“I’LL NEVER FORGET YOU” (1951) Review

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“I’LL NEVER FORGET YOU” (1951) Review

I have seen my share of time travel movies and television programs over the years. But I do not believe that I have never seen one as ethereal as the 1951 movie called “I’LL NEVER FORGET YOU”

A second adaptation of John L. Balderston’s 1927 play, which was an adaptation of Henry James’ incomplete novel, “The Sense of the Past”“I’LL NEVER FORGET YOU” told the story of an American nuclear physicist named Dr. Peter Standish, who is transported to London of the late 18th century. The story begins when a co-worker of Peter’s with the British nuclear program, Dr. Roger Forsyth, expresses concern about the former’s lack of social life. As the two become friends, Peter reveals that he had inherited an old house located at London’s Berkeley Square by a distant relative. He also also reveals that he was a descendant of an American Tory who had immigrated to Britain after the Revolutionary War to marry a cousin named Kate Pettigrew. Not long after this revelation, a thunderstorm sends Peter back to 1784, where he takes the place of his late 18th century ancestor, the other Peter Standish.

However, once 20th century Peter settles into his new life, he is struck by a series of surprises. One, he finds himself slowly falling in love with his fiancée’s younger sister, Helen Pettigrew. Peter discovers that Georgian era London is not the paradise he had assumed it to be for years. He also realizes that his occasional lapses of judgment, in which he uses modern day language and revealing information he could not have known if he had actually grown up in the 18th century. Peter’s occasional lapses and his feelings for Helen lead to growing antagonism toward him from not only his fiancée Kate, but also from Mr. Throstle, the man to whom Helen had been promised; leading to potential disaster for him.

I am usually a big fan of time travel movies. But if I must be honest, my reason for watching “I’LL NEVER FORGET YOU” stemmed from sheer curiosity and nothing else. I never really thought I would be impressed by this movie. And I was . . . much to my surprise. Mind you, the film’s method of time travel – a bolt of lightning – struck me as unrealistic, even from a fictional point of view. There was no machine or vehicle like a Delorean to channel the energy from that bolt of lightning. Instead, the Peter Standish was struck by lightning and transported some 160 years back to the past. That he survived being struck is a miracle.

Nevertheless, I still enjoyed “I’LL NEVER FORGET YOU” very much. At its heart, the movie featured two genres – time traveling and romance. And both seemed to intertwine perfectly, thanks to director Roy Ward Baker, who directed the 1958 classic, “A NIGHT TO REMEMBER”. There have been time travel movies in which the protagonists are slightly taken aback by the “primative” conditions of the time period in which they end up. But I found Peter Standing’s reaction to the reality of 18th century London rather enjoyable on a perverse level. I found it satisfying to watch him come to the realization that 1784 London was not the social paradise that he had assumed it was. “I’LL NEVER FORGET YOU” is also one of the rare works of fiction that pointed out the lack of decent hygiene that permeated Western society before the 20th century. Between Peter’s disgust at London society’s array of body odors and their bafflement at his habit of a daily bath, I was nearly rolling on the floor with laughter. But more importantly, “I’LL NEVER FORGET” is a poignant love story between Peter and Helen. What made it very satisfying for me is that Helen was the only one who seemed to have a bead on Peter’s personality. More importantly, she seemed to be interested in Peter’s comments about the future, instead of repelled by them.

But what really made the romance between Peter Standing and Helen Pettigrew worked were the performances of the two leads, Tyrone Power and Ann Blyth. Thanks to their intelligent and subtle performances, they made Peter and Helen’s love story believable. I was surprised that Michael Rennie had such a small screen presence in the movie, considering that he had received third billing. Nevertheless, I thought he gave a pretty good performance as Peter’s 20th century friend and colleague, Dr. Roger Forsyth. Another performance that caught my attention came from Dennis Price, who gave a very entertaining performance as Helen and Kate’s brother, a dye-in-the-wool late 18th century cad, Tom Pettigrew. Kathleen Byron gave an energetic and brief performance as Georgiana Cavendish, Duchess of Devonshire. The movie also featured solid performances from Beatrice Campbell, Raymond Huntley and Irene Browne, who not only portrayed the Pettigrew matriarch in this film, but also in the 1933 version, “BERKELEY SQUARE”.

