa couples had been attacked by white men. And Will eventually learned that that the men who had attacked the Missouri cabin where they had found Keewedinok, were also white. One or more of them had raped her. Following this revelation, Will and Keewedinok grew increasingly attracted to each other. But their newfound emotions were eventually tested when trio finally reached Fort Laramie and the remaining members of the Chisholm family. Will’s new romance led to an estrangement between him and the racist Hadley. And the Chisholms received a bigger surprise with the unexpected arrival of one Lester Hackett at the fort.

When I first saw “THE CHISHOLMS”, I found it odd that the Virginia family had only made it as far as Fort Laramie. I could not understand why they did not continue their journey to California. I eventually realized that certain factors prevented this. One, they were very far behind by time on the trail before Will and Gideon had appeared at Laramie with Keewedinok. It would have been unwise for them to continue their journey west with no guide or without the accompaniment of other wagons . . . especially after what happened to Annabel. And by the time they reached the eastern side of the Sierra Mountains foothills, a late fall weather would have made the mountain crossing very dangerous. Remaining within the safety of Fort Laramie seemed like the smart move to make. They would have to wait until the following summer for the arrival of another overland wagon train, if they had wanted to continue to California. I also suspected that Annabel’s death had traumatized them so much – especially Hadley and Minerva – that they were unwilling to continue west. But Hadley was also reluctant to return to Virginia – especially since their best land had fallen into the hands of the Cassidy family. And they would have to travel between Laramie and Independence without a guide and other wagons. At that point, Hadley and Minerva were determined to remain near Fort Laramie.

But certain factors threatened their plans. One, their sons – especially Gideon – were still anxious to continue west. Actually, I am not certain about Beau. At least I was not at first. After all, he was the only son who had experienced the Pawnee attack. He may have been less eager than Will or Gideon. Two, with Will and Hadley estranged over the former’s relationship with Keewedinok, it was not that surprising that Will also longed to leave the fort and continue west to California. In the end, so much happened in the following months – Lester Hackett’s reunion with the Chisholms, the birth of his and Bonnie Sue’s baby, the end of Will and Hadley’s estrangement, the appearance of Teetonkah aka Wolf’s Skin at Fort Laramie, and the near fatal attack on Keewedinok. I think these string of events, along with enough time finally led the family – especially Hadley and Minerva – to come to terms with Annabel’s death. And I believe this, along with the realization that their children planned to join the first wagon train to arrive in the following summer, finally led the couple to continue their journey to Califorina. Looking back, the Chisholms’ journey had been tainted by bad luck, bad timing and bad decisions since the moment they lost their most fertile corn field to the Cassidy family. With no such impediments and their emotional acceptance of Annabel’s death preventing them from continuing on to California, it was not surprising to see Hadley, Minerva and the rest of the Chisholms joining the next westbound wagon train in the summer of 1845.

I have to be honest. Chapter IV is not my favorite episode in the miniseries. It did feature scenes and performances that I truly enjoyed. This was certainly the case while watching Will and Keewedinok grow closer, as they traveled west with Gideon to Fort Laramie. I have to give kudos to Ben Murphy and Sandra Griego for making this an enjoyable and emotional segment to watch. Another romantic sequence that I found satisfying was Lester Hackett’s renewed courtship of Bonnie Sue, thanks to Stacy Nelkin and Charles Frank’s performances. Both Robert Preston and Murphy acted the hell out of one scene that featured Hadley and Will’s bitter quarrel over Keewedinok. And both Preston and Rosemary Harris were superb in one scene in which Hadley and Minerva had finally decided to join their children on the continuing trek to California. The episode also featured excellent supporting performances from James Van Patten, Brian Keith, Christopher Allport, Billy Drago and Susan Swift, who gave a very effective performance during Annabel’s death scene.

Chapter IV featured less action or conflict than the previous two chapters. But it was bookmarked by two action sequences featuring Drago’s character, Teetonkah. I have already described the Pawnees’ attack on the Chisholms’ lone wagon at the episode’s beginning. Near the end of the episode, Teetonkah had arrived at Fort Laramie and immediately spotted the Chisholms’ cabin and the ponies that the family had taken from him and his deceased comrades. He managed to convince a few braves to steal back the ponies and a few other items from the family. During this robbery, Keewedinok tried to stop him and was badly wounded. This led to a quite interesting and brutal fight between Teetonkah and Will that struck me as well choreographed.

