“THE SEVEN PER-CENT SOLUTION” (1976) Review

“THE SEVEN PER-CENT SOLUTION” (1976) Review

There have been countless number of plays, movie and television productions based on Sir Arthur Conan Doyle’s “Sherlock Holmes” novels and short stories. Some of these productions have touched upon or portrayed Sherlock Holmes as a drug addict. Only two have actually explored this topic. And one of them was the 1976 film, “THE SEVEN PER-CENT SOLUTION”

Film director and novelist Nicholas Meyer had written his first novel – a Sherlock Holmes tale – called “The Seven-Percent Solution” – and it was published in 1974. A year or two later, Meyer adapted the novel as a movie. Directed by Herbert Ross, the film starred Nicol Williamson as Sherlock Holmes, Robert Duvall as Dr. John Watson and Alan Arkin as Dr. Sigmund Freud. “THE SEVEN PER-CENT SOLUTION” began when Army veteran Dr. John Watson becomes convinced that his close friend and colleague, private detective Sherlock Holmes, has developed a drug-induced obsession with proving that a professor named James Moriarty is a criminal mastermind. After Moriarty complains to Watson that he is being harassed by Holmes, the good doctor enlists the aid of Sherlock’s older brother, Mycroft, to trick Holmes into traveling to Vienna, where he can be treated by a clinical neurologist named Dr. Sigmund Freud. While being treated by Freud for his cocaine addiction, Holmes becomes involved with a kidnapping case involving an actress, who happens to be another patient of Dr. Freud’s.

It is quite obvious that “THE SEVEN PER-CENT SOLUTION” is a mystery . . . like any other Sherlock Holmes tale. Only, Holmes is not the person who solves the film’s major mystery. It is Dr. Sigmund Freud. “Wait a minute . . . “ many of you might say. Holmes is the main character in this tale. And the film’s narrative includes the famous detective being forced to solve a kidnapping. But the kidnapping of Lola Devereaux seemed to be the movie’s B-plot. The real mystery seemed to be the reasons behind Holmes’ addiction . . . and his harassment of Professor Moriarty. And that mystery remained unsolved – by Dr. Freud – until the film’s final ten to fifteen minutes. Sherlock Holmes might be the film’s main character, but the main investigator in this tale is none other than Dr. Sigmund Freud. This is one of the reasons why I still find “THE SEVEN PER-CENT SOLUTION” so fascinating. For once, Sherlock Holmes is not the main investigator in one of his tales . . . he is the mystery. No wonder this film is so rare among the many works of fiction – on screen or off – about the famous detective. Not only did I find it rare, but also very interesting.

Since the real mystery behind “THE SEVEN PER-CENT SOLUTION” was about Sherlock Holmes’ personal demons and his drug use, I also have to give kudos to Nicholas Meyer in the manner in which he structured the narrative. He must have realized that he could not simply present a story about Holmes’ demons and his drug addiction and keep movie audiences interested. Especially since Holmes is the main character. Meyer had to include an adventure for the fictional detective, Dr. Watson and Dr. Freud. And I believe that Meyer was very smart to first center the story around Holmes’ addiction and his harassment of James Moriarty. Yet, at the same time, Meyer injected small clues that foreshadowed the trio’s adventures surrounding Lola Devereaux’s kidnapping. By the time Freud managed to “dry out” Holmes’ drug addiction, the story finally shifted full time to the kidnapping. I also thought Meyer was very clever to portray her as another one of Freud’s patients, in order to include the neurologist into the adventure. And yet, the rescue of Miss Devereaux was not the end of the story, for the real mystery had yet to be solved – namely what traumatic event led Holmes to his drug use and his harassment of Moriarty. Like I said . . . very clever. Meyer’s story was basically a character study of Sherlock Holmes, yet he included an exciting adventure into the narrative in order to maintain the audience’s interest.

Another aspect of “THE SEVEN PER-CENT SOLUTION” that I truly enjoyed was its production values. It is a very beautiful looking film. I believe the three people responsible for the movie’s visual style were cinematographer Oswald Morris, costume designer Alan Barrett and two veterans of the James Bond franchise – art director Peter Lamont and the legendary production designer Ken Adams. One of the aspects that I enjoyed about “THE SEVEN PER-CENT SOLUTION” was Morris’ beautiful and colorful photography of England and Austria, especially Vienna. I have only one complaint about Morris’ photography was the hazy sheen that seemed to indicate that the film is a period drama. I found that unnecessary. I was very impressed with Barrett’s costumes – for both the men and women characters. I thought he did an excellent job in creating exquisite costumes for a story set in the early 1890s. As much as I admire most of Morris’ photography for its sheer visual beauty, I also admire it for enhancing both Ken Adams’ production designs and Peter Lamont’s art designs. And I have to say . . . both did a great job in re-creating both late Victorian England and Vienna during the middle period of the Austro-Hungarian Empire.

