Favorite Television Productions Set in the 1940s

Below is a list of my favorite television productions (so far) that are set in the 1940s: 

FAVORITE TELEVISION PRODUCTIONS SET IN THE 1940s

1. “Homefront” (1991-1993) – Lynn Marie Latham and Bernard Lechowick created this award-winning series about the residents of a small Ohio town in post-World War II.

2. “Mob City” (2013) – Jon Bernthal starred in this six-part limited series that was inspired by John Buntin’s book, “L.A. Noir: The Struggle for the Soul of America’s Most Seductive City”. Co-starring Alexa Davalos and Milo Ventimiglia, the series was created by Frank Darabont.

3. “Agent Carter” (2015-2016) – Hayley Atwell starred as Margaret “Peggy” Carter, an agent with the Strategic Scientific Reserve (SSR) in the post-World War II Manhattan. Created by Christopher Markus and Stephen McFeely, the MCU series co-starred James D’Arcy and Enver Gjokaj.

4a. “Band of Brothers” (2001) – Steven Spielberg and Tom Hanks produced this outstanding television miniseries about the history of a U.S. Army paratrooper company – “Easy Company” – during the war. Damian Lewis and Ron Livingston starred. (tie)

4b. “The Pacific” (2010) – Spielberg and Hanks struck gold again in this equally superb television miniseries about the experiences of three U.S. Marines – John Basilone, Robert Leckie and Eugene Sledge – in the war’s Pacific Theater. James Badge Dale, Joseph Mazzello and Jon Seda starred. (tie)

5. “Manhattan” (2014-2015) – Sam Shaw created this series about the creation of the first two atomic bombs at Los Alamitos, New Mexico. The series starred John Benjamin Hickey.

6. “The Winds of War” (1983) – Dan Curtis produced and directed this television adaptation of Herman Wouk’s 1971 novel. The seven-part miniseries starred Robert Mitchum, Ali McGraw and Jan-Michael Vincent.

7. “Pearl” (1978) – Stirling Silliphant wrote this three-part miniseries about a group of men and women who experienced the attack on Pearl Harbor in December 1941. Angie Dickinson, Robert Wagner, Lesley-Ann Warren and Dennis Weaver starred.

8. “The Jewel in the Crown” (1984) – The ITV aired this award winning television adaptation of Paul Scott’s “Raj Quartet”novels (1965–75) about the end of the British Raj in India. The fourteen-part miniseries starred Art Malik, Geraldine James, Charles Dance and Tim Pigott-Smith.

9. “Foyle’s War” (2002-2015) – Anthony Horowitz created this television crime drama about a British police detective during World War II. The series starred Michael Kitchen, Honeysuckle Weeks and Anthony Howell.

10. “RKO 281” (1999) – Liev Schreiber starred as Orson Welles in this 1999 television adaptation of 1996 documentary called “The Battle Over Citizen Kane”. The television movie also starred John Malkovich, Roy Schneider, James Cromwell and Melanie Griffith.

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Movie and Television Productions Featuring U.S. Marines During World War II

Today is the U.S. Marines’ birthday. To celebrate, I thought it would be nice to recommend ten movie and television productions (in chronological order) that feature U.S. Marines during World War II:

 

MOVIE AND TELEVISION PRODUCTIONS FEATURING U.S. MARINES DURING WORLD WAR II

1. “Pride of the Marines” (1945) – John Garfield portrayed real life Marnie, Al Schmid, a decorated hero who was blinded during the Battle of Guadalcanal. Eleanor Parker and Dane Cook co-starred. Delmer Daves directed.

2. “Sands of Iwo Jima” (1949) – John Wayne earned an Oscar nomination in this dramatization of the Battle of Iwo Jima. Directed by Allan Dwan, John Agar and Forrest Tucker co-starred.

