Top Ten Favorite Movies Set in the 1860s

Below is my current list of favorite movies set in the 1860s: 

TOP TEN FAVORITE MOVIES SET IN THE 1860s

1. “Lincoln” (2012) – Steven Spielberg directed this highly acclaimed film about President Abraham Lincoln’s last four months in office and his efforts to pass the 13th Amendment to end slavery. Oscar winner Daniel Day-Lewis, Oscar nominee Sally Field and Oscar nominee Tommy Lee Jones starred.

2. “Shenandoah”(1965) – James Stewart starred in this bittersweet tale about how a Virginia farmer’s efforts to keep his family out of the Civil War failed when his youngest son is mistaken as a Confederate soldier by Union troops and taken prisoner. Andrew V. McLaglen directed.

3. “Angels & Insects” (1995) – Philip Haas directed this adaptation of A.S. Byatt’s 1992 novella, “Morpho Eugenia” about a Victorian naturalist who marries into the English landed gentry. Mark Rylance, Kristin Scott-Thomas and Patsy Kensit starred.

4. “Class of ’61” (1993) – Dan Futterman and Clive Owen co-starred in this television movie about recent West Point graduates and their experiences during the first months of the Civil War. Produced by Steven Spielberg, the movie was directed by Gregory Hoblit.

5. “The Tall Target” (1951) – Anthony Mann directed this suspenseful tale about a New York City Police sergeant who stumbles across a plot to kill President-elect Lincoln and travels aboard the train carrying the latter to stop the assassination attempt. Dick Powell starred.

6. “Far From the Madding Crowd” (1967) – John Schlesinger directed this adaptation of Thomas Hardy’s 1874 novel about a young Victorian woman torn between three men. The movie starred Julie Christie, Alan Bates, Terence Stamp and Peter Finch.

7. “The Good, the Bad and the Ugly” (1966) – Sergio Leone directed this epic Spaghetti Western about three gunslingers in search of a cache of Confederate gold in New Mexico, during the Civil War. Clint Eastwood, Lee Van Cleef and Eli Wallach starred.

8. “Cold Mountain” (2003) – Anthony Minghella directed this poignant adaptation of Charles Fraizer’s 1997 novel about a Confederate Army deserter, who embarks upon a long journey to return home to his sweetheart, who is struggling to maintain her farm, following the death of her father. The movie starred Oscar nominees Jude Law and Nicole Kidman, along with Oscar winner Renee Zellweger.

9. “Little Women” (1994) – Gillian Armstrong directed this adaptation of Louisa May Alcott’s 1868 novel about four sisters from an impoverished, yet genteel New England family. The movie starred Winona Ryder, Trini Alvarado, Christian Bale and Susan Sarandon.

10. “The Beguiled” (1971) – Clint Eastwood starred in this atmospheric adaptation of Thomas Cullinan’s 1966 novel about a wounded Union soldier who finds refuge at an all-girl boarding school in 1863 Mississippi. Directed by Don Siegel, the movie co-starred Geraldine Page and Elizabeth Hartman.

Least Favorite Movie Period Dramas

Below is a list of ten of my least favorite movie period dramas:

 

LEAST FAVORITE MOVIE PERIOD DRAMAS

1. “Legends of the Fall” (1992) – Edward Zwick directed this dull and overrated adaptaion of Jim Harrison’s 1979 novella about the lives of a Montana ranching family during the early 20th century. Brad Pitt and Anthony Hopkins starred.

2. “Barbary Coast” (1935) – Howard Hawks directed this turgid tale about an Eastern woman who arrives in San Francisco during the Gold Rush and comes between a corrupt gambler/saloon keeper and a miner. Miriam Hopkins, Edward G. Robinson and Joel McCrea starred.

3. “Mayerling” (1968) – Omar Sharif and Catherine Deneuve starred in this lavish, yet dull account of the tragic romance between Crown Prince Rudolf of Austria and his mistress, Baroness Maria Vetsera. Terence Young directed.

4. “Idlewild” (2006) – André 3000 and Big Boi starred in this confusing and badly written musical set during Depression Era Georgia. Bryan Barber directed.