Although I have possessed a VHS copy of “THE CHISHOLMS” for years, I was very happy to finally get a DVD copy of the miniseries. Even after many years, it still remained both enjoyable and fascinating to me. And frankly, I feel it is one of the best productions about westward migration in the mid-19th century. You can read the 1976 novel that it is based upon. But for me, I feel that this television adaptation is the better version. And one can thank David Dortort, Evan Hunter, director Mel Stuart and a superb cast led by Robert Preston and Rosemary Harris. The miniseries must have been very popular when it aired in the early spring of 1979. For it generated a short-lived television series that I plan to eventually view.

“BEECHAM HOUSE” (2019) Episode Ranking

Below is my ranking of the episodes from the 2019 ITV series, “BEECHAM HOUSE”. Created by Paul Mayeda Berges, Shahrukh Husain and Gurinder Chadha, and directed by Chadha; the six-episode series starred Tom Bateman:

“BEECHAM HOUSE” (2019) EPISODE RANKING

1. (1.03) “Episode 3” – In 1795 India, the Moghul Emperor Shah Allam I has postponed former East India Company officer John Meecham’s trading license at the request of French mercenary General Castillon. In order to regain his license, John has a gold statue commissioned for the Empress, but his plans are nearly derailed by the betrayal of someone close.

2. (1.01) “Episode 1” – John arrives at his new Delhi mansion, determined to leave his past behind and start a new life as a trader. But he brings along with him, his entourage and his biracial infant son, who must be kept hidden.

3. (1.04) “Episode 4” – John’s former sister-in-law Chandrika visits John’s room late at night, fueling suspicions about their relationship. His mother’s companion, Violet Woodhouse, witnesses the clandestine meeting and informs the former, Henrietta Beecham.

4. (1.06) “Episode 6” – In the series finale, John figures out his betrayer, while others try to get help for his release from the Emperor’s prison. Not long after his release, a mysterious force attack his mansion.

5. (1.02) “Episode 2” – John and his old friend/partner Samuel Parker find the former’s brother and East India Company officer Daniel Beecham recovering from a wound at a brothel. John brings Daniel to his mansion to heal. Chandrika arrives at Beecham House to visit her nephew. She throws the house into chaos with her demands and clashes with Henrietta.

6. (1.05) “Episode 5” – John is shocked to discover that the women he has developed romantic feelings for – Margaret Osbourne, governess for his neighbor Murad Bag – has left Delhi. Before he can react, John finds himself framed for theft and arrested by the Emperor’s court.

Issues Regarding “WANDAVISION”

ISSUES REGARDING “WANDAVISION”

Recently, I did a re-watch of the DisneyPlus/Marvel Cinematic Universe limited series, “WANDAVISION”. After viewing the penultimate episode, (1.08) “Previously On”, I realized I had a few issues with the series.

The seventh episode, (1.07) “Breaking the Fourth Wall” ended with this revelation that the long-living witch Agatha Harkness was behind the whole psychic anomaly surrounding the fictional town of Westview, New Jersey. Yet the revelations from the flashbacks forced upon former Avenger Wanda Maximoff by Harkness in “Previously On” revealed that . . . yes, Wanda had originated the anomaly. She started it in a moment of anger and grief over the permanent death of the synthezoid and former Avenger named Vision. In other words, Agatha’s claim in “Breaking the Fourth Wall” that she had been behind the whole incident merely contradicted what Wanda’s flashbacks had revealed. So, what was Agatha’s role over the Westview incident? An enabler? A disrupter? As it turned out . . . both. Agatha had occasionally disrupted Wanda’s anomaly in order to learn the true nature of the latter’s powers and steal them. This means that Agatha’s little “confession”, “It Was Agatha All Along” was nothing more than a lie. A contradiction. Something to serve as a cliffhanger for “Breaking the Fourth Wall”, perhaps? Regardless, I thought it was a sloppy move on the part of screenwriter Cameron Squires and showrunner Jac Schaeffer.