3. “Battle Cry” (1955) – Raoul Walsh directed this adaptation of Leon Uris’ novel about U.S. Marines in love and war during World War II. Van Heflin, Aldo Ray, James Whitmore, and Tab Hunter co-starred.

4. “Heaven Knows, Mr. Allison” (1957) – John Huston directed both Robert Mitchum and Deborah Kerr in this character study about a shipwrecked Marine and a nun, who wait out the war on an island in the Pacific.

5. “In Love and War” (1958) – Philip Dunne directed this adaptation of Anton Meyer’s novel about three Marines on leave in San Francisco. Robert Wagner, Dana Wynter, Jeffrey Hunter, Hope Lange and Bradford Dillman co-starred.

6. “Hell to Eternity” (1960) – Jeffrey Hunter portrayed real-life Marine hero Guy Gabaldon in this biopic about a homeless Latino in Los Angeles, who is adopted by a Japanese-American family and later becomes a hero at the Battle of Saipan. Phil Karlson directed.

7. “The Outsider” (1961) – Tony Curtis starred in this biopic about Marine Ira Hayes, one of the flag raisers on Iwo Jima. Directed by Delbert Mann, the movie co-starred James Franciscus and Gregory Walcott.

8. “Windtalkers” (2002) – John Woo directed this account of the Navaho code talkers in the U.S. Marines and the men assigned to protect them. Nicholas Cage, Adam Beach, Frances O’Connor and Christian Slater starred.

9. “Flags of Our Fathers” (2006) – Clint Eastwood directed this account on three of the six men who raised the flag at The Battle of Iwo Jima. Ryan Phillipe, Adam Beach and Jesse Bradford co-starred.

The-Pacific-016

10. “The Pacific” (2010) – Tom Hanks and Steven Spielberg produced this 10-part award-winning miniseries for HBO about the experiences of three U.S. Marines – Robert Leckie, Eugene Sledge and John Basilone – during World War II. James Badge Dale, Joseph Mazzello and Jon Seda starred.

Top Favorite WORLD WAR II Movie and Television Productions

Soviet_infantryinInvasionofPoland

September 1-3 marked the 75th anniversary of the beginning of World War II.

On September 1, 1939; the German Army invaded Poland on the orders of its leader, Chancellor Adolf Hitler, a week following the signing of the Molotov–Ribbentrop Pact. While the Polish military struggled to keep the invading Germans at bay, its government awaited awaited expected support and relief from France and the United Kingdom, with whom they had a pact. Two days later on September 3, Poland’s two allies declared war on Germany and World War II; which ended up engulfing both Europe, Asia, North Africa and the South Pacific; began.

Below is a list of my favorite movie and television productions about the war.

 

TOP FAVORITE WORLD WAR II MOVIE AND TELEVISION PRODUCTIONS

1a - Band of Brothers

1a. “Band of Brothers” (2001) – Steven Spielberg and Tom Hanks produced this outstanding television miniseries about the history of a U.S. Army paratrooper company – “Easy Company” – during the war. Damian Lewis and Ron Livingston starred. (tie)

1b - The Pacific

1b. “The Pacific” (2010) – Spielberg and Hanks struck gold again in this equally superb television miniseries about the experiences of three U.S. Marines – John Basilone, Robert Leckie and Eugene Sledge – in the war’s Pacific Theater. James Badge Dale, Joseph Mazzello and Jon Seda starred. (tie)

2 - Kellys Heroes

2. “Kelly’s Heroes” (1970) – Clint Eastwood, Telly Savalas and Don Rickles starred in this memorable war comedy about a group of Army soldiers who go AWOL to rob a bank behind enemy lines. Brian G. Hutton directed.

3 - Inglorious Basterds

3. “Inglorious Basterds” (2009) – Quentin Tarantino wrote and directed this excellent alternate history adventure about two plots to assassinate Adolf Hitler in 1944. Brad Pitt, Christoph Waltz and Mélanie Laurent starred.

