Top Ten Favorite Movies Set in the 1860s

Below is my current list of favorite movies set in the 1860s: 

TOP TEN FAVORITE MOVIES SET IN THE 1860s

1. “Lincoln” (2012) – Steven Spielberg directed this highly acclaimed film about President Abraham Lincoln’s last four months in office and his efforts to pass the 13th Amendment to end slavery. Oscar winner Daniel Day-Lewis, Oscar nominee Sally Field and Oscar nominee Tommy Lee Jones starred.

2. “Shenandoah”(1965) – James Stewart starred in this bittersweet tale about how a Virginia farmer’s efforts to keep his family out of the Civil War failed when his youngest son is mistaken as a Confederate soldier by Union troops and taken prisoner. Andrew V. McLaglen directed.

3. “Angels & Insects” (1995) – Philip Haas directed this adaptation of A.S. Byatt’s 1992 novella, “Morpho Eugenia” about a Victorian naturalist who marries into the English landed gentry. Mark Rylance, Kristin Scott-Thomas and Patsy Kensit starred.

4. “Class of ’61” (1993) – Dan Futterman and Clive Owen co-starred in this television movie about recent West Point graduates and their experiences during the first months of the Civil War. Produced by Steven Spielberg, the movie was directed by Gregory Hoblit.

5. “The Tall Target” (1951) – Anthony Mann directed this suspenseful tale about a New York City Police sergeant who stumbles across a plot to kill President-elect Lincoln and travels aboard the train carrying the latter to stop the assassination attempt. Dick Powell starred.

6. “Far From the Madding Crowd” (1967) – John Schlesinger directed this adaptation of Thomas Hardy’s 1874 novel about a young Victorian woman torn between three men. The movie starred Julie Christie, Alan Bates, Terence Stamp and Peter Finch.

7. “The Good, the Bad and the Ugly” (1966) – Sergio Leone directed this epic Spaghetti Western about three gunslingers in search of a cache of Confederate gold in New Mexico, during the Civil War. Clint Eastwood, Lee Van Cleef and Eli Wallach starred.

8. “Cold Mountain” (2003) – Anthony Minghella directed this poignant adaptation of Charles Fraizer’s 1997 novel about a Confederate Army deserter, who embarks upon a long journey to return home to his sweetheart, who is struggling to maintain her farm, following the death of her father. The movie starred Oscar nominees Jude Law and Nicole Kidman, along with Oscar winner Renee Zellweger.

9. “Little Women” (1994) – Gillian Armstrong directed this adaptation of Louisa May Alcott’s 1868 novel about four sisters from an impoverished, yet genteel New England family. The movie starred Winona Ryder, Trini Alvarado, Christian Bale and Susan Sarandon.

10. “The Beguiled” (1971) – Clint Eastwood starred in this atmospheric adaptation of Thomas Cullinan’s 1966 novel about a wounded Union soldier who finds refuge at an all-girl boarding school in 1863 Mississippi. Directed by Don Siegel, the movie co-starred Geraldine Page and Elizabeth Hartman.

Top Ten Favorite Movies Set in the 1890s

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Below is my current list of favorite movies set in the 1890s:

TOP TEN FAVORITE MOVIES SET IN THE 1890s

1 - Sherlock Holmes-Game of Shadows

1. “Sherlock Holmes: A Game of Shadows” (2011) – Guy Ritchie directed this excellent sequel to his 2009 hit, in which Sherlock Holmes and Dr. John Watson confront their most dangerous adversary, Professor James Moriarty. Robert Downey Jr. and Jude Law starred.

2 - Hello Dolly

2. “Hello Dolly!” (1969) – Barbra Streisand and Walter Matthau starred in this entertaining adaptation of David Merrick’s 1964 play about a New York City matchmaker hired to find a wife for a wealthy Yonkers businessman. Gene Kelly directed.

3 - King Solomon Mines

3. “King Solomon’s Mines” (1950) – Stewart Granger, Deborah Kerr and Richard Carlson starred in this satisfying Oscar nominated adaptation of H. Rider Haggard’s 1885 novel about the search for a missing fortune hunter in late 19th century East Africa. Compton Bennett and Andrew Marton directed.

