“BAND OF ANGELS” (1957) Review

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“BAND OF ANGELS” (1957) Review

I have been a fan of period dramas for a long time. A very long time. This is only natural, considering that I am also a history buff. One of the topics that I love to explore is the U.S. Civil War. When you combined that topic in a period drama, naturally I am bound to get excited over that particular movie or television production. 

I have seen a good number of television and movie productions about the United States’ Antebellum period and the Civil War. One of those productions is “BAND OF ANGEL”, an adaptation of Robert Warren Penn’s 1955 novel set during the last year of the Antebellum period and the first two years of the Civil War.

The story begins around 1850. The privileged daughter of a Kentucky plantation owner named Amantha Starr overhears one house slave make insinuations about her background to another slave. Before Amantha (or “Manthy”) could learn more details, she discovers that Mr. Starr had the offending slave sold from the family plantation, Starwood. He also enrolls her in a school for privileged girls in Cinncinati. A decade later in 1860, Amantha’s father dies. When she returns to Starwood, Amantha discovers that Mr. Starr had been in debt. Worse, she discovers that her mother had been one of his slaves, making her a slave of mixed blood. Amantha and many other Starwood slaves are collected by a slave trader and conveyed by steamboat to New Orleans for the city’s slave mart.

Upon her arrival in New Orleans, Amantha comes dangerously close to be purchased by a coarse and lecherous buyer. However, she is rescued by a Northern-born planter and slave owner named Hamish Bond, and becomes part of his household as his personal mistress. She also becomes acquainted with Bond’s other house slaves – his right-hand-man named Rau-Ru, his housekeeper and former mistress Michele and Dollie, who serves as her personal maid. Although Amantha initially resents her role as a slave and Bond’s role as her owner, she eventually falls in love with him and he with her. But the outbreak of the Civil War and a long buried secret of Bond’s threaten their future.

Many critics and film fans have compared “BAND OF ANGELS” to the 1939 Oscar winner, “GONE WITH THE WIND”. Frankly, I never understood the comparison. Aside from the setting – late Antebellum period and the Civil War, along with Clark Gable as the leading man, the two films really have nothing in common. “GONE WITH THE WIND” is a near four-hour epic that romanticized a period in time. Although “BAND OF ANGELS” have its moments of romanticism, its portrayal of the Old South and the Civil War is a bit more complicated . . . ambiguous. Also, I would never compare Scarlett O’Hara with Amantha Starr. Both are daughters of Southern plantation owners. But one is obviously a member of the Southern privileged class, while the other is the illegitimate and mixed race daughter of a planter and his slave mistress. Also, Gable’s character in “BAND OF ANGELS” is a Northern-born sea captain, who became a planter; not a semi-disgraced scion of an old Southern family.

Considering the political ambiguity of “BAND OF ANGELS”, I suppose I should be more impressed with it. Thanks to Warren’s novel, Ivan Goff and Ben Roberts’ screenplay and Raoul Walsh’s direction; the movie attempted to provide audiences with a darker view of American slavery and racism. For instance, Amantha’s journey from Kentucky to Louisiana as a slave proved to be a harrowing one, as she deals with a slave trader with plans to rape her, a traumatic experience at the New Orleans slave mart, Bond’s lustful neighbor Charles de Marigny and her attempts to keep her African-American ancestry a secret from a Northern beau later in the film. The film also touches on Rau-ru’s point of view in regard to slavery and racism. Despite being educated and treated well by Hamish Bond; Rau-ru, quite rightly, is resentful of being stuck in the role of what he views as a cosseted pet. Rau-ru also experiences the ugly racism of planters like de Marigny and slave catchers; and Northerners like some of the Union officers and troops that occupied New Orleans and Southern Louisiana in the movie’s last half hour. I also noticed that the movie did not hesitate to expose the ugliness of the slave trade and the system itself, the racist reveal the fate of a great number of slaves who found themselves being forced by Union forces to continue toiling on the cotton and sugar plantations on behalf of the North.

There are other aspects of the movie that I found admirable. Not all of “BAND OF ANGELS” was shot at the Warner Brothers Studios in Burbank. A good of the movie was shot on location in Louisiana. I have to give credit to cinematographer Lucien Ballard for doing an exceptional job for the film’s sharp and vibrant color, even if the film lacked any real memorable or iconic shot. If I must be honest, I can say the same about Max Steiner’s score. However, I can admit that Steiner’s score blended well with the movie’s narrative. Marjorie Best, who had received Oscar nominations for her work in movies like “ADVENTURES OF DON JUAN”and “GIANT”, served as the movie’s costume designer. I was somewhat impressed by her designs, especially for the male characters, ironically enough. However, I had a problem with her costumes for Yvonne De Carlo. Nearly dress that the Amantha Starr character possessed a low cut neckline that emphasized her cleavage. Even her day dresses. Really?