The performances featured in “THE SEVEN PER-CENT SOLUTION” were pretty solid, with perhaps a few outstanding ones. Would I regard Nicol Williamson’s portrayal of Sherlock Holmes outstanding? I am not sure. I have to admit that I was impressed by his performance in many scenes – especially those that featured Holmes’ investigation of Lola Devereaux’s kidnapping. However, there were a good number of moments when I found Williamson’s performance a bit theatrical – especially in those scenes when Holmes’ obsession of Moriarty seemed to be overwhelming or when the character was in the throes of cocaine withdrawal. Many filmgoers and critics have claimed that Robert Duvall was miscast as Dr. John Watson, Holmes’ closest friend and chronicler. Perhaps. I suspect that this belief is solely based upon the British accent that Duvall had utilized for the role. It was not impressive. In fact, I found it lumbering and somewhat wince-inducing. However . . . a bad accent does not exactly mean a bad performance. Despite his inability to get a handle on a decent British accent, I cannot deny that Duvall gave a classy and first-rate performance as the loyal and intelligent Watson.

Vanessa Redgrave gave an exquisite performance as Lola Devereaux, the sensuous, yet intelligent actress, who becomes the target of kidnappers. Jeremy Kemp was marvelous as the arrogant and bigoted Baron Karl von Leinsdorf, who also could be rather dashing . . . at least to women like Miss Deveareaux. Joel Grey gave an interesting performance as a mysterious figure named Lowenstein, who played a prominent role in Miss Devereaux’s kidnapping. The movie also benefited from solid performances from Samantha Eggar, Charles Gray, Anna Quayle, Georgia Brown, Régine and John Hill. Jill Townsend, who was married to Williamson at the time, made a very effective cameo as the Holmes brothers’ mother in a flashback.

But for me, the two best performances came from Alan Arkin as Dr. Sigmund Freud and Laurence Olivier as Professor James Moriarty. Arkin was superb as the brilliant neurologist, whose cool demeanor is constantly tested by Holmes’ abrasive personality, Baron von Leinsdorf’s bigotry and the adventure that he, Holmes and Watson are drawn into. I believe the other great performance came from Laurence Olivier, who gave a fascinating performance as the target of Holmes’ ire, Professor James Moriarty. What I found fascinating about Olivier’s performance is that he managed to not only convey Moriarty’s obsequious behavior, but also a hint that the character was hiding a pretty awful secret.

I realized that I only had a few quibbles about “THE SEVEN PER-CENT SOLUTION”. I did not care for the hazy sheen that layered an otherwise excellent photography by Oswald Morris. There were times when lead actor Nicol Williamson seemed a bit hammy and if I must be honest, Robert Duvall’s English accent was rather ponderous and fake. But overall, both actors and the rest of the cast provided some pretty good performances, especially Alan Arkin and Laurence Olivier. But I was especially impressed by the narrative for “THE SEVEN PER-CENT SOLUTION”, a unique Sherlock Holmes tale in which the main mystery was focused on the detective’s own psyche.

Least Favorite Movie Period Dramas

Below is a list of ten of my least favorite movie period dramas:

 

LEAST FAVORITE MOVIE PERIOD DRAMAS

1. “Legends of the Fall” (1992) – Edward Zwick directed this dull and overrated adaptaion of Jim Harrison’s 1979 novella about the lives of a Montana ranching family during the early 20th century. Brad Pitt and Anthony Hopkins starred.

2. “Barbary Coast” (1935) – Howard Hawks directed this turgid tale about an Eastern woman who arrives in San Francisco during the Gold Rush and comes between a corrupt gambler/saloon keeper and a miner. Miriam Hopkins, Edward G. Robinson and Joel McCrea starred.

3. “Mayerling” (1968) – Omar Sharif and Catherine Deneuve starred in this lavish, yet dull account of the tragic romance between Crown Prince Rudolf of Austria and his mistress, Baroness Maria Vetsera. Terence Young directed.