Although I found the mode of time travel rather implausible – being struck by lightning, I must admit that I enjoyed “I’LL NEVER FORGET YOU”. In fact, I enjoyed it a lot more than I thought I would. And I have to thank Ranald MacDougall’s adaptation of John L. Balderston’s play, intelligent performances from a cast led by Tyrone Power and Ann Blyth, and more importantly, intelligent and subtle direction from Roy Ward Baker.

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Becoming “the Dark One”

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I wrote this article during the summer of 2015 – a month or two before Season Five of “ONCE UPON A TIME” aired:

 

BECOMING “THE DARK ONE”

I have a confession to make. I was disappointed at how Emma Swan became the new “Dark One” in the ABC series, “ONCE UPON A TIME”. She did so by committing a noble act. And I found that . . . unsatisfying.

The Season One episode, (1.08) “Desperate Soul” had revealed that Rumpelstiltskin had originally become “the Dark One” when he was recruited by the title’s previous holder, Zoso, to find the dagger that would either allow the former to control him or acquire magical power by killing him. Zoso goaded Rumpelstiltskin into anger by questioning the paternity of latter’s son, Baelfire/Neal Cassidy, and the latter killed him. Rumpelstiltskin became the new “Dark One” and remained so for several centuries.

But nothing similar happened to Emma. Instead, she had become “the Dark One” in the series’ Season Four finale, (4.23) “Operation Mongoose, Part II”, by saving Regina Mills from an entity that would allow the latter to assume that title. She did so by allowing herself to become possessed by said entity. Before becoming possessed, Emma told Regina that she wanted prevent Regina’s moral progress from being disrupted. Well, I am glad that Regina was prevented from becoming “the Dark One”. But . . . pardon me for saying this, but Emma’s reasoning struck me as rather patronizing. And it seemed that Horowitz and Kitsis may have taken the whole “savior complex” a bit too far this time. At least to me.

Emma had been worried about the regression of Regina’s moral compass? She should have been worried about her own. Despite the Sorcerer Apprentice’s spell that had allegedly transferred Emma’s inner evil to the daughter of Maleficent, Lily Page, in a (4.17) “Best Laid Plans” flashback, I personally suspect that his spell went no where. After all, I had regarded Emma’s moral compass already questionable by the she first had arrived in Storybrooke back in Season One. She had spent most of her adolescent as a thief. Both she and former boyfriend, Neal, had stolen a yellow Volkswagen . . . which was never returned by Neal or Emma. When she told Regina that her car was stolen in (4.13) “Darkness on the Edge of Town”, she seemed to be lacking in any remorse over her crime. She had also committed a series of petty crimes – including destruction of private property, and breaking and entering – that should have landed her behind bars in Storybrooke or fired as the town’s sheriff back in Season One. Her rescue of son Henry Mills from the clutches of Cruella de Vil in (4.19) “Sympathy for the De Vil” nearly endangered his life. Yet . . . very few people have commented on this. While trapped in the Enchanted Forest’s past, her decision to save Maid Marian from being executed by Regina in (3.22) “There’s No Place Like Home”, literally ended in disaster. And if viewers really believed that the Apprentice had removed all signs of Emma’s inner evil before she was born; why did the Chernabog demon, which allegedly only sought out one with the heart with the greatest potential for evil in order to devour said heart, went after Emma, instead of the former Evil Queen in “Darkness on the Edge of Town”? What did that say about Emma’s true nature – spell or no spell?

