“THE YOUNG VICTORIA” (2009) Review

“THE YOUNG VICTORIA” (2009) Review

About a year or so before his popular television series, “DOWNTON ABBEY” hit the airwaves, Julian Fellowes served as screenwriter to the lavish biopic about the early life and reign of Britain’s Queen Victoria called “THE YOUNG VICTORIA”. The 2009 movie starred Emily Blunt in the title role and Rupert Friend as the Prince Consort, Prince Albert.

“THE YOUNG VICTORIA” began during the last years in the reign of King William IV, Victoria’s uncle. Acknowledge as the next ruler of Britain, Victoria became the target of a political tug-of-war between her mother, the Duchess of Kent royal aide Sir John Conroy on one side, and King Leopold I of Belgium on the other. The Duchess of Kent and Sir John want to assume power of the country by having Victoria sign papers declaring a regency. And Leopold I tries to influence the British throne by securing a marriage between Victoria and one of his two nephews – Prince Albrt and Prince Ernst of Saxe-Coburg-Gotha. Meanwhile, King William eventually dies and Victoria becomes Queen. Once she assumes the throne, Victoria becomes beseiged by her mother and many others to assume some kind control over her.

I was surprised to discover that one of the producers for “THE YOUNG VICTORIA” was Hollywood icon, Martin Scorsese. A biopic about the early reign of Queen Victoria did not seem to be his type of movie. Then I remembered that this is the man who also directed an adaptation of an Edith Wharton novel and a movie about Jesus Christ. But for the likes of me, I never could see his interest in this film. Did he ever read Julian Fellowes’ screenplay before he took on the role as one of the movie’s executive producers? Or was there another reason why he became interested in this project? Perhaps Fellowes’ screenplay seemed more interesting before it was translated to screen. Because if I must be honest, I was not that impressed by it.

You heard me right. I did not like “THE YOUNG VICTORIA”. Perhaps it was the subject matter. Aside from being Britain’s longest reigning monarch, until her great-great granddaughter surpassed her record last year, Victoria never struck me as an interesting subject for a motion picture. I am surprised that both the Hollywood and British film and television industries were able to create a few interesting movie and television productions about her. Unfortunately, “THE YOUNG VICTORIA” did not prove to be one of them.

I am not saying that “THE YOUNG VICTORIA” was a total washout. It had a good number of first-rate performances and other technical details to admire. Emily Blunt did an excellent job in portraying the young Victoria by effectively conveying the character from a naive teenager to an emotional, yet slightly matured young mother in her early twenties. Blunt had a decent screen chemistry with Rupert Friend, whom I thought made a superb Prince Albert. If I must be frank, I feel that Friend was the best on-screen Albert I have seen so far. Miranda Richardson gave her usual uber-competent performance as Victoria’s mother, the Duchess of Kent. Actually, I believe that both she and Friend gave the two best performances in the movie. Paul Bettany gave a very smooth, yet ambiguous performance as one of Victoria’s favorite ministers – William Lamb, Viscount Melbourne. Other members of the cast that included Jim Broadbent (as an emotional William IV), Thomas Kretschmann, Julian Glover, Genevieve O’Reilly, Rachael Stirling, Jesper Christensen, Michael Huisman, Jeanette Hain and David Robb all gave solid performances.

I also thought the movie’s physical appearance was sharp, colorful and elegant thanks to Hagen Bogdanski’s beautiful photography. Patrice Vermette did a first-rate job in re-creating royal Britain of the late 1830s and early 1840s, thanks to her elegant production designs; and the art direction team of Paul Inglis, Chris Lowe and Alexandra Walker, who all received an Academy Award nomination for their work. Of course I cannot mention “THE YOUNG VICTORIA” without mentioning Hollywood legend Sandy Powell’s gorgeous costume designs shown below:

Not only were Powell’s costumes gorgeous, they accurately reflected the movie’s setting between 1836 and 1842. It is not surprising that Powell won both the Academy Award and BAFTA for Best Costume Design.