4 - Casablanca

4. “Casablanca” (1942) – Humphrey Bogart and Ingrid Bergman starred in this Oscar winning adaptation of Murray Burnett and Joan Alison’s un-produced stage play, “Everybody Comes to Rick’s”. Directed by Michael Curtiz, the movie also starred Paul Henreid and Claude Rains.

5 - The Winds of War

5. “The Winds of War” (1983) – Dan Curtis produced and directed this excellent 1983 television adaptation of Herman Wouk’s 1971 novel. The miniseries starred Robert Mitchum, Jan-Michael Vincent and Ali McGraw.

6 - Hope and Glory

6. “Hope and Glory” (1987) – John Boorman wrote, produced and directed this 1987 excellent comedy-drama about his own childhood experiences during World War II. Sarah Miles, David Hayman and Sebastian Rice-Edwards starred.

7 - A Bridge Too Far

7. “A Bridge Too Far” (1977) – Sir Richard Attenborough produced and directed this darkly fascinating adaptation of Cornelius Ryan’s book about the Operation Market Garden campaign. The all-star cast included Dirk Bogarde, Sean Connery, Ryan O’Neal and Gene Hackman.

8 - Valkyrie

8. “Valkyrie” (2008) – Bryan Singer directed this detailed and first-rate account of Colonel Claus von Stauffenberg’s plot to assassinate Adolf Hitler in July 1944. The movie starred Tom Cruise, Tom Wilkinson and Bill Nighy.

9 - The Longest Day

9. “The Longest Day” (1962) – Darryl Zanuck produced this all-star adaptation of Cornelius Ryan’s book about the Normandy invasion. The cast included Robert Mitchum, Richard Beymer, Robert Wagner and John Wayne.

10 - The Bridge on the River Kwai

10. “The Bridge on the River Kwai” (1957) – David Lean directed this Oscar winning adaptation of Pierre Boulle’s 1952 World War II novel. The movie starred William Holden, Oscar winner Alec Guinness and Oscar nominee Sessue Hayakawa.

HM - Empire of the Sun

Honorable Mention: “Empire of the Sun” (1987) – Steven Spielberg produced and directed this excellent adaptation of J.G. Ballard’s semi-autobiographical novel about a British boy’s experiences in World War II China. The movie starred Christian Bale, John Malkovich, Miranda Richardson and Nigel Havers.

“THE PACIFIC” (Episode Ten) Commentary

I wrote this commentary on the tenth and final episode of “THE PACIFIC”

 

”THE PACIFIC” (Episode Ten) Commentary

Well. After two months or so, ”THE PACIFIC” ended. Finally. I could discuss the entire miniseries, but this is aboutEpisode Ten. The full review will have to wait for another article.

Episode Ten focused upon our three main characters – Robert Leckie, Eugene Sledge and John Basilone – returning home after the war in the Pacific Theater. Or perhaps I should say two characters, considering that Basilone was killed on Iwo Jima in Episode Eight. This allowed his story to be shown from the viewpoint of his widow, Sergeant Lena Riggi Basilone. It is through her eyes that viewers got to peek at the Basilone family for the third and final time. The episode also focused upon Sledge’s attempts to put the horrors of the war behind him, and Leckie’s reunions with his family and Vera Keller.

Lena Basilone’s visit to her in-laws in New Jersey turned out to be a strange and uncomfortable affair. Perhaps this sense of discomfort came from the family’s reaction to her presence. Mr. Basilone Senior commented politely on Lena’s good looks. Brother-in-law was just as polite, but slightly warmer. Mrs. Basilone, on the other hand, seemed to regard Lena with a wary eye. This wariness finally broke down when Lena handed over John’s medal to her. Considering that Lena’s ties with the Basilones eventually dissipated into the wind, one might as view this moment in the Basilone family history as very rare moment.