While viewing “WANDAVISION”, it occurred to me that it basically seemed like a character study – touched by science-fiction and magic. Which leads me to wonder why the MCU thought it was a good idea to convey this narrative via a nine-episode series. Since nearly every episode is roughly 25 minutes, I have come to the conclusion that this story is roughly four hours. Or nearly four hours. Four hours for a character study? Seriously? Do not get me wrong. I have a good opinion of the series’ narrative. But I found this 25-minute episode format rather frustrating. And unnecessary for this kind of story. “WANDAVISION” could have easily been told via a motion picture with a 100-minute running time.

As for the television sitcom format that the series used to convey its narrative – I never warmed up to it. To be honest, I found it distracting and nothing more than a clever gimmick. Mind you, “WANDAVISION” did not remain stuck in one particular time period. The narrative progressed from the 1950s to the 2000s with each episode. My family and I are in the middle of a re-watch of “AGENTS OF S.H.I.E.L.D.” Season Seven. This was the season in which the protagonists had skipped through history trying to prevent the Big Bads from prematurely destroying S.H.I.E.L.D. My sister pointed out that it was possible the writers of “WANDAVISION” had copied the time travel narrative from “S.H.I.E.L.D.” Season Seven and used it to convey the television sitcom formats from the 1950s to the 2000s or 2010s. In other words, Kevin Feige, Jac Schaeffer and the series’ writers may have slightly plagiarized Jed Whedon and Maurissa Tancharoen. That is something to think about.

Also, one particular episode featured a major blooper. I am referring to the sixth episode, (1.06) “All-New Halloween Spooktacular!”. The episode featured the marquee for the town’s movie theater:

First of all, when is this particular episode set? The 1990s or the 2000s? One of the films listed on theater’s marquee, “THE PARENT TRAP”, a remake of the 1961 Disney film, had been released in 1998. The other film listed, the award-winning animated film, “THE INCREDIBLES”, had been released in 2004. So, did Wanda set the events of “All-New Halloween Spooktacular” in the 1990s? Or did she skip a decade and set it the 2000s? Inquiring minds want to know. Regardless, this was an obvious blooper that no one bothered to comment on. I would bet that one person or more will come up with an excuse for this obvious blooper.

Do not get me wrong. I enjoyed “WANDAVISION”. But there were aspects of it that I found frustrating. I believe the story, which basically strikes me as a character study, could have been more effectively told via a movie, instead of a nine-episode series. I found the television sitcom formats distracting and unnecessary. And I have some issues regarding the Agatha Harkness character and an obvious blooper from the series’ sixth episode. But I must admit that “WANDAVISION” has proven to be among the better MCU productions from the past few years.

Five Favorite Episodes of “STAR TREK VOYAGER” Season Four (1997-1998)

Below is a list of my five favorite episodes from Season Four of “STAR TREK VOYAGER”. Created by Rick Berman, Michael Piller and Jeri Taylor; the series starred Kate Mulgrew as Captain Kathryn Janeway:

FIVE FAVORITE EPISODES OF “STAR TREK VOYAGER” SEASON FOUR (1997-1998)

1. (4.07) “Scientific Method” – When a string of bizarre illnesses afflicts Voyager’s crew, the Doctor, Lieutenant B’Elanna Torres and new crewman Seven-of-Nine uncover a team of alien researchers existing out of phase and performing medical experiments on the crew. Rosemary Forsyth and Annette Helde guest starred.

2. (4.16) “Prey” – The crew of Voyager come to he aid of a wounded Hirogen before discovering that his hunting prey, a lost member of Species 8472, has boarded the ship. Tony Todd guest-starred.

3. (4.14) “Message in a Bottle” – Using an abandoned Hirogen communications net, Voyager sends their Chief Medical Officer, the Doctor, to a Federation ship in the Alpha Quadrant, where he discovers has been taken over by Romulans. Andy Dick and Judson Scott guest starred.

4. (4.08-4.09) “Year of Hell” – Voyager comes across a Krenim time ship that is wiping whole species from existence in order to change the existing timeline. Kurtwood Smith and Peter Marx guest starred.

5. (4.18-4.19) “The Killing Game” – When Voyager is captured by the Hirogens, it is transformed into a massive holodeck, so that the Hirogens can hunt members of the crew who have been fitted with new identities in various scenarios based upon Federation history. Danny Goldring, J. Paul Boehmer and Mark Metcalf guest starred.