So, why am I not enamored of this movie? Well . . . I found it boring. Let me rephrase that answer. I found most of the movie boring . . . as hell. I will admit that I found Victoria’s emotional struggles with her mother and the latter’s courtier, Sir John Conroy, rather interesting. There seemed to be some kind of quasi-fairy tale quality to that particular conflict. And I will admit to finding Victoria’s relationship with her first Prime Minister, Lord Melbourne slightly fascinating. Otherwise, the movie bored me. Most of the movie centered around Victoria’s marriage to Prince Albert. But despite Emily Blunt and Rupert Friend’s sterling performances, I was not able to sustain any interest in that particular relationship. It did not help that Fellowes made a historical faux pas by allowing Albert to attend her coronation in 1838 – something that never happened. The most interesting aspect of the royal pair’s relationship – at least to me – was their shitty relationship with their oldest son, the future King Edward VII. Unfortunately, the movie’s narrative ended before his birth.

There were other aspects of “THE YOUNG VICTORIA” that did not appeal to me. Although I found Victoria’s early struggles against the Duchess of Kent and Sir John Conroy rather interesting, I was not impressed by the movie’s portrayal of the latter. I do not blame actor Mark Strong. He still managed to give a competent performance. But his Sir John came off as a mustache-twirling villain, thanks to Julian Fellowes’ ham fisted writing. And could someone explain why Paul Bettany had been chosen to portray Lord Melbourne in this movie? The Prime Minister was at least 58 years old when Victoria ascended the throne. Bettany was at least 37-38 years old at the time of the film’s production. He was at least two decades too young to be portraying Victoria’s first minister.

The one aspect of “THE YOUNG VICTORIA” that I found particularly repellent was this concept that moviegoers were supposed to cheer over Victoria’s decision to allow Albert to share in her duties as monarch. May I ask why? Why was it so important for the prince consort to co-reign with his wife, the monarch? Granted, Victoria was immature and inexperienced in politics when she ascended the throne. Instead of finding someone to teach her the realities of British politics, the government eventually encouraged her to allow Albert to share in her duties following an assassination attempt. This whole scenario smacks of good old-fashioned sexism to me. In fact, I have encountered a similar attitude in a few history books and one documentary. If Victoria had been Victor and Albert had been Alberta, would Fellowes had ended the movie with Alberta sharing monarchical duties with Victor? I rather doubt it. Even in the early 21st century, the idea that a man was more suited to be a monarch than a woman still pervades.

It is a pity that “THE YOUNG VICTORIA” failed to appeal to me. It is a beautiful looking movie. And it featured fine performances from a cast led by Emily Blunt and Rupert Friend. But the dull approach to the movie’s subject not only bored me, but left me feeling cold, thanks to Julian Fellowes’ ponderous screenplay and Jean-Marc Vallée’s pedestrian direction. How on earth did Martin Scorsese get involved in this production?

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The 19th Century in Television

Recently, I noticed there have been a good number of television productions in both North America and Great Britain, set during the 19th century. Below is a list of those productions I have seen during this past decade in alphabetical order:

THE 19TH CENTURY IN TELEVISION

1. “Copper” (BBC America) – Tom Fontana and Will Rokos created this series about an Irish immigrant policeman who patrols Manhattan’s Five Points neighborhood during the last year of the U.S. Civil War. Tom Weston-Jones, Kyle Schmid and Ato Essandoh starred in this 2012-2013 series.

2. “The Crimson Petal and the White” (BBC) – Romola Garai starred in this 2011 miniseries, which was an adaptation of Michel Faber’s 2002 novel about a Victorian prostitute, who becomes the mistress of a powerful businessman.

3. “Death Comes to Pemberley” (BBC) – Matthew Rhys and Anna Maxwell-Martin starred in this adaptation of P.D. James’ 2011 novel, which is a murder mystery and continuation of Jane Austen’s 1813 novel, “Pride and Prejudice”.

4. “Hell on Wheels” (AMC) – This 2012-2016 series is about a former Confederate Army officer who becomes involved with the construction of the First Transcontinental Railroad during the years after the Civil War. Anson Mount, Colm Meaney, Common, and Dominique McElligott starred.

5. “Mercy Street” (PBS) – This series follows two volunteer nurses from opposing sides who work at the Mansion House Hospital in Alexandria, Virginia during the Civil War. Mary Elizabeth Winstead, Josh Radnor and Hannah James.