Following the Japanese surrender to the Allied forces in August 1945, Eugene Sledge and fellow combatants such as ‘Snafu’ Shelton and R.V. Burgin remained in Asia – specifically China – for several months, before finally returning home in 1946. The eastbound train journey included a humorous moment in which ‘Snafu’ tried to pick up a young woman and earned a slap for his troubles. The three Marines surmised that they would have been luckier with women if they had returned home back in 1945. In two poignant moments, Sledge and Shelton bid Burgin good-bye, after the train arrived at the Texan’s hometown. Upon the train’s arrival in New Orleans, Shelton decided to leave the train without saying good-bye to the sleeping Sledge. And the Alabama native eventually returned home and was warmly greeted by his old friend, Sid Phillips and his parents. But despite this warm and emotional homecoming, adjusting to civilian proved to be difficult for Sledge. Nightmares of the war plagued his sleep. He seemed more inclined to stay at home at hang around, instead of continuing his education or getting a job. It all came to a head during a hunting trip with his father, in which he burst into tears over his bad memories.

Robert Leckie learned of the Japanese surrender, while staying a Navy hospital. Considering that he had been wounded at Peleliu in late September 1944, I was surprised to learn that he was still being hospitalized some ten to eleven months later. He was eventually discharged from the hospital and the Marines and returned home to New Jersey by the fall of 1945. It did not take him long to regain his old job as a sportswriter for the local paper. Courting Vera Keller proved to be another matter. It seemed she had never received any of the letters he had written to her for nearly three years and a recent West Point graduate-turned Army officer was courting her. But with a great deal of chutzpah and charm, he finally managed to win her over. Leckie’s greatest challenge centered on his reunion with his family. When he had revealed his pre-war life to his former Australian girlfriend Stella in Episode Three, I had no idea that the relationship between him and the rest of his family was that chilly. Now I know.

I never expected Episode Ten to be any great shakes, in compare to the other episodes. I still recall how the last episode of ”BAND OF BROTHERS” seemed rather . . . mellow. Mind you, this last episode did not feature any accidental deaths. But it did provide a glimpse of how returning war veterans dealt with civilian life. Sledge’s difficulty in adjusting to civilian life did not strike me as surprising. I have been aware of his difficulties for quite a while. Although I must admit that I found his emotional breakdown during a hunting trip with his father rather poignant and sad. Joseph Mazzello did an excellent job of conveying Sledge’s unexpected emotional outburst. And actress Annie Paarisse also gave a first-rate performance portraying the now saddened Lena Basilone, who seemed slightly intimidated by her in-laws’ coolness. James Badge Dale seemed to be enjoying himself in the scenes featuring Leckie’s return to his sportswriters job and his courtship of Vera Keller. But if there is one scene that really took me by surprise was the chilly reception that the former Marine received from his family. I was very impressed by the subtle hostility that both Badge Dale and actress Betty Buckley (who portrayed Marion Leckie) conveyed between the two characters. I also have to say a word for Rami Malek, who did an excellent job in portraying ‘Snafu’ Shelton’s regret and determination not to bid Sledge good-bye upon the train’s arrival in New Orleans. It was a subtle cap to a very flamboyant performance.

I did have a few problems with Episode Ten. I wish it could have revealed how Lena Basilone became estranged from her in-laws. But I suppose that Bruce C. McKenna and Robert Schenkkan were unable to collect any material on the matter, considering that she had passed away in 1999 and the Basilone family might be reluctant to discuss their relationship with her. And I also could have enjoyed a post-war reunion between Leckie and his three friends – ‘Chuckler’, ‘Hoosier’, and ‘Runner’. Perhaps he did not reunite with them until after 1946. Pity. It would have a great emotional cap to a very charismatic friendship.

Despite the above-mentioned problems, Episode Ten was not a bad episode. I never expected it to be. And the only way it could have knocked my socks off was if it became part of a sequel in which Spielberg, Hanks and Goetzman explored the post-war lives of Leckie, Sledge and Lena Basilone. Their own version of ”THE BEST YEARS OF OUR LIVES”. But it still proved to be a nice little epilogue to an outstanding miniseries.