4. “Idlewild” (2006) – André 3000 and Big Boi starred in this confusing and badly written musical set during Depression Era Georgia. Bryan Barber directed.

5. “Becky Sharp” (1935) – Miriam Hopkins earned a surprising Best Actress nomination (surprising to me) in this unsatisfying adaptation of William Makepeace Thackery’s 1847-48 novel, “Vanity Fair”. Directed by Rouben Mamoulian, the movie is known as being the first full-length production in Technicolor.

6. “Gods and Generals” (2003) – Stephen Lang, Jeff Daniels and Robert Duvall starred in this adaptation of Jeff Shaara’s 1996 Civil War novel and prequel to the much superior 1993 movie, “Gettysburg”. Ronald Maxwell directed.

7. “The Hindenburg” (1975) – Robert Wise directed this rather dull account of the Hindenburg air disaster. The movie starred George C. Scott and Anne Bancroft.

8. “Anna Karenna” (2012) – Joe Wright directed this stagey adaptation of Leo Tolstoy’s 1877 novel. Keira Knightley, Jude Law and Aaron Taylor-Johnson starred.

9. “Glorious 39” (2009) – Stephen Poliakoff directed this slow and pretentious thriller about a young woman who discovers that her family are pro-appreasers who wish for Britain to seek peace with Nazi Germany on the eve of World War II. Romola Garai starred.

10. “Alice in Wonderland” (2010) – Tim Burton directed this dull and overrated adaptation of Lewis Carroll’s 1865 novel “Alice’s Adventures in Wonderland” and 1871 novel, “Through the Looking-Glass, and What Alice Found There”. Mia Wasikowska and Johnny Depp starred.

Top Ten Favorite Movies Set in the 1880s

Below is my current list of favorite movies set in the 1880s:

TOP TEN FAVORITE MOVIES SET IN THE 1880s

1. “Stagecoach” (1939) – John Ford directed this superb adaptation of Ernest Haycox’s 1937 short story, “The Stage to Lordsburg”, about a group of strangers traveling by stagecoach through the Arizona territory. Claire Trevor, John Wayne and Oscar winner Thomas Mitchell starred.

2. “The Four Feathers” (2002) – Shekhar Kapur directed this fascinating adaptation of A.E.W. Mason’s 1902 novel about a former British Army officer accused of cowardice. Heath Ledger, Wes Bentley, Djimon Hounsou and Kate Hudson starred.

3. “Back to the Future Part III” (1990) – Michael J. Fox and Christopher Lloyd starred in this third installment of the “BACK TO THE FUTURE” TRILOGY, in which Marty McFly travels back to the Old West to prevent the death of fellow time traveler, Dr. Emmett “Doc” Brown. Written by Bob Gale, the movie was directed by Robert Zemeckis.

4. “Topsy-Turvy” (1999) – Mike Leigh wrote and directed this biopic about W.S. Gilbert and Arthur Sullivan and their creation of their most famous operetta, “The Mikado”. Jim Broadbent and Allan Corduner.

5. “Tombstone” (1993) – Kurt Russell and Val Kilmer starred in this colorful and my favorite account about Wyatt Earp, Doc Holliday and the famous O.K. Corral gunfight. George P. Cosmatos directed.

6. “The Adventures of Sherlock Holmes” (1939) – Basil Rathbone and Nigel Bruce starred in this adaptation of William Gillette’s 1899 stage play, “Sherlock Holmes”. Directed by Alfred L. Werker, the movie co-starred Ida Lupino and George Zucco.

7. “The Cater Street Hangman” (1998) – Eoin McCarthy and Keeley Hawes starred in this television adaptation of Anne Perry’s 1979 novel about a serial killer in late Victorian England. Sarah Hellings directed.

8. “The Picture of Dorian Gray” (1945) – Hurd Hatfield and George Sanders starred in this adaptation of Oscar Wilde’s 1890 novel about a handsome young Englishman who maintains his youth, while a special portrait reveals his inner ugliness.

9. “High Noon” (1952) – Gary Cooper won his second Oscar as a town marshal forced to face a gang of killers by himself. Directed by Fred Zinnemann, the movie was written by blacklisted screenwriter Carl Foreman and co-starred Grace Kelly and Katy Jurado.

10. “Open Range” (2003) – Kevin Costner directed and co-starred with Robert Duvall in this western about a cattle crew forced to take up arms when they and their herd are threatened by a corrupt rancher.

