“THE HOUR” Season One (2011) Episode Ranking

Below my a ranking of the Season One episodes from the BBC series, “THE HOUR”. Created by Abi Morgan, the series starred Ben Whishaw, Romola Garai and Dominic West:

 

“THE HOUR” SEASON ONE (2011) EPISODE RANKING

 

1. (1.04) “Episode Four” – Journalist and co-presenter of the news magazine “The Hour”, Freddie Lyon, disappears from the BBC office just as two huge news stories materialize. The newly confident anchorman Hector Madden takes command. The latter’s affair with Bel and Hector’s affair heats up with the show’s producer, Isabel (Bel) Rowley.

 

 

2. (1.06) “Episode Six” – The team, under Clarence Fendley’s leadership, prepares to air a controversial episode on the Suez Crisis. Hector and Bel must make a decision about their relationship. And Freddie finally learns the truth behind the death of debutante Ruth Elms.

 

 

3. (1.05) “Episode Five” – Parliamentary press liaison Angus McCain pressures “The Hour” team to toe the line concerning the Suez Crisis, but Freddie has other ideas. And Lix Storm, journalist and head of the foreign desk, helps Freddie with an important lead.

 

 

4. (1.02) “Episode Two” – With “The Hour” struggling, Bel and her team put all of their hopes on Hector’s interview with an Egyptian diplomat. Freddie believes he may have found a clue to the mystery he is investigating.

 

 

5. (1.01) “Pilot” – In the series premiere, Bel and Freddie apply for jobs for a new BBC current affairs program, “The Hour”. Meanwhile, Ruth, who is an old friend of Freddie’s, asks him to investigate the murder of an university professor named Peter Darrallis.

 

 

6. (1.03) “Episode Three” – Freddie and Bel attend a weekend party at a country estate owned by Hector’s father-in-law. Freddie sees the party as a chance to question Ruth’s fiancé, actor Adam Le Ray. Bel and Hector and Bel struggle to contain their sexual attraction to each other.

Top Ten Favorite Television Productions Set in the 1950s

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Below is a list of my favorite television productions (so far) that are set in the 1950s:

 

TOP TEN FAVORITE TELEVISION PRODUCTIONS SET IN THE 1950s

1 - A Nero Wolfe Mystery

1. “A Nero Wolfe Mystery” (2000-2002) – Timothy Hutton and Maury Chaykin starred in this adaptation of novels and short stories about the New York City based private detective from Montenegro, Nero Wolfe.

 

2 - The Company

2. “The Company” (2007) – Robert Littell produced this three-part miniseries adaptation of his 2002 novel about the Cold War during the mid and late 20th century. Half of the series is set during the 1950s. Chris O’Donnell, Rory Cochrane, Alessandro Nivola, Alfred Molina and Michael Keaton starred.

 

3 - Agatha Christie Miss Marple

3. “Miss Marple” (1984-1992) – Joan Hickson starred in this adaptation of Agatha Christie murder mysteries featuring the elderly sleuth, Miss Jane Marple. The series was produced by George Gallaccio.

 

4 - MASH

4. “M*A*S*H” (1972-1983) – Larry Gelbert developed this Award winning adaptation of the 1970 movie and Richard Hooker’s 1968 novel, “M*A*S*H: A Novel About Three Army Doctors” about a U.S. Army field hospital during the Korean War. Alan Alda, Wayne Rogers and Mike Farrell starred.

 

5 - Agatha Christie Marple

5. “Agatha Christie’s Marple” (2004-2013) – Both Geraldine McEwan and Julia McKenzie portrayed Miss Jane Marple in this adaptation of Agatha Christie’s novels about the elderly sleuth.

 

6 - The Hour

6. “The Hour” (2011-2012) – Romola Garai, Dominic West and Ben Whishaw starred in this series about a BBC news show set in the mid-to-late 1950s. The series was created by Abi Morgan.

 

7 - Magic City

7. “Magic City” (2012-2013) – Mitch Glazer created this STARZ series about a Miami hotel owner during the late 1950s. The series starred Jeffrey Dean Morgan and Olga Kurylenko.

 

9 - Ill Fly Away

8. “I’ll Fly Away” (1991-1993) – Regina Taylor and Sam Waterston starred in this series about a Southern black housekeeper and her complicated relationship with her employer, a white attorney in the late 1950s and early 1960s. The series was created by Joshua Brand and John Falsey.

 

10 - Grantchester

9. “Grantchester” (2014-Present) – James Norton and Robson Greene starred in this adaptation of “The Grantchester Mysteries”, James Runcie’s series of mystery stories that feature an unlikely partnership between a Church of England vicar and a police detective during the 1950s.

 

8 - Ordeal By Innocence

10. “Ordeal of Innocence” (2018) – Sarah Phelps wrote and produced this third adaptation of Agatha Christie’s 1958 novel. The three-part miniseries starred Bill Nighy, Anna Chancellor and Anthony Boyle.

 

 

“POLDARK” (1996) Review

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“POLDARK” (1996) Review

Over seventy years ago marked the publication of author Winston Graham’s first entry in his novel series about a former British Army officer who had served in the American Revolution and his life experiences following his return to home in Cornwall. The BBC aired a successful television series that was based upon Graham’s first seven novels in 1975 and 1977.