“THE PACIFIC” (Episode Eight) Commentary

I wrote this commentary on the eighth episode of “THE PACIFIC”

 

”THE PACIFIC” (Episode Eight) Commentary

This latest episode of ”THE PACIFIC” managed to affect me in a very emotional way. To my great surprise. And I find this amazing. After all, I knew what it was about – namely John Basilone’s return to active duty, along with his courtship and marriage to fellow Marine, Sergeant Lena Riggi. And I knew how it would end. Yet, Episode Eight had a great emotional impact upon me. 

In a nutshell, the episode began with a glimpse of Eugene Sledge and his fellow 5th Regiment Marines at Pavuvu, recovering from their ordeal on Peleliu. Not much really happened in this little sequence. Eugene discovered that someone had tossed one of the late Captain Haldane’s books into the garbage. He became irritated by ‘Snafu’ Shelton’s claims of coming down with a tropical disease. The sequence ended with Jay De L’Eau informing Sledge and Shelton that he had been transferred to either regimental or company headquarters.

The meat of Episode Eight centered on the last months of one Gunnery Sergeant John Basilone. The beginning of the episode featured Basilone and his brothers participating at a radio program at NBC in New York City. Whereas his brothers and the rest of the family seemed thrilled by the Marine’s celebrity, he seemed sick to his stomach. No longer able to deal with the publicity and longing to return to active duty, Basilone reenlisted into the Marines.

He found himself at Camp Pendleton, California; transferred to the Fifth Marines Division. Among the new recruits assigned to his company are future war hero Charles “Chuck” Tatum and Steve Evanson. The two ended up becoming While Basilone prepared them and other recruits for combat, he met the love of his life – Marine Sergeant Lena Piggi. I could say that it was love at first sight for the both of them, but I would be lying. Basilone obviously fell completely in love with Lena. However, she did not seem to want anything to do with him. At first. But when she realized that the war hero had no interest in simply wooing her for the sake of a one-night stand or two during a breakfast date, she finally opened her feelings toward him. After learning that his division was about to be shipped overseas, Basilone proposed marriage to Lena . . . and she accepted. But all good things must come to an end. And it did for Basilone; when he, Tatum, Evanson and the rest of the Fifth Marines landed smack into the violence and chaos of Iwo Jima.

When I had first contemplated Basilone’s fate a few days before Episode Eight had aired, I found myself crying. And I asked myself . . . why? After all, I knew that the Marine hero would die. So, I dismissed my little outburst of emotion and anticipated the episode. And I watched it. I enjoyed Basilone’s interactions with Tatum and Evanson, and their humorous reactions to his training. I especially enjoyed his courtship of Lena and the peek into wartime New York and Southern California. I spent most of the Iwo Jima sequence holding my breath and wincing at the graphic violence that unfolded. But it was not until my family and I discussed the manner of Basilone’s death that I found myself on the verge of tears again. The following day, I found myself thinking about the episode . . . and I cried again.

It finally occurred to me that Episode Eight had an underlying sense of doom that I found slightly depressing. It was interesting that Andrew Haldane’s death, which took me by surprise, barely affected me. Yet, Basilone’s death had a strong impact upon me. Of course it did. I had been emotionally invested in Basilone since the first episode. And Jon Seda’s subtle and spot-on portrayal of the war hero had a lot to do with that. The fact that he found true love just before departing for Iwo Jima made his death all the more poignant. Actress Annie Parisse gave a complex and feisty performance as Basilone’s wife, Lena Riggi Basilone. More importantly, she and Seda created a strong screen chemistry. And I found Ben Esler and Dwight Braswell rather hilarious as the two friends and witnesses to Basilone’s last months, Chuck Tatum and Steve Evanson. In many ways, they almost seemed like a comedy act. It seemed a pity that they would only be featured in this episode.

