The Great “ONCE UPON A TIME” Costume Gallery II

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Below is a gallery featuring the costumes designed by Eduardo Castro from the third and fourth seasons of the ABC series, “ONCE UPON A TIME” and the 2013-2014 series, “ONCE UPON A TIME IN WONDERLAND”:

THE GREAT “ONCE UPON A TIME” COSTUME Gallery II
The Ladies

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Five Favorite Episodes of “ONCE UPON A TIME” – Season Four (2014-2015)

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Below is a list of my top five favorite episodes from Season Four of “ONCE UPON A TIME”. The series was created by Edward Kitsis and Adam Horowitz:

FIVE FAVORITE EPISODES OF “ONCE UPON A TIME” – SEASON FOUR (2014-2015)

1 - 4.16 Best Laid Plans

1. (4.17) “Best Laid Plans” – While Rumpelstiltskin and the Queens of Darkness continue their search for the “Author” of the town’s Fairy Tale Book, Snow White and David try to stop them in order to keep their daughter Emma Swan from discovering their past misdeed, which is finally revealed in flashbacks.

2 - 4.12 Darkness on the Edge of Town

2. (4.13) “Darkness on the Edge of Town” – Rumpelstiltskin returns to Storybrooke with Ursula and Cruella De Vil in tow. Meanwhile, the Charmings, Regina Mills and Killian Jones (Captain Hook) set about freeing the fairies from the Sorcerer’s hat and deal with a threatening Chernabog demon, which was also freed.

3 - 4.17 Heart of Gold

3. (4.18) “Heart of Gold” – Emma, angry over the discovery of her parents’ misdeed, joins the search for the Author. Meanwhile, a captured Regina learns from Rumpelstiltskin on how Robin Hood ended up in the clutches of her allegedly dead sister Zelena in New York City. And Robin has his first encounter with Zelena in the past Land of Oz, as he sets about stealing a magical elixir for Rumpelstiltskin.

4 - 4.07 The Snow Queen

4. (4.07) “The Snow Queen” – The origins of Ingrid, the Snow Queen in Arendelle, are revealed in flashbacks, along with her relationships with her two sisters. In the present, Ingrid manipulates Emma into losing control of her magic in order to make the Charmings fear her.

5 - 4.22 Operation Mongoose Part 1

5. (4.22) “Operation Mongoose, Part 1” – In the first half of the season finale, Henry Mills tries to undo the changes in the universe created by Isaac Heller aka the Author and Rumpelstiltskin.

HM - 4.04 The Apprentice

Honorable Mention: (4.04) “The Apprentice” – Killian blackmails Rumpelstiltskin into giving him a genuine hand for the former’s first date with Emma and ends up facing consequences, and Emma is constantly taunted by Ingrid about the former’s relationship with her parents. Flashbacks reveal Princess Anna of Arendelle’s encounters with both Rumpelstiltskin and the Sorcerer’s Apprentice.

“ONCE UPON A TIME”: The Frustration of an Outlaw Queen Shipper

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“ONCE UPON A TIME”: THE FRUSTRATION OF AN OUTLAW QUEEN SHIPPER

The latest plot development of ABC’s “ONCE UPON A TIME” has left me in a state of frustration. This plot development . . . or twist has to do with the relationship between the characters Mayor Regina Mills aka the Evil Queen and Robin Hood aka Robin of Locksley. And the ironic thing is that my frustration is not centered on the actual plot twist, but has a good deal to do with the fan reaction to it.

I guess we all know what happened. In a previous episode called (4.17) “Heart of Gold”, Regina learned from her former mentor, Mr. Gold aka Rumpelstiltskin that not only was her half-sister Zelena aka the Wicked Witch of the West was still alive, she had been impersonating Maid Marian since the second half of the Season Three episode, (3.22) “There’s No Place Like Home”. After being defeated by Regina in (3.20) “Kansas”, Zelena was murdered by a vengeful Rumpelstiltskin, who wanted her dead in retaliation for his son’s death. However, after stabbing Zelena, the latter transformed into essence and eventually opened the time portal she had planned to use to wipe Regina, Snow White, Emma and young Henry Mills from existence. Zelena reformed into human shape in the Enchanted Forest past and followed Emma and Killian Jones aka Captain Hook around. She saw that Emma had decided to change the timeline and save the real Maid Marian from execution on the Evil Queen’s order. Zelena took the opportunity to kill Marian when Emma and Hook were distracted and allow them to drag her to Storybrooke and the 21st century.

In (4.11) “Heroes and Villains”, “Marian” decided that she no longer wanted to be with Robin, since he seemed to be very much in love with Regina. However, the Snow Queen’s freezing spell, which was cast on Zelena in (4.03) “Rocky Road”, began affecting the latter . . . despite the former’s death in the previous episode, (4.10) “Shattered Sight”. Regina insisted that she and Robin end their romance for good and for him to accompany “Marian” out of Storybrooke to take care of her and Roland. In “Heart of Gold”, both she and Rumpelstiltskin learned that “Marian” was Zelena. When Regina accompanied Emma on a road trip to find Maleficent’s daughter in (4.19) “Lily”, they end up in New York City. Regina managed to expose “Marian” as Zelena to a very surprised Robin. But she received her own surprise when Zelena revealed that she was pregnant with Robin’s child.

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Not only did this revelation send shock waves throughout the “ONCE UPON A TIME” fandom, it also exposed some very interesting reactions to this plot twist. Well . . . I did not find these fan reactions “interesting” per se, merely annoying. I was surprised by the number of hostile reactions directed at Robin by the show’s fans. Especially the Outlaw Queen (Regina/Robin) fans. They accused show runners Adam Horowitz and Edward Kitsis of bad writing. They labeled Zelena as something of a cross between a psychotic monster and a slut. But most of their hostility seemed to be directed at Robin. They accused him of stupidity, claiming that he should have known that his wife was not the real Maid Marian. They accused him of being betraying Regina’s love. Some idiots even accused Robin of being fickle in regard to his feelings about Regina. Some fans even wondered how Regina could ever forgive Robin for choosing to be with “Marian” over staying in Storybrooke with her. When I read these complaints and accusations, I could not help but shake my head in disbelief. Does anyone understand what a story is about? Anyone? Did anyone understand what kind of man Robin was . . . or the era that he came from?

