“AQUAMAN” (2018) Review

“AQUAMAN” (2018) Review

Following the failure of “JUSTICE LEAGUE” to storm the box office during the fall of 2017, Warner Brothers Pictures and the DC Extended Universe (DCEU) turned to the franchise’s sixth installment to carry it and the studio to both financial and especially critical glory. That movie proved to be 2018’s “AQUAMAN”. 

The character of the DC Comics superhero, Aquaman aka Arthur Curry has made extensive appearances in both television and movie animations. His biggest role proved to be one of the main characters of the 1973-1986 Saturday morning animated series, “SUPER FRIENDS”. The character also made occasional appearances in the live-action WB (later, the CW) series, “SMALLVILLE”. The WB had plans for a series about Aquaman, starring Justin Hartley (who later became known as Oliver Queen aka the Green Arrow on “SMALLVILLE”), but nothing came from it. In the end, it took Zack Snyder to bring Aquaman to the fore as a live-action figure, when he cast actor Jason Momoa in the role for the DCEU franchise. “AQUAMAN” would prove to be Momoa’s third appearance in the franchise, after a brief cameo in 2016’s “BATMAN V. SUPERMAN: DAWN OF JUSTICE” and a more prominent role in “JUSTICE LEAGUE”, the following year. However, “AQUAMAN” is the first film to feature Momoa as the lead in a DCEU film, but also the first movie that is actually about the “King of the Seven Seas”.

Directed by James Wan, “AQUAMAN” is a two-fold story that explores the drama behind Arthur Curry’s family conflicts. The movie also told how Arthur aka Aquaman went on a quest to prevent his half-brother King Orm Marius from uniting the seven undersea kingdoms in order to inflict war upon the surface world. The story begins in 1985, when a Maine lighthouse keeper named Tom Curry rescues a woman who has washed ashore during a storm. The mysterious woman turns out to be Atlanna, Queen of Atlantis, who had left her ocean world to escape an arranged marriage to another member of Atlantean royalty, Orvax. Both Tom and Atlanna fall in love, marry and conceive a child, whom they name Arthur. Unfortunately, Atlantean soldiers manage to find Atlanna. She decides to leave Tom and Arthur behind and return to Atlantis in order to protect them from Orvax’s wrath.

Over thirty years later, Arthur has become known as the metahuman vigilante, Aquaman. Months after the Justice League’s defeat of Steppenwolf, Aquaman prevents a group of pirates led by the father-son team, Jesse and David Kane, from hijacking a Russian Naval Akula-class submarine. Jesse dies during the confrontation with Aquaman, while David, vows revenge against the hero. Meanwhile, Arthur’s half-brother, King Orm of Atlantis attempts to convince King Nereus of Xebel to help him unite Atlantis and the other ocean kingdoms for an attack against the surface world for for harming the Earth’s oceans. Orm also hopes to solidify his position as Atlantis’ king. Nereus’s daughter and Orm’s fiancee, Princess Mera, heads to the surface to recruit Arthur in stopping Orm’s plans against the surface world and to present himself as the true king of Atlantis.

Over a year had passed between the release of “JUSTICE LEAGUE” and “AQUAMAN”. I noticed that many film critics and moviegoers seemed willing to heap lavish praise on the 2018 film, following the other movie’s poor performance and lack of critical acclaim. I will be honest . . . I did not dislike “JUSTICE LEAGUE”. I had mixed feelings about it. I still do. But I must admit that “AQUAMAN” is a better film. To a certain extent. “AQUAMAN” is a curious mixture of a family drama, a political film, an Indiana Jones-style adventure and the usual “save-the-planet” scenario.

For me, the best aspect of “AQUAMAN” is the family drama that centered around Queen Atlanna. David Leslie Johnson-McGoldrick and Will Beall did an excellent job in conveying the consequences of Atlanna’s initial refusal to be dragged into an arranged marriage. Her actions resulted in eventual exile and possible death for her, two sons in conflict with each other, a political vacuum and one of her sons becoming a future costumed hero. The political vacuum left by Atlanna also led to an exciting and action-filled search for a missing magical artifact – the Trident of Atlan, which used to belong to Atlantis’ first ruler and had been missing his disappearance. This search would lead Arthur and Mera on a picturesque journey from the Mediterranean region to the depths of the ocean’s most elusive worlds, the Kingdom of the Trench.

I also liked the fact that Johnson-McGoldrick and Beall’s screenplay did not rush in conveying Orm’s story arc. They did not rush his efforts to solidify his position on the Atlantean throne or his efforts to convince or coerce the rulers of the other ocean kingdoms to acknowledge and join him in the attack against the surface. And what seemed to be the cherry on the top of this particular story arc is that the two screenwriters managed to utilize Aquaman’s other major nemesis – David Kane aka Black Mantis – into Orm’s story arc. In doing so, the two screenwriters and director James Wan managed to establish David Kane’s own origin story and major conflict against Aquaman for future movies. But what I really liked about “AQUAMAN” is that instead of the outsider or the interloper of a royal court being the main villain, he is the main protagonist. In other words, the main protagonist is the one who shakes up a society and not the villain. I found this refreshing after movies like “THOR” and “BLACK PANTHER”.