Honorable Mentioned: (4.23) “Living Witness” – The Doctor’s backup program awakens in the museum of an alien culture seven hundred years in the future, where Voyager is thought to have been a passing warship full of cold-blooded killers in which the latter interfered in a war between the planet’s two ethnic groups. Tim Russ directed, and Henry Woronicz guest starred.

“DEATH COMES TO PEMBERLEY” (2013) Review

“DEATH COMES TO PEMBERLEY” (2013) Review

There is a group of mystery writers I usually read. However, one of them is not P.D. James. Mind you, I have read one of Ms. James’ novels. But it was not enough to tempt me to become a fan of her stories. I just might give her another chance . . . especially upon discovering that one of her novels was “Death Comes to Pemberley”, a 2011 sequel to Jane Austen’s 1813 novel, “Pride and Prejudice”.

Two years after the publication of James’ novel, the BBC aired a television adaptation in the form of a three-part miniseries. Set in 1803, (six years after the ending of “Pride and Prejudice”), “DEATH COMES TO PEMBERLEY” began with Elizabeth and Fitzwilliam Darcy preparing for the annual Queen Anne’s Ball at their Pemberley estate. The first guests arrive on the day before the ball – Mr. and Mrs. Bennet, Colonel Fitzwilliam and one Mr. Henry Alveston, an attorney that happened to be friends with Jane and Charles Bingley. During supper, an unexpected carriage arrive at Pemberley conveying Elizabeth’s youngest sister, Lydia Wickham, who is in a hysterical state. She claims that both her husband George Wickham and his friend Captain Denny had been arguing, when the latter angrily left the carriage in a state of anger. Wickham followed him and a few minutes later, Lydia and the carriage’s driver heard shots. Mr. Darcy organizes a search party that includes Colonel Fitzwilliam and Mr. Alveston. They find a distraught Wickham sobbing over Denny’s dead body. Very little time passes before the local magistrate, Sir Selwyn Hardcastle, finally arrests Wickham for murder.

As I had earlier stated, I have never read P.D. James’ novel. I could never make any comparison between her novel and the 2013 television adaptation. But I can convey how I felt about the latter. There were aspects of “DEATH COMES TO PEMBERLEY” that I found either perplexing or annoying. One such aspect was Elizabeth Darcy’s reaction . . . or lack of reaction to her sister Lydia Wickham’s behavior at Pemberley. In Jane Austen’s 1813 novel, Elizabeth had never been inclined to hold her tongue regarding Lydia’s childish behavior. In this miniseries, she more or less remained silent in the face of Lydia’s childish actions and spiteful words. Within her own home. Why? Why did the screenwriter allow Elizebath to remain silent and endure Lydia’s unpleasant presence? Was this supposed to be a sign of Elizabeth’s “growing maturity”? What? I never understood Elizabeth’s lack of responses when it came to her youngest sister. Another aspect that I found slightly irritating proved to be the scene in which Elizabeth and Pemberley’s housekeeper Mrs. Reynolds inspected the food prepared for the Darcys’ upcoming ball . . . for the following day. I am aware that cooks and their kitchen staff in Georgian England usually prepared cold dishes the day before any ball or banquet. Yet, the above scene featured Elizabeth and Mrs. Reynolds inspecting dishes like roast poultry and soup that were obviously not cold dishes. Yes, it is a minor complaint. Being a history buff, I found this scene slightly annoying.

Were there any other aspects of “DEATH COMES TO PEMBERLEY” that either annoyed me or I found questionable? Well . . . yes. The miniseries’ first episode featured a flashback to Elizabeth’s first ball as Pemberley’s chatelaine. This flashback featured a moment in which Elizabeth overheard two guests making snide comments about her father’s income of £2,000 pounds per year. I found this scene puzzling. Why would anyone make snide comments about Mr. Bingley’s income? Two thousand pounds per year from an estate meant that Mr. Bennet was a moderately wealthy man. Granted, he was not as wealthy as two of his sons-in-law. But he was wealthy, especially since all five of his daughters had married by this time in the family saga. And chances are, at least half or more of the Darcys’ guests earned a good deal less than Mr. Bennet. This scene struck me as another example of this erroneous belief that the Bennets came from the middle-class – a belief that either P.D. James or the miniseries’ screenwriter Juliette Towhidi shared. I must admit I found it surprising that George Wickham’s friendship with Captain Denny had survived following the former’s scandal with Lydia Bennet in “Pride and Prejudice”. Following the scandal, Darcy managed to purchase a commission in a regular Northern regiment – Colonel Fitzwilliam’s regiment – leaving Denny behind with the militia at Brighton. Perhaps this is nothing, but I found it surprising that their friendship, which never struck me as deep in the first place – had survived so long. Following her discovery of Captain Denny’s actual killer, Elizabeth and Reverend Oliphant raced to the execution site to save Wickham. They arrived in time to prevent Wickham’s execution at the last moment. Honestly, this scene seemed like a rehash of a scene from Henry Fielding’s novel, “The History of Tom Jones, a Foundling” and other stories. I found it so hokey. A giant cliché that left me wincing with embarrassment.