I wonder how many of the “ONCE UPON A TIME” fans were aware that Robin was not a veteran of the 21st century like Regina, the Charming family and most of Storybrooke’s citizens. Mind you, he had experienced the 21st century longer than “Marian” (let us assume for a brief moment that we are talking about the real Marian). That is why Regina had convinced him to leave Storybrooke with “Marian” and Roland in the first place. In her mind, “Marian” had no real experience with the 21st century – in Storybrooke and elsewhere. And Roland is a mere child. Regina believed and Robin realized that neither would have been able to survive the outside world on their own. It was either accompany “Marian” and Roland to New York or allow “Marian to die from Ingrid’s curse.

Did anyone ever understood the era that Robin came from? He came from a period in time that believed in honoring obligations. You know . . . . doing the right thing in the eyes of society, instead of doing what you want to do with no regard to the consequences. Even Regina came from that period, despite her questionable moral compass and three decades in late 20th and early 21st centuries Maine. When Zelena revealed her true identity to Rumpelstiltskin, she informed the latter that she had hoped to ruin Regina’s happiness by making Robin fall in love with her (as “Marian”). However, Zelena realized that she could not use Robin’s past life with Marian and simply seduce him. His feelings for Regina kept getting in the way. In fact, he spent a good deal of their initial time in New York mourning over the end of his relationship with Regina and causing a good deal of tension between him and “Marian”. In the end, it took conversations with both Zelena and Rumpelstiltskin to make Robin believe he had to put Regina behind him for good and try to rebuild his old family for the sake of peace. Zelena saw Regina’s image on Robin’s cell phone and went into a rant about how his feelings for Regina prevented them from trying to re-establish their lives together in New York (actually, I do wonder how long it took them to get to New York without a car). In other words, Zelena dumped a massive guilt trip on Robin. It did not help that Rumpelstiltskin’s advice about finding happiness wherever he can find it led Robin to believe that he needed to make due with what his life had provided and try to form a stable family life with “Marian” and Roland.

And when Robin found out that “Marian” was Zelena, in his mind he still could not leave her. Especially since he believes that she is pregnant with his child. I doubt very much that Robin cares for Zelena. Chances are he is probably upset that she had deceived him . . . and probably killed the real Marian. But he is also thinking of his unborn child . . . that is if Zelena is actually pregnant. I simply do not believe that Robin is the type of many who would shirk his own responsibilities. He is simply not the deadbeat type. He obviously feels obligated to take care of his unborn child, whether he wants to or not. Robin is nothing like Zelena’s own father, the gardener who had seduced and abandoned Cora after she became pregnant. And for this, along with his decision to take care of “Marian” and Roland in New York City, Robin is being criticized by many fans.

Personally, I find this anger toward Robin rather baffling. When the character was first introduced, no one had a problem with his “code of honor”, along with his open-mindedness (especially toward Regina). But when it got in the way of a“happily ever after” with Regina – THEIR decision that he needed leave Storybrooke with “Marian” and his refusal to give up on the child he had conceived with “Marian”/Zelena – they dumped all sorts or ire on the man. These fans want him to be a good man . . . as long as his moral code does not get in the way of what they conceive as a perfect romance with Regina. Hypocritical much? Worse, they are now questioning Robin’s true feelings for Regina. Why? Because he had moved past Regina . . . too fast. Robin never really moved past Regina. He simply adjusted to a new life and situation. He is still in love with her. Although it took him a while, Robin came to the conclusion that any kind of life with Regina will always be over as long as “Marian” remains affected by Ingrid’s spell. And since “Marian” is still his wife, with whom he still shares a son . . . This is how Zelena was finally able to garner some kind of affection and intimacy with him, after her previously failed efforts to get him to fall in love with her. And she was only able to achieve this, disguised as Marian. Now, she has an unborn child as a weapon to keep Regina and Robin apart. How long this will last, I have no idea.

Personally, I believe this whole situation with Robin and Zelena is karmic payback for Regina. She is paying the price for using the curse (along with Princess Abigail/Kathryn Nolan) to disrupt Snow and Charming’s relationship. Just as Snow and Charming are experiencing karmic payback for not only taking an unborn Lily, but for using it to manipulate Emma’s own moral compass. In fact, I suspect their earlier loss of Emma through the curse might be payback for kidnapping Lily. Even Emma has experienced karmic payback for giving away Henry (even though her action is not a crime). After all, he will never be completely hers. Never. The same could be said for Regina, who was responsible for the Charmings being forced to give up Emma. And for a brief moment, I believe Emma experienced karmic payback for car theft, when Lily drove away with the yellow Volkswagen bug – the same car that she and Neal had stolen in Portland. It remains to be seen if Emma and the other characters will experience consequences for their other questionable actions.

Following the news of Zelena’s pregnancy, cries that Outlaw Queen was through were posted on the Internet – despite the fact that the series’ run was far from over. These naysayers still believe that Robin needs to dump his “code of honor” in order to have a trouble-free relationship with Regina. They also accused Horowitz and Kitsis of transforming “ONCE UPON A TIME” into a soap opera. HUH? Who are they kidding? The series has always been a combination of a fantasy-adventure and SOAP OPERA. I mean . . . really! The number of bat-shit crazy story arcs and plot twists that have popped up on this show, since its debut in the Fall of 2011 is mind boggling. The most obvious aspect of this series’ soap operish trait is Henry Mills’ crazy family tree. His mother is the first born of Snow White and Prince Charming. His father is Rumpelstiltskin’s son. His step-grandmother is Belle (from “BEAUTY AND THE BEAST”) His paternal grandfather is Peter Pan, who proved to be the most evil and selfish character on this show, so far. His adoptive mother and step-great-grandmother is the Evil Queen. Robin Hood almost became his adoptive father (and he still might by the series’ end). There is a chance that Captain Hook, who had an affair with his paternal grandmother, might become his stepfather. The Queen of Hearts (Cora Mills) is his adoptive grandmother. And the Wicked Witch of the West (Zelena Mills) is his adoptive aunt. I mean . . . what the fuck? Is this bat-shit crazy or what? How can any complain about the latest plot development between Robin and Zelena, when the series has been full of these crazy and soap operish plot twists since it began? Quality writing has never been the hallmark of this series.