Top Ten Favorite Movies Set in the 1890s

219309_full

Below is my current list of favorite movies set in the 1890s:

TOP TEN FAVORITE MOVIES SET IN THE 1890s

1 - Sherlock Holmes-Game of Shadows

1. “Sherlock Holmes: A Game of Shadows” (2011) – Guy Ritchie directed this excellent sequel to his 2009 hit, in which Sherlock Holmes and Dr. John Watson confront their most dangerous adversary, Professor James Moriarty. Robert Downey Jr. and Jude Law starred.

 

2 - Hello Dolly

2. “Hello Dolly!” (1969) – Barbra Streisand and Walter Matthau starred in this entertaining adaptation of David Merrick’s 1964 play about a New York City matchmaker hired to find a wife for a wealthy Yonkers businessman. Gene Kelly directed.

 

3 - King Solomon Mines

3. “King Solomon’s Mines” (1950) – Stewart Granger, Deborah Kerr and Richard Carlson starred in this satisfying Oscar nominated adaptation of H. Rider Haggard’s 1885 novel about the search for a missing fortune hunter in late 19th century East Africa. Compton Bennett and Andrew Marton directed.

 

4 - Sherlock Holmes

4. “Sherlock Holmes” (2009) – Guy Ritchie directed this 2009 hit about Sherlock Holmes and Dr. John Watson’s investigation of a series of murders connected to occult rituals. Robert Downey Jr. and Jude Law starred.

 

5 - Hidalgo

5. “Hidalgo” (2004) – Viggo Mortensen and Omar Sharif starred in Disney’s fictionalized, but entertaining account of long-distance rider Frank Hopkins’ participation in the Middle Eastern race “Ocean of Fire”. Joe Johnston directed.

 

6. “The Seven Per-Cent Solution” (1976) – Nicol Williamson, Robert Duvall and Alan Arkin starred in this very entertaining adaptation of Nicolas Meyer’s 1974 novel about Sherlock Holmes’ recovery from a cocaine addiction under Sigmund Freud’s supervision and his investigation of one of Freud’s kidnapped patients. Meyer directed the film.

 

Harvey Girls screenshot

7. “The Harvey Girls” (1946) – Judy Garland starred in this dazzling musical about the famous Harvey House waitresses of the late 19th century. Directed by George Sidney, the movie co-starred John Hodiak, Ray Bolger and Angela Landsbury.

 

6 - The Jungle Book

8. “Rudyard Kipling’s The Jungle Book” (1994) – Stephen Sommers directed this colorful adaptation of Rudyard Kipling’s 1894 collection of short stories about a human boy raised by animals in India’s jungles. Jason Scott Lee, Cary Elwes and Lena Headey starred.

 

7 - The League of Extraordinary Gentlemen

9. “The League of Extraordinary Gentlemen” (2003) – Sean Connery starred in this adaptation of Alan Moore and Kevin O’Neill’s first volume of his 1999-2000 comic book series about 19th century fictional characters who team up to investigate a series of terrorist attacks that threaten to lead Europe into a world war. Stephen Norrington directed.

 

8 - The Prestige

10. “The Prestige” (2006) – Christopher Nolan directed this fascinating adaptation of Christopher Priest’s 1995 novel about rival magicians in late Victorian England. Christian Bale, Hugh Jackman and Michael Caine starred.

 

10 - The Four Feathers 1939

Honorable Mention: “The Four Feathers” (1939) – Alexander Korda produced and Zoltan Korda directed this colorful adaptation of A.E.W. Mason’s 1902 novel about a recently resigned British officer accused of cowardice. John Clements, June Duprez and Ralph Richardson starred.

Favorite Films Set in the 1940s

The-1940s

Below is a list of my favorite movies (so far) that are set in the 1940s:

 

FAVORITE FILMS SET IN THE 1940s

1-Inglourious Basterds-a

1. “Inglourious Basterds” (2009) – Quentin Tarantino wrote and directed this Oscar nominated alternate history tale about two simultaneous plots to assassinate the Nazi High Command at a film premiere in German-occupied Paris. The movie starred Brad Pitt, Melanie Laurent and Oscar winner Christoph Waltz.