4 - Sherlock Holmes

4. “Sherlock Holmes” (2009) – Guy Ritchie directed this 2009 hit about Sherlock Holmes and Dr. John Watson’s investigation of a series of murders connected to occult rituals. Robert Downey Jr. and Jude Law starred.

5 - Hidalgo

5. “Hidalgo” (2004) – Viggo Mortensen and Omar Sharif starred in Disney’s fictionalized, but entertaining account of long-distance rider Frank Hopkins’ participation in the Middle Eastern race “Ocean of Fire”. Joe Johnston directed.

6. “The Seven Per-Cent Solution” (1976) – Nicol Williamson, Robert Duvall and Alan Arkin starred in this very entertaining adaptation of Nicolas Meyer’s 1974 novel about Sherlock Holmes’ recovery from a cocaine addiction under Sigmund Freud’s supervision and his investigation of one of Freud’s kidnapped patients. Meyer directed the film.

Harvey Girls screenshot

7. “The Harvey Girls” (1946) – Judy Garland starred in this dazzling musical about the famous Harvey House waitresses of the late 19th century. Directed by George Sidney, the movie co-starred John Hodiak, Ray Bolger and Angela Landsbury.

6 - The Jungle Book

8. “Rudyard Kipling’s The Jungle Book” (1994) – Stephen Sommers directed this colorful adaptation of Rudyard Kipling’s 1894 collection of short stories about a human boy raised by animals in India’s jungles. Jason Scott Lee, Cary Elwes and Lena Headey starred.

7 - The League of Extraordinary Gentlemen

9. “The League of Extraordinary Gentlemen” (2003) – Sean Connery starred in this adaptation of Alan Moore and Kevin O’Neill’s first volume of his 1999-2000 comic book series about 19th century fictional characters who team up to investigate a series of terrorist attacks that threaten to lead Europe into a world war. Stephen Norrington directed.

8 - The Prestige

10. “The Prestige” (2006) – Christopher Nolan directed this fascinating adaptation of Christopher Priest’s 1995 novel about rival magicians in late Victorian England. Christian Bale, Hugh Jackman and Michael Caine starred.

10 - The Four Feathers 1939

Honorable Mention: “The Four Feathers” (1939) – Alexander Korda produced and Zoltan Korda directed this colorful adaptation of A.E.W. Mason’s 1902 novel about a recently resigned British officer accused of cowardice. John Clements, June Duprez and Ralph Richardson starred.

Top Favorite WORLD WAR II Movie and Television Productions

Soviet_infantryinInvasionofPoland

September 1-3 marked the 75th anniversary of the beginning of World War II.

On September 1, 1939; the German Army invaded Poland on the orders of its leader, Chancellor Adolf Hitler, a week following the signing of the Molotov–Ribbentrop Pact. While the Polish military struggled to keep the invading Germans at bay, its government awaited awaited expected support and relief from France and the United Kingdom, with whom they had a pact. Two days later on September 3, Poland’s two allies declared war on Germany and World War II; which ended up engulfing both Europe, Asia, North Africa and the South Pacific; began.

Below is a list of my favorite movie and television productions about the war.

 

TOP FAVORITE WORLD WAR II MOVIE AND TELEVISION PRODUCTIONS

1a - Band of Brothers

1a. “Band of Brothers” (2001) – Steven Spielberg and Tom Hanks produced this outstanding television miniseries about the history of a U.S. Army paratrooper company – “Easy Company” – during the war. Damian Lewis and Ron Livingston starred. (tie)

1b - The Pacific

1b. “The Pacific” (2010) – Spielberg and Hanks struck gold again in this equally superb television miniseries about the experiences of three U.S. Marines – John Basilone, Robert Leckie and Eugene Sledge – in the war’s Pacific Theater. James Badge Dale, Joseph Mazzello and Jon Seda starred. (tie)

2 - Kellys Heroes

2. “Kelly’s Heroes” (1970) – Clint Eastwood, Telly Savalas and Don Rickles starred in this memorable war comedy about a group of Army soldiers who go AWOL to rob a bank behind enemy lines. Brian G. Hutton directed.