Unfortunately, the series’ reluctance to openly acknowledge Emma’s unpleasant side has not done her character any credit. Sometimes, I get the feeling that Adam Horowitz and Edward Kitsis are afraid of a deep exploration how low Emma can sink on her own. Or when they are willing to do so, they are either very vague about it or sweep it under the rug. Why, I do not know. To this day, no one seems willing to criticize Emma for keeping a stolen vehicle. No one bothered to point out that her decision to act as Marian’s savior had led to disaster. No one. Not a single character on the show (aside from an angry Regina in early Season Four) or any of the series’ viewers. No one had questioned Emma’s method of killing Cruella de Vil in “Sympathy for the De Vil” . . . especially since she could have saved Henry without ending Cruella’s life and nearly endangering his. Well, I take that back. Horowitz and Kitsis claimed that Emma had “stepped over the line” by killing Cruella. The problem is that they never made the effort to clarify their comment – not to the fans or on the show. I have noticed that the only times Emma’s actions were really criticized happened during late Season Three when she was determined to upset the Charming family dynamics by returning to New York City with Henry.

Then . . . Emma has become “the Dark One”. Through an act of noble sacrifice. UGH! Kitsis and Horowitz spent most of Season Four building up to how unpleasant Emma could be . . . and ended it all in a nice bow tie with forgiveness toward her parents’ perfidy. And what did they do next? Allowed Emma to become “the Dark One” through an act of sacrifice. This whole story arc would have been more interesting if Emma’s Season Four descent into evil could have ended with her falling under “the Dark One” curse via her own emotions or acts. But noooooo! Once again, the possibility in revealing how low Emma can sink winds up being pushed aside or in this case, sugar coated.

When will “ONCE UPON A TIME” be willing to expose Emma’s true potential for evil without resorting to vague or evasive storytelling, or possession by magical entity? They managed to do so with her parents, Snow White and David, Prince Charming during late Season Four. The show finally had a big chance to explore Emma’s less than sterling qualities in early Season Five, thanks to her actions as “the Dark One”. However, by the second half of Season Five, the Charmings had blamed her actions on “the Dark One” curse and swept her acts under the table . . . as usual. Worse, many fans had decided to condemn Killian Jones aka Captain Hook’s actions after Emma had transformed him into a Dark One and ignore her own actions.

There is still a chance for Emma to become a more interesting character if Horowitz and Kitsis would allow this to eventually happen in Season Six. But I have a deep suspicion that the series will end before the two show runners would be willing to do so.

Five Favorite Episodes of “STAR TREK VOYAGER” Season One (1995)

Below is a list of my five favorite episodes from Season One of “STAR TREK VOYAGER”. Created by Rick Berman, Michael Piller and Jeri Taylor; the series starred Kate Mulgrew as Captain Kathryn Janeway:

FIVE FAVORITE EPISODES OF “STAR TREK VOYAGER” SEASON ONE (1995)

1. (1.11) “State of Flux” – Captain Kathryn Janeway and other senior members of Voyager’s crew Janeway attempt to flush out a spy who is sending information to a group of aggressive Delta Quadrant species called the Kazon-Nistrim. Martha Hackett and Josh Clark guest-starred.

2. (1.14) “Faces” – When Lieutenant B’Elanna Torres, Lieutenant Tom Paris and Ensign Pete Durst are captured by Vidiians during an Away mission, Torres is split into her human and Klingon halves in order for her captors to use her DNA to find a cure for their species. Brian Markinson guest-starred.

3. (1.01-1.02) “Caretaker” – While searching for a Maquis ship with a Starfleet spy aboard in the series premiere, the U.S.S. Voyager is swept into the Delta Quadrant, more than 70,000 light-years from home, by an incredibly powerful being known as the “Caretaker”. Gavan O’Herlihy and Basil Langston guest-starred.

4. (1.04) “Time and Again” – While investigating a planet just devastated by a polaric explosion, Janeway and Paris are engulfed by a subspace fracture and transported in time to before the accident. Nicolas Surovy guest-starred.

5. (1.07) “Eye of the Needle” – Voyager’s crew discover a micro-wormhole leads to the Alpha Quadrant and makes contact with a Romulan ship on the other side with ironic consequences. Vaughn Armstrong guest-starred.