5. “Becky Sharp” (1935) – Miriam Hopkins earned a surprising Best Actress nomination (surprising to me) in this unsatisfying adaptation of William Makepeace Thackery’s 1847-48 novel, “Vanity Fair”. Directed by Rouben Mamoulian, the movie is known as being the first full-length production in Technicolor.

6. “Gods and Generals” (2003) – Stephen Lang, Jeff Daniels and Robert Duvall starred in this adaptation of Jeff Shaara’s 1996 Civil War novel and prequel to the much superior 1993 movie, “Gettysburg”. Ronald Maxwell directed.

7. “The Hindenburg” (1975) – Robert Wise directed this rather dull account of the Hindenburg air disaster. The movie starred George C. Scott and Anne Bancroft.

8. “Anna Karenna” (2012) – Joe Wright directed this stagey adaptation of Leo Tolstoy’s 1877 novel. Keira Knightley, Jude Law and Aaron Taylor-Johnson starred.

9. “Glorious 39” (2009) – Stephen Poliakoff directed this slow and pretentious thriller about a young woman who discovers that her family are pro-appreasers who wish for Britain to seek peace with Nazi Germany on the eve of World War II. Romola Garai starred.

10. “Alice in Wonderland” (2010) – Tim Burton directed this dull and overrated adaptation of Lewis Carroll’s 1865 novel “Alice’s Adventures in Wonderland” and 1871 novel, “Through the Looking-Glass, and What Alice Found There”. Mia Wasikowska and Johnny Depp starred.

Top Ten Favorite Movies Set in the 1930s

Below is my current list of favorite movies set in the 1930s:

TOP TEN FAVORITE MOVIES SET IN THE 1930s

1. “Indiana Jones and the Temple of Doom” (1984) – In this exciting second installment of the Indiana Jones franchise, the intrepid archaeologist is asked by desperate villagers in Northern India to find a mystical stolen stone and rescue their children from a Thuggee cult practicing child slavery. Directed by Steven Spielberg, the movie starred Harrison Ford as Dr. Henry “Indiana” Jones.

2. “The Sting” (1973) – Paul Newman and Robert Redford starred in this excellent Oscar winning movie about a young drifter who teams up with a master of the big con to get revenge against the gangster who had his partner murdered. George Roy Hill directed.

3. “Death on the Nile” (1978) – Peter Ustinov made his first appearance as Hercule Poirot in this superb adaptation of Agatha Christie’s 1937 novel about the murder of an Anglo-American heiress during a cruise on the Nile. John Guillermin directed.

4. “Chinatown” (1974) – Roman Polanski directed this outstanding Oscar nominated film about a Los Angeles private detective hired to expose an adulterer, who finds himself caught up in a web of deceit, corruption and murder. Jack Nicholson and Faye Dunaway starred.

5. “Gosford Park” (2001) – Robert Altman directed this Oscar nominated film about a murder that occurs at shooting party in 1932 England. The all-star cast includes Helen Mirren, Kelly MacDonald, Clive Owen and Maggie Smith.

6. “Evil Under the Sun” (1982) – Once again, Peter Ustinov portrayed Hercule Poirot in this entertaining adaptation of Agatha Christie’s 1941 novel about the murder of a stage actress at an exclusive island resort. Guy Hamilton directed.

7. “O Brother, Where Art Thou?” (2000) – Ethan and Joel Coen directed this very entertaining tale about three escaped convicts who search for a hidden treasure, while evading the law in Depression era Mississippi. George Clooney, John Tuturro and Tim Blake Nelson starred.

8. “Murder on the Orient Express” (1974) – Albert Finney starred as Hercule Poirot in this stylish adaptation of Agatha Christie’s 1934 novel about the Belgian detective’s investigation into the death of a mysterious American aboard the famed Orient Express. Sidney Lumet directed.

9. “Indiana Jones and Raiders of the Lost Ark” (1981) – Harrison Ford made his first appearance as Dr. “Indiana” Jones in this classic movie, as he races against time to find the iconic Ark of the Covenant that contains the Ten Commandments before the Nazis do in 1936 Egypt. Steven Spielberg directed.

“Seabiscuit” (2003) – Gary Ross directed this excellent adaptation of Laura Hillenbrand’s 2001 book about the famed race horse from the late 1930s. Tobey Maguire, Jeff Bridges, Chris Cooper and Elizabeth Banks starred.