Many have complained that the Iwo Jima battle sequence could have lasted longer. I honestly do not see how. The episode more or less covered the events leading to his death. And he was killed during the battle’s first day. I believe that screenwriters Robert Schenkkan and Michelle Ashford were right to focus most of the episode on his months at Camp Pendleton and his courtship of Lena Riggi. The fact that his death capped a romantic episode made it all more poignant and slightly depressing for me. However, I do have one complaint about the episode – namely the Sledge sequence. I simply found it unnecessary. Unless Episode Nine end up proving otherwise, I could not see how the events on Parvuvu continued Sledge’s story.

But despite the Parvuvu sequence, I still enjoyed Episode Eight. Superficially, it did not seem like it would prove to be one of the miniseries’ better episodes. But the love story between John Basilone and Lena Riggi, topped by his death at Iwo Jima, made it – at least for me – one of the most poignant ones in the series.

“THE PACIFIC” (Episode Seven) Commentary

I wrote this commentary on the seventh episode of “THE PACIFIC”

 

”THE PACIFIC” (Episode Seven) Commentary

In Episode Seven”THE PACIFIC” finally ended its three-part focus on the Battle of Peleliu. This particular one centered on Eugene Sledge (Joseph Mazzello) and his experiences with the 5th Marines regiment in the hills of Peleliu Island in October 1944.

The episode began with a montage featuring Sledge and the 5th Marines battling it out against the Japanese Army for a period of time – a first for the miniseries – until their return to the airfield for a brief respite. There, Sledge has a conversation with his company commander, Captain Andrew “Ack Ack” Haldane (Scott Gibson). As the 5th Marines prepare to head back into the hills, Sledge spotted Colonel Chesty Puller (William Sadler) and the 1st Marines regiment heading back toward the beach. One of that regiment’s wounded turned out to be one Lou “Chuckler” Juergens (Josh Helman), barely conscious, while smoking a cigarette.

As Sledge and the 5th Marines returned to the hills, the episode gave viewers another peek into John Basilone’s (Jon Seda) continuing publicity tour as a war hero. Only this time, the novelty has finally worn off. The war bond drive and celebrity status has driven Basilone into his own personal hell. He also seemed to be haunted by memories of Guadalcanal and the death of Manny Rodriguez (Jon Bernthal). This brief glimpse of Basilone’s dissatisfaction will eventually lead to his decision to request a return to active duty.

But most of the episode featured Sledge and the 5th Marines’ continuing experiences on Peleliu. The horrors that the Mobile native had experienced during the landing and the battle across the airfield almost seemed like child’s play in comparison to his experiences in the Peleliu hills. I say . . . almost. What Sledge and the others had experienced duringEpisode Five and Episode Six seemed pretty hellish to me. In this episode, Sledge, his fellow Marines and the Japanese soldiers all seemed, at times, to be experiencing the lowest forms of humanity. And Episode Seven provided it all with brutal combat scenes, gruesome deaths and worst of all, mutilation of bodies – dead or alive.

Earlier in the episode, Sledge had looked upon some of his fellow Marines’ mutilation of dead Japanese soldiers with disgust. One particular Marine even tried to remove the gold teeth from a Japanese soldier, who was badly wounded but still alive. Sledge expressed his disgust aloud, demanding that the enemy soldier be put out of his misery. Later in the episode, he sang a different tune after his company suffered major losses in the command structure. First, a wounded Lieutenant Edward “Hillbilly” Jones (Leon Ford) was killed by stray bullets, while being carried from the battlefield by stretcher bearers. Not much time had passed before Corporal R. V. Burgin (Martin McCann) announced Captain Haldane’s death from a sniper to his platoon. Following Haldane’s death, Sledge finally had an urge to engage in a little mutilation of Japanese soldiers on his own. Fortunately, “Snafu” Shelton (Rami Malek) managed to talk him out of committing an act he would have eventually regretted. The episode ended with the 5th Marines returning to Parvuvu. However, Sledge returned as someone different from the inexperienced Marine that had a reunion with his childhood friend, some four months ago. This was especially apparent in his reaction to the sight of nurses greeting returning Marines on Parvuvu. Perhaps in his mind, they seemed like an illusion amidst the realities of war.