After reading a few reviews about “BAND OF ANGELS”, I noticed that some movie fans and critics were not that impressed by the film’s performances. I have mixed feelings about them. Clark Gable seemed to be phoning it in most of the film. But there were a few scenes that made it easy to see why he not only became a star, but earned an Oscar well. This was apparent in two scene in which the Hamish Bond character recalled the enthusiasm and excitement of his past as a sea captain and in another, the “more shameful” aspects of his past. At age 34 or 35, I believe Yvonne De Carlo was too old for the role of Amantha Starr, who was barely into her twenties in the story. Some would say that the role could have benefited being portrayed by a biracial actress and not a white one. Perhaps. But despite the age disparity, I still thought De Carlo gave a very strong performance as the passionate and naive Amantha, who suddenly found her life turned upside down. Ironically, I thought her scenes with Sidney Poitier seemed to generate more chemistry than her ones with Gable. Speaking of Poitier . . . I might as well say it. He gave the best performance in the movie. His Rau-ru bridled with a varying degree of emotions when the scene called for it. And the same time, one could easily see that he was well on his way in becoming the Hollywood icon that Gable already was at the time.

There were other performances in “BAND OF ANGELS”, but very few seemed that memorable. The movie featured solid performances from Rex Reason, who portrayed Amantha’s Northern-born object of her earlier infatuation Seth Parson; Efrem Zimbalist Jr., who not only portrayed Amantha’s later suitor Union officer Lieutenant Ethan Sears, but was already on the road as a television star; Carroll Drake, who portrayed Hamish Bond’s introverted and observant housekeeper Michele; Andrea King, who portrayed Amantha’s hypocritical former schoolmistress Miss Idell; William Schallert, who had a brief, but memorable role as a bigoted Union Army officer; and Torin Thatcher, who portrayed Bond’s fellow sea captain and friend Captain Canavan. Many critics had accused Patric Knowles of bad acting. Frankly, I found his performance as Bond’s neighbor and fellow planter Charles de Marigny effectively slimy . . . in a subtle way. Ray Teal was equally effective as the slimy and voracious slave trader Mr. Calloway, who conveyed Amantha to the slave marts of New Orleans. The only performance that hit a sour note from me came from Tommie Moore, who portrayed one of Bond’s house maids, the loud and verbose Dollie. Every time she opened her mouth I could not help but wince at her over-the-top and if I may say so, cliched performance as Dollie. I think I could have endured two hours in the company of Prissy and Aunt Pittypat Hamilton from “GONE WITH THE WIND” than five minutes in Dollie’s company. I guess I could have blamed the actress herself. But a part of me suspect that the real perputrators were screenwriter and Walsh.

I wish that was all I had to say about “BAND OF ANGELS”. I really do. But . . . despite the movie’s portrayal the ugliness of slavery and racism, it ended up undermining its attempt. Quite frankly, I found “BAND OF ANGELS” to be a very patronizing movie – especially in regard to race. And the figure of this patronization is centered around the character of Hamish Bond. Someone once complained that although the movie initially seemed to revolve around Amantha Starr, in the end it was all about Bond. I do not know if I could fully agree with this, but I found it disturbing that the character “growths” of both Amantha and Rau-ru revolved around Bond and their opinion of him.

One aspect of “BAND OF ANGELS” that I found particularly bizarre was Amantha’s opinion of Hamish Bond’s connection to slavery. At first, she simply resented him for being her owner. But she eventually fell in love with him and opened herself to being his mistress. Amantha certainly had no problems with that ridiculous scene that featured Bond’s field slaves lined up near the river side to welcome him back to his plantation with choral singing. Really? This was probably the most patronizing scene in the movie. Yet, when Amantha discovered that his past as a sea captain involved his participation in the Atlantic slave trade, she reacted with horror and left him. Let me see if I understand this correctly. Once she was in love with Bond, she had no problems with being his slave mistress or his role as a slave owner. Yet, she found his participation in the slave trade to be so awful that she . . . left him? Slave owner or slave trader, Hamish Bond exploited the bodies of black men and women. Why was being a slave trader worse than being a slave owner? Not only do I find this attitude hypocritical, I also noticed that it permeated in a good deal of other old Hollywood films set in the Antebellum era. Even more disturbing is that after becoming romantic with an Union officer named Ethan Sears, Amantha has a brief reunion with her former object of desire, Seth Parsons. He reveals knows about her mother’s ancestry and her role as Bond’s mistress, and tries to blackmail her into becoming his. In other words, Seth’s knowledge of her racial background and her history with Bond leads Amantha to run back into the arms of Bond. And quite frankly, this makes no sense to me. Why would Seth’s attempt to blackmail lead Amantha to forgive Bond for his past as a slave trader? The movie never really made this clear.

