Favorite Television Productions Set in the 1700s

Below is a list of my favorite television productions (so far) that are set in the 1700s:

 

FAVORITE TELEVISION PRODUCTIONS SET IN THE 1700s

 

1. “John Adams” (2008) – Emmy winners Paul Giamatti and Laura Linney starred as John and Abigail Adams in this award winning HBO miniseries about the second U.S. President from his years as a Boston lawyer to his death. Tom Hooper directed.

 

 

2. “Turn: Washington’s Spies” (2014-2017) – Jamie Bell starred in this television series that is an adaptation of Alexander Rose’s 2006 book, “Washington’s Spies: The Story of America’s First Spy Ring”. The series was created by Craig Silverstein.

 

 

3. “The Scarlet Pimpernel” (1982) – Anthony Andrews and Jane Seymour starred in this television adaptation of Baroness Emmuska Orczy’s novels about a British aristocrat who adopts a secret identity to save French aristocrats from the guillotine during France’s Reign of Terror. Directed by Clive Donner, Ian McKellen co-starred.

 

 

4. “The History of Tom Jones – A Foundling” (1997) – Max Beesley and Samantha Morton starred in this adaptation of Henry Fielding’s 1749 novel about the misadventures of an illegitimate young man in the mid-1700s, who had been raised by a landowner. Metin Hüseyin directed.

 

 

5. “The Book of Negroes” (2015) – Aunjanue Ellis starred in this television adaptation of Laurence Hill’s novel about the experiences of an African woman before, during and after the American Revolution; after she was kidnapped into slavery. Clement Virgo directed.

 

 

6. “Black Sails” (2014-2017) – Toby Stephens starred in this television series, which was a prequel to Robert Louis Stevenson’s novel, “Treasure Island”. The series was created by Jonathan E. Steinberg
and Robert Levine.

 

 

7. “Garrow’s Law” (2009-2011) – Tony Marchant created this period legal drama and fictionalized account of the 18th-century lawyer William Garrow. Andrew Buchan, Alun Armstrong and Lyndsey Marshal starred.

 

 

8. “Poldark” (1975/1977) – Morris Barry and Anthony Coburn created this series, an adaptation of the first seven novels in Winston Graham’s Poldark literary series. Robin Ellis and Angharad Rees starred.

 

 

9. “Outlander” (2014-present) – Ronald Moore developed this series, which is an adaptation of Diana Gabaldon’s historical time travel literary series. Caitriona Balfe and Sam Heughan starred.

 

 

10. “Poldark” (2015-2019) – Debbie Horsfield created this series, an adaptation of the first seven novels in Winston Graham’s Poldark literary series. Aidan Turner and Eleanor Tomlinson stars.

Favorite Movies Set During WORLD WAR II BRITAIN

Below is a list of my favorite movies set in Britain during World War II: 

FAVORITE MOVIES SET DURING WORLD WAR II BRITAIN

1. “Dunkirk” (2017) – Christopher Nolan wrote and directed this Oscar nominated film about the British Expeditionary Force’s evacuation from Dunkirk, France in 1940. Fionn Whitehead, Tom Hardy and Mark Rylance starred.

2. “Bedknobs and Broomsticks” (1971) – Angela Landsbury and David Tomlinson starred in this entertaining adaptation of Mary Norton’s novels about a woman studying to become a witch, who takes in three London children evacuated to the country during World War II. Robert Stevenson directed.

3. “Hope and Glory” (1987) – John Boorman wrote and directed this fictionalized account of his childhood during the early years of World War II in England. Sarah Miles, David Hayman and Sebastian Rice-Edwards starred.

4. “The Imitation Game” (2014) – Oscar nominees Benedict Cumberbatch and Keira Knightley starred in this intriguing adaptation of Andrew Hodges’ 1983 book, “Alan Turing: The Enigma”. Morten Tyldum directed.

5. “Darkest Hour” – Joe Wright directed this Oscar nominated film about Winston Churchill’s early weeks as Great Britain’s Prime Minister during the spring of 1940. The movie starred Oscar winner Gary Oldman, Kristen Scott-Thomas and Lily James.

