Top Five Favorite Episodes of “THE CROWN” Season Two (2017)

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Below is a list of my favorite episodes from Season Two of the Netflix series, “THE CROWN”. Created by Peter Morgan, the series starred Claire Foy and Matt Smith as Queen Elizabeth II and Prince Philip, Duke of Edinburgh:

 

 

TOP FIVE FAVORITE EPISODES OF “THE CROWN” SEASON TWO (2017)

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1. (2.05) “Marionettes” – After Queen Elizabeth II makes a tone-deaf speech at a Jaguar factory, she and the British monarchy come under public attack by an outspoken liberal peer named Lord Altrincham.

 

 

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2. (2.03) “Lisbon” – Palace insiders try to prevent the scandalous divorce of the Duke of Edinburgh’s aide, Lieutenant-Commander Mike Parker, that could reflect poorly on the former and the monarchy. Prime Minister Anthony Eden faces censure from his cabinet and the press over the Suez Crisis.

 

 

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3. (2.09) “Paterfamilias” – Prince Philip insists that Prince Charles attend Gordonstoun, his alma mater in Scotland. Also, he reminisces about the life-changing difficulties he experienced there as a student.

 

 

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4. (2.07) “Matrimonium” – A heartbreaking letter from former lover Peter Townsend spurs Princess Margaret to make a bold proposal to her current lover, photographer Antony Armstrong-Jones. The Queen has good news that causes complications for Margaret.

 

 

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5. (2.02) “A Company of Men” – Elizabeth feels disconnected from Philip during his five-month royal tour in the South Pacific. Meanwhile, Eden copes with ill health and international pressure to withdraw British troops from Egypt during the Suez Crisis.

 

 

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“THE CROWN” and Prince Philip

“THE CROWN” AND PRINCE PHILIP

Do not get me wrong. I really enjoyed “THE CROWN”. And I also enjoyed Matt Smith’s performance as Prince Philip, Duke of Edinburgh. I thought he did a great job in capturing both the positive and negative aspects of the prince’s character. But I do have a few complaints about the series’ portrayal of the prince consort. 

For me, one of the more frustrating aspects of “THE CROWN” was its portrayal of Prince Philip. I am beginning to that think show runner Peter Morgan never truly understood him. Everyone talked about how Philip should have stopped complaining about his boredom and support the Queen. He has always supported her, whether he was complaining or not. Even when he criticized her, he supported her. But Philip had a very good reason to complain. The Palace courtiers and the Queen Mother, who never wanted him to marry Elizabeth in the first place, did not want him to have any influence upon the Court. I think their idea of Philip as consort was for him to sit on his ass most of the day, doing nothing – aside from acting as royal stud or escort to major events and state visits. That’s it. From what I have read about Philip, those first four to five years of the Queen’s reign were very frustrating for him.

It was not until after his 1956-57 world tour and visit to the Melbourne Olympic Games that he started establishing his own style and role as consort. Morgan seemed to hint that the Queen creating Philip as a prince of Great Britain and Northern Ireland solved his problems with the royal courtiers and his role as consort. That is far from the truth. In the end, Philip established the Duke of Edinburgh’s Award and the Commonwealth Study Conferences during the period covered by Season Two. He also joined the Queen’s Privy Council for both Britain and Canada. He served as president of the National Playing Fields Association and The World Wildlife Fund. He also served as Chancellor of the Universities of Edinburgh and Wales, while at the same time began engaging in more State Visits by himself, on behalf of the Crown. But for some reason, the series never really established or hinted this. Season One had established his earlier frustration at being prince consort, but failed to follow through in the second season, especially when history offered Morgan the chance to do so.

Instead, “THE CROWN” mainly focus upon its speculation on whether Philip had cheated on the Queen or not. What made this even more annoying was that Morgan established the idea of Philip having an affair with a Soviet Union ballerina named Aliya Tanykpayeva (aka Galina Ulanova), who was eleven (11) years his senior. The idea is just ludicrous to me. I doubt very much that they hung around the same social circles. And chances are Tanykpayeva (Ulanova), as a Soviet citizen, would have been monitored by MI-5 during her tour of Britain. As for Philip’s connection to the Promfumo Affair … like Princess Margaret and several other members of the Royal Family, he was a patient of Dr. Stephen Ward. There has been no real evidence or anything of women being procured for him by Ward. And yet, Morgan seemed to be stuck in this obsession over whether Philip had committed adultery or not, his “toxic masculinity” … and nothing else.