The Great “ONCE UPON A TIME” Costume Gallery II

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Below is a gallery featuring the costumes designed by Eduardo Castro from the third and fourth seasons of the ABC series, “ONCE UPON A TIME” and the 2013-2014 series, “ONCE UPON A TIME IN WONDERLAND”:

THE GREAT “ONCE UPON A TIME” COSTUME Gallery II
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Top Ten Favorite Movies Set in the 1880s

Below is my current list of favorite movies set in the 1880s:

TOP TEN FAVORITE MOVIES SET IN THE 1880s

1. “Stagecoach” (1939) – John Ford directed this superb adaptation of Ernest Haycox’s 1937 short story, “The Stage to Lordsburg”, about a group of strangers traveling by stagecoach through the Arizona territory. Claire Trevor, John Wayne and Oscar winner Thomas Mitchell starred.

2. “The Four Feathers” (2002) – Shekhar Kapur directed this fascinating adaptation of A.E.W. Mason’s 1902 novel about a former British Army officer accused of cowardice. Heath Ledger, Wes Bentley, Djimon Hounsou and Kate Hudson starred.

3. “Back to the Future Part III” (1990) – Michael J. Fox and Christopher Lloyd starred in this third installment of the “BACK TO THE FUTURE” TRILOGY, in which Marty McFly travels back to the Old West to prevent the death of fellow time traveler, Dr. Emmett “Doc” Brown. Written by Bob Gale, the movie was directed by Robert Zemeckis.

4. “Topsy-Turvy” (1999) – Mike Leigh wrote and directed this biopic about W.S. Gilbert and Arthur Sullivan and their creation of their most famous operetta, “The Mikado”. Jim Broadbent and Allan Corduner.

5. “Tombstone” (1993) – Kurt Russell and Val Kilmer starred in this colorful and my favorite account about Wyatt Earp, Doc Holliday and the famous O.K. Corral gunfight. George P. Cosmatos directed.

6. “The Adventures of Sherlock Holmes” (1939) – Basil Rathbone and Nigel Bruce starred in this adaptation of William Gillette’s 1899 stage play, “Sherlock Holmes”. Directed by Alfred L. Werker, the movie co-starred Ida Lupino and George Zucco.

7. “The Cater Street Hangman” (1998) – Eoin McCarthy and Keeley Hawes starred in this television adaptation of Anne Perry’s 1979 novel about a serial killer in late Victorian England. Sarah Hellings directed.

8. “The Picture of Dorian Gray” (1945) – Hurd Hatfield and George Sanders starred in this adaptation of Oscar Wilde’s 1890 novel about a handsome young Englishman who maintains his youth, while a special portrait reveals his inner ugliness.

9. “High Noon” (1952) – Gary Cooper won his second Oscar as a town marshal forced to face a gang of killers by himself. Directed by Fred Zinnemann, the movie was written by blacklisted screenwriter Carl Foreman and co-starred Grace Kelly and Katy Jurado.

10. “Open Range” (2003) – Kevin Costner directed and co-starred with Robert Duvall in this western about a cattle crew forced to take up arms when they and their herd are threatened by a corrupt rancher.

Top Five Favorite Episodes of “BABYLON 5” (Season Three: “Point of No Return”)

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Below is a list of my top five (5) favorite episodes from Season Three (1995-1996) of “BABYLON 5”. Created by J. Michael Straczynski, the series starred Bruce Boxleitner, Claudia Christian, Jerry Doyle and Mira Furlan:

 

 

TOP FIVE FAVORITE EPISODES OF “BABYLON 5” (SEASON THREE: “POINT OF NO RETURN”)

1 - 3.10 Severed Dreams

1. (3.10) “Severed Dreams” – In this outstanding episode, President Clark of Earth Alliance tries to seize control of Babylon 5 by force, forcing Sheridan and the command crew to take arms against their own government and initiating the Earth Civil War. The episode won the Hugo Award for Best Dramatic Presentation in 1997.

 

2 - 3.15 Interludes and Examinations

2. (3.15) “Interludes and Examinations” – Captain Sheridan struggles to gather a force against the Shadows, when the Shadow War begins in earnest. Ambassador Londo Mollari looks forward to a reunion with a past lover, and Dr. Franklin falls further into his stims addiction.