6. “Enigma” (2001) – Dougary Scott and Kate Winslet starred in this entertaining adaptation of Robert Harris’ 1995 novel about Enigma codebreakers of Bletchley Park. Michael Apted directed.

7. “The Americanization of Emily” (1964) – James Garner and Julie Andrews starred in this excellent adaptation of William Bradford Huie’s 1959 about a U.S. Navy adjutant in Britain during the period leading to the Normandy Invasion. Written by Paddy Chayefsky, the movie was directed by Arthur Hiller.

8. “Atonement” (2007) – Joe Wright directed this Oscar nominated adaptation of Ian McEwan’s 2001 novel about the consequences of a crime. James McAvoy, Keira Knightley and Oscar nominee Saoirse Ronan starred.

9. “On the Double” (1961) – Danny Kaye starred in this comedy about a U.S. Army soldier assigned to impersonate a British officer targeted by Nazi spies for assassination. Co-written and directed by Melville Shavelson, the movie co-starred Dana Wynter and Wilfrid Hyde-White.

10. “Sink the Bismarck!” (1960) – Kenneth More and Dana Wynter starred in this adaptation of C.S. Forester’s 1959 book, “The Last Nine Days of the Bismarck”. Lewis Gilbert directed.

Favorite Movies Set During WORLD WAR II BRITAIN

Below is a list of my favorite movies set in Britain during World War II: 

FAVORITE MOVIES SET DURING WORLD WAR II BRITAIN

1. “Dunkirk” (2017) – Christopher Nolan wrote and directed this Oscar nominated film about the British Expeditionary Force’s evacuation from Dunkirk, France in 1940. Fionn Whitehead, Tom Hardy and Mark Rylance starred.

2. “Bedknobs and Broomsticks” (1971) – Angela Landsbury and David Tomlinson starred in this entertaining adaptation of Mary Norton’s novels about a woman studying to become a witch, who takes in three London children evacuated to the country during World War II. Robert Stevenson directed.

3. “Hope and Glory” (1987) – John Boorman wrote and directed this fictionalized account of his childhood during the early years of World War II in England. Sarah Miles, David Hayman and Sebastian Rice-Edwards starred.

4. “The Imitation Game” (2014) – Oscar nominees Benedict Cumberbatch and Keira Knightley starred in this intriguing adaptation of Andrew Hodges’ 1983 book, “Alan Turing: The Enigma”. Morten Tyldum directed.

5. “Darkest Hour” – Joe Wright directed this Oscar nominated film about Winston Churchill’s early weeks as Great Britain’s Prime Minister during the spring of 1940. The movie starred Oscar winner Gary Oldman, Kristen Scott-Thomas and Lily James.

6. “Enigma” (2001) – Dougary Scott and Kate Winslet starred in this entertaining adaptation of Robert Harris’ 1995 novel about Enigma codebreakers of Bletchley Park. Michael Apted directed.

7. “The Americanization of Emily” (1964) – James Garner and Julie Andrews starred in this excellent adaptation of William Bradford Huie’s 1959 about a U.S. Navy adjutant in Britain during the period leading to the Normandy Invasion. Written by Paddy Chayefsky, the movie was directed by Arthur Hiller.

8. “Atonement” (2007) – Joe Wright directed this Oscar nominated adaptation of Ian McEwan’s 2001 novel about the consequences of a crime. James McAvoy, Keira Knightley and Oscar nominee Saoirse Ronan starred.

9. “On the Double” (1961) – Danny Kaye starred in this comedy about a U.S. Army soldier assigned to impersonate a British officer targeted by Nazi spies for assassination. Co-written and directed by Melville Shavelson, the movie co-starred Dana Wynter and Wilfrid Hyde-White.

10. “Sink the Bismarck!” (1960) – Kenneth More and Dana Wynter starred in this adaptation of C.S. Forester’s 1959 book, “The Last Nine Days of the Bismarck”. Lewis Gilbert directed.