3 - Inglorious Basterds

3. “Inglorious Basterds” (2009) – Quentin Tarantino wrote and directed this excellent alternate history adventure about two plots to assassinate Adolf Hitler in 1944. Brad Pitt, Christoph Waltz and Mélanie Laurent starred.

4 - Casablanca

4. “Casablanca” (1942) – Humphrey Bogart and Ingrid Bergman starred in this Oscar winning adaptation of Murray Burnett and Joan Alison’s un-produced stage play, “Everybody Comes to Rick’s”. Directed by Michael Curtiz, the movie also starred Paul Henreid and Claude Rains.

5 - The Winds of War

5. “The Winds of War” (1983) – Dan Curtis produced and directed this excellent 1983 television adaptation of Herman Wouk’s 1971 novel. The miniseries starred Robert Mitchum, Jan-Michael Vincent and Ali McGraw.

6 - Hope and Glory

6. “Hope and Glory” (1987) – John Boorman wrote, produced and directed this 1987 excellent comedy-drama about his own childhood experiences during World War II. Sarah Miles, David Hayman and Sebastian Rice-Edwards starred.

7 - A Bridge Too Far

7. “A Bridge Too Far” (1977) – Sir Richard Attenborough produced and directed this darkly fascinating adaptation of Cornelius Ryan’s book about the Operation Market Garden campaign. The all-star cast included Dirk Bogarde, Sean Connery, Ryan O’Neal and Gene Hackman.

8 - Valkyrie

8. “Valkyrie” (2008) – Bryan Singer directed this detailed and first-rate account of Colonel Claus von Stauffenberg’s plot to assassinate Adolf Hitler in July 1944. The movie starred Tom Cruise, Tom Wilkinson and Bill Nighy.

9 - The Longest Day

9. “The Longest Day” (1962) – Darryl Zanuck produced this all-star adaptation of Cornelius Ryan’s book about the Normandy invasion. The cast included Robert Mitchum, Richard Beymer, Robert Wagner and John Wayne.

10 - The Bridge on the River Kwai

10. “The Bridge on the River Kwai” (1957) – David Lean directed this Oscar winning adaptation of Pierre Boulle’s 1952 World War II novel. The movie starred William Holden, Oscar winner Alec Guinness and Oscar nominee Sessue Hayakawa.

HM - Empire of the Sun

Honorable Mention: “Empire of the Sun” (1987) – Steven Spielberg produced and directed this excellent adaptation of J.G. Ballard’s semi-autobiographical novel about a British boy’s experiences in World War II China. The movie starred Christian Bale, John Malkovich, Miranda Richardson and Nigel Havers.

“ANGELS AND INSECTS” (1995) Review

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“ANGELS AND INSECTS” (1995) Review

I never thought I would come around to writing this review. I have seen the 1995 movie, “ANGELS AND INSECTS” a good number of times during the past five years. Yet, I never got around to posting a review of this movie, until recently. Why? I have not the foggiest idea. Nor do I have any idea why I had finally decided to write that review.

Based upon A.S. Byatt’s 1992 novella called “Morpho Eugenia”, “ANGELS AND INSECTS” tells the story of a poor naturalist named William Adamson, who returns home to Victorian England after having spent years studying the natural wildlife – especially insects – in the Amazon Basin. Despite losing all of his possession during a shipwreck, he manages to befriend a baronet named Sir Harald Alabaster, who is also an amateur insect collector and botanist. The latter hires William to catalog his specimen collection and assist his younger children’s governess the natural sciences.