6. “The Paradise” (BBC-PBS) – This 2012-2013 series is an adaptation of Émile Zola’s 1883 novel, “Au Bonheur des Dames”, about the innovative creation of the department story – only with the story relocated to North East England. The series starred Joanna Vanderham and Peter Wight.

7. “Penny Dreadful” (Showtime/Sky) – Eva Green, Timothy Dalton and Josh Harnett star in this horror-drama series about a group of people who battle the forces of supernatural evil in Victorian England.

8. “Ripper Street” (BBC) – Matthew Macfadyen stars in this crime drama about a team of police officers that patrol London’s Whitechapel neighborhood in the aftermath of Jack the Ripper’s serial murders.

9. “Underground” (WGN) – Misha Green and Joe Pokaski created this series about runaway slaves who endure a long journey from Georgia to the Northern states in a bid for freedom in the late Antebellum period. Jurnee Smollett-Bell and Aldis Hodge star.

10. “War and Peace” (BBC) – Andrew Davies adapted this six-part miniseries, which is an adaptation of Leo Tolstoy’s 1865–1867 novel about the impact of the Napoleonic Era during Tsarist Russia. Paul Dano, Lily James and James Norton starred.

Top Ten Favorite Movies Set in the 1880s

Below is my current list of favorite movies set in the 1880s:

TOP TEN FAVORITE MOVIES SET IN THE 1880s

1. “Stagecoach” (1939) – John Ford directed this superb adaptation of Ernest Haycox’s 1937 short story, “The Stage to Lordsburg”, about a group of strangers traveling by stagecoach through the Arizona territory. Claire Trevor, John Wayne and Oscar winner Thomas Mitchell starred.

2. “The Four Feathers” (2002) – Shekhar Kapur directed this fascinating adaptation of A.E.W. Mason’s 1902 novel about a former British Army officer accused of cowardice. Heath Ledger, Wes Bentley, Djimon Hounsou and Kate Hudson starred.

3. “Back to the Future Part III” (1990) – Michael J. Fox and Christopher Lloyd starred in this third installment of the “BACK TO THE FUTURE” TRILOGY, in which Marty McFly travels back to the Old West to prevent the death of fellow time traveler, Dr. Emmett “Doc” Brown. Written by Bob Gale, the movie was directed by Robert Zemeckis.

4. “Topsy-Turvy” (1999) – Mike Leigh wrote and directed this biopic about W.S. Gilbert and Arthur Sullivan and their creation of their most famous operetta, “The Mikado”. Jim Broadbent and Allan Corduner.

5. “Tombstone” (1993) – Kurt Russell and Val Kilmer starred in this colorful and my favorite account about Wyatt Earp, Doc Holliday and the famous O.K. Corral gunfight. George P. Cosmatos directed.

6. “The Adventures of Sherlock Holmes” (1939) – Basil Rathbone and Nigel Bruce starred in this adaptation of William Gillette’s 1899 stage play, “Sherlock Holmes”. Directed by Alfred L. Werker, the movie co-starred Ida Lupino and George Zucco.

7. “The Cater Street Hangman” (1998) – Eoin McCarthy and Keeley Hawes starred in this television adaptation of Anne Perry’s 1979 novel about a serial killer in late Victorian England. Sarah Hellings directed.

8. “The Picture of Dorian Gray” (1945) – Hurd Hatfield and George Sanders starred in this adaptation of Oscar Wilde’s 1890 novel about a handsome young Englishman who maintains his youth, while a special portrait reveals his inner ugliness.

9. “High Noon” (1952) – Gary Cooper won his second Oscar as a town marshal forced to face a gang of killers by himself. Directed by Fred Zinnemann, the movie was written by blacklisted screenwriter Carl Foreman and co-starred Grace Kelly and Katy Jurado.

10. “Open Range” (2003) – Kevin Costner directed and co-starred with Robert Duvall in this western about a cattle crew forced to take up arms when they and their herd are threatened by a corrupt rancher.