 

2-Captain America the First Avenger

2. “Captain America: The First Avenger” (2011) – Chris Evans made his first appearance in this exciting Marvel Cinematic Universe installment as the World War II comic book hero, Steve Rogers aka Captain America, who battles the Nazi-origin terrorist organization, HYDRA. Joe Johnston directed.

 

3-Bedknobs and Broomsticks

3. “Bedknobs and Broomsticks” (1971) – Angela Landsbury and David Tomilinson starred in this excellent Disney adaptation of Mary Norton’s series of children’s stories about three English children, evacuated to the countryside during the Blitz, who are taken in by a woman studying to become a witch in order to help the Allies fight the Nazis. Robert Stevenson directed.

 

4-The Public Eye

4. “The Public Eye” (1992) – Joe Pesci starred in this interesting neo-noir tale about a New York City photojournalist (shuttlebug) who stumbles across an illegal gas rationing scandal involving the mob, a Federal government official during the early years of World War II. Barbara Hershey and Stanley Tucci co-starred.

 

5-A Murder Is Announced

5. “A Murder Is Announced” (1985) – Joan Hickson starred in this 1985 adaptation of Agatha Christie’s 1950 novel about Miss Jane Marple’s investigation of a series of murders in an English village that began with a newspaper notice advertising a “murder party”. Directed by David Giles, the movie co-starred John Castle.

 

6-Hope and Glory

6. “Hope and Glory” (1987) – John Boorman wrote and directed this fictionalized account of his childhood during the early years of World War II in England. Sarah Miles, David Hayman and Sebastian Rice-Edwards starred.

 

7-The Godfather

7. “The Godfather” (1972) – Francis Ford Coppola co-wrote and directed this Oscar winning adaptation of Mario Puzo’s 1969 novel about the fictional leaders of a crime family in post-World War II New York City. Oscar winner Marlon Brando and Oscar nominee Al Pacino starred.

 

8-Valkyrie

8. “Valkyrie” (2008) – Bryan Singer directed this acclaimed account of the plot to assassinate Adolf Hitler in July 1944. Tom Cruise, Bill Nighy and Tom Wilkinson starred.

 

15

9. “Pearl Harbor” (2001) – Michael Bay directed this historical opus about the impact of the Pearl Harbor attack upon the lives of three people. Ben Affleck, Kate Beckinsale, Josh Harnett and Cuba Gooding Jr. starred.

 

10-Stalag 17

10. “Stalag 17” (1953) – Billy Wilder directed and co-wrote this well done adaptation of the 1951 Broadway play about a group of U.S. airmen in a prisoner-of-war camp in Germany, who begin to suspect that one of them might be an informant for the Nazis. Oscar winner William Holden starred.

 

9-The Black Dahlia

Honorable Mentioned – “The Black Dahlia” (2006) – Brian DePalma directed this entertaining adaptation of James Ellroy’s 1987 novel about the investigation of the infamous Black Dahlia case in 1947 Los Angeles. Josh Harnett, Scarlett Johansson, Aaron Eckhart and Hilary Swank starred.

Favorite Films Set in the 1950s

The-1950s

Below is a list of my favorite movies set in the decade of the 1950s:

FAVORITE FILMS SET IN THE 1950s

1

1. L.A. Confidential (1997) – Curtis Hanson directed this outstanding adaptation of James Ellroy’s 1990 novel about three Los Angeles police detectives drawn into a case involving a diner massacre. Kevin Spacey, Russell Crowe, Guy Pierce and Oscar winner Kim Basinger starred.

2

2. “Grease” (1978) – John Travolta and Olivia Newton-John starred in this entertaining adaptation of the 1971 Broadway musical about a pair of teenage star-crossed lovers in the 1950s. Randal Kleiser directed.

3

3. “The Godfather, Part II” (1974) – Francis Ford Coppola directed his Oscar winning sequel to the 1972 Oscar winning adaptation of Mario Puzo’s 1969 novel. Al Pacino, Diane Keaton, Robert Duvall and Oscar winner Robert De Niro starred.

4

4. “Quiz Show” (1994) – Robert Redford directed this intriguing adaptation of Richard Goodwin’s 1968 memoir, “Remembering America: A Voice From the Sixties”, about the game show scandals of the late 1950s. Ralph Fiennes, Rob Morrow and John Tuturro starred.

