Favorite Films Set in the 1800s

Below is a list of my favorite movies set during the decade between 1800 and 1809: 

FAVORITE FILMS SET IN THE 1800s

1. “Emma” (1996) – Gwyneth Paltrow starred in this very entertaining adaptation of Jane Austen’s 1815 novel about an upper-class Englishwoman’s attempts to play matchmaker for her friends and neighbors. Co-starring Jeremy Northam, the movie was adapted and directed by Douglas McGrath.

2. “Master and Commander: The Far Side of the World” (2003) – Russell Crowe and Paul Bettany starred in this Oscar-nominated adaptation of several of Patrick O’Brian’s Aubrey–Maturin series. The movie was co-written and directed by Peter Weir.

3. ‘Buccaneer’s Girl” (1950) – Yvonne De Carlo starred in this entertaining romantic adventure about the relationship between a Boston singer and an elite sea trader/pirate in old New Orleans. Directed by Frederick de Cordova, the movie co-starred Philip Friend and Robert Douglas.

4. “Captain Horatio Hornblower” (1951) – Gregory Peck and Virginia Mayo starred in this adaptation of three of C. S. Forester’s Horatio Hornblower novels. The movie was directed by Raoul Walsh.

5. “Mansfield Park” (1999) – Patricia Rozema adapted and directed this adaptation of Jane Austen’s 1814 novel about an impoverished young woman living with her wealthy relations. Frances O’Connor and Jonny Lee Miller starred.

6. “The Duellists” (1977) – Ridley Scott directed this adaptation of Joseph Conrad’s 1908 short story, “The Duel” about a small feud between two Napoleonic officers that evolves into a decades-long series of duels. Keith Carradine and Harvey Keitel starred.

7. “Lloyd’s of London” (1936) – Tyrone Power was featured in his first starring role as a young man who worked for the famous insurance corporation, Lloyd’s of London, during the Napoleonic Wars. Directed by Henry King, Madeleine Carroll and George Sanders co-starred.

8. “Carry On Jack” (1963) – Bernard Cribbins, Kenneth Williams and Juliet Mills starred in this eighth entry in the “Carry On” comedy series, which is a spoof of the high-seas adventure genre. Gerald Thomas directed.

 

 

“BUCCANEER’S GIRL” (1950) Review

“BUCCANEER’S GIRL” (1950) Review

I have always been a sucker for old films – especially those that are costumed flicks. Between my late teens and late twenties, I had developed a habit of watching old movies on late night television. One of those films was the 1950 comedy swashbuckler, “BUCCANEER’S GIRL”.

Directed by Frederick De Cordova, the movie began with a ship commanded by a pirate named “Frederic Baptiste” attacking and ransacking a trader ship bound for New Orleans during the first decade of the 19th century. One of Baptiste’s victims is a Boston-born young woman named Deborah “Debbie” McCoy who also happens to be a stowaway. Although Baptiste’s first mate had ordered two crewmen to place Debbie in one of the long boats with the passengers, they decide to keep her aboard the pirate’s ship for . . . entertainment. However, Baptiste intercepts them and decides to keep Debbie on board before delivering her to Tortuga.

Although Debbie gets to know Baptiste’s crew, she stows away aboard the pirate’s long boat, when his ship arrives in New Orleans. Not long after her arrival in the Crescent City, Debbie is taken in by one Mademoiselle Brizar, the proprietor of a “School for Genteel Young Ladies”, who also serves as an agent for young women like Debbie with musical talent. After a few months of training, Debbie performs at a local tavern, where she learns that the pirate “Baptiste” is actually a local sea captain and trader named Captain Robert Kingston who has been using his piratical activities to plunder the ships of another wealthy shipping magnate named Alexander Narbonne, who had earlier used the real Baptiste (killed by Kingston) to get rid of his business competition. Debbie also discovers that Captain Kingston is engaged to the Governor’s niece, Mademoiselle Arlene Villon, who is also coveted by Narbonne.

One has to be blind, deaf and dumb not to realize that “BUCCANEER’S GIRL” is basically a B-movie. The plot, written by Samuel R. Golding, Joseph Hoffman, Joe May and Harold Shumate; does not exactly possess any real depth. In fact, I am rather surprised that so many writers had worked on screenplay for this movie. Nevertheless, “BUCCANEER’S GIRL” proved to be a very entertaining movie.