Top Ten Favorite Movies Set in the 1890s

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Below is my current list of favorite movies set in the 1890s:

TOP TEN FAVORITE MOVIES SET IN THE 1890s

1 - Sherlock Holmes-Game of Shadows

1. “Sherlock Holmes: A Game of Shadows” (2011) – Guy Ritchie directed this excellent sequel to his 2009 hit, in which Sherlock Holmes and Dr. John Watson confront their most dangerous adversary, Professor James Moriarty. Robert Downey Jr. and Jude Law starred.

2 - Hello Dolly

2. “Hello Dolly!” (1969) – Barbra Streisand and Walter Matthau starred in this entertaining adaptation of David Merrick’s 1964 play about a New York City matchmaker hired to find a wife for a wealthy Yonkers businessman. Gene Kelly directed.

3 - King Solomon Mines

3. “King Solomon’s Mines” (1950) – Stewart Granger, Deborah Kerr and Richard Carlson starred in this satisfying Oscar nominated adaptation of H. Rider Haggard’s 1885 novel about the search for a missing fortune hunter in late 19th century East Africa. Compton Bennett and Andrew Marton directed.

4 - Sherlock Holmes

4. “Sherlock Holmes” (2009) – Guy Ritchie directed this 2009 hit about Sherlock Holmes and Dr. John Watson’s investigation of a series of murders connected to occult rituals. Robert Downey Jr. and Jude Law starred.

5 - Hidalgo

5. “Hidalgo” (2004) – Viggo Mortensen and Omar Sharif starred in Disney’s fictionalized, but entertaining account of long-distance rider Frank Hopkins’ participation in the Middle Eastern race “Ocean of Fire”. Joe Johnston directed.

6. “The Seven Per-Cent Solution” (1976) – Nicol Williamson, Robert Duvall and Alan Arkin starred in this very entertaining adaptation of Nicolas Meyer’s 1974 novel about Sherlock Holmes’ recovery from a cocaine addiction under Sigmund Freud’s supervision and his investigation of one of Freud’s kidnapped patients. Meyer directed the film.

Harvey Girls screenshot

7. “The Harvey Girls” (1946) – Judy Garland starred in this dazzling musical about the famous Harvey House waitresses of the late 19th century. Directed by George Sidney, the movie co-starred John Hodiak, Ray Bolger and Angela Landsbury.

6 - The Jungle Book

8. “Rudyard Kipling’s The Jungle Book” (1994) – Stephen Sommers directed this colorful adaptation of Rudyard Kipling’s 1894 collection of short stories about a human boy raised by animals in India’s jungles. Jason Scott Lee, Cary Elwes and Lena Headey starred.

7 - The League of Extraordinary Gentlemen

9. “The League of Extraordinary Gentlemen” (2003) – Sean Connery starred in this adaptation of Alan Moore and Kevin O’Neill’s first volume of his 1999-2000 comic book series about 19th century fictional characters who team up to investigate a series of terrorist attacks that threaten to lead Europe into a world war. Stephen Norrington directed.

8 - The Prestige

10. “The Prestige” (2006) – Christopher Nolan directed this fascinating adaptation of Christopher Priest’s 1995 novel about rival magicians in late Victorian England. Christian Bale, Hugh Jackman and Michael Caine starred.

10 - The Four Feathers 1939

Honorable Mention: “The Four Feathers” (1939) – Alexander Korda produced and Zoltan Korda directed this colorful adaptation of A.E.W. Mason’s 1902 novel about a recently resigned British officer accused of cowardice. John Clements, June Duprez and Ralph Richardson starred.

Favorite Films Set in the 1810s and 1820s

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Below is a list of my favorite movies set during the 1810s and 1820s:

 

FAVORITE FILMS SET IN THE 1810s AND 1820s

1 - Sense and Sensibility

1. “Sense and Sensibility” (1995) – Ang Lee directed this superb adaptation of Jane Austen’s 1811 novel about two sisters in love and financial straits. Adapted by Emma Thompson, the movie starred both her and Kate Winslet.