Another aspect of “AQUAMAN” that I enjoyed was the film’s visual styles. Bill Brzeski did an excellent job as the film’s production designer. I thought he did a competent job in not only re-creating Atlantis and other ocean worlds . . . to an extent. I also enjoyed his designs for those scenes that especially featured Arthur and Mera’s adventures in both the Sahara Desert and especially Sicily. Don Burgess’ cinematography did a great job in enhancing Brzeski’s work. This especially seemed to be the case for his photography of the shooting locations in Australia, Morocco and Italy. I am going to be frank. I am not a big fan of the traditional Aquaman suit . . . at least for Jason Momoa. From a visual perspective, I believe the suit he wore in “JUSTICE LEAGUE” worked better for him. But I must admit that I did enjoy Kym Barrett’s designs for the costume worn by Momoa in the Sicily sequence. And I especially enjoyed Ms. Barrett’s costumes for the other Atlantean and Xebel characters. Especially those costumes worn by Amber Heard. However, the one aspect of “AQUAMAN” that truly impressed me were the visual effects for the Atlantis scene created by the Industrial Light & Magic (ILM) team led by Jeff White. I mean . . . oh my God! Those visual effects truly blew me away with the sharp colors, beauty and originality, as seen in the images below:

How on earth did the Academy of Motion Picture Arts and Sciences fail to nominate White and the ILM team for their work in this film? It is simply criminal that the organization had failed to do this.

The performances featured in “AQUAMAN” struck me as either first-rate or solid. I would certainly describe Jason Momoa’s portrayal of Arthur Curry aka Aquaman as first-rate. One, the guy has charisma and presence oozing out of his pores. And two, Momoa did a great job in utilizing both his comedic and dramatic skills, when required by the screenplay. However, a part of me wishes there had been more of a balance between comedy and dramatic scenes for the actor. Another first-rate performance came from Amber Heard, who portrayed Princess Mera of Xebel. If I must be honest, I had been impressed by the way she had taken control of her performance in “JUSTICE LEAGUE”. Her portrayal of Mera as a strong-willed and commanding personality seemed even stronger in this film. “AQUAMAN” features the second time I have seen Patrick Wilson portray a villain. In this film, he gave a strong and intimidating portrayal of Aquaman’s half-brother, King Orm Marius aka Ocean Master. Wilson’s character was not as . . . amusing as his character in 2010’s “THE A-TEAM”, but I must admit that he did a great job in conveying Orm’s arrogance and bigotry. Yahya Abdul-Mateen II portrayed the film’s other villain, sea pirate-tech specialist David Kane, who will become one of Aquaman’s biggest nemesis, Black Mantis. Since he was not the main villain, his presence was not as extensive. But I cannot deny that Abdul-Mateen gave a very intense and memorable performance. I really look forward to seeing him in future DCEU films.

“AQUAMAN” also featured strong, yet solid performances from the supporting cast.  Those performances include Nicole Kidman, who portrayed Arthur’s mother Queen Atlanna; Temeura Morrison as Arthur’s father, Tom Curry; Willem Dafoe, who portrayed Arthur’s mentor Vulko; Dolph Lundgren as King Nereus of Xebel; Michael Beach as Jesse Kane, pirate leader and father of the future Black Mantis; and Graham MacTavish, who provided the voice for Atlan, the first king of Atlantis. I also wanted to point out Randall Park, who gave a rather funny and entertaining performance as Dr. Stephen Shin, a marine biologist obsessed with finding the lost city of Atlantis. I was surprised to discover that the movie also featured voice performances from the likes of Julie Andrews, Djimon Hounsou and John Rhys-Davies.

As much as I enjoyed “AQUAMAN”, I had some problems with the film. My biggest problem proved to be director James Wan. I realize that he has managed to establish a positive reputation from the horror flicks he had directed in the past. The problem is that there were times when I found his direction rather clunky. A good example would be the film’s opening scene that featured the introduction of Aquaman’s parents. It struck me as a bit rushed.

Utilizing slow motion scenes can annoy me in any movie. But what I found particularly annoying in “AQUAMAN” was that Wan did not use slow motion in action scenes. Instead, he used it for shots featuring Momoa in various poses . . . as if he was some kind of fashion magazine model. Also, it seemed as if Wan was incapable of going from action to drama to comedy in a seamless way. Perhaps he will be able to flow his scenes a little better as he become more experienced, but I did not sense such a skill in “AQUAMAN”.