Honorable Mention: “Road to Perdition” (2002) – Tom Hanks, Tyler Hoechlin and Paul Newman starred in this first-rate adaptation of Max Collins’ 1998 graphic comic about a Depression era hitman who is forced to hit the road with his older son after the latter witnesses a murder. Sam Mendes directed.

Top Ten Favorite Movies Set in the 1890s

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Below is my current list of favorite movies set in the 1890s:

TOP TEN FAVORITE MOVIES SET IN THE 1890s

1 - Sherlock Holmes-Game of Shadows

1. “Sherlock Holmes: A Game of Shadows” (2011) – Guy Ritchie directed this excellent sequel to his 2009 hit, in which Sherlock Holmes and Dr. John Watson confront their most dangerous adversary, Professor James Moriarty. Robert Downey Jr. and Jude Law starred.

2 - Hello Dolly

2. “Hello Dolly!” (1969) – Barbra Streisand and Walter Matthau starred in this entertaining adaptation of David Merrick’s 1964 play about a New York City matchmaker hired to find a wife for a wealthy Yonkers businessman. Gene Kelly directed.

3 - King Solomon Mines

3. “King Solomon’s Mines” (1950) – Stewart Granger, Deborah Kerr and Richard Carlson starred in this satisfying Oscar nominated adaptation of H. Rider Haggard’s 1885 novel about the search for a missing fortune hunter in late 19th century East Africa. Compton Bennett and Andrew Marton directed.

4 - Sherlock Holmes

4. “Sherlock Holmes” (2009) – Guy Ritchie directed this 2009 hit about Sherlock Holmes and Dr. John Watson’s investigation of a series of murders connected to occult rituals. Robert Downey Jr. and Jude Law starred.

5 - Hidalgo

5. “Hidalgo” (2004) – Viggo Mortensen and Omar Sharif starred in Disney’s fictionalized, but entertaining account of long-distance rider Frank Hopkins’ participation in the Middle Eastern race “Ocean of Fire”. Joe Johnston directed.

6. “The Seven Per-Cent Solution” (1976) – Nicol Williamson, Robert Duvall and Alan Arkin starred in this very entertaining adaptation of Nicolas Meyer’s 1974 novel about Sherlock Holmes’ recovery from a cocaine addiction under Sigmund Freud’s supervision and his investigation of one of Freud’s kidnapped patients. Meyer directed the film.

Harvey Girls screenshot

7. “The Harvey Girls” (1946) – Judy Garland starred in this dazzling musical about the famous Harvey House waitresses of the late 19th century. Directed by George Sidney, the movie co-starred John Hodiak, Ray Bolger and Angela Landsbury.

6 - The Jungle Book

8. “Rudyard Kipling’s The Jungle Book” (1994) – Stephen Sommers directed this colorful adaptation of Rudyard Kipling’s 1894 collection of short stories about a human boy raised by animals in India’s jungles. Jason Scott Lee, Cary Elwes and Lena Headey starred.

7 - The League of Extraordinary Gentlemen

9. “The League of Extraordinary Gentlemen” (2003) – Sean Connery starred in this adaptation of Alan Moore and Kevin O’Neill’s first volume of his 1999-2000 comic book series about 19th century fictional characters who team up to investigate a series of terrorist attacks that threaten to lead Europe into a world war. Stephen Norrington directed.

8 - The Prestige

10. “The Prestige” (2006) – Christopher Nolan directed this fascinating adaptation of Christopher Priest’s 1995 novel about rival magicians in late Victorian England. Christian Bale, Hugh Jackman and Michael Caine starred.

10 - The Four Feathers 1939

Honorable Mention: “The Four Feathers” (1939) – Alexander Korda produced and Zoltan Korda directed this colorful adaptation of A.E.W. Mason’s 1902 novel about a recently resigned British officer accused of cowardice. John Clements, June Duprez and Ralph Richardson starred.

“THE GRAND BUDAPEST HOTEL” (2014) Review

“THE GRAND BUDAPEST HOTEL” (2014) Review

I have never been a major fan of Wes Anderson’s films in the past. Well . . . I take that back. I have never been a fan of his films, with the exception of one – namely 2007’s “THE DARJEELING LIMITED”. Perhaps my inability to appreciate most of Anderson’s films was due to my inability to understand his sense of humor . . . or cinematic style. Who knows? However, after viewing “THE GRAND BUDAPEST HOTEL”, the number of Anderson films of which I became a fan, rose to two.