I found the interactions between Rau-ru and Hamish Bond even more ridiculous and patronizing. Rau-ru is introduced as Bond’s major-domo/private secretary, who also happens to be a slave. Despite receiving education from Bond and a high position within the latter’s household, Rau-ru not only resents Bond, but despises him. And you know what? I can understand why. I noticed that despite all of these advantages given to Rau-ru, Bond refuses to give him his freedom. Worse, Bond treats Rau-ru as a pet. Think I am joking? I still cannot think of the scene in which Bond’s friend, Captain Canavan, visited and demanded that Rau-ru entertain him with a song without any protest from Bond without wincing. This scene was really vomit inducing. What made the situation between Rau-ru and Bond even worse is that the former made an abrupt about face about his former master during the war . . . all because the latter had revealed how he saved Rau-ru’s life during a slave raid in Africa and – get this – some bigoted Union Army officer tried to cheat Rau-ru from a reward for capturing Bond. The former sea captain/planter ended up leaving his estate to Rau-ru in a will. How nice . . . but I suspect he did so after Amantha left him. If not, my mistake. And why did Bond failed to give Rau-ru his freedom before the outbreak of war? Instead, Rau-ru was forced to flee to freedom after saving Amantha from being raped by Charles de Marigny. In Robert Warren’s novel, Rau-ru eventually killed Bond. Pity this did not happen in the movie.

Overall, I see that my feelings for “BAND OF ANGELS” is mixed. There are some aspects of the movie that I found admirable. I might as well admit. The movie especially benefited from Lucien Ballard’s colorful photography, an interesting first act and an excellent performance by Sidney Poitier. Otherwise, I can honestly say that “BAND OF ANGELS” focused too much on the Hamish Bond character and was a bit too patronizing on the subject of race and slavery for me to truly enjoy it.

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Top Ten Favorite Movies Set Between 1700 and 1749

Below is my current list of favorite movies set between 1700 and 1749: 

TOP TEN FAVORITE MOVIES SET BETWEEN 1700 AND 1749

1. “Tom Jones” (1963) – Tony Richardson directed this Best Picture Oscar winner, an adaptation of Henry Fielding’s 1749 novel, “The History of Tom Jones, a Foundling”. The movie starred Albert Finney and Susannah York.

2. “Pirates of the Caribbean: Dead Man’s Chest” (2006) – Gore Verbinski directed this second entry in Disney’s “PIRATES OF THE CARIBBEAN” franchise about the search for the chest that contains Davy Jones’ heart. The movie starred Johnny Depp, Orlando Bloom and Keira Knightley.

3. “Pirates of the Caribbean: Curse of the Black Pearl” (2003) – Gore Verbinski directed this first entry in Disney’s “PIRATES OF THE CARIBBEAN” franchise about a dashing pirate who forms an alliance with an apprentice blacksmith in order to save the latter’s beloved from a crew of pirates – the very crew who had mutinied against the former. The movie starred Johnny Depp, Geoffrey Rush, Orlando Bloom and Keira Knightley.

4. “Kidnapped” (1960) – Peter Finch and James MacArthur starred in Disney’s 1960 adaptation of Robert Louis Stevenson’s 1886 novel about family betrayal in 1740s Scotland. Robert Stevenson directed.

5. “Pirates of the Caribbean: At World’s End” (2007) – Gore Verbinski directed this third entry in Disney’s “PIRATES OF THE CARIBBEAN” franchise about the Pirate Lords’ alliance and their stand against the East Indian Trading Company and Davy Jones. The movie starred Johnny Depp, Orlando Bloom, Keira Knightley and Geoffrey Rush.

6. “Against All Flags” (1952) – Errol Flynn and Maureen O’Hara starred in this swashbuckler about a British sea officer who infiltrates a group of pirates on behalf of the government bring them to justice. George Sherman directed.

7. “Rob Roy” (1995) – Liam Neeson and Jessica Lange starred in this adventure film about Scottish chieftain Rob Roy McGregor and his conflict with an unscrupulous nobleman in the early 18th century Scottish Highlands. Michael Caton-Jones directed.

8. “The Master of Ballantrae” (1984) – Michael York, Richard Thomas, Fiona Hughes and Timothy Dalton starred in this second adaptation of Robert Louis Stevenson’s 1889 novel about two estranged Scottish noblemen, who are also brothers. Douglas Hickox directed.