Part of me suspect that today’s fans of movies, television and novels long for fictional romances that are trouble free? But why? What is it about today’s audiences that they cannot deal with any kind of emotional conflict or drama between a romantic couple? What is this stupid need for an established couple to be emotionally trouble free and only deal with external threats? It is just so fucking pathetic. It seems as if no one understand or appreciates real storytelling these days. I suspect this is what people really want:

“A couple or family are emotionally secure and lack any hints of moral ambiguity whatsoever. They never fight, make questionable judgments or endure emotional conflicts whatsoever. Instead, all of the conflicts they endure are from an external threat, which is quickly dealt with by the end of a television episode or a movie.

In other words, they want ideal relationships with not moral ambiguity whatsoever and quickly resolved story arcs. I cannot even count the number of times I have spotted comments by television, movie and literary fans on the Internet, who long for an idealized and trouble-free romance between two fictional characters. And I not only fear that storytellers – in all mediums – might give them what they want, but that today’s culture is really going down the drain.

It is rather ironic that when Regina and Robin finally became romantically involved in late Season Three, some fans had complained that their romance seemed a bit too rushed. I had suggested that their story might be far from over. Ever since Emma and Hook brought “Marian”/Zelena to Storybrooke, I proved to be right. But now, these same fans are complaining over the numerous ways that Horowitz and Kitsis seemed to be complicating Regina and Robin’s romance. I swear . . . people can be incredibly fickle.

“ONCE UPON A TIME”: Tolerating Ambiguity

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“ONCE UPON A TIME”: TOLERATING AMBIGUITY

A good number of the “ONCE UPON A TIME” fandom seemed to be divided over what was revealed in the series’ latest episode called (4.16) “Best Laid Plans”. This division seems to be especially apparent in the episode’s flashbacks and the moral implications hinted from those sequences.

Since the second half of the series’ Season Four began, there have been rumors and hints on the Internet that two of the series’ leads – Snow White aka Mary-Margaret Blanchard and Prince Charming aka David Nolan – may have done something questionable or even terrible in their past in the Enchanted Forest. The first hint appeared in the episode,(4.12) “Darkness on the Edge of Town”, when the couple had protested against allowing villainesses Ursula the Sea Witch and Cruella DeVille to enter their Maine community, Storyrbooke. Later in the episode, both Snow and Charming warned the villainous pair not to say a word about their past to anyone, especially their daughter Emma Swan.

The episode, (4.13) “Unforgiven” gave further hints of the royal pair’s ominous deed. The Storybrooke sequences featured Snow and Charming’s failed efforts to prevent Ursula and Cruella (with Rumpelstiltskin’s help) from resurrecting their former comrade, Maleficent. The latter had been trapped in dragon form by Regina Mills aka the Evil Queen in a cavern underneath Storybrooke during those 28 years of the first curse, until Emma killed her in the Season One episode, (1.22) “A Land Without Magic”. But the flashbacks for “Unforgiven” revealed that the Charmings had briefly formed an alliance with Maleficent, Ursula and Cruella to find a way to prevent Regina from casting the first curse. The alliance fell apart after Maleficent killed a pair of guards who blocked their way to a magical tree that could give them advice. Snow and Charming eventually learned – ironically from Maleficent – that the former was pregnant with Emma. They also learned that their unborn child would not only have the potential for good, but also for great evil. To anyone with common sense, this would be an apt description of any sentient being. Yet, the idea of their future child – who became dubbed as “the Savior” – possessing a potential for evil frightened the Charmings . . . especially Snow White.

So, what actually happened between the Charmings and the “Queens of Darkness” in the Enchanted Forest? “Best Laid Plans” provided the answer. The episode revealed that the royal couple had stopped to help a roadside peddler, who warned them that Maleficent had torched a village after becoming a dragon and laying an egg. He also advised them to seek advice from a “man in a cottage”. The latter turned out to be the Sorcerer’s Apprentice, the same elderly man who had directed Queen Ingrid aka the Snow Queen to our world and whom Rumpelstiltskin (with Hook’s reluctant help) had entrapped inside the Sorcerer’s Hat. It was the Apprentice who told the Charmings that their child would grow up with the potential for both good and evil . . . like everyone else. He also added that if they wanted to ensure Emma would remain good, they would have to find another sentient being to serve as a vessel to absorb their unborn child’s potential for evil. In the end, the Charmings kidnapped Maleficent’s egg, which carried an unborn child to use as a vessel for Emma’s inner evil. And the Apprentice, who cast a spell that sent Emma’s inner evil into Maleficent’s unborn child, took the royal pair by surprise by declaring that such evil should not reside in the Enchanted Forest. He sent Maleficent’s child to “the Land Without Magic”, sucking Ursula and Cruella into the portal, as well.

The reaction to the Charmings’ actions in the Enchanted Forest and their subsequent lies in present-day Storybrooke proved to be very emotional and mixed within the “ONCE UPON A TIME” fandom. Many fans accepted what the Charmings did and recognized what they had done was wrong. However, other fan reactions to the Charmings’ actions and “Best Laid Plans” has been . . . well, interesting. Some fans have accused show runners Adam Horowitz and Edward Kitsis of retconning Snow White and Charming’s characterizations . . . and bad writing altogether. Others have made excuses for the Charmings, claiming they could understand the couple’s need to save Emma from a life of evil. Others have used the peddler, who turned out to be the Author that many have been seeking, as an excuse for the Charmings’ terrible act. The episode revealed that instead of recording the going-ons in the Enchanted Forest, the peddler had been occasionally manipulating the actions of the inhabitants to “make a better story”. And since the episode revealed that the peddler/Author had manipulated the Apprentice into sending Maleficent’s unborn child to “the Land Without Magic”, he must have manipulated the Charmings into kidnapping the child in the first place. Ironically, the charges of bad writing and excuses reminded me of the reactions to Snow’s murder of Cora Mills aka the Queen of Hearts in Season Two’s (2.16) “The Miller’s Daughter”. For some reason, a certain portion of the series’ fandom find it difficult to accept any signs of moral ambiguity from either Snow White, Prince Charming or their daughter, Emma Swan. And there are those fans who have raked the Charmings over hot coals for their deed. I get the feeling these particular fans are angry at the couple (or at Horowitz and Kitsis) for shattering their ideal image of innate goodness.