William eventually falls for Sir Harald’s oldest daughter, Eugenia, who is mourning the suicide of her fiance. Both of them eventually become emotionally involved and decide to marry. Much to William’s surprise, both Sir Harald and Lady Alabaster seems encouraging of the match. The only member of the Alabaster family who is against their upcoming wedding is Sir Harald’s eldest child, the arrogant Edgar. Not only is the latter close to Eugenia, he believes that William is unworthy of his sister’s hand, due to having a working-class background. The marriage between William and Eugenia seemed to be a happily lustful one that produces five children (among them two sets of twins). But Eugenia’s hot and cold control over their sex life, a constantly hostile Edgar, William’s growing friendship to Lady Alabaster’s companion Matilda “Matty” Crompton, and William’s own disenchantment over his role as Sir Harald’s official assistant brings their marriage to a head after several years of marriage.

The film adaptation of Byatt’s novella seemed to be the brainchild of Philip and Belinda Haas. Both worked on the film’s screenplay, while Philip also served as the film’s director and Belinda served as both co-producer (there are three others) and film editor. From my perusal of many period drama blogs, I get the feeling that “ANGELS AND INSECTS” is not very popular with many of the genre’s fans. On the other hand, many literary and film critics seemed to have a very high regard for it. Despite my love for the usual romantic costume drama, I must admit that my opinions of the 1995 film falls with the latter group. It is simply too well made and too fascinating for me to overlook.

There were times I could not tell whether “ANGELS AND INSECTS” is some look at the age of Victorian science exploration, the close study of an upper-class 19th century family, or a lurid tale morality. Now that I realize it, the movie is probably an amalgamation of them all, wrapped around this view on Darwinism and breeding – in regard to both the insect world and humans. The topic of breeding seemed to seep into the screenplay in many scenes. Some of them come to mind – Sir Harald and Edgar’s debate on the breeding of horses and other animals, William and Eugenia’s second encounter with moths in the manor’s conservatory, Sir Harald’s despairing rant on his declining usefulness within his own household, the reason behind Edgar’s hostility toward William, and the visual comparisons between the bees and the inhabitants of the Alabaster estate, with Lady Alabaster serving as some metaphor for an aging Queen bee on her last legs. The metaphor of the Queen bee is extended further into Eugenia. Not only does she assume her mother’s role as mistress of the house following the latter’s death; but like Lady Alabaster before her, gives birth to a growing number of blond-haired children. If a person has never seen “ANGELS AND INSECTS” before, he or she could follow both the script and cinematographer Bernard Zitzerman’s shots carefully to detect the clues that hint the cloistered degeneracy that seemed to unconsciously permeate the Alabaster household.

I cannot deny that “ANGELS AND INSECTS” is a gorgeous film to behold. Philip and Belinda Haas, along with the film’s other producers did an excellent job in creating a visually stunning film with a bold and colorful look. Cinematographer Bernard Zitzermann, along with production designer Jennifer Kernke and Alison Riva’s art direction provided great contributions to the film’s visual style. But in my opinion, Paul Brown’s Academy Award nominated costume designs not only conveyed the film’s colorful visual style more than anything else, but also properly reflected the fashion styles of the early 1860s for women – including the growing penchant for deep, solid colors – as shown below:

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Adding to the movie’s rich atmosphere was Alexander Balanescu’s memorable score. I thought the composer did an excellent job of reflecting both the movie’s elegant setting and its passionate, yet lurid story.

As much as I enjoyed and admired “ANGELS AND INSECTS”, I believe it had its flaws. I understand why Philip Haas had opened the movie with shots of William Adamson socializing with inhabitants of the Amazonian jungle, juxtaposing with the Alabaster ball given in his honor. Is it just me or did Haas use white – probably British – actors to portray Amazonian natives? I hope I am wrong, but I fear otherwise. I also feel that the movie was marred by a slow pacing that nearly crawled to a halt. I cannot help but wonder if Haas felt insecure by the project he and his wife had embarked upon, considering that “ANGELS AND INSECTS” was his second motion picture after many years as a documentarian. Or perhaps he got caught up in his own roots as a documentarian, due to his heavy emphasis on the natural world being studied by William, Matty and the younger Alabaster children. In a way, I have to thank Balanescu’s score for keeping me awake during those scenes that seemed to drag.