Many fans seemed to view Episode Seven as the best in the entire miniseries, so far. Perhaps. Perhaps not. Some also believe that it is the series’ most depressing episode. At the moment, I believe that Episode Four still holds that honor. But I do believe that Episode Seven was the most brutal in the series so far – with both Episode Two and Episode Sixtying for second place. Director Tim Van Patten did an exceptional job in conveying the brutality and chaos of war in the Pacific Theater. Two scenes that really drove home the fact to me were the surprising death of Hillbilly Jones, which took me completely by surprise; and the image of “Snafu” Shelton tossing pebbles into the head of a dead Japanese soldier. By the time Sledge and his fellow Marines had returned to Parvuvu, I felt as if I had experienced the combat version of hell and beyond. However, I do have two quibbles about the episode.

In real life, a Navy corpsman named Doc Caswell had been the one to convince Sledge not to mutilate a dead Japanese soldier. In the miniseries, it was “Snafu”. My problem with this particular scene stemmed from another in last week’s episode, in which “Snafu” had supported Sledge’s pragmatic reaction to Hillbilly’s order for someone to shut up a wailing Marine with a deadly whack on the head. I found it difficult to view that “Snafu” as the same man who stopped Sledge from mutilating a dead Japanese soldier. And I feel that Captain Haldane’s death lacked any real drama. Do not get me wrong. Haldane was probably an excellent leader and a good Marine. But Scott Gibson’s portrayal of the officer made him seem like a 2.0 version of the Richard Winters character in ”BAND OF BROTHER”. I also found it difficult to experience any surge of emotion over his death, considering that it had occurred off-screen. If screenwriter Bruce McKenna could change history and allow “Snafu” to convince Sledge not to commit any mutilation, then surely he could have allowed the Alabamian to witness Haldane’s death.

The episode did feature some superb performances – especially by Joseph Mazzello and Rami Melek. And while I had a slight problem with the idea of “Snafu” convincing Sledge not to mutilate that Japanese soldier, I must admit that this scene has led me to believe that the two actors had given the best performances in the entire episode. But I also feel that Martin McCann did a fine job in developing Burgin into a top-notch squad leader. When I first saw Gary Sweet’s portrayal of Gunnery Sergeant Elmo Haney back in Season Five, I thought it was a bit too exaggerated and something of a joke. But I must admit that not only did he managed to grow on me, I found his portrayal of Haney’s growing sense of despair over the bloodbath on Peleliu very impressive. But I cannot forget Jon Seda’s brief, yet memorable performance as war hero John Basilone. With a minimum of words and a great deal of facial expressions and body language, he did a superb job of conveying Basilone’s despair over being trapped into some kind of celebrity hell. He has grown a great deal as an actor.

Episode Seven capped what I believe to be the best part of ”THE PACIFIC” – a three-part glimpse into the brutality of the controversial battle, Peleliu. I suspect that many viewers might find this surprising. Because so many combatants had died on the beaches and in the caves of Peleliu, the island now has a war memorial honoring the dead of both the Americans and the Japanese.