Personally, I had sighed with relief over the revelation of the Charmings’ past misdeed. No one was more happier than me when Snow and David proved how low they could sink. Some might view my comment as crowing over the couple’s downfall. Trust me, I am not. I am happy that Adam Horowitz and Edward Kitsis has finally resumed portraying the couple’s moral ambiguity after . . . how many seasons? I believe the last time audiences really saw any signs of questionable morality from either Snow or David was in Season Two’s (2.16) “The Miller’s Daughter”, when Snow murdered Cora Mills aka the Queen of Hearts by cursing the latter’s heart and emotionally manipulating Regina into placing that heart back into Cora’s body. Many fans – to this day – have used Cora’s own moral compass and goal to become the new “Dark One” as an excuse for her murder. These same fans continue to claim that Snow’s intent was to save Storybrooke from Cora’s machinations. But Snow White’s declared intent to murder Cora in revenge for her mother’s death in (2.15) “The Queen Is Dead” makes it clear that Snow White’s only intent was to exact revenge.

There have been other signs throughout the series of Snow’s moral ambiguity. Flashbacks revealed in episodes that she was a kind, yet spoiled and slightly bratty child. I have always wondered about her attempts to redeemed Regina on her own terms, instead of allowing the latter to make the choice to seek redemption, herself. Was this some effort on Snow White’s part to regain the affection of the young woman who first saved her when they met? Or to be the “loving” stepmother and mother substitute she had assumed Regina was before King Leopold’s death? Who knows. I also recalled Snow White’s attempt to murder Regina in the flashbacks featured in Season One’s (1.16) “Heart of Darkness”. Many fans had attributed Snow’s murderous intent to the potion given to her by Rumpelstiltskin, which stripped away her memories of Charming. Those fans seemed to forget that the potion merely erased her memories of Charming. It did not make her murderous. I suspect that the stress of being a fugitive, along with anger and resentment over Regina’s part in Leopold’s death had finally got the best of Snow and she decided to resolve her situation with an act of murder. Thankfully, Charming managed to stop her.

And for quite some time, I have brought up Snow’s action against Mulan in Season Two’s (2.08) “Into the Darkness”, in which she and Emma were trying to leave the Enchanted Forest and return home to Storybrooke. As many know, Mulan had snatched a magical compass that mother and daughter were planning to use to return home. But Mulan wanted to exchange the compass for Princess Aurora, who had been kidnapped by Cora. Snow and Emma managed to catch up in time, before the former engaged in a tussle with Mulan that led to an implausible victory for her. Angry over Mulan’s theft, Snow demanded to know the reason behind it. Even though Mulan admitted that she stole the compass to save Aurora’s life, Snow gave into her anger and tried to kill the former. Fortunately for Mulan, Aurora (who had been freed by Killian Jones aka Captain Hook) stopped Snow from committing murder. Emma, on the other hand, had done nothing to stop her mother. Wow. Snow managed to commit two murder attempts before finally achieving one, when she arranged Cora’s death. Now, her body count is a far, far cry from the likes of Rumpelstiltskin, Regina, Cora, Zelena and other villains. But for someone with a reputation for innate goodness, her penchant for murder (whether successful or not) is at least worth contemplating.

As for David, one of his major character flaws has always been his penchant for judging others with extreme prejudice. Not only has this trait been apparent in his attitude toward Regina – even when she finally managed to achieve some form of full redemption – but also toward others whom he would view as different. This is a trait that Snow White also shares. How else could someone explain the couple’s willingness to use Maleficent’s child as a vessel for Emma’s inner evil? As far as they were concerned, the baby was nothing more than a replica of her mother – a personification of evil. Transferring Emma’s inner evil to her would cause no harm . . . or so they would believe. David was also willing to destroy the book’s page that contained the entrapped Author – an act that could have killed the latter and robbed anyone else of a future “happy ending”. He wanted to destroy that page to hide his and Snow’s theft of Maleficent’s child from everyone . . . especially Emma. His willingness to destroy the page struck me as a stark example of his own personal cowardice that has manifested itself, time and again.

In the Season Two episode, (2.02) “We Are Both”, he told the citizens of Storybrooke that the cursed David Nolan who was too cowardly to be truthful about his adulterous affair with the cursed Mary Margaret Blanchard; and the heroic Prince Charming were one and the same. In Season Three’s (3.14) “The Tower”, he resorted to hiding from others for a few nips of booze in order to hide from his guilt over Emma’s upbringing away from the family and a fear that he might prove to be an ineffective father to his son, Neal, with whom Snow was pregnant at the time. In “Unforgiven”, Snow woke up in the middle of the night following a nightmare about Maleficent, and found David drinking on the staircase to hide his worries over Ursula and Cruella’s arrival in Storybrooke. I am beginning to suspect that he might be a secret lush. Oh dear. And most addicts, if not all, tend to resort to this behavior because they are afraid to face the complete truth about themselves – especially their less than admirable traits. Charming has always struck me as the type willing to face external dangers like evil magic practitioners, dragons, a dangerous water temptress and his malevolent adopted father. Facing his flaws, personal mistakes and demons has always been a problem for him.

Why is it so difficult for some fans to view the Charming family – Snow White, David, Emma and Henry – as morally ambiguous? I never understood this attitude. “ONCE UPON A TIME” is not a television series solely for children. If it was, ABC/Disney would have aired the show on Saturday mornings, instead of during the usual prime time hours. This is the same series in which other heroes and villains have been portrayed in an ambiguous light. Why should the Charmings be exempt from such ambiguity? Because they are among the show’s main protagonists? Some would point out that Emma is a morally ambiguous character, due to her past as a thief and ex-convict. But Emma has committed some questionable acts since the series began – destruction of property, breaking and entering, accessory to her mother’s attempt to kill Mulan in “Into the Deep”, changing the timeline and lying to Henry. In fact, she is still driving the same yellow Volkswagen that she and Neal Cassidy (Baefire) had stolen when they first met. However, many fans tend to brush aside these acts – including the stolen Volkswagen. With the exception of her lies to Henry, which they saw as a threat to the Charming family’s reunion, many fans were willing to brush aside Emma’s questionable acts as long as she was not guilty of murder. Personally, I find this viewpoint rather hypocritical and an example of certain fans’ insistence upon viewing protagonists like the Charmings as morally ideal.