9. “Swashbuckler” (1976) – Robert Shaw starred in this adaptation of Paul Wheeler’s story, “The Scarlet Buccaneer”, about a early 18th century pirate who forms an alliance with the daughter of a disgraced judge against an evil imperial politician. James Goldstone directed.

10. “The Master of Ballantrae” (1953) – Errol Flynn, Anthony Steel and Roger Livsey starred in an earlier adaptation of Robert Louis Stevenson’s 1889 novel about two estranged Scottish noblemen, who are also brothers. William Keighley directed.

“COLD COMFORT FARM” (1995) Review

“COLD COMFORT FARM” (1995) Review

Years ago . . . and I do mean a lot of years, I came across a movie inside a video rental store called “COLD COMFORT FARM”. I had never heard of it before that day. But . . . being a period drama fan and discovering that the movie was a comedy set in the 1930s, I decided to give it a try. And I never looked back. 

I managed to rent “COLD COMFORT FARM” several times before the use of VHS recorders/players went out of style. Then I spent several years trying to find a copy of the movie on DVD. It was not until recently that I finally came across a copy of “COLD COMFORT FARM” again, despite the fact that the movie had been released on DVD for several years.

Based upon Stella Gibson’s 1932 novel and directed by John Schlesinger, “COLD COMFORT FARM” told the story of a young upper-class, yet impoverished woman named Flora Poste, who decided to become a writer following the deaths of her parents. Flora decided that due to her impoverished state, she needed to find relatives to stay with, while embarking upon her first novel. Her London relatives seemed to have no interest in offering Flora a place to live, so she wrote letters to some of her rural relatives. After receiving a few unsuitable responses, Flora became intrigued by a letter from a cousin named Judith Starkadder, Flora decided to stay for a while at the Starkadders’ rundown farm. The Starkadders and their servants proved to be an odd bunch that consisted of rustic, uncouth, slatternly and eccentric people that include:

*Aunt Ada Doom – the family’s elderly and paranoid matriarch and owner of the farm, who rarely set foot outside her bedroom, but controlled the family with an iron fist.

*Judith Doom Starkadder – Ada’s depressing daughter, who possessed a penchant for gloomy predictions and a possessive regard for her younger son Seth.

*Amos Starkadder – Judith’s husband, a religious fanatic and local minister with a penchant for hellfire and damnation sermon.

*Seth Starkadder – Amos and Judith’s sexy younger son, a womanizer and movie fanatic

*Reuben Starkadder – Amos and Judith

Deciding that the only to live, while researching for her first novel, Flora decides that the only way for her to live whilst researching her writing is to stay with relatives. Her city-based relatives show no interest, so she sends letters to her country relatives. There are a few responses, most of them unsuitable, but one is intriguing. Flora decides to stay for a while with the Starkadder family on their rundown farm. The Starkadders are an assortment of rustic, uncouth, and truly eccentric characters, each of whom has a hurdle (be it physical, emotional, or spiritual) to overcome before reaching his or her potential. Flora quickly realises that as a modern twentieth-century woman, she can resolve these situations once she has assessed and solved each character’s problems.

Following my recent viewing of “COLD COMFORT FARM”, I found myself wondering if there were any aspects of the film that I did not like or found baffling. Well, I had a few questions regarding Aunt Ada Doom and her daughter, Judith Doom Starkadder. Had the Doom family been members of the local gentry? I found it hard to connect the high-born and well-bred Flora Poste to the obviously non-sophisticated Aunt Ada Doom and Judith Starkadder. I have never read Gibson’s novel, but I do wish the movie had been a bit clearer on the blood connection between Flora and the Starkadder women. Another problem I had with the film was the romance between Elfine Starkadder and the blue-blooded Dick Hawk-Monitor. The latter must have been indulged by his parents as a boy. I find it hard to believe that the Hawk-Monitor family, especially Mrs. Hawk-Monitor, did not raise a bigger fuss over young Dick’s choice for his future wife. Instead, the cinematic Mrs. Hawk-Monitor merely expressed surprise, dismay and eventual resignation over the idea of Elfine as her future daughter-in-law.