Favorite Films Set in the 1810s and 1820s

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Below is a list of my favorite movies set during the 1810s and 1820s:

 

FAVORITE FILMS SET IN THE 1810s AND 1820s

1 - Sense and Sensibility

1. “Sense and Sensibility” (1995) – Ang Lee directed this superb adaptation of Jane Austen’s 1811 novel about two sisters in love and financial straits. Adapted by Emma Thompson, the movie starred both her and Kate Winslet.

 

 

2 - Persuasion 1995

2. “Persuasion” (1995) – Amanda Root and Ciarán Hinds starred in this entertaining adaptation of Jane Austen’s 1818 novel about the reunion between two former lovers. Roger Michell directed. – Tie

 

 

2 - Persuasion 2007

2. “Persuasion” (2007) – I am also a big fan of this equally entertaining adaptation of Austen’s 1818 novel about the two former lovers, Anne Elliot and Captain Frederick Wentworth. Adrian Shergold directed. – Tie

 

 

3 - Vanity Fair 2004

3. “Vanity Fair” (2004) – I rather enjoyed this surprisingly first-rate adaptation of William Thackery Makepeace’s 1848 novel about the rise, fall and rise of an ambitious early 19th century Englishwoman. Directed by Mira Nair, the movie starred Reese Witherspoon.

 

 

4 - The Deceivers

4. “The Deceivers” (1988) – Pierce Brosnan starred in this exciting adaptation of John Masters’ 1952 novel about a British Army officer’s discovery of the Thugee cult. Directed by Nicholas Meyer, the movie co-starred Saeed Jaffrey and Helena Michell.

 

 

5 - The Journey of August King

5. “The Journey of August King” (1995) – Jason Patric and Thandie Newton starred in this first-rate adaptation of John Ehle’s 1971 novel about a North Carolina farmer, who unexpectedly finds himself helping a young slave escape from her master.

 

 

6 - Northanger Abbey

6. “Northanger Abbey” (2007) – Felicity Jones and J.J. Feild starred in this delightful adaptation of Jane Austen’s 1817 novel about a young girl’s misadventures during a visit to the resort town of Bath and at a family’s mysterious estate. Jon Jones directed.

 

 

7 - Davy Crockett and the River Pirates

7. “Davy Crockett and the River Pirates” (1956) – Fess Parker and Buddy Ebsen starred in this superior sequel to the first Davy Crockett television movie about the adventures of the frontiersman and his friend George Russel along the Mississippi and Ohio Rivers.

 

 

8 - Emma 1997

8. “Emma” (1996-97) – Kate Beckinsale and Mark Strong starred in this solid adaptation of Jane Austen’s 1815 novel about the matchmaking efforts of a wealthy young woman in early 19th century England. The movie was adapted by Andrew Davies and directed by Diarmuid Lawrence.

 

 

9 - Brother Future

9. “Brother Future” (1991) – Phil Lewis starred in this entertaining historical/science-fiction movie about a Detroit teen who is hit by a car and wakes up to find himself a slave in 1822 Charleston. Directed by Roy Campanella II, the movie co-starred Carl Lumbly and Moses Gunn.

 

 

10 - Hawaii

10. “Hawaii” (1966) – George Roy Hill directed this energetic adaptation of James A. Michener’s 1959 novel about the experiences of a missionary couple from New England in the early 19th century Hawaiian Islands. Julie Andrews, Max Von Sydow and Richard Harris starred.