Four years after the publication of his seventh novel, Graham concluded his literary series with five more between 1981 and 2002. In 1996, the HTV channel produced a pilot episode, which proved to be an adaptation of Graham’s eighth novel,“The Stranger from the Sea”. HTV had hoped this television movie would prove to be the first of a continuing adaptation of the 1981 novel and the remaining four. Unfortunately, fans protested against the casting of new performers in the lead roles of Ross Poldark and Demelza Carne Poldark. Fifty members of the Poldark Appreciation Society marched in full 18th-century costumes to picket HTV’s headquarters in Bristol, England. When Graham admitted that he preferred the new film to the original television series from the 1970s, he found himself cold-shouldered by the Society of which he was president. Needless to say, the television film, also titled “POLDARK”, proved to be a ratings flop and the network dropped all plans for an adaptation of Graham’s later novels.

I first learned about “POLDARK” and its literary source, “The Stranger from the Sea” from the ELLEN AND JIM HAVE A BLOG, TWO website. Already familiar with the 1970s series, I decided to check out this movie via Netflix. Set between 1810 and 1811 (eleven to twelve years after the 70s series’ conclusion), the plot revolved around the Poldark family’s initial encounter with a young smuggler named Stephen Carrington, while they awaited the return of patriarch Ross Poldark from his Parliamentary duties in London. I realize that this summary seems rather simple, but it was for a good reason. Like all narratives, “POLDARK” featured a good number of subplots. But for the likes of me, I found it difficult to pinpoint a main narrative for this particular plot after watching thirty minutes of the film. I was able to detect various subplots in this production:

*Ross Poldark’s political mission regarding the possible end of the Peninsular War
*Demelza Carne Poldark’s frustration over her husband’s absence from home
*The arrival of smuggler Stephen Carrington in Cornwall, whose presence will have an impact upon others
*Clowance Polark’s romantic involvement both Carrington and Lord Edward Fitzmaurice, whom she met in London
*Jeremy Poldark, Carrington and Ben Carter’s smuggling operation
*Jeremy’s attraction to the well-born Cuby Trevanion
*Widower George Warleggan’s courtship of Lady Harriet
*Clash between the Poldarks and Warleggan over Wheal Leisure (mine)

This is a lot for a 102 minute television movie. If the HTV network really wanted to continue the “POLDARK” series with episodes that are adaptations of Graham’s last five novels, it should NOT have adapted all of “The Stranger from the Sea”in the space of 102 minutes. Another problem I had with the movie’s narrative is that it resumed the “Poldark” saga without any recollections or flashbacks on what previously happened during the 1975-1977 series. I would have dismissed this if the 1996 movie had aired less than a year after the last episode of the original series. But it aired nineteen (19) years after the original series’ last episode. Nineteen years. I think some narrative or recollection of what happened in the 1970s series should have been given before the story could continue.

On the other hand, I feel that the production had more or less found its footing some twenty or thirty minutes into the production. I actually found myself investing in the movie’s subplot – especially those that involved Jeremy and Clowance’s romantic lives. And I thought Richard Laxton did a pretty solid job in maintaining the movie’s pacing and conveying Graham’s story to the screen. The author had seemed satisfied with movie. Mind you, his attitude got him into trouble with his saga’s many fans. But I could see why he enjoyed the movie overall. It really is not that bad. Aside from the first twenty or thirty minutes, I found it easy to follow and rather enjoyable.

Some people blame the casting of John Bowe and Mel Martin as Ross and Demelza Polark for the ratings failure of“POLDARK”. This is probably the truth. Many viewers simply refused to accept the two performers as the leads . . . especially since the producers had originally considered Robin Ellis and Angharad Rees from the 1975-1977 series to reprise their roles. They also seemed displeased with Michael Atwell as George Warleggan, even though Ralph Bates, who had originated the role, had passed away five years before this movie aired on television.

I have to be honest. I did not have a problem with Bowe, Martin and Atwell. Both Bowe and Martin gave solid performances as Ross and Demelza Poldark. But to be honest, the screenplay did not allow their characters to be showcased that much during the first two-thirds of the movie. By the time the pair’s characters were finally reunited for the movie’s last half hour, both Bowe and Martin were allowed to strut their stuff . . . so to speak. This was especially true for Bowe in one scene with Michael Atwell. I certainly had no problems with Atwell’s portrayal of Ross Poldark’s long-time rival, George Warleggan. I found it very intense and complex. Atwell did not portray his character was a one-dimensional villain – especially in scenes that featured Warleggan’s continuing grief over his late wife Elizabth Chynoweth Poldark Warleggan, who had died eleven years ago; or his rather odd courtship of the slightly intimidating Lady Harriet.

The production also featured first-rate performances from Nicholas Gleaves as Stephen Carrington, Hans Matheson as Ben Carter, Amanda Ryan as Cuby Trevanion and Gabrielle Lloyd as Jane Gimlet. But aside from Atwell, I felt the other two best performances in the production came from Kelly Reilly, who gave a very complex performance as Ross and Demelza’s daughter Clowance; and Ioan Gruffudd as the couple’s son, Jeremy. It was interesting to see both Reilly and Gruffudd when they were both near the beginning of their careers. Even then, the pair displayed the talent and screen presence that eventually made them well known.

In the end, I realized that I could not share the antagonism toward the 1996 televised movie “POLDARK”. Yes, I had a problem with the vague storytelling in the movie’s first half hour. And this adaptation of Winston Graham’s 1981 novel should have stretched out beyond a 102 minute television movie. But I still enjoyed it in the end, thanks to some exceptional and solid performances from the cast and the energy that seemed to infuse the subplots after that first thirty minutes. I would consider it a worthy addition to my collection of televised adaptations of Graham’s novels.