Written and directed by Anderson, “THE GRAND BUDAPEST HOTEL” is about the adventures of one Gustave H., a legendary concierge at a famous hotel from the fictional Republic of Zubrowka during the early 1930s; and his most trusted friend, a lobby boy named Zero Moustafa. Narrated from a much older Zero, the movie, which was inspired by the writings of Austrian author Stefan Zweig, begins in the present day in which a teenage girl stares at a monument inside a cemetery, who holds a memoir in her arms, written by a character known as “The Author”. The book narrates a tale in which “the Author” as a younger man visited the Grand Budapest Hotel in 1968 Zubrowka. There, he met the hotel’s elderly owner, Zero Moustafa, who eventually tells him how he took ownership of the hotel and why he is unwilling to close it down.

The story shifts to 1932, in which a much younger Zero was one of the hotel’s lobby boys, freshly arrived in Zubrowka as a war refugee. Zero becomes acquainted with Monsieur Gustave H., who is a celebrated concierge known for sexually pleasing some of the hotel’s wealthy guests – namely those who are elderly and romantically desperate. One of Gustave’s guests is the very wealthy Madame Céline Villeneuve “Madame D” Desgoffe und Taxis. Although Zubrowka is on the verge of war, Gustave becomes more concerned with news that “Madame D” has suddenly died. He and Zero travels across the country to attend her wake and the reading of her will. During the latter, Gustave learns that “Madame D” has bequeathed to him a very valuable painting called “Boy with Apple”. This enrages her family, all of whom hoped to inherit it. Not long after Gustave and Zero’s return to the Grand Budapest Hotel, the former is arrested and imprisoned for the murder of the elderly woman, who had died of strychnine poisoning. Gustave and Zero team up to help the former escape from prison and learn who had framed him for murder.

“THE GRAND BUDAPEST HOTEL” not only proved to be very popular with critics, the film also earned four Golden Globe nominations and won one award – Best Film: Musical or Comedy. It also earned nine Academy Awards and won four. Not bad for a comedy about a mid-European concierge in the early 1930s. Did the movie deserved its accolades? In spades. It is the only other Wes Anderson movie I have ever developed a real love for. In fact, I think I enjoyed it even more than “THE DARJEELING LIMITED”. When I first heard about the movie, I did not want to see it. I did not even want to give it a chance. Thank God I did. The movie not only proved to be my favorite Anderson film, it also became one of my favorite 2014 flicks.

Is “THE GRAND BUDAPEST HOTEL” perfect? For a while, I found myself hard pressed to think of anything about this movie that may have rubbed me the wrong way. I realized there was one thing with which I had a problem – namely the way this movie began. Was it really necessary to star the movie with a young girl staring at a statue of “the Author”, while holding his book? Was it really necessary to have “the Older Author” begin the movie’s narration, before he is replaced by his younger self and the older Zero Moustafa? I realized what Anderson was trying to say. He wanted to convey to movie audiences that M. Gustave and Zero’s story will continue on through the Author’s book and they will never be forgotten. But I cannot help but wonder if Anderson could have conveyed his message without this gimmicky prologue.

“THE GRAND BUDAPEST HOTEL” may not be perfect. But I would certainly never describe it as a mediocre or even moderately good film. This movie deserved the Academy Award nominations and wins it earned . . . and many more. It was such a joy to watch it that not even its angst-filled moments could dampen my feelings. Anderson did a superb job of conveying his usual mixture of high comedy, pathos and quixotic touches in this film. Now, one might point out this is the director’s usual style, which makes it nothing new. I would agree, except . . . I believe that Anderson’s usual style perfectly blended with the movie’s 1930s Central European setting. For me, watching “THE GRAND BUDAPEST HOTEL” seemed like watching an Ernst Lubitsch movie . . . only with profanity and a bit of sexual situations and nudity.