“CAMBRIDGE SPIES” (2003) Review

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“CAMBRIDGE SPIES” (2003) Review

There have been a great deal of movies, plays and television productions about four of the five former Cambridge University students who became spies for the Soviet Union. One of the more recent productions turned out to be BBC’s four-part television miniseries called “CAMBRIDGE SPIES”

“CAMBRIDGE SPIES” followed the lives of these four men between the years of 1934 and 1951, when two of them defected to the Soviet Union for good. The fifth man, John Caincross, merely served as a supporting character in this production. The more famous four include the following:

*Anthony Blunt
*Guy Burgess
*Harold “Kim” Philby
*Donald Maclean

The story begins somewhere in the early-to-mid 1930s with our four protagonists serving as instructors or students at Cambridge University. During their time at Cambridge, all four men openly express their radical views in various incidents that include defending a female Jewish student from harassment by elitist and pro-Fascist students like the one portrayed by actor Simon Woods, and supporting a temporary strike by the mess hall waiters. During this time, both Blunt and Burgess have already been recruited by the Soviet Union’s KGB. And the two set out to recruit the other two – Philby and Maclean. By the end of the 1930s, the quartet have ceased expressing their radical views out in the open and go out of their ways to show their support of both the British establishment and any support of the Fascist regimes in other parts of Europe. When World War II breaks out, all four have become fully employed with either MI-5 or MI-6 and full time moles for the KBG.

When “CAMBRIDGE SPIES” first hit the television sets in Britain, there were a good deal of negative reaction – mainly from the right – toward a production that portrayed the Cambridge Five (or Four) in a sympathetic light. Others also pointed out that the miniseries failed to give a completely accurate of the four men’s lives. I had no problem with the miniseries’ sympathetic portrayal of the four men. After all, this is their story. Since the story is told from their point of view, it would not make sense to portray them as one-dimensional villains. And despite the sympathetic portrayal, the personal flaws of all four are revealed in the story. The criticisms of historical inaccuracy are correct. Why is that a surprise? Since when has historical fiction of any kind – a movie, television production, play, novel or even a painting – has been historically accurate. In fact, historical accuracy is pretty rare in fiction. As I have pointed out in numerous past articles, the story always comes first – even if historical facts get in the way.

There are some aspects of “CAMBRIDGE SPIES” I found a bit off putting. I wish the story had ended with “Kim” Philby’s defection in 1963, instead of Donald Maclean and Guy Burgess’ defection in 1951. I feel that an ending in the early 1960s could have given the production more of a final note. Also during 1963, Burgess died from complication of alcoholism. And less than a year later, Blunt finally confessed to British authorities of being a KGB mole. Another aspect of“CAMBRIDGE SPIES” that struck me as unpleasant was the anti-American sentiment that seemed to taint the production. I am aware that many left-wing Europeans like the main characters harbored a deep dislike of Americans. In fact, this sentiment has remained firmly intact even to this day. But I noticed that the script seemed to be filled with ugly generalizations about Americans that are rarely, if never, defended by American characters such as Melinda Marling Maclean and James Jesus Angleton. There is one scene between Maclean and his future wife Melinda in which the former explained why he disliked Americans to the latter:

Donald: I hate America.
Melinda: Are you gonna tell me why?
Donald: For the way you treat workers, the way you treat black people, the way you appropriate, mispronounce and generally mutilate perfectly good English words. Cigarette?

I am not claiming that Maclean’s criticisms of America – back then and today – were off. My problem is that he had also described what was wrong with Britain then and now – including its citizens’ mispronunciation and mutilation of good English words. And the script never allowed Melinda to point this out. Or perhaps this was screenwriter Peter Moffat’s way of stating that even those with liberal or radical views can be diehard bigots toward a certain group. I also learned that Moffat created certain scenes to make his protagonists look even more sympathetic. The worst, in my opinion, was the sequence that featured Kim Philby’s decision on whether or not to kill the Spanish dictator Francisco Franco on the KGB’s orders. I found this scene completely unnecessary and rather amateurish, if I must be brutally frank.

However, the virtues in “CAMBRIDGE SPIES” outweighed the flaws. Moffat, along with director Tim Fywell and the movie’s cast and crew did a stupendous job in re-creating Britain, parts of Europe and the United States during the twenty-year period between the early 1930s and the beginning of the 1950s. I was especially impressed with the miniseries’ production in Episode Two that covered the four protagonists’ incursion into Britain’s diplomatic and intelligent services during the late 1930s. Production designer Mike Gunn, along with cinematographer David Higgs re-created Great Britain during this period with great detail. Charlotte Walter had the difficult task of providing the cast with costumes for a period that spans nearly twenty years. I cannot say that I found her costumes particularly exceptional, but I have to give her kudos for being accurate or nearly accurate with the period’s fashions.