Otherwise, “COLD COMFORT FARM” is an engaging and delightful film that never ceases to entertain me every time I watch it. The movie also featured some rather sharp humor that always leaves me in stitches. Before my recent viewing of “COLD COMFORT FARM”, I learned that its literary source, Stella Gibson’s 1932 novel, was basically a parody of the “loam and lovechild” literary genre aka “pessimistic ruralism” that were popular in the late 19th and early 20th centuries – including the novels of Thomas Hardy and Mary Webb. It is this aspect of the movie that made it very entertaining and hilarious to me. In fact, the Starkadder family and their servants used dialogue that is considered a parody of Sussex and West Country rural accents. Words like “mollocking” or “sukebind”(look them up yourselves, for I have not the foggiest idea what they mean) kept popping out of their mouths, causing me to raise and eyebrow or two. And then there is the character of Mr. Meyerburg (aka “Mr. Mybug”), a local writer who pursued Flora and seemed to be obsessed with sex. It is believed that his character was used to parody intellectuals like the Freudians and admirers of author D. H. Lawrence.

On one level, the movie’s narrative made it clear that Flora had remained at Cold Comfort Farm to drag the Starkadders into the early 20th century. But in doing so, Gibbons and screenwriter Malcolm Bradbury had more or less transformed Flora into a trickster figure. You know . . . another Mary Poppins, Loki, Jack Sparrow, Bagger Vance or Dolly Levi. Despite Flora’s subtle and cool personality, she seemed to have the strongest similarity with the latter. Like Dolly and unlike the others, Flora’s tale concluded with a “happily ever after” with the man she loved.

What can I say about the production quality for “COLD COMFORT FARM”? I thought it was pretty solid. Production designer Malcolm Thornton did a good job in re-creating early 1930s Sussex and London. I say good, because if I may be perfectly honest, his designs did not exactly blow my mind. I can say the same about Jim Holloway’s art designs and Chris Seager’s photography. Amy Roberts’ costume designs seemed to perfectly reflect the film’s setting and the characters’ personalities, class, and financial situation. However, I was not that impressed by the hairstyles for the women. Kate Beckinsale’s hair seemed to be a cross of a late 1920s bob and . . . well, something. Joanna Lumley’s shingled bob definitely looked as if it came straight from the mid-to-late 1920s. Aside from the hairstyles, which I admit is a lame complaint, I do not have any real problems with the production values for “COLD COMFORT FARM”.

On the other hand, I found the performances from the cast well done. There were solid performances from the likes of Maria Miles as a charming Elfine Starkadder, Christopher Bowen as Charles Fairford (Flora’s admirer), Jeremy Peters as Urk, the always wonderful Miriam Margolyes as the Starkadders’ housekeeper Mrs. Beetle, Angela Thorne as Mrs. Hawk-Monitor and a very young Rupert Penry-Jones as Dick Hawk-Monitor (although his pencil-thin moustache was not that flattering). Ivan Kaye gave a charming, yet solid performance as Reuben Starkadder, the only member of the family truly capable of managing the farm. And I found Sheila Burrell’s performance as the family’s controlling matriarch very amusing and spot-on.

But there were performances that I found truly entertaining. Stephen Fry was hilarious as a local writer named Mr. Myburg, a D.L. Lawrence fanatic who seems to fancy Flora. Ian McKellen gave a rather funny performance as Amos Starkadder, Aunt Ada’s son-in-law, who happened to be the farm’s manager. Amos is also a religious fanatic, who also happened to be a hellfire-and-brimstone preacher. The scene featuring his rather fiery sermon is not to be missed. I found Freddie Jones’ portrayal of the Starkadders’ farmhand, Adam Lambsbreath, rather charming, hilarious and rather loopy. Joanna Lumley gave a very sly and entertaining performance as Flora’s close friend, London socialite Mrs. Mary Smiling, who seemed to have formed a hobby of collecting brassières. And there was Rufus Sewell, who gave a titilating performance as the family’s ladies’ man, Seth Starkadder. At times, I found his performance both charming and sexy. And at other times, I found his portrayal of Seth’s overt masculinity rather hilarious . . . especially in scenes in which he resorted to poses to attract Flora’s attention.

For me, one of the two funniest performances came from Eileen Atkins, who portrayed Aunt Ada’s daughter, Judith Starkadder. Atkins was superb as the dour Judith, who possessed a disposition for doom-and-gloom prophecies, calling Flora “Robert Poste’s child”, and harboring a . . . uh, slightly incestuous regard for her younger son Seth. Equally hilarious was Harry Ditson who portrayed a close friend of Flora’s and Hollywood producer, Earl P. Neck. I loved how Ditson conveyed his character’s charm, extroverted personality and wit. In fact, he had at least two of the best lines in the movies. But the one person who truly ruled this movie was Kate Beckinsale, who portrayed the story’s main protagonist, Flora Poste. She must have been at least 22 or 23 years old when she shot this film. Beckinsale did not give the funniest performance in the movie. In fact, she seemed to be serving as everyone else’s straight man. But she was the one who kept this movie together; held her own against the likes Atkins, McKellen, Lumley and Burrell; and still managed to portray Flora Poste as a compelling and charismatic personality.