Despite my issues with “DEATH COMES TO PEMBERLEY”, I rather enjoyed it. A lot more than I had originally thought I would. I had featured the three-part miniseries would turn out to be one of those Jane Austen sequels filled with a good deal of hokey gimmicks. I mean . . . a sequel to “Pride and Prejudice” that turned out to be a murder mystery? Come on! Thankfully, P.D. James’ tale proved to be a great deal more interesting and just as emotionally complex as some of Austen’s best works. Captain Denny’s murder forced Elizabeth and Darcy to overcome their natural antipathy toward Wickham and face the possibility that for once, he might not be the murderer or villain in this scenario. Yet, ironically, Wickham’s past actions had led to his situation in the first place. The mystery surrounding Denny’s murder led to other issues. It revealed a good deal of class division – especially in regard to the gentry ruling class, middle-class types like Wickham and the Darcy family’s servants.

But there were other issues that manifested in the wake of Wickham’s arrest. A romantic triangle involving Georgiana Darcy, Henry Alveston and Colonel Fitzwilliam. Naturally, Wickham’s arrest has led to family troubles for both Elizabeth and Darcy. Fearful that Wickham’s conviction and execution might lead to more scandal for the Darcy family, Pemberley’s owner resumes his old habit of suppressing his emotions. Worse, Darcy becomes willing to support Colonel Fitzwilliam’s marriage proposal to Georgiana in the name of family solidarity and staving off any hint of scandal. And both of his actions threaten to alienate him from Elizaeth. Poor Georgiana seemed torn between her desire for Henry Alveston and marriage to Colonel Fitzwilliam out of family duty. Being a Darcy, she nearly allowed family duty to win the day . . . and it probably would have if her brother and sister-in-law had not learned of Fitzwilliam’s connection to Wickham and a potential scandal.

Not only did “DEATH COMES TO PEMBERLEY” provide a first-rate narrative, it was also blessed with a superb cast. Anna Maxwell-Martin shined as the initially happy Elizabeth Darcy who found herself nearly caving under the emotional strains that Wickham’s arrest had brought to Pemberley’s inhabitants and the Darcy family. Someone had once complained that Elizabeth’s famous wit seemed to be missing in this production. I certainly do not agree. I think Maxwell-Martin’s performance made it clear that Elizabeth had evolved from the younger woman in “Pride and Prejudice” inclined to put her wit on display. In other words, Elizabeth has become more mature over the years without the need to spout witicisms every now and then. But as the situation at Pemberley grew worse, it seemed obvious clear that she had not lost her sharp tongue. Judging from Fitzwilliam Darcy’s behavior during the first half of the series’ first episode, one would assume that marriage to Elizabeth had brought about a great change in his personality. Perhaps. Or perhaps this was an example of Darcy’s behavior as a happy man. Yet, once the whole situation regarding the murder and Wickham’s arrest began to take its toll, it felt as if Darcy’s personality from the 1813 novel had re-emerged with a vengeance. I have to give kudos to actor Matthew Rhys for doing such a beautiful in capturing these different aspects of Darcy’s personality. More importantly, I thought he had skillfully handled Darcy’s gradual transition from one aspect of the latter’s personality to another.