 

 

2 - Persuasion 1995

2. “Persuasion” (1995) – Amanda Root and Ciarán Hinds starred in this entertaining adaptation of Jane Austen’s 1818 novel about the reunion between two former lovers. Roger Michell directed. – Tie

 

 

2 - Persuasion 2007

2. “Persuasion” (2007) – I am also a big fan of this equally entertaining adaptation of Austen’s 1818 novel about the two former lovers, Anne Elliot and Captain Frederick Wentworth. Adrian Shergold directed. – Tie

 

 

3 - Vanity Fair 2004

3. “Vanity Fair” (2004) – I rather enjoyed this surprisingly first-rate adaptation of William Thackery Makepeace’s 1848 novel about the rise, fall and rise of an ambitious early 19th century Englishwoman. Directed by Mira Nair, the movie starred Reese Witherspoon.

 

 

4 - The Deceivers

4. “The Deceivers” (1988) – Pierce Brosnan starred in this exciting adaptation of John Masters’ 1952 novel about a British Army officer’s discovery of the Thugee cult. Directed by Nicholas Meyer, the movie co-starred Saeed Jaffrey and Helena Michell.

 

 

5 - The Journey of August King

5. “The Journey of August King” (1995) – Jason Patric and Thandie Newton starred in this first-rate adaptation of John Ehle’s 1971 novel about a North Carolina farmer, who unexpectedly finds himself helping a young slave escape from her master.

 

 

6 - Northanger Abbey

6. “Northanger Abbey” (2007) – Felicity Jones and J.J. Feild starred in this delightful adaptation of Jane Austen’s 1817 novel about a young girl’s misadventures during a visit to the resort town of Bath and at a family’s mysterious estate. Jon Jones directed.

 

 

7 - Davy Crockett and the River Pirates

7. “Davy Crockett and the River Pirates” (1956) – Fess Parker and Buddy Ebsen starred in this superior sequel to the first Davy Crockett television movie about the adventures of the frontiersman and his friend George Russel along the Mississippi and Ohio Rivers.

 

 

8 - Emma 1997

8. “Emma” (1996-97) – Kate Beckinsale and Mark Strong starred in this solid adaptation of Jane Austen’s 1815 novel about the matchmaking efforts of a wealthy young woman in early 19th century England. The movie was adapted by Andrew Davies and directed by Diarmuid Lawrence.

 

 

9 - Brother Future

9. “Brother Future” (1991) – Phil Lewis starred in this entertaining historical/science-fiction movie about a Detroit teen who is hit by a car and wakes up to find himself a slave in 1822 Charleston. Directed by Roy Campanella II, the movie co-starred Carl Lumbly and Moses Gunn.

 

 

10 - Hawaii

10. “Hawaii” (1966) – George Roy Hill directed this energetic adaptation of James A. Michener’s 1959 novel about the experiences of a missionary couple from New England in the early 19th century Hawaiian Islands. Julie Andrews, Max Von Sydow and Richard Harris starred.

Favorite Films Set in the 1950s

The-1950s

Below is a list of my favorite movies set in the decade of the 1950s:

FAVORITE FILMS SET IN THE 1950s

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1. L.A. Confidential (1997) – Curtis Hanson directed this outstanding adaptation of James Ellroy’s 1990 novel about three Los Angeles police detectives drawn into a case involving a diner massacre. Kevin Spacey, Russell Crowe, Guy Pierce and Oscar winner Kim Basinger starred.

2

2. “Grease” (1978) – John Travolta and Olivia Newton-John starred in this entertaining adaptation of the 1971 Broadway musical about a pair of teenage star-crossed lovers in the 1950s. Randal Kleiser directed.

3

3. “The Godfather, Part II” (1974) – Francis Ford Coppola directed his Oscar winning sequel to the 1972 Oscar winning adaptation of Mario Puzo’s 1969 novel. Al Pacino, Diane Keaton, Robert Duvall and Oscar winner Robert De Niro starred.

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4. “Quiz Show” (1994) – Robert Redford directed this intriguing adaptation of Richard Goodwin’s 1968 memoir, “Remembering America: A Voice From the Sixties”, about the game show scandals of the late 1950s. Ralph Fiennes, Rob Morrow and John Tuturro starred.

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5. “The Mirror Crack’d (1980) – Angela Landsbury starred as Miss Jane Marple in this adaptation of Agatha Christie’s 1962 novel. Directed by Guy Hamilton, the movie also starred Elizabeth Taylor, Rock Hudson and Edward Fox.