As I had stated earlier, I had no problems with most of the production’s sympathetic portrayals of the four leads. After all, they are human. Portraying them as one-note villains because of their political beliefs and actions, strikes me as bad storytelling. I can honestly say that “CAMBRIDGE SPIES” is not the product of bad storytelling. I feel that it was an excellent production that led me to investigate further into the true lives of these men. Also, one has to remember that the four men – Blunt, Philby, Burgess and Maclean – were human beings with their own set of virtue and flaws. Some of their flaws and beliefs led them to make an incredibly bad decision – namely spy on their country on behalf of another. Some accused the production of glamorizing four men who had betrayed their country. That is an accusation I cannot agree. All four men came from privileged backgrounds. It is only natural that the miniseries would express the glamour of their origins.

Mind you, the series could have revealed more of the suffering that Britain’s working-class experienced that led the four men into becoming radicals. But what “CAMBRIDGE SPIES” truly excelled was the emotional consequences that they experienced for betraying their country. The miniseries was packed with scenes that included Philby’s aborted romance with Litzi Friedmann and his growing cold-blooded actions against anyone who was a threat to his identity; Burgess’ increasing inability to repress his distaste against the British establishment, their American allies and his alcoholism; and Maclean’s insecurities and struggling marriage with American Melinda Marling. Of the four, Blunt seemed to be the only one holding up under the pressures of being a Soviet mole . . . except when dealing with Burgess’ embarrassing outbursts and Maclean’s insecurities. No wonder he was happy for Philby to handle the two when he finally resigned from MI-5 to work as Surveyor of the King’s Pictures on behalf of the Royal Family. One could complain about the miniseries’ historical inaccuracy. But I can never agree that their careers as moles for the KBG were glamorized.

The miniseries featured some solid performances from the likes of James Fox as British Ambassador Lord Halifax, Anthony Andrews as King George VI, Patrick Kennedy as Julian Bell, Benedict Cumberbatch as a young British journalist in Spain, Lisa Dillon as Litzi Friedmann and Simon Woods as the bigoted Cambridge student Charlie Givens. I have mixed feelings about John Light’s performance as CIA agent James Angleton. I thought he did a good job in capturing Angleton’s intensity and intelligence. However, his Angleton still came off as the typical cliched American male found in most British productions – gauche and loud. There were two supporting performances that really impressed me. One came from Imelda Staunton, who gave a witty performance as Blunt’s distant cousin Queen Elizabeth (later the Queen Mother). The other supporting performance that impressed me was Anna-Louise Plowman, who superbly portrayed Donald Maclean’s witty and passionate American wife Melinda Marling.

However, our four leads did the real work in “CAMBRIDGE SPIES” and carried the miniseries beautifully. Toby Stephens did an excellent job in conveying Kim Philby’s emotional journey from the womanizing, yet naive university radical who slowly becomes a cold-blooded, yet weary Cold War spy. Samuel West gave a sophisticated, yet tough performance as the cool-headed Anthony Blunt. Tom Hollander had garnered most of the praise for his vibrant performance as the emotional and unreliable Guy Burgess. However, there were times I found his performance a little too showy for my tastes. Personally, I feel that the most interesting performance came from Rupert Penry-Jones as the youngest of the four moles, Donald Maclean. Penry-Jones did such a superb job in portraying Maclean’s insecure and emotional nature, there were times I wondered how the man managed to be such a successful mole for over a decade.