5

5. “The Mirror Crack’d (1980) – Angela Landsbury starred as Miss Jane Marple in this adaptation of Agatha Christie’s 1962 novel. Directed by Guy Hamilton, the movie also starred Elizabeth Taylor, Rock Hudson and Edward Fox.

indy127

6. “Indiana Jones and the Kingdom of the Crystal Skulls” (2008) – Harrison Ford returned for the fourth time as Dr. Henry “Indiana” Jones in this adventurous tale in which he is drawn into the search for artifacts known as the Crystal Skulls. Directed by Steven Spielberg, the movie was produced by him and George Lucas.

6

7. “Champagne For One: A Nero Wolfe Mystery (2001)” – Timothy Hutton and Maury Chaykin starred as Archie Goodwin and Nero Wolfe in this television adaptation of Rex Stout’s 1958 novel. The two-part movie was part of A&E Channel’s “A NERO WOLFE MYSTERY” series.

7

8. “Hollywoodland” (2006) – Adrien Brody, Diane Lane and Ben Affleck starred in this intriguing tale about a private detective’s investigation into the life and death of actor George Reeves. Allen Coulter directed.

8

9. “My Week With Marilyn” (2011) – Oscar nominee Michelle Williams starred as Marilyn Monroe in this adaptation of Colin Clark’s two books about his brief relationship with the actress. Directed by Simon Curtis, the movie co-starred Oscar nominee Kenneth Branagh and Eddie Redmayne as Clark.

9

10. “Boycott” (2001) – Jeffrey Wright starred as Dr. Martin Luther King in this television adaptation of Stewart Burns’ book,“Daybreak of Freedom”, about the 1955 Montgomery bus boycott. Directed by Clark Johnson, the movie co-starred Terrence Howard and C.C.H. Pounder.

10

Honorable Mention: “Mulholland Falls” (1996) – Nick Nolte starred in this entertaining noir drama about a married Los Angeles Police detective investigating the murder of a high-priced prostitute, with whom he had an affair. The movie was directed by Lee Tamahori.

“GODS AND GENERALS” (2003) Review

Image

“GODS AND GENERALS” (2003) Review

In 1993, producer Ted Turner and director Ronald Maxwell released “GETTYSBURG”, a film adaptation of Michael Shaara’s 1974 novel, “The Killer Angels”. Shaara’s son, Jeffrey, wrote a prequel to his novel called “Gods and Generals” in 1996. Both Turner and Maxwell teamed up again 2002-2003 to make a film adaptation of the latter novel. 

Set between April 1861 and May 1863, “GODS AND GENERALS” related the American Civil War events leading up to the Battle of Gettysburg. Although the movie began with Virginia-born Robert E. Lee’s resignation from the U.S. Army, following his home state’s secession from the Union; the meat of the film focused on on the personal and professional life of Confederate general Thomas “Stonewall” Jackson during those two years. It also touched on how Bowdoin College professor Joshua L. Chamberlain became second-in-command of the 20th Maine Volunteer Infantry Regiment, his military training and his experiences during the Battle of Fredricksburg. But trust me . . . most of the movie is about Jackson. It covered his departure from the Virginia Military Institute; his experiences with the famous “Stonewall Brigade”; his experiences at the Battle of Bull Run; his relationships with both his wife Mary Anna, his servant Jim Lewis and a five year-old girl from an old Virginia family; and his experiences at the Battle Chancelorville.

“GODS AND GENERALS” had its virtues. One of them turned out to be Michael Z. Hanan’s production designs. Hanan and his team did a superb job in re-creating Virginia of the early 1860s. I was especially impressed by their recreation of mid-19th century Fredricksburg during that famous battle in December 1862. I wonder who had the bright idea of using Harper’s Ferry, West Virgina for that particular setting. Hanan’s work was ably supported by Kees Van Oostrum’s photography and Gregory Bolton’s art direction. Oostrum’s photography and Corky Ehlers’ editing was also put to good use during the Fredricksburg battle sequence. And I really enjoyed the costumes designed by Richard La Motte, Maurice Whitlock and Gamila Smith. All three did their homework in re-creating the fashions and uniforms of the period. Unlike “GETTYSBURG”“GODS AND GENERALS” featured major female characters. I suspect this gave the trio the opportunity to indulge their romantic streak with crinolines and hoop skirts galore.