I have only watched a handful of Lubitsch’s movies and cannot recall any real violence or political situations featured in any of his plots. Wait . . . I take that back. His 1942 movie, “TO BE OR NOT TO BE” featured strong hints of violence, war and a touch of infidelity. However, I believe Anderson went a little further in his own depictions of war, violence and sex. But this did not harm the movie one bit. After all, “THE GRAND BUDAPEST HOTEL” was released in the early 21st century. Sex and violence is nothing new in today’s films . . . even in highly acclaimed ones. Despite the presence of both in the film, Anderson still managed to infuse a great deal of wit and style into his plot. This was especially apparent in two sequences – Zero’s initial description of M. Gustave and the Grand Budapest Hotel; and that marvelous sequence in which a fraternal order of Europe’s hotel concierges known as the Society of the Crossed Keys helped Gustave and Zero evade the police and find the one person who can who can clear Gustave’s name and help him retrieve his legacy from “Madame D”. I especially enjoyed the last sequence. In my eyes, Lubitsch could not have done it any better.

There were other aspects of “THE GRAND BUDAPEST HOTEL” that enhanced its setting. First of all, I have to give kudos to Adam Stockhausen and Anna Pinnock for their work on the movie. Stockhausen, who also served as the production designer for the Oscar winning film, “12 YEARS A SLAVE”, did a superb job of reflecting the movie’s two major time periods – Central Europe in the early 1930s and the late 1960s. Pinnock served as the film’s set decorator. Both Stockhausen and Pinnock shared the Academy Award for Best Production Design. Milena Canonero won an Oscar for the film’s costume designs. I have to admit that she deserved. I feel she deserved it, because she did an excellent job of creating costumes not only for the characters, but also their class positions and the movie’s settings. She did not simply resort to re-creating the fashion glamour of the 1930s for the sake of eye candy. Robert Yeoman’s photography for the movie really impressed me. I found it sharp and very atmospheric for the movie’s setting. I can see why he managed to earn an Oscar nomination for Best Cinematography.

I was shocked when I learned that Ralph Fiennes failed to get an Academy Award nomination for his performance as M. Gustave. What on earth was the Academy thinking? I can think of at least two actor who were nominated for Best Actor for 2014, who could have been passed over. Gustave is Fiennes’ masterpiece, as far as I am concerned. I never realized he had such a spot-on talent for comedy. And although his Gustave is one of the funniest characters I have seen in recent years, I was also impressed by the touch of pathos he added to the role. Another actor, who I also believe deserved an Oscar nomination was Tony Revolori. Where on earth did Anderson find this kid? Oh yes . . . Southern California. Well . . . Revolori was also superb as the young Zero, who not only proved to be a very devoted employee and friend to M. Gustave, but also a very pragmatic young man. Like Fiennes, Revolori had both an excellent touch for both comedy and pathos. Also, both he and Fiennes proved to have great screen chemistry.

Revolori also shared a solid screen chemistry with actress Saoirse Ronan, who portrayed Zero’s lady love, pastry chef Agatha. Ronan’s charming performance made it perfectly clear why Zero and even M. Gustave found Agatha’s sharp-tongue pragmatism very alluring. Another charming performance came from Tilda Swinton, who portrayed one of Gustave’s elderly lovers. It seemed a shamed that Swinton’s appearance was short-lived. I found her portrayal of the wealthy, yet insecure and desperate Madame Céline Villeneuve Desgoffe und Taxis rather interesting. Adrien Brody gave an interesting performance as Dmitri Desgoffe und Taxis, Madame Villeneuve’s son. I have never seen Brody portray a villain before. But I must say that I was impressed by the way he effectively portrayed Dmitri as a privileged thug. Willem Dafoe was equally interesting as Dmitri’s cold-blooded assassin, J.G. Jopling. And Edward Norton struck me as both funny and scary as The movie also featured first-rate performances from Jeff Goldblum, Harvey Keitel, Mathieu Amalric, Jason Schwartzman, Léa Seydoux, Owen Wilson, Fisher Stevens, Bob Balaban and especially Bill Murray as Monsieur Ivan, Gustave’s main contact with the Society of the Crossed Keys. The movie had three narrators – Tom Wilkinson as the Older Author, Jude Law as the Younger Author and F. Murray Abraham as the Older Zero. All three did great jobs, but I noticed that Wilkinson’s time as narrator was very short-lived.