I forgot the name of the blog, but its owner once hinted that Peter Morgan might have some hang-up or hostility toward Prince Philip. Personally, I rather doubt it. Either this was a case of Morgan using the rumors of infidelity as a source of more drama. Or perhaps my earlier speculation might be correct . . . that the show runner simply did not understand the prince or the consequences of his role as the sovereign’s consort.

Top Five Favorite Episodes of “THE CROWN” Season One (2016)

Below is a list of my favorite episodes from Season One of the Netflix series, “THE CROWN”. Created by Peter Morgan, the series starred Claire Foy and Matt Smith as Queen Elizabeth II and Philip, Duke of Edinburgh: 

TOP FIVE FAVORITE EPISODES OF “THE CROWN” SEASON ONE (2016)

1. (1.02) “Hyde Park Corner” – Due to King George VI’s poor health, Princess Elizabeth and her husband Philip, Duke of Edinburgh embark upon a tour of the Commonwealth on his behalf. However, a family tragedy forces the couple to end their tour in Kenya and return home to Britain.

2. (1.05) “Smoke and Mirrors” – This episode focuses on the death of Queen Mary, Queen Elizabeth II’s grandmother and on her own coronation over two months later. Meanwhile, the Queen’s uncle, the Duke of Windsor, clashes with her private secretary, Tommy Lascelles, after being asked not to attend the coronation.

3. (1.08) “Pride & Joy” – While Elizabeth and Philip embark upon a stressful Commonwealth tour in 1954, the Queen’s younger sister Princess Margaret takes on more royal engagements, much to the consternation of Prime Minister Winston Churchill.

4. (1.07) “Scientia Potentia Est” – While the Soviet Union tests their new H-bomb, both Prime Minister Churchill and Deputy Prime Minister experience major health crisis, unbeknownst to the Queen. Meanwhile, she becomes aware of her limited education and hires a tutor.

5. (1.06) “Gelignite” – When Princess Margaret and her divorced lover, Peter Townsend, ask Elizabeth’s permission to get married, the latter promises to give her support. Unfortunately, Private Secretary Lascelles and the Queen Mother advise against supporting the marriage.

 

“ELEPHANTS CAN REMEMBER” (2013) Review

“ELEPHANTS CAN REMEMBER” (2013) Review

It is believed by many that the 1976 novel, “Curtain”, was the last one written by Agatha Christie that featured Belgian detective Hercule Poirot. Not quite. “Curtain”, which Christie wrote during World War II, was the last Poirot novel to be published. The 1972 novel, “Elephants Can Remember” proved to be the last Poirot novel written by the author. 

Forty-one years following its publication, “Elephants Can Remember” was adapted as an 89-minute television movie for the last season of ITV’s “AGATHA CHRISTIE’S POIROT”. Although the movie’s screenwriter, Nick Dear, retained a great deal of Christie’s novel; he embellished the story by adding a present day murder. He also either deleted or merged some supporting characters.

“ELEPHANTS CAN REMEMBER” begins with Adriande Oliver attending a literary luncheon in London, when a middle-aged woman named Mrs. Burton-Cox approaches her. Knowing that Mrs. Oliver is the godmother of her son Desmond’s fiancée, Celia Ravenscroft, Mrs. Burton-Cox wants to know if the young woman’s parents had died via a murder-suicide or a double suicide. Some ten or fifteen years earlier, the bodies of Mrs. Oliver’s close friend Margaret Ravenscroft and General Alistair Ravenscroft were found near their manor house in Overcliffe. The original police investigation revealed that both had bullet wounds and that a revolver found between their bodies bore the fingerprints of the married couple. This made it impossible for the police to prove whether The Ravenscrofts’ deaths were a case of double suicide or if it was a murder-suicide. Following her encounter with Mrs. Burton-Cox, Mrs. Oliver contacts Celia Ravenscroft, who asks her to look into the case.