There were some admirable performances in “GODS AND GENERALS”. Frankie Faison gave a warm performance as Thomas Jackson’s free cook, Jim Lewis. I was also impressed by Brian Mallon’s subtle portrayal of the concerned Major General Winfield Hancock, a role he had first portrayed in the 1993 film. It is a pity that Bruce Boxleitner did not receive more screen time for his role as Lieutenant General James Longstreet. He had taken over the role from Tom Berenger and gave a pretty solid performance. But alas, he did not receive enough time to do anything with the role. Alex Hyde-White gave an interesting portrayal of Major General Ambrose Burnside, whose decisions led the Union Army to disaster at Fredricksburg. Matt Letscher, whom I last remembered from 1998’s “THE MASK OF ZORRO” was very memorable as the 20th Maine’s founder and first regimental commander, Colonel Adelbert Ames. I could also say the same for Mira Sorvino’s portrayal of Frances “Fanny” Chamberlain, Colonel Chamberlain’s passionate and pessimistic wife. In fact, I believe she had the good luck to portray the most interesting female character in the movie.

So . . . what about the other performances? What about the stars Stephen Lang, Jeff Daniels and Robert Duvall? I am not claiming that they gave bad performances. Honestly, they did the best they could. Unfortunately, all three and most of the other cast members had the bad luck to be saddled with very uninteresting characters, stuck with either bad dialogue or self-righteous speeches. In other words, I found them BORING!!! I am sorry, but I truly did.

First of all, Lang’s Thomas Jackson dominated the film just a little too much. Why bother calling this movie “GODS AND GENERALS”? Why not call it “THE LIFE AND TIMES OF STONEWALL JACKSON”? Even worse, Jackson is portrayed in such an unrelenting positive light that by the time the movie came around to his fate after the Battle of Chancelorville, I practically sighed with relief. Jeff Daniels’ Joshua Chamberlain did nothing to rouse my interest in his story. In fact, he disappeared for a long period of time before he made his reappearance during the Battle of Fredricksburg sequence. And his appearance in that particular sequence was completely marred by him and other members of the 20th Maine Volunteer Regiment quoting William Shakespeare’s “JULIUS CAESAR”, while marching toward Marye’s Heights. Oh God, I hate that scene so much! As for Robert Duvall’s Robert Lee . . . what a waste of his time. Ronald Maxwell’s script did not allow the actor any opportunity to explore Lee’s character during those two years leading to Gettysburg. I realize this is not Duvall’s fault, but I found myself longing for Martin Sheen’s portrayal of the Confederate general in “GETTYSBURG”.

There is so much about this movie that I dislike. One, Maxwell’s portrayal of the movie’s two main African-American characters – Jim Lewis and a Fredricksburg slave named Martha, as portrayed by actress/historian Donzaleigh Abernathy – struck me as completely lightweight. Now, I realized that there were black slaves and paid employees who managed to maintain a friendly or close relationship with their owner or employer. But in “GODS AND GENERALS”, Lewis seemed quite friendly with his employer Jackson and Martha seemed obviously close to the family that owned her, the Beales. I could have tolerated if Lewis or Martha had been friendly toward those for whom they worked. But both of them? I get the feeling that Maxwell was determined to avoid any of the racial and class tensions between the slave/owner relationship . . . or in Lewis’ case, the employee/employer relationship. How cowardly.

In fact, this lack of tension seemed to permeate all of the relationships featured in “GODS AND GENERALS”. Aside from one Union commander who berated his men for looting in Fredricksburg, I can barely recall any scenes featuring some form of anger or tension between the major characters. Everyone either seemed to be on his or her best behavior. And could someone please explain why every other sentence that came out of the mouths of most characters seemed to be a damn speech? I realize that Maxwell was trying to re-create the semi-formality of 19th century American dialogue. Well . . . he failed. Miserably. The overindulgence of speeches reminded me of the dialogue from the second NORTH AND SOUTH miniseries, 1986’s “NORTH AND SOUTH: BOOK II”. But the biggest problem of “GODS AND GENERALS” is that it lacked a central theme. The majority of the movie seemed to be about the Civil War history of Thomas Jackson. But the title and Shaara’s novel told a different story. However, I do not believe a detailed adaptation of the novel would have done the trick. Like the movie, it lacked a central theme or topic.

Perhaps I am being too arrogant in believing I know what would have made the story worked. After all, it is not my story. Jeff Shaara was entitled to write it the way he wanted. And Ronald Maxwell was entitled to adapt Shaara’s story the way he wanted. But I do know that if I had written “GODS AND GENERALS”, it would have been about the Battle of Fredricksburg. It turned out to be the only part of the movie that I found interesting.