What else can I say about “THE GRAND BUDAPEST HOTEL”? It is one of the few movies in which its setting truly blended with Wes Anderson’s off-kilter humorous style. The movie not only benefited from great artistry from the crew and superb performances from a cast led by Ralph Fiennes and Tony Revolori, but also from the creative pen and great direction from Wes Anderson. Now, I am inspired to try my luck with some of his other films again.

“ROAD TO PERDITION” (2002) Review

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“ROAD TO PERDITION” (2002) Review

Back in 1998, DC Comics published a graphic novel about a Depression-era criminal enforcer who is betrayed by his employers and forced to hit the roads of the American Midwest with his young son on a quest for revenge. Written by Max Allan Collins, the novel caught the attention of producers Richard and Dean Zanuck and was adapted into film directed by Sam Mendes.

“ROAD TO PERDITION” began during the late winter of 1931, in Rock Island, Illinois. Michael Sullivan serves as an enforcer for Irish mob boss, John Rooney, who seemed to regard him a lot higher than the latter’s unstable son, Connor Rooney. Sullivan is also a happily married man with two sons – Michael Jr. and Peter. However, his relationship with Michael is forced, due to Sullivan’s fear that his older son might turn out to be like him. The Sullivan family attends the wake for one Danny McGovern, a local associate who does bootlegging business with Sullivan family. During the wake, the Rooneys and Sullivan become wary of Finn McGovern, who has expressed suspicions about his younger brother’s death. Connor and Sullivan are ordered by Rooney to talk to Finn.

Connor argues with Finn over the latter’s suspicions about his brother’s death, before killing the latter. Sullivan is forced to gun down McGovern’s men. And this is all witnessed by Michael, who had hidden in his father’s car out of curiosity. Despite Sullivan swearing his son to secrecy and Rooney pressuring Connor to apologize for the reckless action, Connor murders Sullivan’s wife Annie and younger son Peter, mistaking the latter for Michael. He also tries to set up a hit on Sullivan at a speakeasy. But the enforcer manages to kill his would-be murderer first. Sullivan escapes to Chicago with Michael in order to seek employment from Al Capone’s right-hand man Frank Nitti and discover the location of the now hidden Connor. However, Nitti rejects Sullivan’s proposal and informs Rooney of the meeting. The Irish-born mobster reluctantly allows Nitti to recruit assassin Harlen Maguire, who is also a crime scene photographer, to kill Sullivan.

I might as well be frank. The only reason that drew my attention to “ROAD TO PERDITION” was the movie’s Depression-era setting. I have always been fascinated by the 1930s decade, despite Hollywood’s inconsistent portrayal of it in the past 50 to 60 years. The fact that Tom Hanks, Paul Newman and Jude Law were among the stars in the cast helped maintain my interest until the movie’s release date. However, I still harbor doubts that I would truly enjoy a story about a father and son on the road in early 1930s Midwest or that it would draw any high regard on my part. Thankfully, the movie proved me wrong. Not only did “ROAD TO PERDITION” proved to be both an entertaining character study of various father-and-son relationships, but also a fascinating road trip and crime drama. I once came upon Max Allan Collins’ graphic novel at a bookstore not long after the movie’s initial release. I could not remember exactly what I had read, but I do recall realizing that the movie’s screenwriter, David Self, took a good deal of liberties with Collins’ plot . . . and that he was wise to do so. Enjoyable as the graphic novel was, I could also see that it was not possible to do a complete faithful adaptation of it.

Despite being a combination of a crime drama, a revenge tale and a road trip; the main theme that seemed to permeated “ROAD TO PERDITION” was the relationships between father and son. There is one line in the film uttered by Paul Newman’s John Rooney that pretty much summed up the film:

“Natural law. Sons are put on this earth to trouble their fathers.”

This certainly seemed to be the case in the relationship between Sullivan and Michael Jr. at the beginning of the film. Sullivan fears that Michael might follow his footsteps into crime, because they share personality traits. Unfortunately, he solves this problem by maintaining an emotional distance from his older son. John Rooney’s relationship with his son Connor is hampered by his lack of respect for the latter, his closer relationship with Sullivan, and Connor’s insecurities. Only Sullivan and Rooney seemed to have a close and easy-going father/son relationship at the beginning of the film, despite a lack of blood connection. And yet, that close relationship ended up being easily shattered thanks to Connor’s act of murder and the determination of both men to protect their own sons. Other gangster films have portrayed the impact of crime on families . . . but not with such complexity.