Also, I am a little . . . confused about Queen Atlanna’s position in Atlantis society. Was she the ruling monarch when she first met Tom Curry? Was she ever the ruling monarch? Or did Atlantis society forbade women sovereigns and would only allow the royal spouses of a direct female heiress or sovereign to be considered for the throne? The movie never made it clear. According to the movie, one of Orm’s major reasons for planning an attack upon the surface world was humanity’s pollution of the ocean. Aside from one minor sequence featuring news reports of piles of garbage washing up on many beaches, I feel the movie did not explore the topic of pollution as much as it should have, considering IT WASone of Orm’s reasons to attack humanity.

I realize that “AQUAMAN” is at the moment, the DCEU franchise’s most successful film. It is the only one that has managed to earn over a billion dollars so far. But do I consider it the best in the franchise? Not really. Between James Wan’s uneven direction, some plot points regarding the Queen Atlanna character and the film’s use of the pollution topic; it did not quite impress me as I had hoped it would. On the other hand, I found some of Wan’s direction rather impressive, especially the action sequences. The visual effects struck me as stunning, the movie featured excellent performances from a cast led by Jason Momoa and I thought screenwriters David Leslie Johnson-McGoldrick and Will Beall wrote a first-rate adventure. I am more than satisfied.

“MARY POPPINS” (1964) Review

 

“MARY POPPINS” (1964) Review

Looking at the 1964 movie about a magical nanny, one would be amazed that it took nearly 20 years to make it. I suspect that many did not predict it would become critically acclaimed. But if one is ever interested in the behind-the-scenes production of the film, one would have to read about it . . . or watch the 2013 movie, “SAVING MR. BANKS”. I am here to discuss the actual movie, “MARY POPPINS”. 

Based upon a selection of short stories written by P.L. Travers, “MARY POPPINS” tells the story of how two Edwardian Age children named Jane and Michael Banks, who request a particular kind of nanny after their latest one quits her job after enduring one too many pranks from the two siblings. Their father, a banker named George Banks, is too busy with his career and projecting the image of an ideal Englishman in order to pay attention to them. Their mother, although slightly more concerned about their welfare, is either caught up in the Suffregette Movement or too busy adhering to their father’s demands. After the departure of their latest nanny, Katie Nanna, Jane and Michael write a letter describing what they want in a new nanny. But Mr. Banks has different ideas – a nanny who is an effective disciplinarian – and tears up their letter.

However, the children’s letter magically reaches a woman named Mary Poppins. She appears at the Banks’ home the following morning to apply (or appoint herself) as Jane and Michael’s new nanny. Despite his initial reservation, Mr. Banks is impressed by Mary Poppins’ firm manner and hires her. With the help of friend named Bert, Mary Poppins introduces the Banks children to a new magical world. In doing so, she also manages to shake up Mr. Banks, his household and his livelihood.

I first saw “MARY POPPINS” as a child and immediately fell in love with it. For years, I have regarded the movie as one of the highlights of my childhood and one of the best films to be released from the Disney Studios. But recent criticism of Mary Poppins as a sugar-coated character of no substance, and of the film as an infantilization of P.L. Travers’ work and vision has led me to wonder if my childhood opinion of “MARY POPPINS” may have been overrated. After all, I had spent years judging the movie from the viewpoint of a child. How would I judge this movie from an adult who has spent the last ten to twenty years viewing movies with a critical eye?

As many have recently pointed out, the Disney Studios made a good number of changes to Travers’ stories. They also left out a great deal. To point out “all” of the changes and deletions would require an essay. And I am not interested in writing such an essay. Were there any aspects of “MARY POPPINS” that I disliked? Honestly? No. But there are aspects of the movie’s production that I wish could have been handled in a slightly different manner.

For quite some time, I never understood why “MARY POPPINS” was shot at the studio’s Burbank lot, instead of at England’s Pinewood Studios, where 1963’s “DR. SYN, ALIAS THE SCARECROW” and “THE THREE LIVES OF THOMASINA” were filmed. Like the two 1963 films, “MARY POPPINS” mainly featured a cast of British actors. Only four cast members were American born – Dick Van Dyke, Ed Wynn, Jane Darwell and Reta Shaw. I feel that if the movie had been shot in Great Britain, its exterior shots of the Banks and Uncle Albert’s neighborhoods and the City of London would have featured a bit more details – add more oomph to the movie’s visual British style. As for Tony Walton’s costume designs, I must admit that I found them rather charming, if not particularly mind blowing. However . . . I could not help but wonder why Mary Poppins’ skirts seemed a tad short for 1909-10 fashions. And I also end up wondering why Winifred Banks’ wardrobe seemed so limited. Unless I am mistaken, actress Glynis Johns wore only three costumes in “MARY POPPINS”. In fact, I suspect she wore one particular costume twice. And Walton designed her costumes either in yellow, powder blue or a combination of both colors. Although I found Johns’ costumes rather charming, they also struck me as a bit limited.