I might have a few complaints about “COLD COMFORT FARM”. But if I must be honest, they were rather minor to me. As far as I am concerned, “COLD COMFORT FARM” was a charming, fascinating and very funny film . . . even after twenty years or so. It was a worthy adaptation of Stella Gibson’s novel, thanks to Malcolm Bradbury’s screenplay, a superb cast led by a charismatic Kate Beckinsale and excellent direction by screen legend John Schlesinger.

Top Ten Favorite Movies Set in the 1860s

Below is my current list of favorite movies set in the 1860s: 

TOP TEN FAVORITE MOVIES SET IN THE 1860s

1. “Lincoln” (2012) – Steven Spielberg directed this highly acclaimed film about President Abraham Lincoln’s last four months in office and his efforts to pass the 13th Amendment to end slavery. Oscar winner Daniel Day-Lewis, Oscar nominee Sally Field and Oscar nominee Tommy Lee Jones starred.

2. “Shenandoah”(1965) – James Stewart starred in this bittersweet tale about how a Virginia farmer’s efforts to keep his family out of the Civil War failed when his youngest son is mistaken as a Confederate soldier by Union troops and taken prisoner. Andrew V. McLaglen directed.

3. “Angels & Insects” (1995) – Philip Haas directed this adaptation of A.S. Byatt’s 1992 novella, “Morpho Eugenia” about a Victorian naturalist who marries into the English landed gentry. Mark Rylance, Kristin Scott-Thomas and Patsy Kensit starred.

4. “Class of ’61” (1993) – Dan Futterman and Clive Owen co-starred in this television movie about recent West Point graduates and their experiences during the first months of the Civil War. Produced by Steven Spielberg, the movie was directed by Gregory Hoblit.

5. “The Tall Target” (1951) – Anthony Mann directed this suspenseful tale about a New York City Police sergeant who stumbles across a plot to kill President-elect Lincoln and travels aboard the train carrying the latter to stop the assassination attempt. Dick Powell starred.

6. “Far From the Madding Crowd” (1967) – John Schlesinger directed this adaptation of Thomas Hardy’s 1874 novel about a young Victorian woman torn between three men. The movie starred Julie Christie, Alan Bates, Terence Stamp and Peter Finch.

7. “The Good, the Bad and the Ugly” (1966) – Sergio Leone directed this epic Spaghetti Western about three gunslingers in search of a cache of Confederate gold in New Mexico, during the Civil War. Clint Eastwood, Lee Van Cleef and Eli Wallach starred.

8. “Cold Mountain” (2003) – Anthony Minghella directed this poignant adaptation of Charles Fraizer’s 1997 novel about a Confederate Army deserter, who embarks upon a long journey to return home to his sweetheart, who is struggling to maintain her farm, following the death of her father. The movie starred Oscar nominees Jude Law and Nicole Kidman, along with Oscar winner Renee Zellweger.

9. “Little Women” (1994) – Gillian Armstrong directed this adaptation of Louisa May Alcott’s 1868 novel about four sisters from an impoverished, yet genteel New England family. The movie starred Winona Ryder, Trini Alvarado, Christian Bale and Susan Sarandon.

10. “The Beguiled” (1971) – Clint Eastwood starred in this atmospheric adaptation of Thomas Cullinan’s 1966 novel about a wounded Union soldier who finds refuge at an all-girl boarding school in 1863 Mississippi. Directed by Don Siegel, the movie co-starred Geraldine Page and Elizabeth Hartman.

“I’LL NEVER FORGET YOU” (1951) Review

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“I’LL NEVER FORGET YOU” (1951) Review

I have seen my share of time travel movies and television programs over the years. But I do not believe that I have never seen one as ethereal as the 1951 movie called “I’LL NEVER FORGET YOU”

A second adaptation of John L. Balderston’s 1927 play, which was an adaptation of Henry James’ incomplete novel, “The Sense of the Past”“I’LL NEVER FORGET YOU” told the story of an American nuclear physicist named Dr. Peter Standish, who is transported to London of the late 18th century. The story begins when a co-worker of Peter’s with the British nuclear program, Dr. Roger Forsyth, expresses concern about the former’s lack of social life. As the two become friends, Peter reveals that he had inherited an old house located at London’s Berkeley Square by a distant relative. He also also reveals that he was a descendant of an American Tory who had immigrated to Britain after the Revolutionary War to marry a cousin named Kate Pettigrew. Not long after this revelation, a thunderstorm sends Peter back to 1784, where he takes the place of his late 18th century ancestor, the other Peter Standish.