I personally do not care for morally ideal characters. I find them rather boring and unrealistic. I remember reading in a few Agatha Christie novels in which the main character – usually Miss Jane Marple – tend to express the view that just about anyone is capable of murder, given a specific situation. I agree with this assessment. I sometimes feel that human beings like to regard themselves as better than we really are. Perhaps this is why they love the idea of fictional characters – especially those dubbed “the protagonist” or “hero/heroine” – as being morally ideal. Mind you, this is merely an opinion of mine. I tend to find morally ambiguous characters more interesting. Such characters are very entertaining and really do make a story bridle with energy. Characters of one-dimensional morality do not. Even one-dimensional villains. Both Regina and Rumpelstiltskin had struck me as a pair of uninteresting villains in Season One, until episodes like (1.08) “Desperate Souls” and (1.18) “The Stable Boy” revealed just how ambiguous and interesting they truly were.

After Season Two, both Snow White and Charming seemed in danger of becoming a pair of rather dull characters. Between (2.17) “Welcome to Storybrooke” (in which Snow tried to me avert the emotional impact of Cora’s death) and“Darkness on the Edge of Town”, they were not that interesting to me. Well . . . there was the (4.11) “Shattered Sight”episode, in which Queen Ingrid of Arendelle aka the Snow Queen’s spell in which the couple exposed their . . . um, inner resentments and anger toward each other. But for me, that was not the same as deliberately indulging in or utilizing one’s unpleasant traits. After all, they and other Storybrooke’s citizens were under a spell. However, this story arc featuring Maleficent’s stolen child is an entirely different matter. Yes, Snow and Charming’s crime happened in the past. But they were not under a spell.

But there is one potential problem. Earlier, I had revealed that in “Best Laid Plans”, audiences learned the true identity of “the Author” – a peddler who had been commissioned by the Sorcerer and his apprentice to record the happenings in the Enchanted Forest and other “fictional” realms. After the Apprentice had sent Maleficent’s child to “the Land Without Magic”, he confronted the Author and accused the latter of manipulating him into banishing the unborn (or unhatched) child to our world. He also accused the Author of manipulating past events in the “fictional” realms. Certain fans jumped on this narrative turn-of-events and claimed that the Author had manipulated Snow and Charming into stealing Maleficent’s child. Yes, it is possible that the royal pair had been manipulated by the Author. Then again, the Apprentice never accused the Author of that particular act. So, the audience will never learn the truth, until Horowitz and Kitsis decide to reveal it. If they reveal that the Charmings’ act of kidnapping had been manipulated by the Author, then I will be sadly disappointed.

But you know what? Even if the show runners decide to include that Snow and Charming had been manipulated into kidnapping Maleficent’s child, the royal pair still managed to commit some morally questionable acts since the Apprentice had entrapped the Author in that book. And because both of them, along with other characters in “ONCE UPON A TIME”, have shown they are capable of both decent and very questionable acts, I can never regard them as innately good. Frankly, I see that as a good thing. Because in my eyes, there is nothing more boring or damaging to a good story than a morally one-dimensional character.

Five Favorite Episodes of “ONCE UPON A TIME” – Season Three (2013-2014)

Below is a list of my top five favorite episodes from Season Three of “ONCE UPON A TIME”. The series was created by Edward Kitsis and Adam Horowitz:

 

FIVE FAVORITE EPISODES OF “ONCE UPON A TIME” – Season Three (2013-2014)

1 - 3.11 Going Home

1. (3.11) “Going Home” – In order to stop Peter Pan aka Malcolm’s plans to cast a new curse upon Storybrooke and create a new Neverland, both Rumpelstiltskin aka Mr. Gold and the Evil Queen aka Regina Mills are forced to make big sacrifices.

 

 

2. (3.09) “Saving Henry” – Emma Swan, Snow White and Regina struggle to prevent Pan from absorbing a dying Henry Mills’ heart into his body. Flashbacks reveal how Regina ended up adopting Henry.

 

 

3 - 3.16 Its Not Easy Being Green

3. (3.16) “It’s Not Easy Being Green” – When Zelena is revealed as the Wicked Witch of the West, she challenges her younger half-sister, Regina, to a duel in Storybrooke’s town square. Flashbacks reveal Zelena’s search for a place in the world, following her adopted mother’s death and her acquaintance with Rumpelstiltskin.

 

 

4 - 3.08 Think Lovely Thoughts

4. (3.08) “Think Lovely Thoughts” – The travelers from Storybrooke learn from Wendy Darling about Pan’s true objective – acquire Henry’s heart and achieve immortal youth. Flashbacks reveal how grifter Rumpelstiltskin’s father, Malcolm became Peter Pan and an inhabitant of Neverland.

 

 

5 - 3.15 Quiet Minds

5. (3.15) “Quiet Minds” – During the missing year in the Enchanted Forest, Neal Cassidy (Rumpelstiltskin’s son) and Belle seek to find a way to bring Rumpelstiltskin back to life. Neal’s appearance in Storybrooke reveals the consequences of their search.

 

 

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Honorable Mention – (3.12) “New York Serenade” – Captain Hook interrupts Emma and Henry’s one-year idyllic life in New York with news that the citizens of Storybrooke need her help. Flashbacks reveal how Snow White, Charming, Regina and the others try to rebuild their homes in the Enchanted Forest and discover that the Wicked Witch of the West poses a serious threat.

“The Problems of a Savior Complex”

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“THE PROBLEMS OF A SAVIOR COMPLEX”

The Season Three finale of ABC’s “ONCE UPON A TIME” ended on a curious note. The finale consisted of two episodes – (3.21) “Snow Drift” and (3.22) “There’s No Place Like Home” – in which two of the series’ protagonists, Emma Swan and Killian Jones aka Captain Hook, found themselves transported back in time and to the Enchanted Forest due to circumstances beyond their control.

Let me make this brief. The main villain of Season Three’s second half turned out to be Regina Mills’ older half-sister Zelena, who was also known as the Wicked Witch of the West from “The Wizard of Oz”. Due to Zelena’s jealousy of her younger half-sister’s privileged life, which included being raised by their mother Cora Mills aka the Queen of Hearts, she wanted to go back in time and erase Regina from existence. Although Zelena managed to set up a portal to convey her back in time, Regina managed to defeat her. Unfortunately . . . an angry Rumpelstiltskin ended up murdering an incarcerated Zelena for the death of his son, Neal Cassidy aka Baefire. Zelena’s spirit ended up re-opening the time travel portal. And both Emma and Hook got sucked into the portal and into the past.