I believe that “ROAD TO PERDITION” is probably the first motion picture on both sides of the Atlantic that perfectly re-captured the 1930s . . . especially the first half of the decade. One cannot bring up the movie without mentioning the late Conrad Hall, whose brilliant Oscar winning photography re-captured the bleak landscape of Depression-era Midwest. This was especially apparent in the following scenes:

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RoadtoPerdition1

Richard L. Johnson’s Academy Award nominated art direction and Albert Wolsky’s costume designs also added to the movie’s setting. I especially have to compliment Wolsky for conveying how fashion was in the midst of transforming during that period from the shorter skirts of the 1920s to the longer ones of the 1930s. This was especially reflected in the conservative costumes worn by Jennifer Jason Leigh and other actresses in the movie. Usually I am not in the habit of noticing the sound in any film. But I must admit that I noticed how sound was effectively used in this film, especially in one scene in the second half that featured some brutal murders committed by a Thompson sub-machine gun. Not surprisingly, Scott Millan, Bob Beemer and John Pritchett all received Oscar nominations for Best Sound and Best Sound Editing.

There were aspects of “ROAD TO PERDITION” that I found unappealing or puzzling. The movie is more or less a well paced movie. But there is a period in the film – following Sullivan’s failed attempt to acquire employment with the Capone organization – that it nearly dragged to a halt. Director Sam Mendes seemed so enamored of Conrad Hall’s photography of the Illinois landscape during the Sullivans’ journey from Chicago that he seemed to have lost his hold of the pacing. Also, I found myself wondering what happened to Sullivan’s sister-in-law – the one who had offered them refuge at her lakeside home in Perdition. By the time the enforcer and his son arrived, her house had been abandoned. What happened to her and the house? The movie never explained.

The Zanucks, Sam Mendes and the movie’s casting director collected a group of exceptional performers for the cast.“ROAD TO PERDITION” featured solid performances from Ciarán Hinds as the grieving and later murdered Finn McGovern, Liam Aiken as Sullivan’s younger son Peter, and a very entertaining Dylan Baker as the Rooneys’ accountant, Alexander Rance. Both Doug Spinuzza and Kevin Chamberlin were entertaining and memorable as brothel keeper Tony Calvino and his hired bouncer Frank. Stanley Tucci gave a restrained and intelligent performance as Al Capone’s right-hand man, Frank Nitti. Despite portraying the only major female role in the film – namely Annie Sullivan – Jennifer Jason-Leigh let her presence be known as Sullivan’s warm and loving wife, who also happened to know the truth about his real profession.

I realize that many might find this hard to believe, but I first became aware of Daniel Craig, thanks to his very interesting portrayal of Connor Rooney. Someone once complained that Connor never developed as a character. Well, of course not. Any man who would recruit a hophead pimp to kill a very competent hit man like Michael Sullivan Sr. must be a loser. And Craig did a superb job in conveying the character’s insecurities. Jude Law was deliciously creepy as Capone hit man Harlan Maguire, who was not only a very competent killer, but who also seemed to harbor a fetish for photographing dead bodies. Law also had a very good grasp of American dialogue from the 1930s. I was happy to learn that Tyler Hoechlin was still acting. A talent like his should never go to waste. And I must admit that not only he was superb as Michael Sullivan, Jr., he also did a great job in conveying young Michael’s emotional journey throughout the film.

Paul Newman earned an Oscar nomination for his portrayal of the aging Irish gangster, John Rooney. It is a pity that he lost the award, because he was superb as the charming and intelligent Rooney. Newman was also very effective in conveying Rooney’s more intimidating aspects of his character. Although Rooney was not his very last role, it was among his last . . . and probably one of his best. Tom Hanks did not receive any acting nominations for his performance as enforcer Michael Sullivan Sr. Not only am I puzzled, but very disappointed. As far as I am concerned, Sullivan was one of the better roles of his career. He gave a superb performance as the tight-jawed and no-nonsense family man, who also happened to be a first-rate hit man. What I found so amazing about Hanks’ performance is the manner in which he balanced Sullivan’s no-nonsense family man persona and the ruthlessness that made the character such a successful criminal.