However, once 20th century Peter settles into his new life, he is struck by a series of surprises. One, he finds himself slowly falling in love with his fiancée’s younger sister, Helen Pettigrew. Peter discovers that Georgian era London is not the paradise he had assumed it to be for years. He also realizes that his occasional lapses of judgment, in which he uses modern day language and revealing information he could not have known if he had actually grown up in the 18th century. Peter’s occasional lapses and his feelings for Helen lead to growing antagonism toward him from not only his fiancée Kate, but also from Mr. Throstle, the man to whom Helen had been promised; leading to potential disaster for him.

I am usually a big fan of time travel movies. But if I must be honest, my reason for watching “I’LL NEVER FORGET YOU” stemmed from sheer curiosity and nothing else. I never really thought I would be impressed by this movie. And I was . . . much to my surprise. Mind you, the film’s method of time travel – a bolt of lightning – struck me as unrealistic, even from a fictional point of view. There was no machine or vehicle like a Delorean to channel the energy from that bolt of lightning. Instead, the Peter Standish was struck by lightning and transported some 160 years back to the past. That he survived being struck is a miracle.

Nevertheless, I still enjoyed “I’LL NEVER FORGET YOU” very much. At its heart, the movie featured two genres – time traveling and romance. And both seemed to intertwine perfectly, thanks to director Roy Ward Baker, who directed the 1958 classic, “A NIGHT TO REMEMBER”. There have been time travel movies in which the protagonists are slightly taken aback by the “primative” conditions of the time period in which they end up. But I found Peter Standing’s reaction to the reality of 18th century London rather enjoyable on a perverse level. I found it satisfying to watch him come to the realization that 1784 London was not the social paradise that he had assumed it was. “I’LL NEVER FORGET YOU” is also one of the rare works of fiction that pointed out the lack of decent hygiene that permeated Western society before the 20th century. Between Peter’s disgust at London society’s array of body odors and their bafflement at his habit of a daily bath, I was nearly rolling on the floor with laughter. But more importantly, “I’LL NEVER FORGET” is a poignant love story between Peter and Helen. What made it very satisfying for me is that Helen was the only one who seemed to have a bead on Peter’s personality. More importantly, she seemed to be interested in Peter’s comments about the future, instead of repelled by them.

But what really made the romance between Peter Standing and Helen Pettigrew worked were the performances of the two leads, Tyrone Power and Ann Blyth. Thanks to their intelligent and subtle performances, they made Peter and Helen’s love story believable. I was surprised that Michael Rennie had such a small screen presence in the movie, considering that he had received third billing. Nevertheless, I thought he gave a pretty good performance as Peter’s 20th century friend and colleague, Dr. Roger Forsyth. Another performance that caught my attention came from Dennis Price, who gave a very entertaining performance as Helen and Kate’s brother, a dye-in-the-wool late 18th century cad, Tom Pettigrew. Kathleen Byron gave an energetic and brief performance as Georgiana Cavendish, Duchess of Devonshire. The movie also featured solid performances from Beatrice Campbell, Raymond Huntley and Irene Browne, who not only portrayed the Pettigrew matriarch in this film, but also in the 1933 version, “BERKELEY SQUARE”.

Although I found the mode of time travel rather implausible – being struck by lightning, I must admit that I enjoyed “I’LL NEVER FORGET YOU”. In fact, I enjoyed it a lot more than I thought I would. And I have to thank Ranald MacDougall’s adaptation of John L. Balderston’s play, intelligent performances from a cast led by Tyrone Power and Ann Blyth, and more importantly, intelligent and subtle direction from Roy Ward Baker.

Least Favorite Movie Period Dramas

Below is a list of ten of my least favorite movie period dramas:

 

LEAST FAVORITE MOVIE PERIOD DRAMAS

1. “Legends of the Fall” (1992) – Edward Zwick directed this dull and overrated adaptaion of Jim Harrison’s 1979 novella about the lives of a Montana ranching family during the early 20th century. Brad Pitt and Anthony Hopkins starred.

2. “Barbary Coast” (1935) – Howard Hawks directed this turgid tale about an Eastern woman who arrives in San Francisco during the Gold Rush and comes between a corrupt gambler/saloon keeper and a miner. Miriam Hopkins, Edward G. Robinson and Joel McCrea starred.

3. “Mayerling” (1968) – Omar Sharif and Catherine Deneuve starred in this lavish, yet dull account of the tragic romance between Crown Prince Rudolf of Austria and his mistress, Baroness Maria Vetsera. Terence Young directed.

4. “Idlewild” (2006) – André 3000 and Big Boi starred in this confusing and badly written musical set during Depression Era Georgia. Bryan Barber directed.