 

3 - 3.09 Point of No Return

3. (3.09) “Point of No Return” – When President Clark declares martial law throughout Earth Alliance, the command crew tries to stop Nightwatch from taking control of the station. Meanwhile, Ambassador Londo Mollari receives a prophecy from Emperor Turhan’s widow when she visits the station.

 

4 - 3.17 War Without End Part II

4. (3.17) “War Without End (Part 2)” – This is the second half of a two-part episode in which the station’s former commander, Jeffrey Sinclair, returns to participate in a mission vital to the future survival of Babylon 5 – traveling back in time to steal Babylon 4.

 

5 - 3.05 Voices of Authority

5. (3.05) “Voices of Authority” – Commander Susan Ivanova and Ranger Marcus Cole search for more of the First Ones with the help of Draal, while Sheridan comes under the scrutiny of the Nightwatch and Babylon 5’s new “political officer”.

“ONCE UPON A TIME”: The Frustration of an Outlaw Queen Shipper

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“ONCE UPON A TIME”: THE FRUSTRATION OF AN OUTLAW QUEEN SHIPPER

The latest plot development of ABC’s “ONCE UPON A TIME” has left me in a state of frustration. This plot development . . . or twist has to do with the relationship between the characters Mayor Regina Mills aka the Evil Queen and Robin Hood aka Robin of Locksley. And the ironic thing is that my frustration is not centered on the actual plot twist, but has a good deal to do with the fan reaction to it.

I guess we all know what happened. In a previous episode called (4.17) “Heart of Gold”, Regina learned from her former mentor, Mr. Gold aka Rumpelstiltskin that not only was her half-sister Zelena aka the Wicked Witch of the West was still alive, she had been impersonating Maid Marian since the second half of the Season Three episode, (3.22) “There’s No Place Like Home”. After being defeated by Regina in (3.20) “Kansas”, Zelena was murdered by a vengeful Rumpelstiltskin, who wanted her dead in retaliation for his son’s death. However, after stabbing Zelena, the latter transformed into essence and eventually opened the time portal she had planned to use to wipe Regina, Snow White, Emma and young Henry Mills from existence. Zelena reformed into human shape in the Enchanted Forest past and followed Emma and Killian Jones aka Captain Hook around. She saw that Emma had decided to change the timeline and save the real Maid Marian from execution on the Evil Queen’s order. Zelena took the opportunity to kill Marian when Emma and Hook were distracted and allow them to drag her to Storybrooke and the 21st century.

In (4.11) “Heroes and Villains”, “Marian” decided that she no longer wanted to be with Robin, since he seemed to be very much in love with Regina. However, the Snow Queen’s freezing spell, which was cast on Zelena in (4.03) “Rocky Road”, began affecting the latter . . . despite the former’s death in the previous episode, (4.10) “Shattered Sight”. Regina insisted that she and Robin end their romance for good and for him to accompany “Marian” out of Storybrooke to take care of her and Roland. In “Heart of Gold”, both she and Rumpelstiltskin learned that “Marian” was Zelena. When Regina accompanied Emma on a road trip to find Maleficent’s daughter in (4.19) “Lily”, they end up in New York City. Regina managed to expose “Marian” as Zelena to a very surprised Robin. But she received her own surprise when Zelena revealed that she was pregnant with Robin’s child.

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Not only did this revelation send shock waves throughout the “ONCE UPON A TIME” fandom, it also exposed some very interesting reactions to this plot twist. Well . . . I did not find these fan reactions “interesting” per se, merely annoying. I was surprised by the number of hostile reactions directed at Robin by the show’s fans. Especially the Outlaw Queen (Regina/Robin) fans. They accused show runners Adam Horowitz and Edward Kitsis of bad writing. They labeled Zelena as something of a cross between a psychotic monster and a slut. But most of their hostility seemed to be directed at Robin. They accused him of stupidity, claiming that he should have known that his wife was not the real Maid Marian. They accused him of being betraying Regina’s love. Some idiots even accused Robin of being fickle in regard to his feelings about Regina. Some fans even wondered how Regina could ever forgive Robin for choosing to be with “Marian” over staying in Storybrooke with her. When I read these complaints and accusations, I could not help but shake my head in disbelief. Does anyone understand what a story is about? Anyone? Did anyone understand what kind of man Robin was . . . or the era that he came from?