I cannot deny that the movie featured some top-notch and subtle performances. Mark Rylance, who has a sterling reputation as a stage actor, gave such a quiet and superb performance that I hope his reputation has extended to film. Kristin Scott-Thomas was equally superb as the Matty Crompton, Lady Alabaster’s very observant companion, who shared William’s interests in natural sciences. I have no idea what reputation Patsy Kensit has as an actress, but I certainly believe she gave an excellent performance as William’s beautiful and aristocratic wife, Eugenia Alabaster, whose hot and cold attitude toward her husband kept him puzzled. Jeremy Kemp gave one of his more complex andentertaining performances as William’s father-in-law, the amateur scientist Sir Harald Alabaster. Douglas Henshall had a difficult job in portraying the bullying Edgar Alabaster, who seemed to view William as both beneath contempt and something of a threat to his views of the world. The movie also featured solid performances from the likes of Anna Massey, Saskia Wickham, Chris Larkin, Clare Redman and Annette Badlands.

Some fans of period drama might be taken aback by the graphic sexuality featured in the film, along with the story’s lurid topic. And director Philip Haas’ pacing might be a bit hard to accept. But I feel that enduring all of this might be worth the trouble. Philip and Belinda Haas, along with the crew and a cast led by Mark Rylance, Kristin Scott-Thomas and Patsy Kensit did an excellent in re-creating A.S. Byatt’s tale on the screen, and creating a first-rate movie in the end.

Ten Favorite SHERLOCK HOLMES Movies

Below is a list of my favorite movies featuring Sir Arthur Conan Doyle’s famous fictional detective, Sherlock Holmes: 

TEN FAVORITE SHERLOCK HOLMES MOVIES

1. “Without a Clue” (1988) – I still love this spoof of the Sherlock Holmes stories in which the real detective is Dr. John Watson, who has hired an unemployed alcoholic actor named Reginal Kincaid to satisfy the public’s demand for a real Sherlock Holmes. In this film, the pair investigate the disappearance of Bank of England banknote plates and a printing supervisor. Michael Caine and Ben Kingsley are magic under Thom Eberhardt’s direction.

 

sherlock_holmes-_a_game_of_shadows

2. “Sherlock Holmes: Game of Shadows” (2011) – Guy Richie made this second film about the Sherlock Holmes character and the latter’s conflict with his worst nemesis, Professor James Moriraty and his attempt to stop a major assassination. I loved it even more than Ritchie’s 2009 film. Robert Downey Jr. and Jude Law starred as Holmes and Watson.

 

3. “Sherlock Holmes” (2009) – Guy Ritchie’s adaptation of Doyle’s character about Holmes’ conflict against a nefarious aristocratic with plans to assume political control of the British Empire has become a major favorite of mine. Robert Downey Jr. and Jude Law, along with Rachel McAdams and Mark Strong star.

 

4. “The Adventures of Sherlock Holmes” (1939) – I am a big fan of this adaptation of William Gillette’s play about Sherlock Holmes’ investigation of a series of death threats against a well-to-do London family. This is the second film to feature Basil Rathbone and Nigel Bruce as Holmes and Dr. Watson. Directed by Alfred L. Werker, the movie co-starred Ida Lupino and George Zucco.

 

seven-per-cent-solution

5. The Seven-Per-Cent Solution” (1976) – I have always enjoyed Herbert Ross’ adaptation of Nicholas Meyer’s 1974 novel about Holmes and Watson recruiting Dr. Sigmund Freud to guide the detective in overcoming his cocaine habit and investigate a nefarious kidnapping plot. Nicol Williamson, Robert Duvall, Alan Arkin, Vanessa Redgrave and Laurence Olivier starred.

 

6. “The Hound of the Baskervilles” (1939) – This is my favorite adaptation of Doyle’s novel about Holmes’ investigation of an English family’s connection to a “demon” hound and a Candandian heir to the family’s fortunes. This is the first film to feature Basil Rathbone and Nigel Bruce as Holmes and Dr. Watson. Sidney Lanfield directed.

 

7. “Young Sherlock Holmes” (1985) – Steven Spielberg produced and Barry Levinson directed this fanciful imagining of Holmes and Watson’s first meeting as adolescents at a prestigious boys school, as they investigate a series of suspicious suicide deaths. Nicholas Rowe, Alan Cox, Anthony Higgins and Sophie Ward starred.