Although the film’s production designs struck me as a bit limited, I cannot help but admire the film’s cinematography and visual style. Edward Colman earned a much deserved nomination for his colorful and sharp photography for the film. Colman’s photography also enhanced Tony Walton’s pthe matte paintings created by Peter Ellenshaw. Since “MARY POPPINS” was filmed on the Disney Studios backlot in Burbank, Walt Disney and director Robert Stevenson not only had to depend upon Carroll Clark and William H. Tuntke’s art direction, but also the visual effects and special effects teams. But “MARY POPPINS” was set in Edwardian London. And since Disney, Stevenson and the film’s crew could not film in Great Britain, the production team had to rely on Ellenshaw’s beautiful and colorful matte paintings to add to the film’s visual look for its setting, as shown in the following images:

 

“MARY POPPINS” may not have been free of any flaws, but it still remains one of my favorite movies of all time. I had earlier pointed out that some critics have pointed out the movie’s failure to be completely faithful to Travers’ stories. Honestly? I do not care. It would have been near impossible for any screenwriter to be completely faithful. Travers did not write a single novel. She wrote a series of short stories and novellas. And since it is impossible for a screenplay to be completely faithful to a novel or stage play, what on earth made these critics believe Bill Walsh and Don DaGradi could have been completely faithful to Travers’ stories and still fashion a single narrative for the film? Ridiculous!

Personally, I am amazed that Walsh and DaGradi managed to wring a single narrative out of so many short stories in the first place. That must have not been an easy task. As the 2013 movie, “SAVING MR. BANKS”, had pointed out, Mary Poppins’ purpose within the Banks’ household was to save George Banks and his relationship with his children. And she did this in the most interesting way. Mary Poppins used her role as the children’s nanny to indirectly affect the family’s patriarch. Instead of utilizing traditional means to care for the children, Mary Poppins exposed Jane and Michael to her world – using magic to clean the nursery, an excursion into a sidewalk chalk drawing of the English countryside, and an afternoon tea party on the ceiling with Mary Poppins’ Uncle Albert. The children’s revelations of their activities naturally shook up Mr. Banks, along with the magical nanny’s subversive and cheerful impact upon the Banks’ household.

Unable to accept Mary Poppins’ impact upon his family and servants, Mr. Banks threatened to fire her. And this is where Mary Poppins, as the film’s trickster, pulled off a pièce de résistance. Before Mr. Banks could fire her, Mary Poppins managed to manipulate him into agreeing to take the children on an outing to his bank. However, the night before this outing, she decides to sing a song to the children about an old beggar woman who sits on the steps of St Paul’s Cathedral, selling bags of breadcrumbs to passers-by for twopence a bag, so that they can feed the many pigeons that surround her. Between the song and the children spotting the Bird Woman on their way to their father’s bank, Mary Poppins set in motion the chaos that followed and her plan to save Mr. Banks’ relationship with his family. Brilliant.

If the narrative that Walsh and DaGradi had created from Travers’ short stories had struck me as brilliant, the songs written by Robert and Richard Sherman seemed even more so. Aside from the performances, the Sherman Brothers’ songs seemed to be the heart and soul of the film. If someone was to ask me which song was my favorite, I honestly could not answer that question. Aside from two of them, I found most of their songs very memorable . . . even to this day. One of their songs – “Chim Chim Cher-ee” – was nominated for the Best Song Oscar and won. However, I must admit to being surprised that the beautiful and rather haunting “Feed the Birds” failed to garner any kind of nomination or award. Perhaps it was not as fully appreciated back in 1964-65 as it is today.

Both “Jolly Holiday” and “Step in Time” were not only entertaining songs, but they also provided the background for some very entertaining dance numbers. The first featured the very agile Dick Van Dyke and a quartet of animated pigeons. I found this dance sequence both funny and a joy to watch. You have to see it to believe it. As for the second song, it was featured in a show stopping dance routine that involved Van Dyke, Julie Andrews . . . and chimney sweeps. Between the song, the dance routines choreographed by the husband-and-wife team of Marc Breaux and Dee Dee Wood, and the London rooftops background, the entire sequence is one of the film’s highlights.