During the pair’s adventures in the Enchanted Forest of the past, Emma nearly ruined the first meeting between her parents – Snow White and David, Prince Charming. She and Hook, with Rumpelstiltskin’s help, set out to repair the timeline and ensure that her parents will not only meet, but fall in love. Their efforts to do so led to Emma’s capture during the wedding party of Charming and Princess Abigail by Regina, also known as the Evil Queen. Inside the Queen’s jail cell, Emma met a woman who had been incarcerated for helping Snow White flee Regina’s wrath. With her and the woman set to be executed the following morning, Emma managed to break out of the cell. Hook, who had earlier warned Emma about changing the timeline, reacted with slight dismay when he discovered that she helped the woman escape. And yet . . . when Emma wanted to bring the woman with her and Hook to Storybrooke, Hook agreed to help her, arguing that the woman’s family thought she was dead and they need to continue to believe it. The woman refused to go with Emma and Hook to Storybrooke, so the former knocked her unconscious and with Hook’s help, brought her with them. As it turned out, the woman proved to be Maid Marian, Robin Hood’s wife. And Marian’s presence in Storybrooke brought an end to Robin’s newly found romance with Regina Mills.

Judging from Regina’s angry reaction to Emma and Hook’s actions, many fans reacted in different ways to this new twist in the story arc between the two women. Many fans continue to assume that Regina will fall back on her old evil ways and seek revenge against Emma for ruining her romance with Robin. Some believe she will be tempted, but continue her redemption arc and eventually forgive Emma. What is interesting about all of this is that most of the fans seemed to be interested in how Regina will react to the loss of Robin in the upcoming fourth season. Only a few fans have even bothered to criticize Emma and Hook for their actions. Yet, despite these criticisms, other fans came to Emma’s defense by stating that she was right to save Marian from being executed by Regina. I am tempted to discuss this situation from Regina and Robin’s point of view. But right now, I am more interested in what led Emma to change the timeline in the first place.

I can image the response to the last sentence in the previous paragraph. What led Emma to change the timeline? To save Marion’s life, that’s why! Emma Swan is supposed to be “the Savior”. As fan as the series and many of the fans are concerned, this is what she is supposed to do. I wish I could agree with that sentiment. I really do. But considering her actions in “There’s No Place Like Home”, I wish it were not so. Emma became labeled as “the Savior” back in Season One, when it was revealed that she was the person destined to break the curse that found many of the Enchanted Forest’s inhabitants in “the Land Without Magic” – namely Storybrooke, Maine – thanks to Rumpelstiltskin’s creation of it and Regina’s willingness to cast it. After spending nearly a season refusing to believe in the curse, let alone the idea that the town’s inhabitants came from a fairy tale world, Emma finally broke the curse with a “true love” kiss to her son Henry, who was trapped in a sleeping curse. And the only reason Emma found herself in this role as everyone’s “savior” was because Rumpelstiltskin manipulated events so they would lead to this moment. And why? Because he wanted to find his son Baefire, whom he discovered had ended up in our world. Now, if the only reason Emma had been set up as “the savior” who break that first curse . . . why did everyone else continued to regard her as “the savior” after she broke it? Why did she, for that matter?

One would think I am accusing Emma Swan of developing a bad ego trip. And you know what? They would be right. I am well aware of the fact that Emma reacted with a great reluctance and wariness to the idea of her being “the savior”. I am also aware of the fact that she was willing to flee Storybrooke (with Henry) in the Season One episodes, (1.20) “The Stranger” and (1.21) “An Apple Red as Blood” because she could not face the responsibility of being responsible for the lives of Storybrooke’s citizens. But once she broke the curse in (1.22) “A Land Without Magic”, Emma ended up embracing her “savior” role with a vengeance . . . despite her continued wariness. This was especially apparent in three episodes from Season Two and Three. After she, Snow White, Mulan and Aurora ended up captured by Cora and Hook in Season Two’s (2.09) “The Queen of Hearts” in the present day Enchanted Forest, the following exchange occurred between the four women:

(Emma is futilely banging the door of the cell with her sword, while the rest of them watch.)

Snow White: We aren’t going to break it down, Emma. It was enchanted to hold Rumpelstiltskin. We don’t have a chance.

Aurora: This is my fault.

Mulan: No, it’s mine. Cora stole your heart because I failed to protect you.

Emma: That’s very sweet, but I believe it’s my fault. I’m the saviour, and I’m not doing much saving, am I?

When I first saw this episode during the fall of 2012, I thought nothing of Emma’s words. But when I recently viewed the episode from my copy of the series’ Season Two DVD box set, her comment stunned me. I could not believe what I had just heard. For the second time, Emma expressed her deep-seated view to her mother Snow White that she would always be destined to be “the savior” in the Season Three episode, (3.11) “Going Home”. In this episode, Rumpelstiltskin had defeated his father Malcolm aka Peter Pan and Regina had to permanently destroy the curse by ripping the scroll that contain the words to it. Because Henry was born in “the Land Without Magic” and Emma managed to avoid the first curse, they were able to avoid being sent back to the Enchanted Forest. Before Regina destroy the scroll, both Regina and Snow White hinted that since Emma was “the savior”, she was supposed to remain behind and take Henry away. Emma responded to Snow White with the following words:

“I’m the savior, right? I’m supposed to bring back all the happy endings.”

Dear God. Emma’s belief in her role as “the savior” truly reached egotistical heights in her conversation with Hook in “Snow Drift” in which both discussed Emma’s plans to return to New York with Henry:

Hook: Don’t listen to me, listen to your son. (He takes the storybook from his satchel and hands it to Emma.) He thought this might remind you of what you’re leaving behind–your family.

Emma: Henry is my family and I am taking him where he is safe.

Hook: No, Swan. The safety-first nonsense is just that. You defeated the bloody Wicked Witch. You defeated Pan. You broke the curse. And you keep running. What are you looking for?