 

8. “The Hound of the Baskervilles” (1988) – This is my favorite adaptation of Arthur Conan Doyle’s Sherlock Holmes novels featuring Jeremy Brett as the detective. Edward Hardwicke co-starred as Dr. Watson. The movie was directed by Brian Mills.

 

9. “Murder By Decree” (1979) – Directed by Bob Clark, Holmes and Watson investigate the Jack the Ripper murders. Excellent, although a bit bloody for my tastes. Christopher Plummer and James Mason co-starred as Holmes and Watson.

 

sherlock-holmes-006

10. “The Private Life of Sherlock Holmes” (1970) – Billy Wilder directed this tale about a bored Sherlock Holmes, who eagerly decides to investigate the attempt on the life of a woman with a missing identity. Robert Stephens and Colin Blakely starred in this entertaining, yet flawed movie.

“THE WINDS OF WAR” (1983) Review

“THE WINDS OF WAR” (1983) Review

Nearly forty years ago, author Herman Wouk wrote ”The Winds of War”, a bestselling novel about the experiences of a middle-aged U.S. Navy officer and his family during the early years of World War II. A decade later, ABC Television and producer David Wolper brought his story to the television screen with a seven-part, fourteen-and-a-half hour miniseries that became a ratings hit and a major Emmy and Golden Globe nominee. 

Produced by Dan Curtis and Barbara Steele, and directed by Curtis; ”THE WINDS OF WAR” was a sprawling saga that told the story of Naval officer, Victor “Pug” Henry (Robert Mitchum), his wife Rhoda (Polly Bergen), and his three children – Naval aviator Warren (Ben Murphy), Byron (Jan-Michael Vincent) and Madeline (Lisa Eilbacher), who ended up as an assistant to a radio personality – and their experiences during the six months before Germany’s invasion of Poland in September 1939 and the first two years of the war, right up to the attack upon Pearl Harbor in December 1941. Most of the miniseries focused upon Henry’s experiences as a Naval attaché at the U.S. Embassy in Berlin, his role as a confident to President Franklin D. Roosevelt and his position at the War Department in Washington D.C. During this time, he experiences Germany’s reaction to the Poland invasion,the Battle of Britain and the early months of the Blitz, the Lend-Lease Program, and the Soviet defense against the German invasion of their country.

However, a good deal of the miniseries also focused upon Byron’s romance with one Natalie Jastrow (Ali McGraw), the niece of a Jewish author and scholar named Dr. Aaron Jastrow (John Houseman) in Italy. Byron and Natalie also experience the German invasion of Poland, after attending a wedding held by her Jastrow cousins in Medzice. Their romance is later hampered by Natalie’s relationship with her former fiancé, a State Department diplomat named Leslie Slote (David Dukes) and her decision to remain in Europe in order to ensure that a very reluctant Aaron will safely get out of Europe.

Two other plotlines featured forbidden romances for both Pug and Rhoda. Pug becomes romantically involved with Pamela Tudsbury (Victoria Tennant), the daughter of a British journalist and radio personality. However, their romance remains platonic. That did not seemed to be the case for Rhoda’s affair with a widowed government engineer named Palmer Kirby (Peter Graves), who will become involved in the first phase of the Manhattan project. By the end of the miniseries, Rhoda will ask Pug for a divorce.

One has to possess a great deal of patience and love of early-to-mid 20th century history to really enjoy ”THE WINDS OF WAR”. This is not my way of saying that it is a terrible production. But it is rather long at fourteen-and-a-half hours. At least four of the episodes are two-and-a-half hours long. And if I must be frank, there are sequences in the miniseries that I found rather ponderous. Sequences that usually featured Pug Henry’s meetings with famous world leaders such as Franklin Roosevelt, Adolph Hitler, Winston Churchill and Joseph Stalin turned out to be exercises in sheer patience for me. And the sequences featuring the Lend-Lease Program, in which the U.S. government lent warships and planes to Great Britain also struck me as ponderous. I found some of the dialogue wince-inducing, silly, pretentious and long winded, thanks to Herman Wouk’s screenplay. Lesson – never allow an author to write the screen adaptation of his own work.