Another addition to the magic of “MARY POPPINS” proved to be its cast. The movie featured excellent voice performances in the chalk picture sequence from the likes of J. Pat O’Malley, Marni Nixon, Dallas McKinnon, and Alan Napier. Even Julie Andrews and David Tomlinson also provided voice performances. The supporting and cameo performances featured in this film were marvelous. The movie included excellent performances from Reginald Owen as the cankerous Admiral Boom; Elsa Lancaster as the disgruntled Katie Nanny; Arthur Treacher as the kindly Constable Jones; Arthur Malet as Mr. Dawes Jr., one of the board members of the bank that employed Mr. Banks; Hermione Baddeley and Reta Shaw as Ellen and Mrs. Brill, the Banks’ gregarious maid and cook; and a poignant cameo by Jane Darwell, who was convinced by Disney to make a brief appearance as the Bird Lady.

“MARY POPPINS” marked the second teaming of Karen Dotrice and Matthew Garber, who portrayed the magical nanny’s charges, Jane and Michael Banks. It seemed pretty simple to me why Disney had used this pair in three movies. Not only were they were first-rate actors who more than kept up with the likes of Julie Andrews, Dick Van Dyke and David Tomlinson; they also had a great screen chemistry. In P.L. Travers’ books, Mrs. Banks was an easily intimidated woman who could barely maintain control of her household. In this movie, Mrs. Banks was a woman more occupied by her suffragette activities than her children. And she was portrayed by actress Glynis Johns. The latter gave a marvelous performance as a woman who seemed to hid her inability to protect her children from their father’s neglect with a few sympathetic words and her own brand of neglect.

If I had to select the most complex character in this movie, it would have to be Mr. George Banks of 17 Cherry Tree Lane and the Dawes Tomes Mousley Grubbs Fidelity Fiduciary Bank. Thanks to actor David Tomlinson in his first appearance in a Disney film, movie audiences were treated to a superb performance. Tomlinson skillfully transformed George Banks from a highly driven and disciplined man who was obsessed with order to an affectionate family man who had found a new lease on life. It almost seems criminal that the actor never received any kind of acting nomination for his performance.

Unlike Tomlinson, Dick Van Dyke did receive a Golden Globe nomination for Best Actor, thanks to his performance as Bert, Mary Poppins’ closest friend and jack-of-all-trades. Whenever Van Dyke’s performance in “MARY POPPINS” is mentioned, people seemed to comment on his Cockney accent. Granted, it was not perfect. But I have never considered it to be a travesty. I have noticed that whenever he spoke words with a long vowel, his Cockney accent seemed exaggerated. Otherwise, I had no problems. And if someone like Sean Connery can win an Oscar for portraying an Irish immigrant with a Scots accent, I see no reason why Van Dyke’s portrayal of Bert should only be condemned for a questionable Cockney accent. Besides . . . accent aside, Van Dyke gave a superb performance in so many other ways. He captured Bert’s charm, wit and a slight talent for manipulation with such perfection. Van Dyke was also given the opportunity to portray another character in the film – namely Mr. Banks’ elderly boss, Mr. Dawes Senior of the Dawes Tomes Mousley Grubbs Fidelity Fiduciary Bank. How often does one find an actor in his late 30s effectively portraying a 90-something year-old man? In my personal experience, very rarely. And to put the cherry on the icing, Van Dyke was never criticized for his British accent, while portraying Mr. Dawes . . . for good reason. Although there have been hints of his talent as a song-and-dance man in his first television series, “THE DICK VAN DYKE SHOW”, this movie really provided an opportunity to convey how truly talented he could be.

Julie Andrews managed to capture the big prize for her portrayal of the film’s leading character, Mary Poppins. She won the Academy Award for Best Actress. Whereas many were distracted from Van Dyke’s performance because of his accent, others have lamented on how Andrews’ portrayal of the magical nanny seemed a far cry from her literary version. Granted, the latter was a plain-looking woman, somewhat more pompous and strict. Although Andrews’ Mary Poppins was more beautiful looking and somewhat warmer, she could still be quite sharp-tongued – especially when disciplining Jane and Michael. Andrews also did a great job in conveying Mary Poppins’ no nonsense behavior and massive talent for emotional manipulation. That one scene in which the magical nanny manipulated Mr. Banks into taking his children on an outing to his bank was just a joy to watch. Thanks to her skillful and award winning performance, Andrews managed to convey the reason why Mary Poppins is regarded as a trickster.

What else can I say about “MARY POPPINS”? Over fifty years have passed since the movie’s initial release and it is still – at least to me – a magical movie to watch. Yes, it had a few flaws. What movie did not? But thanks to P.L. Travers’ stories, Robert Stevenson’s marvelous direction, Robert and Richard Sherman’s music, the movie’s visual effects teams and the superb cast led by Julie Andrews and Dick Van Dyke; “MARY POPPINS” remained timeless and magical as ever.

 

Favorite Movies Set During WORLD WAR II BRITAIN

Below is a list of my favorite movies set in Britain during World War II: 

FAVORITE MOVIES SET DURING WORLD WAR II BRITAIN

1. “Dunkirk” (2017) – Christopher Nolan wrote and directed this Oscar nominated film about the British Expeditionary Force’s evacuation from Dunkirk, France in 1940. Fionn Whitehead, Tom Hardy and Mark Rylance starred.