Did the movie have any faults? Well, since it is a B-movie, I would not describe the sets and production values as particularly top notch. And although I found Yvonne Wood’s costume designs very colorful and attractive, I cannot help but wonder if they were accurate depictions of fashion from the first decade of the 19th century.

However, I do have one major complaint about the film. But I do not really consider that to be a fault. I will admit that I found the movie’s ending rather vague and slightly confusing. The majority of the film centered on the conflict between Captain Robert Kingston aka the fake Baptiste and his business/romantic rival, Alexander Narbonne. Both men sought the hand of the Governor’s niece, Arlene Villon. Kingston used the “Captain Baptiste” persona to go after Narbonne’s ships in revenge for the latter using the real Baptiste to destroy shipping rivals. Well, Kingston eventually achieved his goal when he destroyed the last three ships in Narbonne’s fleet during a two-to-three minute montage in the movie’s second half. Unfortunately, the movie’s last act focused on Kingston being arrested for piracy and a scheme to spring him out of jail. And I found this last sequence rather anti-climatic and a little disappointing, if I must be frank.

But despite the film’s ending, I must admit that I enjoyed “BUCCANEER’S GIRL”. Very much. It is a very entertaining film, thanks to a rather clever screenplay. The 1950 film is one of the very few swashbucklers that starred a woman. And get this, the movie’s main protagonist – one Debbie McCoy – is not a pirate or a seaman of any kind. And . . . she is certainly no swordsman. Instead, Debbie McCoy is that rare protagonist in a swashbuckler film, whose possess a talent for singing, witty repartees, stowing aboard ships and clever thinking. Universal Studios was wise to cast Yvonne De Carlo in this role. Not only did the actress gave an excellent and entertaining performance, she also seemed to be up to the task for her musical numbers. I did notice that of the three songs she performed, only one of them were lip synced by a sorprano.

Since the movie’s protagonist turned out to be a singer from Boston, naturally she required a leading man who is more of a swashbuckling type. In another act of clever acting, the screenwriters created Captain Robert Kingston, a respectable sea captain who doubled as the pirate “Baptiste”. Due to her penchant for stowing away, Debbie not only becomes familiar with Kingston and his crew, she also becomes one of the few people who knows about his double act. The filmmakers went out of their way to hire Philip Friend, an actor with a credible screen presence, but one not as strong as the leading lady’s. The odd thing about “BUCCANEER’S GIRL” is that although the leading protagonist is a woman and entertainer, the movie’s narrative focused upon the conflict between the protagonist’s leading man and the film’s main villain.

The movie also featured very entertaining performances from Elsa Lancaster, who portrayed Debbie’s mentor Madame Brizar and Jay C. Flippen, who portrayed Kingston’s first mate, Jared Hawkens. Robert Douglas made an effective villain as shipping magnate Alexander Narbonne. Norman Lloyd, who eventually became well known to television audiences on NBC’s “ST. ELSEWHERE”, gave a sly performance as Narbonne’s slimy assistant, Patout. And Andrea King was sufficiently haughty as Kingston’s well born fiancée Arelene Villon. I was surprised to see Henry Daniell in this film as the local militia’s commander, Captain Duval. Five to ten years earlier, Daniell would have been cast as the main villain.

However, there is more to appreciate about “BUCCANEER’S GIRL”. It has a funny and very witty narrative, thanks to its four screenwriter. And although I found the historical accuracy of Yvonne Wood’s costumes a bit questionable, I cannot deny that I also found them colorful, as seen in the images below:

The movie also featured some mildly entertaining songs written by Walter Scharf and Jack Brooks. I especially enjoyed the last song performed in the film, “A Sailor Sails the Seven Seas”. Very jaunty. I was especially impressed by Russell Metty’s photography. It was unusually sharp and beautiful for B-movie. Metty put a lot of care into it.

In the end, “BUCCANEER’S GIRL” proved to be a surprisingly entertaining film. Yes, the ending struck me as slightly vague and anti-climatic. But everything else about the movie have so much to offer, including energetic direction from Frederick De Cordova, a clever narrative and excellent performances from a cast led by Yvonne De Carlo and Philip Friend. This is one film I have never grown tired of watching.