Many of the characters featured in the miniseries are portrayed by actors that struck me as too old for their roles. I can even say the same about the three leads – Mitchum, McGraw and Vincent. Well . . . almost. Somehow, these three managed to get away with it. The scenes that I found most unbearable featured Hitler’s conferences with his generals. Many of these scenes featured actor Günter Meisner as Hitler, engaging in a good deal of histrionic acting – at least in the miniseries’ first three episodes. Fortunately, he seemed to have found his stride by the fourth episode and portrayed the German chancellor without the usual clichés. Like I said, one needs a great deal of patience to face something like ”WINDS OF WAR”.

But in the end, the miniseries proved to be worth viewing. Despite its flaws, I believe it is one of the better miniseries that have appeared on television during the past forty odd years. The historic scope of the production is wide and magnificent. Director/producer Dan Curtis did a superb job in transporting viewers back to those early years of World War II – between 1939 and 1941, especially with a crew that included cinematographers Charles Correll and Stevan Larner, costume designer Heidi Wujek, matte cameraman Bruce A. Block, and production designer Jackson De Govia. I do have a quibble about Ali McGraw’s wardrobe and hairstyle. It almost seemed as if the actress seemed reluctant to utilize late 30s/early 40s costumes and hairstyles. And this made her look a little too modern for a series set during the early years of World War II.

Curtis and his crew did an excellent job in scouting locations for the miniseries. Being an epic set in the United States and Europe, he had to find locations that stood in for Berlin, Washington D.C., London, Siena and Rome, Moscow, Honolulu, Manila, along with Warsaw and Medzice. I also have to commend Marijan Karoglan for his supervision of the special effects featured in the miniseries – especially in battle sequences that focused upon the invasion of Poland, Pug’s ride aboard a British bomber over Germany, the battle outside Stalingrad, and the attacks upon Pearl Harbor and the Cavite Naval Yard in the Philippines.

One of the best things about ”THE WINDS OF WAR” is that despite being somewhat ponderous and long, it did feature some well written and interesting sequences. The best – as far as I am concerned – centered on Byron Henry and Natalie Jastrow getting caught up in the Nazi invasion of Poland near the end of ”Episode 1 – The Winds Rise” and the first half of ”Episode 2 – The Storm Breaks”. What started out as a charming visit to Poland for a family wedding, ended up as a harrowing series of events in which the pair encountered hostile Polish soldiers, aerial bombings in Warsaw, a harrowing journey across the Polish-German battle line, and a tense encounter with a Gestapo officer demanding the names of all Jews in the American party. Another favorite sequence of mine featured Pug’s experiences in Britain, during the Battle of Britain and around the beginning of the Blitz. This segment featured the beginning of his platonic romance with Pamela Tudsbury and a scary ride aboard a British bomber on a mission over Germany. I also enjoyed the segment at the end of ”Episode 3 – Cataclysm” that featured the Henry family and Natalie Jastrow’s reunion for Warren Henry’s wedding to Janice Lacouture (Deborah Winters), the daughter of an isolationist senator in Pensacola. The sequences featuring Byron and Natalie’s wedding in Lisbon, near the end of ”Episode 5 – Of Love and War” and Pug’s reunion with Pamela in the Soviet Union in the last two episodes are also favorites.

Earlier I had commented that the miniseries’ three leads – Robert Mitchum, Ali McGraw and Jan-Michael Vincent – seemed rather old for their roles. Mitchum, who was 65 years old at the time, portrayed a Pug Henry in his late 40s. McGraw was 44 years old, when she portrayed the 27-29 years old Natalie Jastrow. And Vincent was a 38 year-old actor portraying the 24-26 years old Byron Henry. But they were not the only ones. Ben Murphy, who portrayed the 27-29 years old Warren Henry, was at least 40 at the time of the miniseries’ production. Ralph Bellamy was at least 78 years old when he portrayed President Roosevelt, who had aged from 57 to 59 years during the story’s setting. There seemed to be a score of many old Hollywood character actors who struck me as too old for their roles. Many of them did not get away with portraying characters a lot younger than themselves. But Mitchum, McGraw, Vincent, Murphy and Bellamy did get away with it; due to their strong screen presence, good solid acting and looks.