2. “Bedknobs and Broomsticks” (1971) – Angela Landsbury and David Tomlinson starred in this entertaining adaptation of Mary Norton’s novels about a woman studying to become a witch, who takes in three London children evacuated to the country during World War II. Robert Stevenson directed.

3. “Hope and Glory” (1987) – John Boorman wrote and directed this fictionalized account of his childhood during the early years of World War II in England. Sarah Miles, David Hayman and Sebastian Rice-Edwards starred.

4. “The Imitation Game” (2014) – Oscar nominees Benedict Cumberbatch and Keira Knightley starred in this intriguing adaptation of Andrew Hodges’ 1983 book, “Alan Turing: The Enigma”. Morten Tyldum directed.

5. “Darkest Hour” – Joe Wright directed this Oscar nominated film about Winston Churchill’s early weeks as Great Britain’s Prime Minister during the spring of 1940. The movie starred Oscar winner Gary Oldman, Kristen Scott-Thomas and Lily James.

6. “Enigma” (2001) – Dougary Scott and Kate Winslet starred in this entertaining adaptation of Robert Harris’ 1995 novel about Enigma codebreakers of Bletchley Park. Michael Apted directed.

7. “The Americanization of Emily” (1964) – James Garner and Julie Andrews starred in this excellent adaptation of William Bradford Huie’s 1959 about a U.S. Navy adjutant in Britain during the period leading to the Normandy Invasion. Written by Paddy Chayefsky, the movie was directed by Arthur Hiller.

8. “Atonement” (2007) – Joe Wright directed this Oscar nominated adaptation of Ian McEwan’s 2001 novel about the consequences of a crime. James McAvoy, Keira Knightley and Oscar nominee Saoirse Ronan starred.

9. “On the Double” (1961) – Danny Kaye starred in this comedy about a U.S. Army soldier assigned to impersonate a British officer targeted by Nazi spies for assassination. Co-written and directed by Melville Shavelson, the movie co-starred Dana Wynter and Wilfrid Hyde-White.

10. “Sink the Bismarck!” (1960) – Kenneth More and Dana Wynter starred in this adaptation of C.S. Forester’s 1959 book, “The Last Nine Days of the Bismarck”. Lewis Gilbert directed.

Ten Favorite Movie Musicals

Below is a list of my ten favorite movie musicals (seven of them are period pieces) . . . so far: 

TOP TEN FAVORITE MOVIE MUSICALS

1. “Mary Poppins” (1964) – Oscar winner Julie Andrews and Dick Van Dyke starred in Walt Disney’s Oscar winning adaptation of P.L. Travers’ literary series about a magical English nanny. Robert Stevenson directed.

2. “Singin’ in the Rain” (1952) – Gene Kelly, Donald O’Connor and Debbie Reynolds starred in this musical classic about Hollywood’s transition from silent films to talkies. Kelly co-directed with Stanley Donen.

3. “Hello Dolly!” (1969) – Barbra Streisand and Walter Matthau starred in this colorful adaptation of David Merrick’s 1964 Broadway hit musical about a matchmaker in late 19th century New York. Gene Kelly directed.

4. “Bedknobs and Broomsticks” (1971) – Angela Landsbury and David Tomlinson starred in this entertaining adaptation of Mary Norton’s novels about a woman studying to become a witch, who takes in three London children evacuated to the country during World War II. Robert Stevenson directed.

5. “Grease” (1978) – John Travolta and Olivia Newton-Johns starred in this adaptation of Jim Jacobs and Warren Casey’s 1971 Broadway play about the lives of high-school students during their senior year in the late 1950s. Randal Kleiser directed.

6. “42nd Street” (1933) – Lloyd Bacon directed this musical about the preparation of a Broadway musical during the Great Depression. Warner Baxter, Bebe Daniels, Ruby Keeler and George Brent starred.

7. “Dreamgirls” (2006) – Bill Condon wrote and directed this adaptation of the 1981 Broadway musical about the travails of a female singing group from Detroit during the 1960s and 1970s. Jamie Foxx, Beyoncé Knowles, Oscar nominee Eddie Murphy and Oscar winner Jennifer Hudson starred.

8. “How to Succeed in Business Without Really Trying” (1967) – Robert Morse starred in this hilarious adaptation of the 1961 Broadway musical about an ambitious New York window washer using a “how-to” book to rise up the corporate ladder of a wicket company. David Swift wrote and directed the film.

9. “1776” (1972) – William Daniels, Howard Da Silva and Ken Howard starred in this entertaining adaptation of the 1969 Broadway musical about the creation and the signing of the Declaration of Independence. Peter H. Hunt directed.