What I found amazing about Hook’s words is that he had credited the defeats of Peter Pan and Zelena to Emma. Apparently, he had forgotten that Regina was the one who saved Henry’s heart from Pan back in Neverland. Hook had forgotten that Rumpelstiltskin was the one who ultimately defeated Pan . . . and that Regina was the one who defeated Zelena. The only thing Hook got right was the fact that Emma had broken the curse. Some fans claim that Hook was merely trying to bolster Emma’s self esteem. Emma’s self esteem was not on Hook’s mind. Emma’s reluctance to live in Storybrooke with her parents WAS the topic between them. Hook merely slipped in Pan and Zelena’s defeats into the conversation. And what I found even more amazing . . . and scary is that Emma never bothered to correct him. By this time, Emma had incorporated the idea of her being “the savior” so much that she ended up wallowing in illusions over who had really defeated the Big Bads of Season Three.

As for the situation with Maid Marian . . . I can only shake my head in disbelief. I realize that many fans believe that Emma should have chosen saving a woman’s life over maintaining the timeline. I do not. Throughout most of “Snow Drift”, Hook had warned Emma about changing the timeline . . . for any reason. This reminds me of an episode from the 1998-2006 supernatural series, “CHARMED”. In the latter’s Season One episode called (1.17) “That ’70s Episode”, the Halliwell sisters traveled back in time to 1975 in order to prevent their late mother from being coerced into making a pact with a warlock – a pact that might have deadly circumstances for them. The youngest sister (at the time) Phoebe Halliwell gave into temptation and left a warning to her mother on how the latter would die nearly three years later. Realizing that she would end up changing the timeline, Phoebe tore up the letter before she and her sisters returned to 1999. As much as Phoebe wanted to save her mother, she realized that maintaining the timeline was the right thing to do . . . even if it meant her mother’s early death.

Despite the constant warnings from Hook about changing the timeline, Emma ignored him and saved Maid Marian from the cell. While I might admire her willingness to save someone, I wish she had realized that one cannot save everyone all of the time. And sometimes, it is not a good idea. But in her arrogance and misplaced belief that she had to save everyone, Emma decided to change the timeline. To make matters worse, she forced Marian to accompany her and Hook back to Storybrooke, despite the fact that Marian wanted to remain in the Enchanted Forest and find her family. And Hook’s argument that Robin and the others probably thought she was dead did not sit well with me. Emma had already screwed up the timeline by saving Marian. I did not see how dragging the latter back to Storybrooke was going to help the matter. As it turned out, it did not.

After what I saw in “There’s No Place Like Home”, I have come to the conclusion that Emma has absorbed the idea that she is “the savior” to such a degree that she has become slightly illusional in her belief. Emma’s role as Now that I think about it, I believe that the series’ creators, Adam Horowitz and Edward Kitsis, have become illusional in this belief that Emma is always supposed to be “the savior”. Unless they were planning for Emma to develop some kind of complex over her role as “the savior” in later seasons, I suspect that Horowitz and Kitsis will never allow Emma to face the consequences of her action in There’s No Place Like Home”, aside from a few angry rants from Regina. And I suspect that Regina’s anger will not last very long. I have complained about this in an earlier article that when it comes to Emma and her family, Horowitz and Kitsis have a bad habit of not allowing them to consider or face the consequences of their actions . . . with the exception of Snow White, who had committed murder. And the consequences she faced proved to be mild and rather brief.

I must admit that I am getting weary of Emma constantly being labeled as “the savior”. This is a label that should have dropped after she had broken the original curse in “A Land Without Magic”. The only reason she was fixed with “the savior” role in the first place was because Rumpelstiltskin had arranged for her to be the one to break that curse. The longer this series continues to label Emma as “the savior”, the more I will become convinced that she has developed serious complex issues over this role.

“OZ THE GREAT AND POWERFUL” (2013) Review

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“OZ THE GREAT AND POWERFUL” (2013) Review

I have a confession to make. I have always liked “THE WIZARD OF OZ”, the 1939 adaptation of Frank L. Baum’s 1901 novel, “The Wonderful Wizard of Oz”. I used to watch it on a yearly basis as a child. But if I must be brutally frank, I have never developed a deep love for the movie. So when I learned that the Disney Studios had developed a prequel movie to the 1939 film, I did not exactly jump up and down with joy.

I was surprised to learn that the Disney Studios’ history with Frank Baum’s fantasy world of Oz proved to be a long one. Walt Disney had wanted to create an animated film based on the 1901 story, but he and his brother Roy Disney discovered that Samuel Goldwyn had first purchased the film rights before selling it to Louis B. Mayer at Metro-Goldwyn-Mayer. Disney managed to purchase the rights of Baum’s remaining Oz novels in 1954. And in 1985, the studio produced and released the sequel movie, “RETURN TO OZ”. However, the film proved to be a box office bomb. And the movie rights to all of Baum’s novels ended up in public domain. Twenty-seven or 28 years later, Disney tried their hand at another Oz movie. The result is the prequel to Baum’s 1901 novel and MGM’s 1939 film – “OZ THE GREAT AND POWERFUL”. Set twenty years before the novel and the film, “OZ THE GREAT AND POWERFUL” begins in 1906 Kansas with barnstorm and small time magician Oscar Diggs working in a traveling circus. Oscar is also something of a scam artist and ladies’ man who has no qualms with seducing the young wife of the circus’ strongman. Oscar is also in love with a young local woman, who has been encouraged by him to marry a respectable farmer. When the strongman learns of Oscar’s flirtations, the latter escapes the circus in a hot air balloon. But he is sucked into a tornado and finds himself in the “Land of Oz”.

Once in this new land, Oscar meets the first of three witches who will turn his life upside down – Theodora. She believes he is the prophesied savior who will overthrow the Wicked Witch that killed the King of Oz. While she escorts him to Emerald City to meet her sister Evanora, Theodora is seduced by Oscar, leading her to fall in love with him. The pair also meets a flying monkey named Finley, who pledges a life debt to Oscar when the latter saves him from a lion . . . at Theodora’s instigation. Upon their arrival in Emerald City, Oscar is charged by Evanora to prove that he is Oz’s prophesied savior by traveling to the Dark Forest where the Wicked Witch resides and kill the latter by destroying her wand. During Oscar and Findley’s journey to the Dark Forest, they meet China Girl, a young, living china doll whose home and family had been destroyed by the Wicked Witch. When the trio reaches the Dark Forest, they discover that the “Wicked Witch” is actually Glinda the Good Witch of the North. She tells them that Evanora is the true Wicked Witch. And when Evanora sees this with her crystal ball, she manipulates Theodora against Oscar by showing him together with Glinda, claiming he is trying to court all three witches. Evanora offers the heartbroken Theodora a magic apple, which she promises will remove the younger witch’s heartache. Theodora eats the apple and transforms into the heartless, green-skinned future Wicked Witch of the West. Oscar, Glinda, Findley, China Girl and many others soon find themselves in a war against Evanora and Theodora for control of Oz.