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6. “Indiana Jones and the Kingdom of the Crystal Skulls” (2008) – Harrison Ford returned for the fourth time as Dr. Henry “Indiana” Jones in this adventurous tale in which he is drawn into the search for artifacts known as the Crystal Skulls. Directed by Steven Spielberg, the movie was produced by him and George Lucas.

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7. “Champagne For One: A Nero Wolfe Mystery (2001)” – Timothy Hutton and Maury Chaykin starred as Archie Goodwin and Nero Wolfe in this television adaptation of Rex Stout’s 1958 novel. The two-part movie was part of A&E Channel’s “A NERO WOLFE MYSTERY” series.

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8. “Hollywoodland” (2006) – Adrien Brody, Diane Lane and Ben Affleck starred in this intriguing tale about a private detective’s investigation into the life and death of actor George Reeves. Allen Coulter directed.

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9. “My Week With Marilyn” (2011) – Oscar nominee Michelle Williams starred as Marilyn Monroe in this adaptation of Colin Clark’s two books about his brief relationship with the actress. Directed by Simon Curtis, the movie co-starred Oscar nominee Kenneth Branagh and Eddie Redmayne as Clark.

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10. “Boycott” (2001) – Jeffrey Wright starred as Dr. Martin Luther King in this television adaptation of Stewart Burns’ book,“Daybreak of Freedom”, about the 1955 Montgomery bus boycott. Directed by Clark Johnson, the movie co-starred Terrence Howard and C.C.H. Pounder.

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Honorable Mention: “Mulholland Falls” (1996) – Nick Nolte starred in this entertaining noir drama about a married Los Angeles Police detective investigating the murder of a high-priced prostitute, with whom he had an affair. The movie was directed by Lee Tamahori.

“TOPSY-TURVY” (1999) Review

 

“TOPSY-TURVY” (1999) Review

I have very limited past experience with the world of W.S. Gilbert and Arthur Sullivan. I have never seen a stage production of any of their works. And I am vaguely familiar with one of the tunes featured in their most famous play, “The Mikado”, thanks to the 1978 comedy thriller, “FOUL PLAY”. Pathetic is it not?

I never saw “TOPSY-TURVY”, Mike Leigh’s dramatization of the duo’s creation of “The Mikado”, when it first hit the theaters back in 1999. Considering my penchant for costume dramas, I find it surprising that it took me so long to see this film. It spanned the 14-month period that began with the premiere of Gilbert and Sullivan’s play, “Princess Ida” in January 1884 and ended with the premiere of the “The Mikado” in March 1885. During this period, the summer heat discouraged theatergoers from attending more shows of “Princess Ida” and ticket sales decline. Producer Richard D’Oyly Carte called on Sullivan and Gilbert to create a new musical play for the Savoy Theater. The duo encountered creative impasse after impasse, until a visit to the Japanese Village Exhibit in Knightsbridge by Gilbert and his wife Kitty, inspired the dramatist write a liberetto set in Japan – an idea that Sullivan agreed to write the music for.

The rest of “TOPSY-TURVY” focused upon Gilbert, Sullivan, the cast and the stage crew working to make “The Mikado”a success. Leigh allowed audiences glimpses into the lives of the cast and crew members that include scenes of them negotiating their salaries with Carte, costume fittings in which both Durward Lely and Jessie Bond express their concerns over C. Wilhelm‘s designs, the women’s chorus learn to walk like Japanese women, Sullivan’s rehearsals with both the orchestra and the cast, and Gilbert’s rehearsals with the cast over lines. The movie also depicts the world of late Victorian England through the characters’ private lives with scenes that include Geprge Grossmith‘s morphine addiction, three actors’ discussion of the Charles Gordon’s defeat at Khartoum, Leonora Braham‘s alcoholism and lesbianism, and Sullivan’s visit to a French brothel, Gillbert’s family circumstances and encounter with a beggar. And throughout the movie’s second half, director Mike Leigh interjected scenes of Gilbert and Sullivan’s preparation of the operetta with actual performances from the production by the cast.