10. “The Gay Divorcee” (1934) – Fred Astaire and Ginger Rogers starred in this adaptation of the 1932 Broadway musical, “The Gay Divorce” about an American woman who mistakes a song-and-dance man as the professional correspondent, who had been hired to help her get a divorce. Mark Sandrich directed.

Favorite Films Set in the 1810s and 1820s

Below is a list of my favorite movies set during the 1810s and 1820s:

 

FAVORITE FILMS SET IN THE 1810s AND 1820s

1. “Sense and Sensibility” (1995) – Ang Lee directed this superb adaptation of Jane Austen’s 1811 novel about two sisters in love and financial straits. Adapted by Emma Thompson, the movie starred both her and Kate Winslet.

 

 

2. “Persuasion” (1995) – Amanda Root and Ciarán Hinds starred in this entertaining adaptation of Jane Austen’s 1818 novel about the reunion between two former lovers. Roger Michell directed. – Tie

 

 

2. “Persuasion” (2007) – I am also a big fan of this equally entertaining adaptation of Austen’s 1818 novel about the two former lovers, Anne Elliot and Captain Frederick Wentworth. Adrian Shergold directed. – Tie

 

 

3. “Vanity Fair” (2004) – I rather enjoyed this surprisingly first-rate adaptation of William Thackery Makepeace’s 1848 novel about the rise, fall and rise of an ambitious early 19th century Englishwoman. Directed by Mira Nair, the movie starred Reese Witherspoon.

 

 

4. “The Deceivers” (1988) – Pierce Brosnan starred in this exciting adaptation of John Masters’ 1952 novel about a British Army officer’s discovery of the Thugee cult. Directed by Nicholas Meyer, the movie co-starred Saeed Jaffrey and Helena Michell.

 

 

5. “The Journey of August King” (1995) – Jason Patric and Thandie Newton starred in this first-rate adaptation of John Ehle’s 1971 novel about a North Carolina farmer, who unexpectedly finds himself helping a young slave escape from her master.

 

 

6. “Northanger Abbey” (2007) – Felicity Jones and J.J. Feild starred in this delightful adaptation of Jane Austen’s 1817 novel about a young girl’s misadventures during a visit to the resort town of Bath and at a family’s mysterious estate. Jon Jones directed.

 

 

7. “Davy Crockett and the River Pirates” (1956) – Fess Parker and Buddy Ebsen starred in this superior sequel to the first Davy Crockett television movie about the adventures of the frontiersman and his friend George Russel along the Mississippi and Ohio Rivers.

 

 

8. “Emma” (1996-97) – Kate Beckinsale and Mark Strong starred in this solid adaptation of Jane Austen’s 1815 novel about the matchmaking efforts of a wealthy young woman in early 19th century England. The movie was adapted by Andrew Davies and directed by Diarmuid Lawrence.

 

 

9. “Brother Future” (1991) – Phil Lewis starred in this entertaining historical/science-fiction movie about a Detroit teen who is hit by a car and wakes up to find himself a slave in 1822 Charleston. Directed by Roy Campanella II, the movie co-starred Carl Lumbly and Moses Gunn.

 

 

10. “Hawaii” (1966) – George Roy Hill directed this energetic adaptation of James A. Michener’s 1959 novel about the experiences of a missionary couple from New England in the early 19th century Hawaiian Islands. Julie Andrews, Max Von Sydow and Richard Harris starred.

Top Ten Favorite Movies Set in the 1910s

Below is my current list of favorite movies set in the 1910s: 


TOP TEN FAVORITE MOVIES SET IN THE 1910s



1. “Mary Poppins” (1964) – Walt Disney personally produced this Oscar winning musical adaptation of P.L. Travers’ book series about a magical nanny who helps change the lives of a Edwardian family. Directed by Robert Stevenson, the movie starred Oscar winner Julie Andrews and Dick Van Dyke.





2. “Those Magnificent Men in Their Flying Machines” (1965) – Ken Annakin directed this all-star comedy about a 1910 air race from London to Paris, sponsored by a newspaper magnate. Stuart Whitman, Sarah Miles, James Fox and Terry-Thomas starred.





3. “Titanic” (1953) – Barbara Stanwyck and Clifton Webb starred in this melodrama about an estranged couple and their children sailing on the maiden voyage of the R.M.S. Titanic. Jean Negulesco directed.





4. “Eight Men Out” (1988) – John Sayles wrote and directed this account of Black Sox scandal, in which eight members of the Chicago White Sox conspired with gamblers to intentionally lose the 1919 World Series. John Cusack, David Strathairn and D.B. Sweeney starred.



 

5. “A Night to Remember” (1958) – Roy Ward Baker directed this adaptation of Walter Lord’s book about the sinking of the R.M.S. Titanic. Kenneth More starred.