Being the experienced Hollywood veteran, Mitchum did an excellent job of holding the series together in the lead role. He also did a first rate job in portraying a very reserved man who usually kept his emotions to himself, without turning the role into an automaton. McGraw seemed to have some difficulty in dealing with an exaggerated and at times, irritating character like Natalie Jastrow. I suspect that most of the blame should go to Wouk for creating such an overblown character and the bad dialogue that McGraw was forced to speak. However, I have to commend the actress for ably conveying Natalie’s moments of being intimidated in the presence of Nazis or in situations in which she felt like a fish out of water. Her character tend to be exaggerated and rather irritating at times. I suspect that most of the blame should go to Wouk for his creation of the character and the numerous bad lines that McGraw was forced to spew. However, the actress did a good job in conveying Natalie’s moments of feeling intimidated in the presence of Nazis and in situations that left her feeling like a fish out of water (think of Warren and Janice’s wedding). Both Ben Murphy and Lisa Eilbacher gave solid performances at the charismatic, yet likeable Warren Henry and the All-American Madeline Henry, who seemed to have a slight undercurrent of darkness in her personality. Jeremy Kemp gave a memorable performance as Brigadier General Armin von Roon, the stoic and very professional German Army staff officer that Pug befriended. Ralph Bellamy, who had originally portrayed Franklin D. Roosevelt in both the stage and film versions of ”SUNRISE AT CAMPBOBELLO” was in his element as the four-term president. I also enjoyed Topol’s warm portrayal of the Jastrow cousin from the Polish branch of the family, Berel Jastrow. John Houseman did a solid job in portraying Natalie’s scholarly uncle, Dr. Aaron Jastrow. However, there were times when his dialogue delivery seemed slow and slightly long-winded. As for Peter Graves, he must have been the only actor I can recall who can make an extramarital affair seem almost dignified.

But there were performances that stood out for me. One of them came from Jan-Michael Vincent, who portrayed the Henry family’sdark horse, Byron. Vincent did an excellent job in portraying Byron’s complex and sometimes difficult nature. He proved that Pug’s middle child could be just as reserved and intimidating as his father, and also very intense. Yet, at the same time, Vincent’s Byron seemed very relaxed and almost lackadaisical. Another first-rate performance came from Polly Bergen, who portrayed Pug’s flamboyant wife, Rhoda. In many ways, Bergen’s Rhoda could be just as complex as Byron. At times, she seemed like a cheerful and extroverted personality. At other times, she came off as flaky and sometimes rather unpleasant. And Bergen managed to convey Rhoda’s contradicting traits seamlessly. I am not surprised that she ended up earning an Emmy nomination for her performance. I was also impressed by Victoria Tennant’s performance as the young Englishwoman that ended up falling in love with Pug, Pamela Tudsbury. Tennant skillfully conveyed Pamela’s passionate nature and sardonic sense of humor beneath an exterior of English reserve. I have always been a fan of the late actor David Dukes, ever since I saw him in a miniseries called ”79 PARK AVENUE”. But I do believe that the role of Leslie Slote, Natalie’s former fiancé was probably one of his best. Dukes had the difficult job of developing his character from a sarcastic and slightly pompous man, reluctant to marry a Jewish woman to a loyal friend that ended up regretting that his fiancée had fallen in love with another man before he could marry her.

”THE WINDS OF WAR” has its shares of flaws – a ponderous dramatic style, too many scenes featuring the top statesmen of World War II, stilted dialogue and a questionable wardrobe for actress Ali McGraw. But its virtues – its in-depth look into the early years of World War II, its epic scope, interesting subplots and characters – make it all worth while. More importantly, I still believe it is one of the better miniseries from the last 40 years. In the end, I believe that newcomers to the saga will not regret it.