I wonder how many of the “ONCE UPON A TIME” fans were aware that Robin was not a veteran of the 21st century like Regina, the Charming family and most of Storybrooke’s citizens. Mind you, he had experienced the 21st century longer than “Marian” (let us assume for a brief moment that we are talking about the real Marian). That is why Regina had convinced him to leave Storybrooke with “Marian” and Roland in the first place. In her mind, “Marian” had no real experience with the 21st century – in Storybrooke and elsewhere. And Roland is a mere child. Regina believed and Robin realized that neither would have been able to survive the outside world on their own. It was either accompany “Marian” and Roland to New York or allow “Marian to die from Ingrid’s curse.

Did anyone ever understood the era that Robin came from? He came from a period in time that believed in honoring obligations. You know . . . . doing the right thing in the eyes of society, instead of doing what you want to do with no regard to the consequences. Even Regina came from that period, despite her questionable moral compass and three decades in late 20th and early 21st centuries Maine. When Zelena revealed her true identity to Rumpelstiltskin, she informed the latter that she had hoped to ruin Regina’s happiness by making Robin fall in love with her (as “Marian”). However, Zelena realized that she could not use Robin’s past life with Marian and simply seduce him. His feelings for Regina kept getting in the way. In fact, he spent a good deal of their initial time in New York mourning over the end of his relationship with Regina and causing a good deal of tension between him and “Marian”. In the end, it took conversations with both Zelena and Rumpelstiltskin to make Robin believe he had to put Regina behind him for good and try to rebuild his old family for the sake of peace. Zelena saw Regina’s image on Robin’s cell phone and went into a rant about how his feelings for Regina prevented them from trying to re-establish their lives together in New York (actually, I do wonder how long it took them to get to New York without a car). In other words, Zelena dumped a massive guilt trip on Robin. It did not help that Rumpelstiltskin’s advice about finding happiness wherever he can find it led Robin to believe that he needed to make due with what his life had provided and try to form a stable family life with “Marian” and Roland.

And when Robin found out that “Marian” was Zelena, in his mind he still could not leave her. Especially since he believes that she is pregnant with his child. I doubt very much that Robin cares for Zelena. Chances are he is probably upset that she had deceived him . . . and probably killed the real Marian. But he is also thinking of his unborn child . . . that is if Zelena is actually pregnant. I simply do not believe that Robin is the type of many who would shirk his own responsibilities. He is simply not the deadbeat type. He obviously feels obligated to take care of his unborn child, whether he wants to or not. Robin is nothing like Zelena’s own father, the gardener who had seduced and abandoned Cora after she became pregnant. And for this, along with his decision to take care of “Marian” and Roland in New York City, Robin is being criticized by many fans.

Personally, I find this anger toward Robin rather baffling. When the character was first introduced, no one had a problem with his “code of honor”, along with his open-mindedness (especially toward Regina). But when it got in the way of a“happily ever after” with Regina – THEIR decision that he needed leave Storybrooke with “Marian” and his refusal to give up on the child he had conceived with “Marian”/Zelena – they dumped all sorts or ire on the man. These fans want him to be a good man . . . as long as his moral code does not get in the way of what they conceive as a perfect romance with Regina. Hypocritical much? Worse, they are now questioning Robin’s true feelings for Regina. Why? Because he had moved past Regina . . . too fast. Robin never really moved past Regina. He simply adjusted to a new life and situation. He is still in love with her. Although it took him a while, Robin came to the conclusion that any kind of life with Regina will always be over as long as “Marian” remains affected by Ingrid’s spell. And since “Marian” is still his wife, with whom he still shares a son . . . This is how Zelena was finally able to garner some kind of affection and intimacy with him, after her previously failed efforts to get him to fall in love with her. And she was only able to achieve this, disguised as Marian. Now, she has an unborn child as a weapon to keep Regina and Robin apart. How long this will last, I have no idea.