6. “The Shooting Party” (1985) – Alan Bridges directed this adaptation of Isabel Colegate’s 1981 novel about a group of British aristocrats who have gathered for a shooting party on the eve of World War I. James Mason, Edward Fox, Dorothy Tutin and John Gielgud starred.



 

7. “The Music Man” (1962) – Robert Preston and Shirley Jones starred in this film adaptation of Meredith Wilson’s 1957 Broadway musical about a con man scamming a small Midwestern town into providing money for a marching band. Morton DaCosta directed.





8. “My Fair Lady” (1964) – Oscar winner George Cukor directed this Best Picture winner and adaptation of Alan Jay Lerner and Frederick Lowe’s 1956 Broadway musical about an Edwardian phonetics professor who sets out to transform a Cockney flower girl into a respected young lady to win a bet. Audrey Hepburn and Oscar winner Rex Harrison starred.





9. “Paths of Glory” (1957) – Stanley Kubrick directed this adaptation of Humphrey Cobb’s anti-war novel about a French Army officer who defends three soldiers who refused to participate in a suicidal attack during World War I. Kirk Douglas, Ralph Meeker, Adolphe Menjou and George Macready starred.





10. “Somewhere in Time” (1980) – Jeannot Szwarc directed this adaptation of Richard Matheson’s 1975 time travel novel called“Bid Time Return”. Christopher Reeve, Jane Seymour and Christopher Plummer starred.

Ten Favorite Movies Set in the EDWARDIAN AGE (1901-1914)

Below is a list of my ten favorite movies set during the Edwardian Age (1901-1914) in Great Britain: 

Ten Favorite Movies Set in the EDWARDIAN AGE

1. “Howard’s End” (1992) – This Academy Award nominated film is an superb adaptation of E.M. Foster’s 1910 novel about class relations in turn-of-the-20th-century England. This Merchant-Ivory production starred Emma Thompson, Helena Bonham-Carter, Anthony Hopkins, Samuel West and Vanessa Redgrave.

2. “A Room With a View” (1986) – Merchant-Ivory also produced and directed this excellent adaptation of E.M. Foster’s 1908 novel about a young woman struggling with her individuality in the face of the restrictive Edwardian culture of turn-of-the century England and her love for a free-spirited young man. This film starred Helena Bonham-Carter, Julian Sands, Daniel Day-Lewis, Maggie Smith and Denholm Elliot.

3. “Mary Poppins” (1964) – Julie Andrews won an Oscar for her performance in this magical Disney musical based upon the “Mary Poppins” books series by P. L. Travers. Directed by Robert Stevenson, this classic film also starred Dick Van Dyke, David Tomilson, Glynnis Johns, Karen Doctrice, Matthew Garber and Ed Wynn.

4. “The Assassination Bureau, LTD.” (1968) – Basil Dearden directed this a tongue-in-cheek dark comedy that was based on an unfinished novel, “The Assassination Bureau, Ltd” by Jack London. It starred Oliver Reed, Diana Rigg, Telly Savalas, and Curt Jürgens.

5. “Those Magnificent Men in Their Flying Machines” (1965) – Ken Annakin directed this charming all-star comedy about an 1910 air race from London to Paris. The cast included Stuart Whitman, Sarah Miles, James Fox, Jean-Pierre Cassel, Gert Frobe and Terry-Thomas.

6. “A Night to Remember” (1958) – In my opinion, this Golden Globe Award winning adaptation of Walter Lord’s 1955 book about the R.M.S. Titanic is the best movie about the famous ocean liner. Directed by Roy Ward Baker, this film starred Kenneth More, Laurence Naismith, Ronald Allen and Honor Blackman.

7. “The Golden Bowl” (2000) – Based upon Henry James’ novel, this is a tale of love, marriage and adultery amongst American expatriates and an Italian nobleman in turn-of-the-century England. Starred Uma Thurman, Jeremy Northam, Kate Beckinsale, Nick Nolte, Angelica Huston and James Fox.

8. “The Prestige” (2006) – Christopher Nolan directed this excellent adaptation of Christopher Priest’s novel about rival show magicians in turn-of-the-century England. The movie starred Christian Bale, Hugh Jackman, Scarlett Johansson, Piper Perabo, David Bowie, Andy Serakis and Michael Caine.

9. “My Fair Lady” (1964) – George Cukor directed this Academy Award winning adaptation of Lerner and Lowe’s hit Broadway musical . . . which was an adaptation of George Bernard Shaw’s play, “Pygmalion”. Rex Harrison and Audrey Hepburn star.

10. “Titanic” (1997) – This latest version of the sinking of the RMS Titanic won eleven Academy Awards. Directed by James Cameron, it starred Leonardo DiCaprio, Kate Winslet, Billy Zane, Frances Fisher, Bill Paxton and Gloria Stuart.