“DEATH COMES TO PEMBERLEY” also featured other excellent performances. Matthew Goode gave a complex and nuanced performance as embattled George Wickham, whose smooth and manipulative persona is shaken by the threat of a murder conviction and execution. Another first-rate performance came from Trevor Eve, who skillfully portrayed the Darcys’ neighbor and ruthless county magistrate, Sir Selwyn Hardcastle. Jenna Coleman did a great job in infusing immature shallowness, malice and a surprising touch of pathos in her portrayal of Lydia Wickham. Eleanor Tomlinson’s portrayal of Georgiana Darcy seemed to possess more depth and complexity than any previous portrayal of her. Tom Ward’s performance as the Darcys’ cousin, Colonel Fitzwilliam, struck me as one of the most interesting in the limited series. Mind you, I thought P.D. James and by extension, screenwriter Juliette Towhidi; did an excellent job in allowing the Colonel to become a more complex and ambiguous character in his own right. Yet, this transformation . . . or revelation of Colonel Fitzwilliam’s character without Tom Ward’s brilliant performance. There were other performances featured in “DEATH COMES TO PEMBERLEY” that impressed me. These performances came from James Norton, Mariah Gale, Nichola Burley, Rebecca Front, James Fleet, Philip Martin Brown, Joanna Scanlan, Jennifer Hennessey, Lewis Rainer, and Penelope Keith as Lady Catherine de Bourgh.

I also have to give kudos to the production team for “DEATH COMES TO PEMBERLEY”. It is a beautiful-looking series. This can be attributed to Grant Montgomery’s luscious production designs. Montgomery did an excellent of bringing a late Georgian provincial community to life in this limited series. I believe Steve Lawes’ sharp and colorful photography of the miniseries’ Yorkshire and Derbyshire filming locations enhanced Montgomery’s work, along with Nick Wilkinson’s art direction and Ussal Smithers’ set decorations. I also believe Marianne Agertoft’s costume designs contributed to the miniseries’ production designs. I must honest. Agertoft’s costumes did not blow my mind. But I have to say that the costumes’ color schemes – especially the women’s – struck me as rich and sharp as Lawes’ cinematography.

I will not deny that I have a few issues with “DEATH COMES TO PEMBERLEY”. But my issues are minor, in compared to my admiration for this miniseries. Because I do admire “DEATH COMES TO PEMBERLEY”. I found the series’ production aspects lush and beautiful. The cast led by Anna Maxwell-Martin and Matthew Rhys gave superb performances. More importantly, I believe director Daniel Percival and screenwriter Juliette Towhidi did an excellent job of adapting P.D. James’ novel. “DEATH COMES TO PEMBERLEY” offered a very original view into the world of Jane Austen.

Favorite Episodes of “THE MARVELOUS MRS. MAISEL” Season Two (2018)

Below is a list of my favorite episodes from Season Two of the Amazon Prime series, “THE MARVELOUS MRS. MAISEL”. Created by Amy Sherman-Palladino, the series stars Rachel Brosnahan as Miriam “Midge” Maisel:

“THE MARVELOUS MRS. MAISEL” SEASON TWO (2018) EPISODE RANKING

1. (2.04) “We’re Going to the Catskills!” – Burgeoning comedienne Midge Maisel and her parents, Abe and Rose Weissman, head for Steiner Mountain Resort, the Catskills resort where they vacation every year for two months.

2. (2.08) “Vote for Kennedy, Vote for Kennedy” – Agent Susie Myerson lands Midge her first gig on television marathon. Their victory is short-lived when they realize Midge is being punished for her past with a late slot. Abe is increasingly unhappy in his dream job at Bell Labs, while Midge’s soon-to-be ex-husband Joel Maisel continues to drown in work during late nights at Maisel and Roth.

3. (2.05) “Midnight at the Concord” – Midge rushes back to New York City when her employer B. Altman calls, needing a temporary fill-in at the cosmetics counter. She also begins dating Dr. Benjamin Ettenberg, whom she met at Steiners, despite her original misgivings. Abe discovers that she is a comedian, when he catches her act at another Catskills resort.

4. (2.08) “Someday” – Midge and Susie hit the road on a short comedy tour, traveling in a vintage Model A Ford that Susie “inherited” from her mother. Joel intervenes on Midge’s behalf when a club owner refuses to pay her.

5. (2.06) “Let’s Face the Music and Dance” – Tension between Midge and Abe increases following his discovery that she is a stand-up comedian. To make matters worse, Abe discovers that his son Noah Weissman secretly works for the CIA. Joel continues adjusting to renewed bachelorhood. Susie becomes overly immersed in her Steiner resort staff persona.