Mrs. Oliver seeks the help of Hercule Poirot, but he has his own case to solve. The latter is requested by an old friend, a psychiatrist named Dr. Willoughby, to investigate the murder of his father, who operated the Willoughby Institute for psychologically troubled patients. While investigating the elder Dr. Willoughby’s death, Poirot discovers a connection between his case and the Ravenscrofts’ case. Apparently, Mrs. Ravenscroft’s sister, Dorothy Jarrow, had been a patient of Dr. Willoughby senior before the couple’s deaths. Following this discovery, he decides to help Mrs. Oliver with her mystery as well.

Cold cases have featured in some of the most interesting novels that Agatha Christie had written throughout her career. Four of her most interesting novels about cold cases were “Five Little Pigs” (1942)“Ordeal by Innocence” (1958)“Hallowe’en Party” (1969)“Nemesis” (1971) and “Sleeping Murder” (1976). I wish I could say the same about “Elephants Can Remember”. But if I must be brutally honest, I have never read the novel. But thanks to this 2013 television adaptation of the novel and the Wikipedia website, I found myself familiar with its plot. As for the production itself . . . well, it seemed pretty solid to me.

I know what you are thinking. Pretty solid? Why not first-rate or excellent? To be perfectly honest, “ELEPHANTS CAN REMEMBER” did not exactly blow my mind. My problem with the film is I feel that Nick Dear’s additions to Christie’s story may have slightly undermined its dramatic impact. “ELEPHANTS CAN REMEMBER” had the potential to be a poignant mystery about the past. However, by adding both a murder and attempted murder to the story may have undermined this poignancy.

As I have earlier pointed out, “ELEPHANTS CAN REMEMBER” was not the first “cold case” mystery written by Christie. And to be perfectly honest, three of those “cold case” mysteries like “Ordeal by Innocence”“Nemesis” and “Sleeping Murder” did feature additional “present-day” murders to their narratives. But those murders were all about the killers’ attempts to prevent from being exposed after a period of time. In the case of “Hallowe’en Party”, it featured a good number of additional murders – both past and present – that were all about preventing the exposure of the murderer. I thought the addition of another murder and attempted murder in “ELEPHANTS CAN REMEMBER” had taken away some of the emotional impact of the Ravenscrofts’ deaths. This addition also made the plot a bit more confusing than necessary.

Despite Nick Dear’s major change in Christie’s story, I still managed to enjoy “ELEPHANTS CAN REMEMBER”. The story managed to remain somewhat intriguing. But there were other aspects of the television movie that I enjoyed. Thanks to Jeff Tessler’s production designs and Miranda Cull’s art direction, “ELEPHANTS CAN REMEMBER” proved to be a very attractive looking production. Gavin Finney’s cinematography also added to the production’s attractive look. But there were times when his photography looked slightly fuzzy and ended up irritating me.

“ELEPHANTS CAN REMEMBER” also featured some first-rate performances. David Suchet and Zoë Wanamaker were wonderful, as always, as Belgian detective Hercule Poirot and mystery writer Mrs. Ariadne Oliver. There were three other performances that also impressed me. Iain Glen gave a very interesting performance as Poirot’s charming, yet adulterous friend, Dr. Willoughby. Greta Scacchi was marvelous as always as the snobbish, yet mercenary Mrs. Burton-Cox. I was also impressed by Alexandra Dowling’s complicated performance as the mysterious secretary, Marie McDermott, who was having an affair with Dr. Willoughby. The movie also featured solid performances from the likes of Vanessa Kirby, Elsa Mollien, Adrian Lukis, Ferdinand Kingsley, Claire Cox, Caroline Blakiston and Vincent Regan.

Yes, I had a few quibbles about “ELEPHANTS CAN REMEMBER”. My quibbles mainly focused on some of the additions that screenwriter Nick Dear made to Agatha Christie’s plot. But despite it, I still managed to enjoy the teleplay, thanks to John Strickland’s direction and a solid cast led by David Suchet and Zoë Wanamaker.