Yes, “CAMBRIDGE SPIES” has its flaws. Even some of the best movie and television productions have flaws. And after viewing the miniseries, I cannot agree with this view that the actions of the four traitors – Philby, Blunt, Burgess and Maclean – were glamorized. But it is a first-rate production with a detailed glimpse of European politics and diplomacy from the 1930s to 1951. Thanks to a well-written script by Peter Moffat; an excellent cast led by Toby Stephens, Samuel West, Tom Hollander and Rupert Penry-Jones; and first-rate direction by Tim Fywell; “CAMBRIDGE SPIES” proved to be one of the best dramas about the Cambridge KGB moles I have seen on the big or small screens.

Top Five Favorite JANE AUSTEN Adaptations

Jane-Austen 615

As far as I know, there have been at least twenty (20) television and movie adaptations of Jane Austen’s six published novels. There may have been more, but I am unfamiliar with them. Below is a list of my five (or seven) adaptations of Austen’s novels: 

TOP FIVE FAVORITE JANE AUSTEN ADAPTATIONS

1-Pride and Prejudice 1995

1. “Pride and Prejudice” (1995) – For me, this television miniseries adaptation of Austen’s 1813 novel is the crème de la crème of the Austen productions. Adapted by Andrew Davies and directed by Simon Langston, this miniseries starred Jennifer Ehle and Colin Firth.

 

2-Sense and Sensibility 1995

2. “Sense and Sensibility” (1995) – Ang Lee directed this award winning adaptation of Austen’s 1811 novel. This movie was adapted by Emma Thompson (who won an Oscar for her efforts) and co-starred her, Kate Winslet, Hugh Grant and Alan Rickman.

 

3-Emma 2009

3. “Emma” (2009) – Romola Garai and Jonny Lee Miller were delightful in this colorful television adaptation of Austen’s 1815 novel. The miniseries was adapted by Sandy Welch and directed by Jim O’Hanlon.

 

4-Persuasion 1971 4-Persuasion 1995 4-Persuasion 2007

4. “Persuasion” (1971/1995/2007) – I could not decide which adaptation of Austen’s 1818 novel that I enjoyed the best. I really enjoyed all three adaptations, even though I believe all three had its flaws. Anyway; the 1971 television adaptation starred Ann Firbank and Bryan Marshall, the 1995 movie starred Amanda Root and Ciarán Hinds, and the 2007 television movie starred Sally Hawkins and Rupert Penry-Jones.

 

5-Emma 1972

5. “Emma” (1972) – Another adaptation of Austen’s 1815 novel made my list. This time, it is the 1972 miniseries that starred Doran Godwin and John Carson. Adapted by Denis Costanduros and directed by John Glenister, this miniseries is my second favorite of the Austen adaptations that aired during the 1970s and 80s.

“JANE EYRE” (1996) Review

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“JANE EYRE” (1996) Review

According to the Wikipedia website, there have been sixteen film adaptations of Charlotte Brontë’s 1847 novel, “Jane Eyre”. And there have been ten television adaptations of the novel. That is a hell of a lot of adaptations for one novel. A lot. And judging by the numbers, I have no immediate plan to see every movie or television adaptation. But I have seen at least five or six adaptations. And one of them is Franco Zeffirelli’s 1996 movie adaptation. 

Adapted by Zeffirelli and Hugh Whitemore, “JANE EYRE” told the story of a 19th century English orphan named Jane Eyre, who is rejected by her aunt and sent to a strict girls school. After eight years as a student and two years as an instructor, Jane is hired as governess to the French ward of Edward Rochester, the brooding owner of an estate in Yorkshire called Thornfield Hall. Although Jane possesses a mild, unprepossing manner, she also possesses strong internal passions and strength in character that her employer finds attractive. Eventually, Jane and her Mr. Rochester fall in love. But a deep secret that exists at Thornfield Hall threatens their future relationship and forces Jane to mature in a way she did not expect.