5. “Becky Sharp” (1935) – Miriam Hopkins earned a surprising Best Actress nomination (surprising to me) in this unsatisfying adaptation of William Makepeace Thackery’s 1847-48 novel, “Vanity Fair”. Directed by Rouben Mamoulian, the movie is known as being the first full-length production in Technicolor.

6. “Gods and Generals” (2003) – Stephen Lang, Jeff Daniels and Robert Duvall starred in this adaptation of Jeff Shaara’s 1996 Civil War novel and prequel to the much superior 1993 movie, “Gettysburg”. Ronald Maxwell directed.

7. “The Hindenburg” (1975) – Robert Wise directed this rather dull account of the Hindenburg air disaster. The movie starred George C. Scott and Anne Bancroft.

8. “Anna Karenna” (2012) – Joe Wright directed this stagey adaptation of Leo Tolstoy’s 1877 novel. Keira Knightley, Jude Law and Aaron Taylor-Johnson starred.

9. “Glorious 39” (2009) – Stephen Poliakoff directed this slow and pretentious thriller about a young woman who discovers that her family are pro-appreasers who wish for Britain to seek peace with Nazi Germany on the eve of World War II. Romola Garai starred.

10. “Alice in Wonderland” (2010) – Tim Burton directed this dull and overrated adaptation of Lewis Carroll’s 1865 novel “Alice’s Adventures in Wonderland” and 1871 novel, “Through the Looking-Glass, and What Alice Found There”. Mia Wasikowska and Johnny Depp starred.

Top Ten Favorite Movies Set in the 1930s

Below is my current list of favorite movies set in the 1930s:

TOP TEN FAVORITE MOVIES SET IN THE 1930s

1. “Indiana Jones and the Temple of Doom” (1984) – In this exciting second installment of the Indiana Jones franchise, the intrepid archaeologist is asked by desperate villagers in Northern India to find a mystical stolen stone and rescue their children from a Thuggee cult practicing child slavery. Directed by Steven Spielberg, the movie starred Harrison Ford as Dr. Henry “Indiana” Jones.

2. “The Sting” (1973) – Paul Newman and Robert Redford starred in this excellent Oscar winning movie about a young drifter who teams up with a master of the big con to get revenge against the gangster who had his partner murdered. George Roy Hill directed.

3. “Death on the Nile” (1978) – Peter Ustinov made his first appearance as Hercule Poirot in this superb adaptation of Agatha Christie’s 1937 novel about the murder of an Anglo-American heiress during a cruise on the Nile. John Guillermin directed.

4. “Chinatown” (1974) – Roman Polanski directed this outstanding Oscar nominated film about a Los Angeles private detective hired to expose an adulterer, who finds himself caught up in a web of deceit, corruption and murder. Jack Nicholson and Faye Dunaway starred.

5. “Gosford Park” (2001) – Robert Altman directed this Oscar nominated film about a murder that occurs at shooting party in 1932 England. The all-star cast includes Helen Mirren, Kelly MacDonald, Clive Owen and Maggie Smith.

6. “Evil Under the Sun” (1982) – Once again, Peter Ustinov portrayed Hercule Poirot in this entertaining adaptation of Agatha Christie’s 1941 novel about the murder of a stage actress at an exclusive island resort. Guy Hamilton directed.

7. “O Brother, Where Art Thou?” (2000) – Ethan and Joel Coen directed this very entertaining tale about three escaped convicts who search for a hidden treasure, while evading the law in Depression era Mississippi. George Clooney, John Tuturro and Tim Blake Nelson starred.

8. “Murder on the Orient Express” (1974) – Albert Finney starred as Hercule Poirot in this stylish adaptation of Agatha Christie’s 1934 novel about the Belgian detective’s investigation into the death of a mysterious American aboard the famed Orient Express. Sidney Lumet directed.

9. “Indiana Jones and Raiders of the Lost Ark” (1981) – Harrison Ford made his first appearance as Dr. “Indiana” Jones in this classic movie, as he races against time to find the iconic Ark of the Covenant that contains the Ten Commandments before the Nazis do in 1936 Egypt. Steven Spielberg directed.

“Seabiscuit” (2003) – Gary Ross directed this excellent adaptation of Laura Hillenbrand’s 2001 book about the famed race horse from the late 1930s. Tobey Maguire, Jeff Bridges, Chris Cooper and Elizabeth Banks starred.

Honorable Mention: “Road to Perdition” (2002) – Tom Hanks, Tyler Hoechlin and Paul Newman starred in this first-rate adaptation of Max Collins’ 1998 graphic comic about a Depression era hitman who is forced to hit the road with his older son after the latter witnesses a murder. Sam Mendes directed.