“Forgiven Too Quickly”

“FORGIVEN TOO QUICKLY”

I just finished watching the Season One episode of “LEGENDS OF TOMORROW” called (1.09) “Left Behind”. I have a major issue with this episode and it deals with the character of Sara Lance aka White Canary.

This problem had originated with the previous episode, (1.09) “Night of the Hawk”. In that episode, the Legends team went to a small town in Oregon 1958 to investigate a series of murders tied to Season One’s major antagonist, Vandal Savage. They discover that Savage was using an Nth metal meteorite – the same material that transformed Kendra Sanders aka Hawkgirl and Carter Hall aka Hawkman into meta humans, and Savage into an immortal – to create humanoid bird-like creatures. The team managed to create a serum to cure those victims of Savage’s experiment. Unfortunately, before all of them could leave 1958; Mick Rory aka Heatwave had arrived to attack the ship. Mick, who had ended up in the clutches of the Time Masters, had been brainwashed into serving the latter group in order to hunt down the Legends’ leader, Rip Hunter for attempting to use time travel to save his murdered family. Mick’s attack forced most of the team to leave Dr. Ray Palmer aka the Atom, Kendra and Sara behind in 1958. They remained stranded in time for two years.

So what happened? During the years between 1958 and 1960, Ray and Kendra continued their pose as a college professor and his wife. And what did Sara Lance do? Instead of remaining in close proximity with Ray and Kendra, she had decided to return to the Himalayas and Nanda Parbat in order to resume her association with the League of Assassins and her role as an assassin. Sara did not suffer from amnesia or anything like that. When the Legends – along with Ray and Kendra – traveled to Nanda Parbat, they assumed that she needed to be rescue. But Sara was not suffering from amnesia. She immediately recognized the other Legends and turned them over to her leader, Ra’s al Ghul, as trespassers to be executed. Rip invoked the trial-by-combat ritual to save the team and named Kendra as their champion. Sara was named as the League’s champion. Just as Kendra was able to get to Sara, Mick arrived as Chronos and the team was forced to capture him with Ra’s permission. He allowed them to leave, with Mick as their prisoner. Sara, on the other hand, did not become a prisoner. Dr. Martin Stein aka Firestorm had a ready-made excuse for her.

It occurred to me that the writers really went out of their to give Sara Lance an excuse for betraying the other Legends to the League of Assassins in “Left Behind”. The transcript written by Beth Schwartz and Grainne Godfree claimed that those two years Sara had spent with the League – between 1958 and 1960 – had led her to lose sight of her identity and all of the character developed she had acquired with Team Arrow and later, during her early months with the Legends.

I say bullshit to that. Sara had clear memories of the Legends when they arrived at Nanda Parbat in 1960. Also, Dr. Stein’s explanation only gave her an “excuse” for her decision to betray the team to Ra’s al Ghul. Stein’s words did not excuse or explain what happened back in 1958. No one bothered to question why Sara’s first instinct after getting stranded in 1958 was to rejoin the League of Assassins. “Left Behind” revealed a montage of Ray and Kendra settling down in that Oregon town and her, getting bored in their apartment. You mean to say, Sara never considered going back to school? After all, she was roughly 19 or 20 years old when she and Oliver Queen were shipwrecked on Lian Yu following the sinking of the Queen’s Gambit in “ARROW”. Sara could have continued her college education. She certainly had the brains to continue this path. Instead, Sara took the easier path and resumed her role as an assassin for the League of Assassins – but only in a different period in time. And her second instinct was to betray the other Legends to the League, despite knowing who they were. Yet, the other Legends were very quick to forgive her for her actions, in compare to Mick Rory aka Chronos, thanks to Schwartz and Godfree’s transcript.

The hypocrisy of this whole scenario still strikes me as truly amazing after four years. I am not saying that the Legends should have also quickly forgiven Mick. Nor am I saying that they should have never forgiven him or Sara. But the Legends should not have quickly forgiven Sara either. They should have confronted her about her decision to betray them to Ra’s al Ghul. They should have been just as reluctant to forgive her as they were reluctant to forgive Mick. The handling of Sara Lance’s character in “Left Behind” was one of the few cases of bad writing I have ever encountered on “LEGENDS OF TOMORROW”.