“THE MASTER” (2012) Review

the-master

 

“THE MASTER” (2012) Review

Paul Thomas Anderson seemed to be one of those filmmakers who embody what critics would categorize as a modern day “auteurist” that release a movie every few years to dazzle moviegoers and critics with his or her personal creative vision. During his sixteen years as a director and filmmaker, he has made four short films and six feature movies. One of the six feature films is his latest, “THE MASTER”

Believed by many to be an exposé on Scientology, “THE MASTER” tells of the story of a World War II Navy veteran named Freddie Quell, who struggles to adjust to a post-war society. Freddie uses sex and alcohol to escape his personal demons. But when his drinking and violent behavior leads him to lose jobs as a department store photographer and a field worker on a cabbage farm, Freddie ends up in San Francisco, where he stows aboard a yacht that belongs to one Lancaster Dodd, a leader of a philosophical movement known as “The Cause”. Dodd sees something in Quell and accepts him into the movement. But Freddie’s drunken and violent behavior fails to abate and Dodd’s wife, daughter and son-in-law begin to express doubt that the latter can help the World War II veteran.

What can I say about “THE MASTER”? Did it turn out to be the exposé on Scientology that many believed it would become? Not really. Despite its title, “THE MASTER” seemed to be more about Freddie Quell than Lancaster Dodd and “the Cause”. The movie did feature practices that are believed to be similar to those practiced by members of Scientology. But the movie’s deeper focus on Freddie’s personal demons has led me to believe that the Church of Scientology has nothing to fear. In the end, “THE MASTER” seemed to be more of a character study of the very disturbed Freddie Quell, along with a secondary study of Lancaster Dodd . . . and their friendship. And Paul Thomas Anderson revealed these two character studies in a movie with a running time of 143 minutes.

There were aspects of “THE MASTER” I found very admirable. The movie featured an outstanding performance from Joaquin Phoenix, who gave a volatile portrayal of the disturbing Freddie Quell. I was also impressed by Philip Seymour Hoffman’s portrayal of the charismatic Lancaster Dodd. His performance not only hinted in subtle ways, his understanding of Freddie’s demons, but the possibility that he once possessed similar demons. And Amy Adams was memorable as Peggy Dodd, Lancaster’s second or third wife, who not only seemed more dedicated to “the Cause” than her husband; but also seemed to understand both him and Freddie with a frankness the two men seemed unwilling to face. And all three – Phoenix, Hoffman and Adams – have received Golden Globe nominations and all three deserved them. The movie also featured solid performances from Laura Dern, who portrayed a hardcore devotee to Dodd; Rami Malek, Dodd’s quiet and unassuming son-in-law who assumes a dislike of Freddie; Ambyr Childers, Dodd’s daughter, who hides a lusty attraction to Freddie; Jesse Plemons, who portrays Dodd’s disenchanted son; Madisen Beaty, who portrays Freddie’s love of his life; and Kevin J. O’Connor, a devotee of “the Cause” who is not impressed by Dodd’s writing.

I was also impressed by the movie’s production designs. David Frank and Jack Fisk did an excellent job in re-creating America during the post-World War II era and the beginning of the 1950s. Mark Bridges’ costumes were tasteful and at the same time, projected an accuracy of the era. And cinematographer Mihai Malaimare Jr. captured Anderson’s direction and the movie’s setting with some impressive photography.

So, did I enjoy “THE MASTER”? No. In fact, I dislike the movie . . . intensely. There is nothing more boring than a 143 minute character study, in which the main character does not evolve or devolve. Freddie Quell never changes. Perhaps this was the lesson that Anderson was trying to convey. But honestly, he could have done this with more solid writing, a shorter running time and with less pretentiousness. And I have never seen a movie with so much pretentiousness since Joe Wright’s movie, “HANNA”. While watching an early scene that featured Freddie dry humping a nude woman made from sand on a beach, I began to suspect that my patience might be tested with this film. I had no idea my patience would eventually slipped into sheer boredom. One cannot image the relief I felt when the movie finally ended.

I realize that “THE MASTER” has received a great deal of acclaim from critics and some moviegoers. But I simply failed to see the magic. And if this movie manages to acquire a great deal of nominations during the awards season (which it probably will), I will not be one of those cheering the movie for critical glory. I dislike it too much. Oh well. Perhaps I will like Anderson’s next film.