I could have delved more into the movie’s plot, but why bother? The story of Jane Eyre is so familiar and has been recounted so many times that I believe it would be best to describe how I feel about this adaptation. And how do I feel about it? Honestly, it is not one of my favorite adaptations. Mind you, it is not terrible. In fact, I find it pretty solid. The movie’s production values seemed to be first rate. I was impressed by Roger Hall’s production designs, which did a very good job of re-creating Northern England of the 1830s and 1840s. Jenny Beavan, whom I am beginning to believe is one of the best costume designers on both sides of the Atlantic, did an excellent job in re-creating the fashions for both decades. And I also liked how David Watkin’s photography captured the beauty of Haddon Hall in Derbyshire, which served as the Rochester estate, Thornfield Hall.

I would probably rate Zeffirelli and Whitemore’s adaptation of Brontë’s novel as slightly below above average, but not quite average. I feel they did a first-rate job of re-creating at least three quarters of Brontë’s tale. However, their adaptation fell apart, following Jane’s departure from Thornfield Hall. They allowed Bertha Rochester’s death and the burning of Thornfield to occur not long after Jane’s departure. At first, I found that odd. But now, I realize that Zeffirelli and Whitemore wanted to rush the story as fast as they possibly could. Matters did not improve when Jane met St. John and Mary Rivers. Jane’s inheritance of her uncle’s fortune and St. John’s loveless marriage proposal happened so fast that my head nearly spinned when she finally returned to Thornfield. The movie’s weakest writing proved to be in the last twenty to thirty minutes.

The biggest criticism that “JANE EYRE” received from critics proved to be Zeffirelli’s casting of William Hurt as Edward Rochester. Mind you, I found Hurt’s English accent a little shaky. But I really enjoyed the cynical and world weary air he projected into the character . . . especially in scenes featuring Rochester’s meeting with his brother-in-law, Richard Mason. And he also managed to achieve some kind of screen chemistry with leading lady Charlotte Gainsbourg. I find this quite miraculous, considering my belief that Gainsbourg’s portrayal of Jane Eyre proved to be the movie’s weakest link. I realize that this is not a popular view. But aside from one scene, I found Gainsbourg’s performance to be completelyBORING. All she had to do was open her mouth and her flat tones nearly put me to sleep. The only time she really managed to effectively convey Jane’s deep emotions was in the famous scene in which the character revealed her love for Rochester. Only in this scene did Gainsbourg gave a hint of the acting talent she would eventually develop.

Other members of the cast gave solid performances. I noticed that the movie featured three cast members from 1995’s“PERSUASION” – Fiona Shaw, Amanda Root and Samuel West. Shaw was very emotional, yet vicious as Jane’s cold Aunt Reed. Root gave a warm performance as Miss Temple, Jane’s favorite teacher at Lowood. And West was very effective in his portrayal of Jane’s religious cousin and savior, St. John Rivers. It seemed a pity that the movie’s script did not allow for a further look into his character. John Wood was perfectly hypocrtical and cold as Jane’s religious headmaster, Mr. Brocklehurst. Joan Plowright gave a delightful performance as the outgoing housekeeper, Mrs. Fairfax. And I was surprised by Elle Macpherson’s effective portrayal of the charming and self-involved Blanche Ingram. Edward de Souza gave a solid performance as Rochester’s emotionally delicate brother-in-law, Richard Mason. But like West, he was barely in the movie long enough to make any kind of an impression. Julian Fellowes made an appearance as one of Rochester’s friends, a Colonel Dent; but aside from a few witty lines, he was not that impressive. But the one supporting performance that really impressed me came from Anna Paquin’s portryal of the young and passionate Jane. It seemed a pity that Paquin was only 13 to 14 years old at the time. Because I believe that her performance as Jane seemed ten times better than Gainsbourg.

Franco Zeffirelli’s adaptation of Brontë’s novel is not bad. Despite a shaky English accent, Hurt proved to be an effective Edward Rochester. And the movie also featured fine performances from many supporting performances. The director did a solid job of re-creating Brontë’s tale for at least three-quarters of the movie. However, the adaptation fell apart in the last quarter, when Jane flet Thornfield Hall following her aborted wedding. And Charlotte Gainsbourg’s flat performance as the titled character did not help matters. Like I said, “JANE EYRE” did not strike me as above average, but it seemed a little better than average.