“OZ THE GREAT AND POWERFUL” earned mixed reviews upon its release, despite becoming a box office hit. Many complained that it failed to live up to the “magic” of the 1939 movie. I do not know how to respond to this complaint. After all, everyone has a right to his or her own opinion. Were there any aspects of “OZ THE GREAT AND POWERFUL” that I disliked? Well . . . I do have one major complaint and it has to do with the relationship between Oscar and Theodora. What I disliked was Oscar’s failure to apologize to Theodora for exploiting her feelings toward him when they first met. Instead of admitting that he had been wrong to seduce her in the first place, he merely offered her the chance to live in the Emerald City in peace if she would allow goodness back into her heart. And nothing else. Instead of an apology, Oscar offered her a sanctimonious offer of redemption. What an asshole. In other words, Mitchell Kapner’s screenplay refused to allow Oscar to consider that his careless seduction of Theodora gave Evanora the opportunity to transform her into an evil and heartless witch.

Despite this unpleasant exercise of relationships gone wrong, I actually enjoyed “OZ THE GREAT AND POWERFUL”. In fact, my feelings of the movie seemed to be the same as the 1939 film – I enjoyed it very much, but I did not love it. It was fun, entertaining in its own way. And I could see that the movie greatly benefited from Kapner’s well-paced screenplay and director Sam Rami’s twisted sense of humor. This especially seemed to be the case in Oscar’s relationship with the long-suffering Findley and one of Emerald City’s citizens, the tart-tongued herald and fanfare player, Knuck. Rami and Kapner also did a clever job of allowing the plot to mirror certain aspects of 1939’s “THE WIZARD OF OZ”. The Kansas sequences at the beginning of both movies were filmed in black-and-white, both protagonists (Dorothy Gale and Oscar Diggs) arrived in Oz via a tornado. Both acquire sidekicks during their journeys through Oz. In Oscar’s case, both Findley and China Girl become his companions on the road. After meeting Glinda, he also acquire the friendship of Knuck (sort of) and the Emerald City’s Master Tinker. And both movies end with Oscar providing gifts to most of the protagonists.

At the same time, both Rami and Kapner were wise enough to remember that “OZ THE GREAT AND POWERFUL” is the product of early 21st century Hollywood, and not the film industry of the late 1930s. As I had stated earlier, the humor featured in the film struck me as slightly perverse at times – which I loved. And Oscar Diggs’ moral compass proved to be a lot more ambiguous than the innocent Dorothy Gale. Mind you, I disliked his handling of Theodora. But one has to remember that his character has always been something of schemer and opportunist – even in the 1939 film. Speaking of ambiguity, I was surprised to find a few hints of it in China Girl’s character – especially in her enthusiasm to seek and kill the Wicked Witch. In regard to the film’s villains, they seemed to be a different kettle of fish in compare to the Wicked Witch of the West in “THE WIZARD OF OZ”. Although Evanora proved to be evil in a one-dimensional manner, she seemed to be more subtle and manipulative in carrying out her deeds. And Theodora proved to be a real surprise. Her evil seemed to be born from a broken heart thanks to Oscar and her sister’s manipulations, making her the most sympathetic character . . . at least for me. Many reviewers – especially male reviewers – seemed confused over Theodora’s transformation from the naive young witch to the green-skinned, heartless evildoer. It almost seemed as if they did not want to acknowledge the part that Oscar played in her transformation into evil. And I find that rather sad and a little disturbing.

Speaking of the characters, they would not have worked without the first-rate cast that portrayed them. James Franco did an excellent job in conveying Oscar Diggs’ journey from the cheap and womanizing showman to the responsible civic leader that helped free the Emerald City from the evil Evanora’s grasp. Michelle Williams gave a luminous performance as Glinda the Good Witch. Although her character did not strike me as particularly complex, she managed to inject some much needed mystery into the character, making her more interesting than the 1939 counterpart. And Rachel Weisz seemed to be having a ball as the sly and manipulative Evanora. The movie also featured some solid performances from the likes of Bill Cobbs as Master Tinker, Tony Cox as the sardonic Knuck, Abigail Spencer as Oscar’s naive, yet very married Kansas assistant May; and a humorous appearance by Rami veteran Bruce Campbell as an Emerald City guard. But there were three performances that really impressed me. One came from Zach Braff, who added an expert touch of the long-suffering in his outstanding voice performance as winged monkey Findley. Another first-rate voice performance came Joey King in her portrayal of China Doll, who expertly conveyed both the character’s vulnerability and exuberant aggressiveness. And finally there was Mila Kunis, who did a stupendous job in her portrayal of Theodora, the naive young witch who became the murderous Wicked Witch of the West. I was more than impressed by Kunis, for I believe she had the difficult job of making her character’s transformation believable.

“OZ THE GREAT AND POWERFUL” is a beautiful movie to look at. Production designer Robert Stromberg did a solid job in bringing the land of Oz to life. Thanks to him and cinematographer Peter Deming, audiences were able to enjoy the movie’s rich and colorful look that brought back happy memories of the Technicolor featured in the 1939 movie. My only complaint are the few moments when it seemed I was looking at matte paintings instead of CGI during Oscar’s first moments in Oz. I was especially impressed by the scene that featured Theodora’s first appearance as the Wicked Witch of the West. Thanks to Rami’s direction, Deming’s photography, the make-up department’s work and the special effects team, I was more than taken aback by this frightening moment.

In the end, I really enjoyed “OZ THE GREAT AND POWERFUL”. I did not love it. Then again, I do not love the 1939 movie. But I do believe that this new movie more than made up for the failure of 1985’s “RETURN TO OZ”. Thanks to screenwriter Mitchell Kapner, a talented cast led by James Franco and some first-rate and slightly twisted direction by Sam Rami, “OZ THE GREAT AND POWERFUL” proved to be a surprisingly entertaining film.