“TOPSY-TURVY” received four Academy Award nominations and won two. But none of the nominations were in the Best Picture, Best Director or any of the acting nominations. I found this a bit disappointing. Mind you, the movie was not perfect. With a running time of 160 minutes, the movie struck me as too long. Someone once complained that the movie featured too many vignettes of late Victorian life . . . scenes that had nothing to do with the creation of The Mikado. To a certain extent, I agree with this complaint. I had no problems with the film starting off with the opening night for “Princess Ida” and the conversations between Carte, Gilbert and Sullivan about the creative pair’s partnership. There was one particular vignette of Victorian life that I found entertaining – namely Rutland Barrington, Lely and Grossmith’s conversation about Gordon’s defeat at Khartoum and their upcoming appointments with Carte. But there was a great deal in the movie I could have done without. I really did not need to view an extended scene from one of Gilbert and Sullivan’s earlier works, “The Sorcerer”. I did not need extended views of Sullivan’s visit to a Parisian brothel or Gilbert’s private life – especially his relationship with this father. In fact, Leigh’s portrayal of Gilbert’s wife, Lucy “Kitty” Gilbert as this meek and mild woman constantly longing for children proved to be inaccurate. The only time “TOPSY-TURVY” provided an accurate portrayal of the dramatist’s wife was the scene in which she dragged him to the Knightsbridge Japanese Village Exhibit. In fact, by the time the movie shifted to the Gilberts’ visit to the exhibit, which inspired the dramatist to write “The Mikado”, at least 50 to 60 minutes of the film had passed.

But despite these flaws, I still believe that “TOPSY-TURVY” should have received Oscar nominations for Best Picture and Best Director. At least. Flawed or not, it is a superb movie that not only explored late Victorian England, Gilbert and Sullivan’s collaboration, but more importantly, the world of creating a work of art. As a lover of movies, theater and books, watching the creation of “The Mikado” through Gilbert becoming inspired, costume fittings and various rehearsals sent a thrill through my veins. Someone with the Motion Pictures Academy must have agreed. Leigh received an Oscar nomination for his original screenplay. I especially enjoyed those scenes in which both Jessie Bond and Durward Lely griped about their costumes, Gilbert and choreographer John D’Auban argued over the stage directions for the “Three Little Maids From School” number, and especially the hullabaloo over Gilbert’s initial decision to cut the A More Humane Mikado”, which was eventually performed by Richard Temple.

The film’s Victorian vision would not have been possible by the work of production designer Eve Stewart. She did such an exceptional job of recapturing London of the mid-1880s that I did not realize that the movie featured very few exterior shots until my last viewing. Helen Scott’s Oscar nominated art direction added to Stewart’s re-creation of Victorian London, along with the set decorations she created with John Bush. As for Lindy Hemming, she won a most deserved Academy Award for the brilliant costumes she had designed for the film, as shown below:

Aside from Leigh’s exploration of how “The Mikado” was created, the movie also benefited from strong performances, thanks to its talented cast. Jim Broadbent was the first cast member selected for the movie and he did a superb job as the blunt-speaking, sardonic and artistic William S. Gilbert. Allan Courduner was equally superb as the more extroverted Arthur Sullivan, who seriously considered breaking up the partnership in order to embark on a career as a “more serious” composer. There were supporting performances that left a strong impression with me. They include Lesley Manville as “Kitty” Gilbert. Her characterization may have been off, thanks to Leight, but Manville gave a brilliant performance. Ron Cook gave one of the most subtle and satisfying performances as Savoy Theater owner, Richard D’Oyly Carte. I especially enjoyed Timothy Spall, Shirley Henderson, Kevin McKidd and Martin Savage as Richard Temple, Leonora Braham, Durward Lely and George Grossmith, respectively.

No movie is perfect. And that includes “TOPSY-TURVY”. My main problem is that it required more editing than it actually received. It really needed a shorter running time. But the movie’s flaws were overshadowed by its virtues – an in-depth look into the world of Victorian theater and the creation of “The Mikado”, a beautiful production design that came very close to reflecting life in the late Victorian era, a first-rate cast led by Jim Broadbent and Allan Courduner, and excellent direction and writing from Mike Leigh, himself. It was not perfect, but I believe it could have received Oscar nods for both Best Picture and Best Director.