If I had to select my favorite Sam Mendes film, it would have to be “ROAD TO PERDITION”. I have never seen“AMERICAN BEAUTY”. And I do not exactly consider his other films better. Yes, the movie has its flaws, including a pacing that nearly dragged to a halt midway. But its virtues – superb direction by Mendes, an excellent cast led by Tom Hanks, and a rich atmosphere that beautifully re-captured the American Midwest during the early years of the Great Depression – made “ROAD TO PERDITION” a personal favorite of mine.

Ten Favorite SHERLOCK HOLMES Movies

Below is a list of my favorite movies featuring Sir Arthur Conan Doyle’s famous fictional detective, Sherlock Holmes: 

TEN FAVORITE SHERLOCK HOLMES MOVIES

1. “Without a Clue” (1988) – I still love this spoof of the Sherlock Holmes stories in which the real detective is Dr. John Watson, who has hired an unemployed alcoholic actor named Reginal Kincaid to satisfy the public’s demand for a real Sherlock Holmes. In this film, the pair investigate the disappearance of Bank of England banknote plates and a printing supervisor. Michael Caine and Ben Kingsley are magic under Thom Eberhardt’s direction.

 

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2. “Sherlock Holmes: Game of Shadows” (2011) – Guy Richie made this second film about the Sherlock Holmes character and the latter’s conflict with his worst nemesis, Professor James Moriraty and his attempt to stop a major assassination. I loved it even more than Ritchie’s 2009 film. Robert Downey Jr. and Jude Law starred as Holmes and Watson.

 

3. “Sherlock Holmes” (2009) – Guy Ritchie’s adaptation of Doyle’s character about Holmes’ conflict against a nefarious aristocratic with plans to assume political control of the British Empire has become a major favorite of mine. Robert Downey Jr. and Jude Law, along with Rachel McAdams and Mark Strong star.

 

4. “The Adventures of Sherlock Holmes” (1939) – I am a big fan of this adaptation of William Gillette’s play about Sherlock Holmes’ investigation of a series of death threats against a well-to-do London family. This is the second film to feature Basil Rathbone and Nigel Bruce as Holmes and Dr. Watson. Directed by Alfred L. Werker, the movie co-starred Ida Lupino and George Zucco.

 

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5. The Seven-Per-Cent Solution” (1976) – I have always enjoyed Herbert Ross’ adaptation of Nicholas Meyer’s 1974 novel about Holmes and Watson recruiting Dr. Sigmund Freud to guide the detective in overcoming his cocaine habit and investigate a nefarious kidnapping plot. Nicol Williamson, Robert Duvall, Alan Arkin, Vanessa Redgrave and Laurence Olivier starred.

 

6. “The Hound of the Baskervilles” (1939) – This is my favorite adaptation of Doyle’s novel about Holmes’ investigation of an English family’s connection to a “demon” hound and a Candandian heir to the family’s fortunes. This is the first film to feature Basil Rathbone and Nigel Bruce as Holmes and Dr. Watson. Sidney Lanfield directed.

 

7. “Young Sherlock Holmes” (1985) – Steven Spielberg produced and Barry Levinson directed this fanciful imagining of Holmes and Watson’s first meeting as adolescents at a prestigious boys school, as they investigate a series of suspicious suicide deaths. Nicholas Rowe, Alan Cox, Anthony Higgins and Sophie Ward starred.

 

8. “The Hound of the Baskervilles” (1988) – This is my favorite adaptation of Arthur Conan Doyle’s Sherlock Holmes novels featuring Jeremy Brett as the detective. Edward Hardwicke co-starred as Dr. Watson. The movie was directed by Brian Mills.

 

9. “Murder By Decree” (1979) – Directed by Bob Clark, Holmes and Watson investigate the Jack the Ripper murders. Excellent, although a bit bloody for my tastes. Christopher Plummer and James Mason co-starred as Holmes and Watson.

 

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10. “The Private Life of Sherlock Holmes” (1970) – Billy Wilder directed this tale about a bored Sherlock Holmes, who eagerly decides to investigate the attempt on the life of a woman with a missing identity. Robert Stephens and Colin Blakely starred in this entertaining, yet flawed movie.