Personally, I believe this whole situation with Robin and Zelena is karmic payback for Regina. She is paying the price for using the curse (along with Princess Abigail/Kathryn Nolan) to disrupt Snow and Charming’s relationship. Just as Snow and Charming are experiencing karmic payback for not only taking an unborn Lily, but for using it to manipulate Emma’s own moral compass. In fact, I suspect their earlier loss of Emma through the curse might be payback for kidnapping Lily. Even Emma has experienced karmic payback for giving away Henry (even though her action is not a crime). After all, he will never be completely hers. Never. The same could be said for Regina, who was responsible for the Charmings being forced to give up Emma. And for a brief moment, I believe Emma experienced karmic payback for car theft, when Lily drove away with the yellow Volkswagen bug – the same car that she and Neal had stolen in Portland. It remains to be seen if Emma and the other characters will experience consequences for their other questionable actions.

Following the news of Zelena’s pregnancy, cries that Outlaw Queen was through were posted on the Internet – despite the fact that the series’ run was far from over. These naysayers still believe that Robin needs to dump his “code of honor” in order to have a trouble-free relationship with Regina. They also accused Horowitz and Kitsis of transforming “ONCE UPON A TIME” into a soap opera. HUH? Who are they kidding? The series has always been a combination of a fantasy-adventure and SOAP OPERA. I mean . . . really! The number of bat-shit crazy story arcs and plot twists that have popped up on this show, since its debut in the Fall of 2011 is mind boggling. The most obvious aspect of this series’ soap operish trait is Henry Mills’ crazy family tree. His mother is the first born of Snow White and Prince Charming. His father is Rumpelstiltskin’s son. His step-grandmother is Belle (from “BEAUTY AND THE BEAST”) His paternal grandfather is Peter Pan, who proved to be the most evil and selfish character on this show, so far. His adoptive mother and step-great-grandmother is the Evil Queen. Robin Hood almost became his adoptive father (and he still might by the series’ end). There is a chance that Captain Hook, who had an affair with his paternal grandmother, might become his stepfather. The Queen of Hearts (Cora Mills) is his adoptive grandmother. And the Wicked Witch of the West (Zelena Mills) is his adoptive aunt. I mean . . . what the fuck? Is this bat-shit crazy or what? How can any complain about the latest plot development between Robin and Zelena, when the series has been full of these crazy and soap operish plot twists since it began? Quality writing has never been the hallmark of this series.

Part of me suspect that today’s fans of movies, television and novels long for fictional romances that are trouble free? But why? What is it about today’s audiences that they cannot deal with any kind of emotional conflict or drama between a romantic couple? What is this stupid need for an established couple to be emotionally trouble free and only deal with external threats? It is just so fucking pathetic. It seems as if no one understand or appreciates real storytelling these days. I suspect this is what people really want:

“A couple or family are emotionally secure and lack any hints of moral ambiguity whatsoever. They never fight, make questionable judgments or endure emotional conflicts whatsoever. Instead, all of the conflicts they endure are from an external threat, which is quickly dealt with by the end of a television episode or a movie.

In other words, they want ideal relationships with not moral ambiguity whatsoever and quickly resolved story arcs. I cannot even count the number of times I have spotted comments by television, movie and literary fans on the Internet, who long for an idealized and trouble-free romance between two fictional characters. And I not only fear that storytellers – in all mediums – might give them what they want, but that today’s culture is really going down the drain.

It is rather ironic that when Regina and Robin finally became romantically involved in late Season Three, some fans had complained that their romance seemed a bit too rushed. I had suggested that their story might be far from over. Ever since Emma and Hook brought “Marian”/Zelena to Storybrooke, I proved to be right. But now, these same fans are complaining over the numerous ways that Horowitz and Kitsis seemed to be complicating Regina and Robin’s romance. I swear . . . people can be incredibly fickle.